Songs like I Love the Lord (He Heard My Cry) by The Fairfield Four
Based on a tempo of (+/- 10%) and a similar genre
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Leon Redbone
Polly Wolly Doodle
164 bpm • A# Maj • 02:54 • -19.87db
23% Popularity • 64% Danceability • 11% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
23% Popularity • 64% Danceability • 11% Energy • 10% Liveness
13% Instrumentalness • 72% Positiveness
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Blind Willie Johnson
Let Your Light Shine on Me
166 bpm • G Maj • 03:08 • -16db
28% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Fairfield Four
I Love the Lord (He Heard My Cry)
164 bpm • F min • 02:54 • -10.98db
9% Popularity • 17% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 17% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bernice Johnson Reagon
Couldn't Hear Nobody Pray
166 bpm • D min • 01:49 • -16.53db
19% Popularity • 43% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 43% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The Swan Silvertones
Where Shall I Go
162 bpm • G Maj • 02:00 • -10.42db
20% Popularity • 44% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 44% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Tex Ritter
High Noon
161 bpm • F# min • 02:26 • -20.5db
22% Popularity • 52% Danceability • 11% Energy • 11% Liveness
20% Instrumentalness • 61% Positiveness
22% Popularity • 52% Danceability • 11% Energy • 11% Liveness
20% Instrumentalness • 61% Positiveness
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Carolina Chocolate Drops
Your Baby Ain't Sweet Like Mine
160 bpm • G Maj • 03:00 • -6.89db
25% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Blind Willie Johnson
God Don't Never Change
168 bpm • C Maj • 02:56 • -16db
16% Popularity • 56% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 56% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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The Fairfield Four
Leave It There
168 bpm • F Maj • 02:22 • -11.68db
0% Popularity • 26% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 26% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Brother Joe May
Working On A Building
168 bpm • D# Maj • 02:45 • -9db
15% Popularity • 42% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 42% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dorothy Love Coates
Heaven
168 bpm • D# Maj • 02:42 • -8.95db
10% Popularity • 63% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 63% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
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Lester Flatt
Foggy Mountain Breakdown - Theme From "B...
160 bpm • G# Maj • 02:42 • -9.59db
40% Popularity • 38% Danceability • 86% Energy • 27% Liveness
87% Instrumentalness • 96% Positiveness
40% Popularity • 38% Danceability • 86% Energy • 27% Liveness
87% Instrumentalness • 96% Positiveness
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Vera Hall
Boll Weevil Holler
169 bpm • A Maj • 02:03 • -20db
15% Popularity • 39% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 39% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alan Lomax
Rambling Gambler
169 bpm • D Maj • 03:08 • -10.56db
11% Popularity • 28% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 28% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Fairfield Four
Poor Pilgrim
168 bpm • E Maj • 02:16 • -13.4db
0% Popularity • 24% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 24% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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The Soggy Bottom Boys
I Am A Man Of Constant Sorrow - With Ban...
170 bpm • F Maj • 04:16 • -11.6db
52% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
52% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
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The Riverside Singers
Get Away Jordan
158 bpm • G Maj • 02:26 • -17.32db
8% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 61% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Becky Buller
Tell The Truth (Shame The Devil)
170 bpm • D Maj • 03:13 • -9.18db
9% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rev. Gary Davis
I Belong To The Band
171 bpm • C Maj • 02:54 • -14.36db
20% Popularity • 49% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 49% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Flatt & Scruggs
Flint Hill Special
157 bpm • G# Maj • 02:45 • -9db
36% Popularity • 34% Danceability • 66% Energy • 5% Liveness
82% Instrumentalness • 98% Positiveness
36% Popularity • 34% Danceability • 66% Energy • 5% Liveness
82% Instrumentalness • 98% Positiveness
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The Fairfield Four
My God Called Me This Morning
170 bpm • A# min • 02:31 • -13.51db
17% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Blind Uncle Gaspard
Assi Dans La Fenetre De Ma Chambre
171 bpm • D# Maj • 02:55 • -12.81db
12% Popularity • 44% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 44% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Mance Lipscomb
When Death Come Creeping in Your Room (R...
171 bpm • D# Maj • 02:57 • -20db
20% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Son House
Preachin' Blues
171 bpm • B min • 05:43 • -11.8db
18% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Eck Robertson
Sally Gooden
171 bpm • D Maj • 03:10 • -22.43db
23% Popularity • 24% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
23% Popularity • 24% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Rev. Gary Davis
Say No to the Devil
172 bpm • F# Maj • 03:20 • -13db
24% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Monroe & His Blue Grass Boys
Blue Grass Breakdown
172 bpm • C Maj • 02:38 • -14.99db
24% Popularity • 39% Danceability • 53% Energy • 33% Liveness
92% Instrumentalness • 96% Positiveness
24% Popularity • 39% Danceability • 53% Energy • 33% Liveness
92% Instrumentalness • 96% Positiveness
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Stuart Duncan
Ruby With The Eyes That Sparkle
172 bpm • D Maj • 03:11 • -16.81db
22% Popularity • 43% Danceability • 14% Energy • 19% Liveness
66% Instrumentalness • 90% Positiveness
22% Popularity • 43% Danceability • 14% Energy • 19% Liveness
66% Instrumentalness • 90% Positiveness
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Lyle Lovett
Church
156 bpm • G Maj • 06:01 • -13.45db
30% Popularity • 52% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 52% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Spirit Of Memphis Quartet
The Atomic Telephone
173 bpm • D# Maj • 02:39 • -11.93db
16% Popularity • 58% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 58% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Ola Belle Reed
High on the Mountain
173 bpm • C Maj • 03:06 • -14.2db
33% Popularity • 41% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 41% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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The Fairfield Four
Shadrack
173 bpm • D# Maj • 02:37 • -13.44db
1% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Memphis Jug Band
Stealin' Stealin'
155 bpm • G Maj • 02:56 • -10.77db
14% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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The Peasall Sisters
Where No One Stands Alone
174 bpm • A# Maj • 02:50 • -11.78db
15% Popularity • 33% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 33% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Dorothy Love Coates
Get Away Jordan
154 bpm • F min • 02:45 • -10db
12% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Alan Lomax
Old Dollar Mamie
175 bpm • A Maj • 03:24 • -11.41db
11% Popularity • 62% Danceability • 39% Energy • 35% Liveness
14% Instrumentalness • 31% Positiveness
11% Popularity • 62% Danceability • 39% Energy • 35% Liveness
14% Instrumentalness • 31% Positiveness
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Bill Monroe and Doc Watson
What Would You Give in Exchange for Your...
153 bpm • F Maj • 04:30 • -15.02db
11% Popularity • 45% Danceability • 12% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 45% Danceability • 12% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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The Fairfield Four
On My Journey Now
174 bpm • D# Maj • 02:42 • -8.98db
0% Popularity • 34% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 34% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Carolina Chocolate Drops
Briggs' Corn Shucking Jig / Camptown Hor...
152 bpm • C Maj • 02:54 • -8.24db
17% Popularity • 50% Danceability • 51% Energy • 22% Liveness
70% Instrumentalness • 76% Positiveness
17% Popularity • 50% Danceability • 51% Energy • 22% Liveness
70% Instrumentalness • 76% Positiveness
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Mountain Ramblers
Cotton Eyed Joe
152 bpm • D min • 02:32 • -13db
10% Popularity • 38% Danceability • 52% Energy • 12% Liveness
30% Instrumentalness • 71% Positiveness
10% Popularity • 38% Danceability • 52% Energy • 12% Liveness
30% Instrumentalness • 71% Positiveness
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Lightnin' Hopkins
Once Was a Gambler
177 bpm • A# Maj • 04:58 • -16.65db
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Rev. Gary Davis
Oh Glory, How Happy I Am
152 bpm • G Maj • 04:36 • -13.33db
10% Popularity • 59% Danceability • 17% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
10% Popularity • 59% Danceability • 17% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Sister Gertrude Morgan
I Got The New World In My View
152 bpm • G Maj • 04:34 • -15.23db
16% Popularity • 67% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 67% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Brozman
It's Mercy We Need
177 bpm • E Maj • 02:29 • -12.5db
8% Popularity • 40% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
8% Popularity • 40% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Elizabeth Cotten and Brenda Evans
Jesus Lifted Me
179 bpm • C# Maj • 02:08 • -11db
17% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Buckwheat Zydeco
Cryin' in the Streets
178 bpm • A# Maj • 08:43 • -8db
13% Popularity • 23% Danceability • 50% Energy • 7% Liveness
12% Instrumentalness • 42% Positiveness
13% Popularity • 23% Danceability • 50% Energy • 7% Liveness
12% Instrumentalness • 42% Positiveness
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Thomas A. Dorsey
(There'll Be) Peace In The Valley
180 bpm • E Maj • 03:29 • -13db
17% Popularity • 22% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 22% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Weissberg
Dueling Banjos
150 bpm • A Maj • 03:14 • -8.78db
49% Popularity • 42% Danceability • 48% Energy • 7% Liveness
96% Instrumentalness • 50% Positiveness
49% Popularity • 42% Danceability • 48% Energy • 7% Liveness
96% Instrumentalness • 50% Positiveness
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Blind Willie Johnson
Keep Your Lamp Trimmed And Burning
149 bpm • D Maj • 03:02 • -16db
18% Popularity • 52% Danceability • 14% Energy • 22% Liveness
4% Instrumentalness • 46% Positiveness
18% Popularity • 52% Danceability • 14% Energy • 22% Liveness
4% Instrumentalness • 46% Positiveness
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The Dixie Hummingbirds
Will The Lord Be With Me
181 bpm • A# min • 02:46 • -11db
15% Popularity • 37% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 37% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Thomas King
Hard Time Killing Floor Blues
149 bpm • D min • 03:20 • -8.82db
15% Popularity • 47% Danceability • 31% Energy • 32% Liveness
7% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 31% Energy • 32% Liveness
7% Instrumentalness • 24% Positiveness
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The McIntosh County Shouters
Blow, Gabriel
181 bpm • C# Maj • 03:37 • -17db
11% Popularity • 58% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 58% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Thomas A. Dorsey
Take My Hand, Precious Lord
180 bpm • F Maj • 07:30 • -16.01db
11% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dorothy Love Coates
He's Calling Me
182 bpm • G Maj • 03:00 • -8db
17% Popularity • 63% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 63% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Blind Lemon Jefferson
See That My Grave's Kept Clean
182 bpm • D min • 02:54 • -18.86db
20% Popularity • 34% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 34% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Blind Willie Johnson
Lord I Just Can't Keep From Crying
148 bpm • A Maj • 03:00 • -16db
22% Popularity • 61% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 61% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Peasall Sisters
Home To You
147 bpm • A Maj • 02:36 • -11.02db
20% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Big Bill Morganfield
Rising Son
147 bpm • A Maj • 04:16 • -14.69db
10% Popularity • 53% Danceability • 16% Energy • 10% Liveness
23% Instrumentalness • 16% Positiveness
10% Popularity • 53% Danceability • 16% Energy • 10% Liveness
23% Instrumentalness • 16% Positiveness
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New Grass Revival
You Don't Knock
184 bpm • F# Maj • 02:35 • -17.07db
15% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jack Black
Love Lifted Me
146 bpm • C Maj • 04:39 • -3.28db
26% Popularity • 44% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 44% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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The Dixie Hummingbirds
Love Me Like A Rock
146 bpm • C Maj • 03:07 • -5.77db
13% Popularity • 59% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 59% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Steve Earle
Telephone Road
146 bpm • F Maj • 03:42 • -8db
31% Popularity • 50% Danceability • 71% Energy • 13% Liveness
54% Instrumentalness • 70% Positiveness
31% Popularity • 50% Danceability • 71% Energy • 13% Liveness
54% Instrumentalness • 70% Positiveness
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Blind Willie Johnson
I'm Gonna Run to the City of Refuge
146 bpm • D Maj • 03:22 • -16.06db
10% Popularity • 56% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 56% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Leon Redbone
Sheik of Araby
145 bpm • F Maj • 02:33 • -19.01db
13% Popularity • 55% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
13% Popularity • 55% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
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Memphis Minnie & Kansas Joe
Evil Devil Woman Blues
145 bpm • A Maj • 03:14 • -16.24db
20% Popularity • 48% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 48% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
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Blind Lemon Jefferson
Black Snake Moan
145 bpm • B Maj • 02:50 • -11db
28% Popularity • 58% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Sister Wynona Carr
Each Day
145 bpm • C min • 02:47 • -11.7db
8% Popularity • 78% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 78% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Thomas King
Hard Time Killing Floor
145 bpm • D min • 03:12 • -11.26db
20% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Blind Blake
Diddie Wa Diddie
186 bpm • C Maj • 03:00 • -13.84db
22% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
22% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
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The Doc Watson Family
The Lost Soul
144 bpm • A min • 03:01 • -13.34db
15% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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The Fairfield Four
Born Again
144 bpm • D# Maj • 02:31 • -12db
10% Popularity • 50% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 50% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Leon Redbone
Champagne Charlie
187 bpm • A# Maj • 02:55 • -17.72db
21% Popularity • 58% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
21% Popularity • 58% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
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Bluegrass Gospel Project
Oh, Mary Don't You Weep
144 bpm • C Maj • 02:56 • -7.49db
8% Popularity • 61% Danceability • 56% Energy • 75% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 61% Danceability • 56% Energy • 75% Liveness
0% Instrumentalness • 45% Positiveness
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Carolina Chocolate Drops
Lights in the Valley
144 bpm • G Maj • 02:50 • -5.35db
19% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Dom Flemons
Home on the Range
144 bpm • D# Maj • 04:32 • -15.61db
14% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Hugh Laurie
Battle of Jericho
143 bpm • A min • 03:47 • -6.4db
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Fairfield Four
Dig a Little Deeper
187 bpm • A# min • 03:48 • -11.34db
4% Popularity • 38% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 38% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Flatt & Scruggs
Earl's Breakdown
143 bpm • G# Maj • 02:59 • -9db
31% Popularity • 39% Danceability • 67% Energy • 31% Liveness
82% Instrumentalness • 97% Positiveness
31% Popularity • 39% Danceability • 67% Energy • 31% Liveness
82% Instrumentalness • 97% Positiveness
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Louisiana Gator Boys
How Blue Can You Get
188 bpm • D Maj • 05:30 • -4.42db
29% Popularity • 32% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 32% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Steve Martin
Pitkin County Turnaround
143 bpm • G Maj • 02:26 • -7.99db
22% Popularity • 42% Danceability • 65% Energy • 27% Liveness
95% Instrumentalness • 78% Positiveness
22% Popularity • 42% Danceability • 65% Energy • 27% Liveness
95% Instrumentalness • 78% Positiveness
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Blind Willie Johnson
God Moves On the Water
188 bpm • F# Maj • 02:59 • -14.96db
27% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Soggy Bottom Boys
In The Jailhouse Now
143 bpm • B Maj • 03:36 • -12.69db
48% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Roy Clark
Malaguena
143 bpm • C Maj • 04:18 • -20.1db
30% Popularity • 46% Danceability • 16% Energy • 18% Liveness
86% Instrumentalness • 28% Positiveness
30% Popularity • 46% Danceability • 16% Energy • 18% Liveness
86% Instrumentalness • 28% Positiveness
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Jessie Mae Hemphill
Lord, Help The Poor And Needy
142 bpm • A Maj • 02:28 • -12db
8% Popularity • 83% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 83% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Bill Monroe & His Blue Grass Boys
Heavy Traffic Ahead
189 bpm • A Maj • 02:48 • -15.04db
16% Popularity • 59% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 82% Positiveness
16% Popularity • 59% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 82% Positiveness
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The Cox Family
When God Dips His Pen Of Love In My Hear...
141 bpm • C Maj • 04:28 • -18.76db
14% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tex Ritter
The Gallows Pole
142 bpm • C# min • 02:39 • -16.56db
8% Popularity • 71% Danceability • 26% Energy • 10% Liveness
26% Instrumentalness • 69% Positiveness
8% Popularity • 71% Danceability • 26% Energy • 10% Liveness
26% Instrumentalness • 69% Positiveness
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Blue Highway
Some Day
141 bpm • G# Maj • 01:45 • -10.81db
32% Popularity • 68% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 68% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Son House
Grinnin' in Your Face
141 bpm • G Maj • 02:06 • -14.59db
19% Popularity • 74% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 74% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Deford Bailey
Fox Chase
141 bpm • E Maj • 03:01 • -11.64db
29% Popularity • 65% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 65% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Claire Lynch
Paul And Peter Walked
140 bpm • G Maj • 02:34 • -11.05db
27% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Persuasions
People Get Ready
192 bpm • B Maj • 03:33 • -17.4db
19% Popularity • 48% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 48% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Blind Willie Johnson
You're Gonna Need Somebody on Your Bond
140 bpm • A Maj • 03:09 • -14.52db
13% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Florida Boys
Love Lifted Me
140 bpm • F Maj • 02:21 • -10.17db
15% Popularity • 75% Danceability • 52% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
15% Popularity • 75% Danceability • 52% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
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The Fairfield Four
Swing Low Sweet Chariot
192 bpm • A# Maj • 04:39 • -16.04db
7% Popularity • 30% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 30% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Madeleine Peyroux
A Prayer
140 bpm • F Maj • 02:36 • -18db
22% Popularity • 34% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 26% Positiveness
22% Popularity • 34% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 26% Positiveness
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Sister Wynona Carr
The Ball Game
140 bpm • F Maj • 03:03 • -15db
31% Popularity • 80% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 80% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Campbell Brothers
Pass Me Not, Oh Gentle Savior
140 bpm • E Maj • 06:22 • -20.54db
8% Popularity • 35% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
8% Popularity • 35% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness