Songs like I Love You (feat. David Pajo) by Bill Callahan
Based on a tempo of (+/- 10%) and a similar genre
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
31% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Destroyer
It's Gonna Take an Airplane
103 bpm • B min • 03:41 • -13db
35% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Brian Beattie
I Was Sleeping
103 bpm • D min • 04:47 • -17.82db
2% Popularity • 72% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
2% Popularity • 72% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
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Silver Jews
Smith & Jones Forever
103 bpm • A min • 03:18 • -10.64db
42% Popularity • 63% Danceability • 51% Energy • 8% Liveness
11% Instrumentalness • 46% Positiveness
42% Popularity • 63% Danceability • 51% Energy • 8% Liveness
11% Instrumentalness • 46% Positiveness
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Blake Mills
Cheers
103 bpm • C Maj • 03:32 • -13.72db
23% Popularity • 48% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
23% Popularity • 48% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Kurt Vile
Slow Talkers
103 bpm • B min • 03:00 • -15.56db
34% Popularity • 48% Danceability • 32% Energy • 11% Liveness
46% Instrumentalness • 46% Positiveness
34% Popularity • 48% Danceability • 32% Energy • 11% Liveness
46% Instrumentalness • 46% Positiveness
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A. Savage
Wild, Wild, Wild Horses
102 bpm • C Maj • 04:36 • -13.42db
29% Popularity • 44% Danceability • 29% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
29% Popularity • 44% Danceability • 29% Energy • 11% Liveness
42% Instrumentalness • 6% Positiveness
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Jonathan Richman
Twilight In Boston
102 bpm • G Maj • 04:12 • -26db
29% Popularity • 63% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
29% Popularity • 63% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Bill Callahan
The Sing
102 bpm • C Maj • 04:31 • -13db
26% Popularity • 57% Danceability • 31% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
26% Popularity • 57% Danceability • 31% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
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Steve Gunn
New Moon
104 bpm • A Maj • 05:10 • -5.91db
34% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
34% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
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Bedouine
Thirteen
102 bpm • A# Maj • 03:04 • -11db
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 70% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Silver Jews
The Wild Kindness
102 bpm • E min • 03:54 • -11.59db
43% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Songs: Ohia
Blue Factory Flame
104 bpm • A min • 08:30 • -9db
29% Popularity • 73% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 73% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 28% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Damien Jurado
Outside My Window
104 bpm • B Maj • 02:11 • -13db
31% Popularity • 68% Danceability • 42% Energy • 26% Liveness
38% Instrumentalness • 61% Positiveness
31% Popularity • 68% Danceability • 42% Energy • 26% Liveness
38% Instrumentalness • 61% Positiveness
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Link Wray
Fallin' Rain
101 bpm • G# Maj • 03:45 • -13.9db
43% Popularity • 44% Danceability • 38% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
43% Popularity • 44% Danceability • 38% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
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Ratso
Our Lady of Light
105 bpm • G Maj • 05:06 • -10db
21% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Palace Music
Ohio River Boat Song
105 bpm • D Maj • 04:26 • -13db
18% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Timber Timbre
Tell Me His Name
105 bpm • G Maj • 03:12 • -13.85db
29% Popularity • 48% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 48% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Sparklehorse
Shade And Honey
105 bpm • C Maj • 04:08 • -11db
37% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
37% Popularity • 72% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 54% Positiveness
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Sam Burton
Nothing Touches Me
105 bpm • A Maj • 04:55 • -8.96db
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Ryley Walker
The Great and Undecided
105 bpm • D# Maj • 03:39 • -10.84db
19% Popularity • 62% Danceability • 49% Energy • 16% Liveness
7% Instrumentalness • 56% Positiveness
19% Popularity • 62% Danceability • 49% Energy • 16% Liveness
7% Instrumentalness • 56% Positiveness
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Bill Callahan
Our Anniversary
101 bpm • G Maj • 07:12 • -13.4db
15% Popularity • 60% Danceability • 36% Energy • 76% Liveness
14% Instrumentalness • 27% Positiveness
15% Popularity • 60% Danceability • 36% Energy • 76% Liveness
14% Instrumentalness • 27% Positiveness
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Silver Jews
Random Rules
105 bpm • C Maj • 03:58 • -10.52db
49% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Reverend Baron
Waiting On You
105 bpm • C Maj • 04:38 • -17.11db
28% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sun Kil Moon
I Love Portugal
101 bpm • A Maj • 07:58 • -10.21db
11% Popularity • 62% Danceability • 36% Energy • 13% Liveness
4% Instrumentalness • 59% Positiveness
11% Popularity • 62% Danceability • 36% Energy • 13% Liveness
4% Instrumentalness • 59% Positiveness
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Vic Chesnutt
Flirted With You All My Life
100 bpm • F Maj • 04:41 • -12db
35% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Stephen Malkmus
Amberjack
106 bpm • B Maj • 04:15 • -12.77db
8% Popularity • 59% Danceability • 19% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
8% Popularity • 59% Danceability • 19% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
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Bill Callahan
Riding For The Feeling
101 bpm • C Maj • 06:05 • -15db
38% Popularity • 44% Danceability • 21% Energy • 25% Liveness
1% Instrumentalness • 28% Positiveness
38% Popularity • 44% Danceability • 21% Energy • 25% Liveness
1% Instrumentalness • 28% Positiveness
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Stephin Merritt
One April Day
100 bpm • G# Maj • 01:54 • -7db
30% Popularity • 47% Danceability • 48% Energy • 19% Liveness
78% Instrumentalness • 63% Positiveness
30% Popularity • 47% Danceability • 48% Energy • 19% Liveness
78% Instrumentalness • 63% Positiveness
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Kurt Vile
Wild Imagination
100 bpm • C# Maj • 05:50 • -9.4db
36% Popularity • 71% Danceability • 72% Energy • 8% Liveness
38% Instrumentalness • 96% Positiveness
36% Popularity • 71% Danceability • 72% Energy • 8% Liveness
38% Instrumentalness • 96% Positiveness
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Sun Kil Moon
Among the Leaves
100 bpm • D# Maj • 03:31 • -18db
47% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Califone
Romans
100 bpm • D Maj • 04:30 • -10.44db
8% Popularity • 68% Danceability • 34% Energy • 10% Liveness
28% Instrumentalness • 20% Positiveness
8% Popularity • 68% Danceability • 34% Energy • 10% Liveness
28% Instrumentalness • 20% Positiveness
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Edith Frost
Temporary Loan
100 bpm • A Maj • 04:48 • -19.41db
15% Popularity • 61% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
15% Popularity • 61% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
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Bill Callahan
Jim Cain
106 bpm • D Maj • 04:39 • -13.04db
49% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
49% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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Songs: Ohia
Blue Chicago Moon
107 bpm • A min • 06:47 • -8.17db
33% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Jackson C. Frank
Milk and Honey
107 bpm • E min • 03:37 • -17.13db
44% Popularity • 45% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 32% Positiveness
44% Popularity • 45% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 32% Positiveness
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The Clientele
Losing Haringey
106 bpm • F Maj • 04:01 • -9db
27% Popularity • 35% Danceability • 72% Energy • 37% Liveness
92% Instrumentalness • 80% Positiveness
27% Popularity • 35% Danceability • 72% Energy • 37% Liveness
92% Instrumentalness • 80% Positiveness
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Arthur Russell
In Love With You For The Last Time
107 bpm • C Maj • 02:53 • -11.51db
18% Popularity • 49% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Angel Olsen
More Than This
99 bpm • D# Maj • 03:26 • -9.33db
20% Popularity • 51% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 51% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Cut Worms
Song of the Highest Tower
107 bpm • F Maj • 06:53 • -6.41db
40% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Timber Timbre
Ballad of Lonesome Hunter
107 bpm • G Maj • 02:08 • -26.11db
35% Popularity • 41% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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David Byrne
A Soft Seduction
99 bpm • D Maj • 03:01 • -15.38db
37% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Califone
The Orchids
99 bpm • E Maj • 02:55 • -11.58db
24% Popularity • 32% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 32% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Molina
Everything Should Try Again
99 bpm • F# Maj • 04:15 • -20.57db
22% Popularity • 51% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 51% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Nau
Good Thing
107 bpm • B Maj • 03:29 • -11.41db
35% Popularity • 57% Danceability • 41% Energy • 13% Liveness
44% Instrumentalness • 51% Positiveness
35% Popularity • 57% Danceability • 41% Energy • 13% Liveness
44% Instrumentalness • 51% Positiveness
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Luna
Lost in Space
99 bpm • G Maj • 03:44 • -10.48db
29% Popularity • 49% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 29% Positiveness
29% Popularity • 49% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 29% Positiveness
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Josephine Foster
My Wandering Heart
108 bpm • A min • 03:57 • -9.66db
16% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Little Wings
Fat Chance
108 bpm • G Maj • 05:12 • -8.15db
14% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Damien Jurado
Sincere Replies
108 bpm • D Maj • 03:18 • -8.5db
26% Popularity • 57% Danceability • 59% Energy • 13% Liveness
93% Instrumentalness • 47% Positiveness
26% Popularity • 57% Danceability • 59% Energy • 13% Liveness
93% Instrumentalness • 47% Positiveness
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John Cale
Andalucia
98 bpm • F Maj • 03:54 • -17.42db
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
35% Popularity • 52% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 34% Positiveness
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Mutual Benefit
Getting Gone
98 bpm • C Maj • 04:03 • -12db
9% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
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Stephen Malkmus
Cash Up
108 bpm • B Maj • 04:06 • -10db
11% Popularity • 64% Danceability • 51% Energy • 9% Liveness
46% Instrumentalness • 57% Positiveness
11% Popularity • 64% Danceability • 51% Energy • 9% Liveness
46% Instrumentalness • 57% Positiveness
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Purple Mountains
I Loved Being My Mother's Son
108 bpm • D Maj • 04:20 • -10.55db
10% Popularity • 61% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 61% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Palace Music
The Mountain Low
98 bpm • G# Maj • 02:44 • -18.13db
25% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Damien Jurado
Dear Thomas Wolfe
98 bpm • G# Maj • 03:18 • -11.04db
26% Popularity • 64% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
26% Popularity • 64% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Howe Gelb
On the Fence
98 bpm • F# Maj • 02:12 • -14.57db
24% Popularity • 68% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 41% Positiveness
24% Popularity • 68% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 41% Positiveness
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Nadia Reid
Track of the Time
109 bpm • F Maj • 04:37 • -13.08db
28% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bill Callahan
As I Wander
109 bpm • B min • 03:56 • -18.59db
18% Popularity • 53% Danceability • 18% Energy • 11% Liveness
44% Instrumentalness • 22% Positiveness
18% Popularity • 53% Danceability • 18% Energy • 11% Liveness
44% Instrumentalness • 22% Positiveness
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Purple Mountains
Nights That Won't Happen
109 bpm • B min • 06:08 • -9.61db
13% Popularity • 52% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 52% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Vic Chesnutt
When The Bottom Fell Out
97 bpm • C Maj • 03:10 • -20.29db
17% Popularity • 57% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 57% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Josephine Foster
Child of God
97 bpm • C Maj • 03:41 • -9db
30% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Magnolia Electric Co.
Josephine
97 bpm • C Maj • 03:22 • -9.38db
23% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lael Neale
Acquainted with Night
110 bpm • D Maj • 02:48 • -4.28db
20% Popularity • 34% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 34% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Bill Callahan
All Thoughts Are Prey To Some Beast
109 bpm • F# min • 05:52 • -12.46db
32% Popularity • 45% Danceability • 50% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
32% Popularity • 45% Danceability • 50% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Jason Molina
Heart My Heart
97 bpm • A Maj • 01:43 • -12.18db
31% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Buck Meek
Pareidolia
97 bpm • C Maj • 04:07 • -10db
28% Popularity • 60% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
28% Popularity • 60% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Little Wings
Light Brang
110 bpm • A min • 03:33 • -11.86db
14% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Cave
Balcony Man
97 bpm • A# Maj • 04:30 • -18db
34% Popularity • 26% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Songs: Ohia
Soul
110 bpm • A min • 05:44 • -12.47db
22% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Bill Callahan
Baby's Breath
110 bpm • F min • 05:30 • -14.78db
27% Popularity • 53% Danceability • 26% Energy • 9% Liveness
32% Instrumentalness • 42% Positiveness
27% Popularity • 53% Danceability • 26% Energy • 9% Liveness
32% Instrumentalness • 42% Positiveness
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Marlon Williams
Come To Me
110 bpm • A Maj • 03:15 • -10db
28% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
28% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Smog
Dress Sexy At My Funeral
96 bpm • G min • 05:30 • -12db
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 70% Positiveness
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John Martyn
Don't Want To Know
110 bpm • D min • 03:01 • -13db
40% Popularity • 64% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 52% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 52% Positiveness
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Little Wings
By Now
111 bpm • A min • 03:44 • -12.21db
22% Popularity • 68% Danceability • 39% Energy • 10% Liveness
33% Instrumentalness • 50% Positiveness
22% Popularity • 68% Danceability • 39% Energy • 10% Liveness
33% Instrumentalness • 50% Positiveness
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Jesse Sykes & The Sweet Hereafter
Oh, My Girl
96 bpm • A min • 04:38 • -9db
15% Popularity • 46% Danceability • 44% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
15% Popularity • 46% Danceability • 44% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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Bill Callahan
Spring
110 bpm • F Maj • 05:10 • -13.11db
27% Popularity • 53% Danceability • 41% Energy • 11% Liveness
23% Instrumentalness • 34% Positiveness
27% Popularity • 53% Danceability • 41% Energy • 11% Liveness
23% Instrumentalness • 34% Positiveness
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J Mascis
Wide Awake
111 bpm • G Maj • 03:30 • -13.62db
33% Popularity • 48% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
33% Popularity • 48% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Purple Mountains
She's Making Friends, I'm Turning Strang...
96 bpm • G Maj • 04:11 • -8.65db
12% Popularity • 47% Danceability • 65% Energy • 9% Liveness
9% Instrumentalness • 50% Positiveness
12% Popularity • 47% Danceability • 65% Energy • 9% Liveness
9% Instrumentalness • 50% Positiveness
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Kurt Vile
Mount Airy Hill (Way Gone)
96 bpm • A Maj • 05:32 • -9db
44% Popularity • 51% Danceability • 65% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
44% Popularity • 51% Danceability • 65% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
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Steve Gunn
Morning Is Mended
112 bpm • C Maj • 04:00 • -10.35db
17% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Songs: Ohia
Hot Black Silk
111 bpm • B min • 03:08 • -9db
27% Popularity • 74% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 60% Positiveness
27% Popularity • 74% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 60% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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The Innocence Mission
On Your Side
112 bpm • A Maj • 03:34 • -8db
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Low
What Part of Me
112 bpm • A Maj • 03:08 • -8.17db
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Stephen Malkmus
What Kind Of Person
112 bpm • F# Maj • 03:28 • -8.2db
11% Popularity • 52% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
11% Popularity • 52% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Jerry David DeCicca
Forty Years in the Wilderness
112 bpm • B Maj • 04:04 • -15.23db
24% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Timber Timbre
The Pink Room
112 bpm • E min • 03:11 • -20db
29% Popularity • 71% Danceability • 15% Energy • 56% Liveness
68% Instrumentalness • 39% Positiveness
29% Popularity • 71% Danceability • 15% Energy • 56% Liveness
68% Instrumentalness • 39% Positiveness
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Smog
Our Anniversary
95 bpm • F# Maj • 06:17 • -15db
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Ben Watt
North Marine Drive
112 bpm • D Maj • 02:18 • -18db
32% Popularity • 60% Danceability • 13% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
32% Popularity • 60% Danceability • 13% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
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Laura Veirs
I Was A Fool
95 bpm • D# Maj • 02:44 • -15.57db
20% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
20% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
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Blake Mills
Like It's Something
112 bpm • F Maj • 03:27 • -10.2db
20% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
20% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
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Bill Callahan
Universal Applicant
94 bpm • F Maj • 05:53 • -18.33db
23% Popularity • 46% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 46% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
