Songs like I Love You, OK! by Adventure Time
Based on a tempo of (+/- 10%) and a similar genre
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Adventure Time
Summer Swamp Boogie - Gilligan Moss Mix
117 bpm • D Maj • 02:10 • -19.2db
31% Popularity • 72% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
31% Popularity • 72% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Brad Breeck
Is It Bottomless - Triangulum Entagulum
117 bpm • C# Maj • 01:49 • -15.15db
22% Popularity • 32% Danceability • 31% Energy • 27% Liveness
69% Instrumentalness • 7% Positiveness
22% Popularity • 32% Danceability • 31% Energy • 27% Liveness
69% Instrumentalness • 7% Positiveness
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Piercen Harbut
Crawlers
116 bpm • C# Maj • 02:28 • -23.32db
28% Popularity • 71% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
28% Popularity • 71% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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MasterSwordRemix
Aeternum
118 bpm • C# min • 01:00 • -33.43db
17% Popularity • 23% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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The Newton Brothers
The Yellow Rabbit
118 bpm • C Maj • 02:26 • -15.69db
34% Popularity • 26% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Inanimate Insanity
why wont you believe that i care
116 bpm • G# Maj • 01:21 • -30.29db
24% Popularity • 53% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
24% Popularity • 53% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Adventure Time
I Love You, OK!
117 bpm • C Maj • 02:56 • -22db
16% Popularity • 17% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Park Hyejin (DEVSISTERS)
Wilting of the White Lily
118 bpm • A min • 01:31 • -13.25db
21% Popularity • 69% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 69% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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SWJonesMusic
The Owl House Ending Theme
116 bpm • F# Maj • 03:42 • -10.9db
29% Popularity • 47% Danceability • 61% Energy • 8% Liveness
96% Instrumentalness • 57% Positiveness
29% Popularity • 47% Danceability • 61% Energy • 8% Liveness
96% Instrumentalness • 57% Positiveness
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Infinity Train
Getting on the Train
116 bpm • G# Maj • 01:33 • -16.98db
17% Popularity • 43% Danceability • 53% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 43% Danceability • 53% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
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MasterSwordRemix
Hatzgang
116 bpm • C min • 02:06 • -15.44db
27% Popularity • 82% Danceability • 35% Energy • 5% Liveness
11% Instrumentalness • 51% Positiveness
27% Popularity • 82% Danceability • 35% Energy • 5% Liveness
11% Instrumentalness • 51% Positiveness
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BFDI Music
aw, it's great to be alive.
118 bpm • C# Maj • 01:38 • -15.86db
13% Popularity • 40% Danceability • 48% Energy • 30% Liveness
68% Instrumentalness • 26% Positiveness
13% Popularity • 40% Danceability • 48% Energy • 30% Liveness
68% Instrumentalness • 26% Positiveness
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Adventure Time
Fun with Trees
117 bpm • B Maj • 01:08 • -15.75db
20% Popularity • 42% Danceability • 38% Energy • 27% Liveness
34% Instrumentalness • 22% Positiveness
20% Popularity • 42% Danceability • 38% Energy • 27% Liveness
34% Instrumentalness • 22% Positiveness
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Inanimate Insanity
Shell of a Fan
119 bpm • D Maj • 01:06 • -24.21db
22% Popularity • 27% Danceability • 2% Energy • 30% Liveness
69% Instrumentalness • 10% Positiveness
22% Popularity • 27% Danceability • 2% Energy • 30% Liveness
69% Instrumentalness • 10% Positiveness
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SWJonesMusic
The Owl House Ending Theme (Piano Versio...
115 bpm • F# Maj • 02:33 • -25db
39% Popularity • 56% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
39% Popularity • 56% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 58% Positiveness
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Itshappenedagain
How A Future House Bass is Made
115 bpm • A# Maj • 01:19 • -16.36db
12% Popularity • 17% Danceability • 48% Energy • 13% Liveness
38% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 48% Energy • 13% Liveness
38% Instrumentalness • 4% Positiveness
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Tobias Lilja
The Nome in the Attic
115 bpm • C# Maj • 03:04 • -22.4db
31% Popularity • 61% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
31% Popularity • 61% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Milk In The Microwave
Bootleg Sneaky Snitch
115 bpm • A Maj • 01:07 • -17.14db
35% Popularity • 97% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 97% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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ConcernedApe
Sun Room (Alone with Relaxing Tea)
119 bpm • C Maj • 01:44 • -24.92db
40% Popularity • 60% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 60% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Cheesy Hfj
Spow
115 bpm • E min • 02:46 • -12.96db
44% Popularity • 74% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 45% Positiveness
44% Popularity • 74% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 45% Positiveness
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Isaac Wilkins
Survival Games
115 bpm • G# Maj • 04:08 • -7.63db
18% Popularity • 69% Danceability • 68% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
18% Popularity • 69% Danceability • 68% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Gooseworx
Going Nowhere
115 bpm • E Maj • 01:34 • -14.1db
33% Popularity • 33% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
33% Popularity • 33% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
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Tobias Lilja
Nothing but a Nome
115 bpm • G# Maj • 02:24 • -22.74db
23% Popularity • 57% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
23% Popularity • 57% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Nathan Hanover Synthonic Orchestra
A Forlorn Gaze into Yesterday
119 bpm • E Maj • 05:18 • -27.01db
26% Popularity • 30% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
26% Popularity • 30% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Brad Breeck
It's All Led Up to This
120 bpm • C Maj • 01:37 • -20db
21% Popularity • 24% Danceability • 27% Energy • 28% Liveness
78% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 27% Energy • 28% Liveness
78% Instrumentalness • 4% Positiveness
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Infinity Train
Inside the Conductor's Tape
120 bpm • C# Maj • 02:10 • -19.74db
14% Popularity • 39% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
14% Popularity • 39% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Adventure Time
Cooking Is Fun
120 bpm • C Maj • 01:20 • -20.48db
10% Popularity • 71% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
10% Popularity • 71% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Gooseworx
Enter Exit
120 bpm • B min • 01:16 • -19.47db
29% Popularity • 26% Danceability • 17% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
29% Popularity • 26% Danceability • 17% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Inanimate Insanity
Touching Nerves
120 bpm • C Maj • 01:17 • -16.11db
17% Popularity • 40% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 40% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Nathan Hanover Synthonic Orchestra
The Button
119 bpm • A min • 04:01 • -25.21db
21% Popularity • 48% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
21% Popularity • 48% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Seth Parker
Return to Snaxburg
120 bpm • C Maj • 01:11 • -16.63db
24% Popularity • 50% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
24% Popularity • 50% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Kyle Allen Music
Feelin' Fancy
120 bpm • G Maj • 02:00 • -17.95db
20% Popularity • 94% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
20% Popularity • 94% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
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AJ Dispirito
camping.mp3
120 bpm • D Maj • 01:07 • -24.39db
42% Popularity • 60% Danceability • 14% Energy • 15% Liveness
97% Instrumentalness • 81% Positiveness
42% Popularity • 60% Danceability • 14% Energy • 15% Liveness
97% Instrumentalness • 81% Positiveness
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ConcernedApe
Sam's Band (Heavy Version)
120 bpm • C# Maj • 01:01 • -15.09db
40% Popularity • 32% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
40% Popularity • 32% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Oliver Buckland
Mannequin Expanse
120 bpm • F Maj • 02:23 • -16.98db
30% Popularity • 39% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 9% Positiveness
30% Popularity • 39% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 9% Positiveness
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Inanimate Insanity
Logic and Chaos
120 bpm • C Maj • 01:07 • -14.57db
23% Popularity • 87% Danceability • 22% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness
23% Popularity • 87% Danceability • 22% Energy • 11% Liveness
14% Instrumentalness • 12% Positiveness
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The Blake Robinson Synthetic Orchestra
Educating Stanley (Extra)
120 bpm • D Maj • 01:11 • -21.44db
14% Popularity • 36% Danceability • 17% Energy • 8% Liveness
29% Instrumentalness • 7% Positiveness
14% Popularity • 36% Danceability • 17% Energy • 8% Liveness
29% Instrumentalness • 7% Positiveness
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Infinity Train
The Cat That Knows the Conductor
120 bpm • C Maj • 01:47 • -21.38db
16% Popularity • 44% Danceability • 29% Energy • 14% Liveness
87% Instrumentalness • 2% Positiveness
16% Popularity • 44% Danceability • 29% Energy • 14% Liveness
87% Instrumentalness • 2% Positiveness
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AJ Dispirito
98.7
120 bpm • E min • 03:29 • -18.5db
36% Popularity • 43% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 43% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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MasterSwordRemix
Snowfall
120 bpm • C Maj • 01:57 • -18.48db
37% Popularity • 90% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
37% Popularity • 90% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Adventure Time
Sleepy Puppies - Gilligan Moss Mix
120 bpm • C Maj • 03:29 • -17.58db
23% Popularity • 65% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
23% Popularity • 65% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Inanimate Insanity
Test Tube's Laboratory
120 bpm • D Maj • 01:15 • -17.09db
23% Popularity • 81% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 81% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Isaac Wilkins
Dodgebolt
120 bpm • A# Maj • 03:37 • -6.5db
22% Popularity • 74% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 50% Positiveness
22% Popularity • 74% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 50% Positiveness
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Seth Parker
Welcome to Snaxburg
120 bpm • C Maj • 02:19 • -15.26db
25% Popularity • 54% Danceability • 48% Energy • 18% Liveness
89% Instrumentalness • 93% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 18% Liveness
89% Instrumentalness • 93% Positiveness
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AJ Dispirito
N: Disassembly Drones' Leader
120 bpm • D# Maj • 01:14 • -34.82db
40% Popularity • 52% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
40% Popularity • 52% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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Gooseworx
Today's Adventure
120 bpm • G Maj • 00:58 • -12.98db
36% Popularity • 70% Danceability • 90% Energy • 21% Liveness
9% Instrumentalness • 79% Positiveness
36% Popularity • 70% Danceability • 90% Energy • 21% Liveness
9% Instrumentalness • 79% Positiveness
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The Blake Robinson Synthetic Orchestra
Leaving Stanley (Extra)
120 bpm • C Maj • 01:36 • -23.26db
18% Popularity • 70% Danceability • 13% Energy • 12% Liveness
67% Instrumentalness • 8% Positiveness
18% Popularity • 70% Danceability • 13% Energy • 12% Liveness
67% Instrumentalness • 8% Positiveness
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Oh Geeez Not Again
Welcome To Gravesfield
120 bpm • A min • 01:04 • -11.62db
18% Popularity • 71% Danceability • 44% Energy • 68% Liveness
35% Instrumentalness • 29% Positiveness
18% Popularity • 71% Danceability • 44% Energy • 68% Liveness
35% Instrumentalness • 29% Positiveness
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Isaac Wilkins
The Final Duel!
120 bpm • C Maj • 01:00 • -11.81db
19% Popularity • 59% Danceability • 53% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
19% Popularity • 59% Danceability • 53% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
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Seth Parker
A Date with Gramble
120 bpm • D Maj • 01:56 • -13.43db
24% Popularity • 58% Danceability • 61% Energy • 18% Liveness
94% Instrumentalness • 96% Positiveness
24% Popularity • 58% Danceability • 61% Energy • 18% Liveness
94% Instrumentalness • 96% Positiveness
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CopacetiCat
Serenade
120 bpm • D min • 04:38 • -34.25db
26% Popularity • 39% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
26% Popularity • 39% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Isak J Martinsson
Love Petting You
120 bpm • C Maj • 01:07 • -19.56db
16% Popularity • 73% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 54% Positiveness
16% Popularity • 73% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 54% Positiveness
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Cheesy Hfj
Three Year Shmee
120 bpm • B Maj • 02:42 • -19.06db
33% Popularity • 83% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
33% Popularity • 83% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Gooseworx
The Wreckingball Lullaby
120 bpm • F# Maj • 01:15 • -22.69db
29% Popularity • 66% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
29% Popularity • 66% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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James Roach
I Guess I Do Other Stuff Now Too
120 bpm • G min • 02:40 • -22.84db
15% Popularity • 38% Danceability • 8% Energy • 41% Liveness
97% Instrumentalness • 7% Positiveness
15% Popularity • 38% Danceability • 8% Energy • 41% Liveness
97% Instrumentalness • 7% Positiveness
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Seth Parker
Crapple's Lullaby
120 bpm • G Maj • 03:52 • -14.29db
20% Popularity • 50% Danceability • 49% Energy • 13% Liveness
90% Instrumentalness • 48% Positiveness
20% Popularity • 50% Danceability • 49% Energy • 13% Liveness
90% Instrumentalness • 48% Positiveness
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Neil Cicierega
Internet Connection
120 bpm • A min • 03:55 • -23.79db
15% Popularity • 74% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 74% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Dan Mangan
The Big City
120 bpm • D min • 00:57 • -11.51db
21% Popularity • 84% Danceability • 63% Energy • 11% Liveness
86% Instrumentalness • 48% Positiveness
21% Popularity • 84% Danceability • 63% Energy • 11% Liveness
86% Instrumentalness • 48% Positiveness
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Cheesy Hfj
Gabba
120 bpm • G Maj • 02:40 • -14.82db
27% Popularity • 63% Danceability • 65% Energy • 13% Liveness
95% Instrumentalness • 76% Positiveness
27% Popularity • 63% Danceability • 65% Energy • 13% Liveness
95% Instrumentalness • 76% Positiveness
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Allen Simpson
Happy (True) Ending
120 bpm • C Maj • 02:57 • -15.52db
35% Popularity • 87% Danceability • 28% Energy • 13% Liveness
71% Instrumentalness • 56% Positiveness
35% Popularity • 87% Danceability • 28% Energy • 13% Liveness
71% Instrumentalness • 56% Positiveness
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Random Encounters
Outtake Medley
120 bpm • A min • 01:56 • -14db
10% Popularity • 63% Danceability • 36% Energy • 11% Liveness
77% Instrumentalness • 62% Positiveness
10% Popularity • 63% Danceability • 36% Energy • 11% Liveness
77% Instrumentalness • 62% Positiveness
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Seth Parker
Megamaki Attack
120 bpm • G min • 03:20 • -14.17db
21% Popularity • 44% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 48% Positiveness
21% Popularity • 44% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 48% Positiveness
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My Singing Monsters
Celestial Island Theme
120 bpm • A# Maj • 01:36 • -18.72db
22% Popularity • 52% Danceability • 40% Energy • 74% Liveness
96% Instrumentalness • 30% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 74% Liveness
96% Instrumentalness • 30% Positiveness
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Milk In The Microwave
Spacedust Twinkle Dinkle
120 bpm • G# min • 02:10 • -17.04db
33% Popularity • 80% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
33% Popularity • 80% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Nathan Hanover Synthonic Orchestra
A Previous Life
120 bpm • A min • 02:26 • -21.1db
22% Popularity • 64% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
22% Popularity • 64% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
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The Blake Robinson Synthetic Orchestra
Pondering Stanley (Extra)
120 bpm • G Maj • 01:20 • -22.93db
18% Popularity • 50% Danceability • 20% Energy • 36% Liveness
92% Instrumentalness • 34% Positiveness
18% Popularity • 50% Danceability • 20% Energy • 36% Liveness
92% Instrumentalness • 34% Positiveness
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Isaac Wilkins
One Minute to MCC!
120 bpm • F Maj • 01:16 • -10.75db
23% Popularity • 72% Danceability • 67% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
23% Popularity • 72% Danceability • 67% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
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Ampient
Kiioibara's Return
120 bpm • F# min • 02:16 • -17.41db
15% Popularity • 50% Danceability • 47% Energy • 15% Liveness
96% Instrumentalness • 48% Positiveness
15% Popularity • 50% Danceability • 47% Energy • 15% Liveness
96% Instrumentalness • 48% Positiveness
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NomnomNami
Character Select
120 bpm • C Maj • 01:08 • -23.45db
22% Popularity • 90% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 98% Positiveness
22% Popularity • 90% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 98% Positiveness
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Joel Tumelty
Our Funfair
114 bpm • G Maj • 03:22 • -21.32db
27% Popularity • 64% Danceability • 38% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
27% Popularity • 64% Danceability • 38% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
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Animal Jam
Pet Play Time
120 bpm • C Maj • 01:40 • -18.9db
18% Popularity • 72% Danceability • 33% Energy • 9% Liveness
97% Instrumentalness • 96% Positiveness
18% Popularity • 72% Danceability • 33% Energy • 9% Liveness
97% Instrumentalness • 96% Positiveness
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Inanimate Insanity
It's a Trap
120 bpm • D Maj • 01:32 • -14.66db
12% Popularity • 58% Danceability • 50% Energy • 10% Liveness
38% Instrumentalness • 15% Positiveness
12% Popularity • 58% Danceability • 50% Energy • 10% Liveness
38% Instrumentalness • 15% Positiveness
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James Roach
Artchop
120 bpm • C Maj • 01:36 • -20.31db
16% Popularity • 78% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 72% Positiveness
16% Popularity • 78% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 72% Positiveness
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Isaac Wilkins
Decision Dome
120 bpm • F Maj • 02:14 • -9.87db
22% Popularity • 64% Danceability • 81% Energy • 18% Liveness
77% Instrumentalness • 76% Positiveness
22% Popularity • 64% Danceability • 81% Energy • 18% Liveness
77% Instrumentalness • 76% Positiveness
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Seth Parker
Let's Grumping Dance!
120 bpm • A Maj • 01:36 • -11.79db
18% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 49% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Precious Jewel Amor
I'll Wait For You In The Dark - Instrume...
120 bpm • A min • 03:06 • -27.06db
10% Popularity • 72% Danceability • 5% Energy • 23% Liveness
52% Instrumentalness • 13% Positiveness
10% Popularity • 72% Danceability • 5% Energy • 23% Liveness
52% Instrumentalness • 13% Positiveness
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Isak J Martinsson
Let’s Play
120 bpm • F Maj • 01:47 • -26.56db
35% Popularity • 64% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
35% Popularity • 64% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Inanimate Insanity
Breaking Apart
120 bpm • C min • 02:06 • -21.1db
14% Popularity • 84% Danceability • 6% Energy • 43% Liveness
90% Instrumentalness • 48% Positiveness
14% Popularity • 84% Danceability • 6% Energy • 43% Liveness
90% Instrumentalness • 48% Positiveness
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AJ Dispirito
Thad is Chill
114 bpm • A# min • 01:10 • -30.18db
38% Popularity • 43% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 33% Positiveness
38% Popularity • 43% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 33% Positiveness
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Lullaby Teddy
Dummy (Lullabye Version)
114 bpm • G min • 02:41 • -16.45db
18% Popularity • 64% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
18% Popularity • 64% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Seth Parker
The Wind's Howl
120 bpm • D min • 07:21 • -14.14db
19% Popularity • 38% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
19% Popularity • 38% Danceability • 35% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Kwak Kilmun (DEVSISTERS)
The Magic Never Ends
121 bpm • F# Maj • 01:12 • -12.28db
13% Popularity • 63% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
13% Popularity • 63% Danceability • 47% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
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CopacetiCat
Homestuck Terezi's Theme
121 bpm • C Maj • 03:02 • -14.15db
23% Popularity • 43% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
23% Popularity • 43% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
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Inanimate Insanity
Mischievous Minecarts
120 bpm • C min • 01:58 • -18.04db
17% Popularity • 72% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
17% Popularity • 72% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
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Adventure Time
A Slumber Party
121 bpm • A Maj • 01:20 • -13.49db
10% Popularity • 83% Danceability • 54% Energy • 10% Liveness
81% Instrumentalness • 89% Positiveness
10% Popularity • 83% Danceability • 54% Energy • 10% Liveness
81% Instrumentalness • 89% Positiveness
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Daniel Rojas
Yumyan HammerMeow
121 bpm • E min • 01:35 • -20.46db
27% Popularity • 47% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
27% Popularity • 47% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Harry Mack
The Past and You (Casey Sessions)
122 bpm • E min • 03:20 • -17.89db
23% Popularity • 45% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
23% Popularity • 45% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Bslick
The Lonesome Sailor
122 bpm • G min • 01:26 • -11.26db
8% Popularity • 52% Danceability • 32% Energy • 9% Liveness
58% Instrumentalness • 21% Positiveness
8% Popularity • 52% Danceability • 32% Energy • 9% Liveness
58% Instrumentalness • 21% Positiveness
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Sohn Minsoo (DEVSISTERS)
Dark Flour War: Into the Fray
112 bpm • G# Maj • 00:52 • -11.33db
8% Popularity • 32% Danceability • 24% Energy • 30% Liveness
99% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 24% Energy • 30% Liveness
99% Instrumentalness • 7% Positiveness
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Inanimate Insanity
Purgatory Mansion
121 bpm • D# Maj • 01:28 • -19.07db
19% Popularity • 67% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
19% Popularity • 67% Danceability • 15% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
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Cheesy Hfj
Honeycomb
112 bpm • D# Maj • 02:32 • -30.79db
25% Popularity • 40% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 38% Positiveness
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Seth Parker
Frosted Peak
122 bpm • B min • 03:40 • -14.4db
22% Popularity • 54% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
22% Popularity • 54% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
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Club Unicorn
Daycare Theme [Music Box]
112 bpm • E Maj • 01:34 • -9.15db
22% Popularity • 67% Danceability • 33% Energy • 8% Liveness
21% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 33% Energy • 8% Liveness
21% Instrumentalness • 98% Positiveness
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Infinity Train
Amelia and Alrick
112 bpm • A# Maj • 00:59 • -26.84db
17% Popularity • 25% Danceability • 2% Energy • 18% Liveness
94% Instrumentalness • 28% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 18% Liveness
94% Instrumentalness • 28% Positiveness
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Jeff Ball
Little Graduation
112 bpm • G# Maj • 02:03 • -12.73db
24% Popularity • 63% Danceability • 38% Energy • 18% Liveness
92% Instrumentalness • 17% Positiveness
24% Popularity • 63% Danceability • 38% Energy • 18% Liveness
92% Instrumentalness • 17% Positiveness
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Inanimate Insanity
Visions of MePhone
121 bpm • D Maj • 01:53 • -18.28db
21% Popularity • 40% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 40% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Adventure Time
Good Little Girl - Gilligan Moss Mix
123 bpm • C Maj • 02:04 • -14.38db
25% Popularity • 71% Danceability • 51% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
25% Popularity • 71% Danceability • 51% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Isaac Wilkins
Hole in the Wall
123 bpm • B Maj • 03:24 • -5.78db
21% Popularity • 72% Danceability • 89% Energy • 6% Liveness
90% Instrumentalness • 79% Positiveness
21% Popularity • 72% Danceability • 89% Energy • 6% Liveness
90% Instrumentalness • 79% Positiveness
