Songs like I Loved 'Em Every One by T.G. Sheppard
Based on a tempo of (+/- 10%) and a similar genre
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T.G. Sheppard
I Loved 'Em Every One
87 bpm • E min • 03:40 • -12.56db
37% Popularity • 66% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Barbara Mandrell
One Of A Kind Pair Of Fools
87 bpm • A# min • 02:43 • -15.41db
27% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Mel McDaniel
If I Keep On Going Crazy
86 bpm • F Maj • 02:38 • -7.35db
48% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Aaron Tippin
That's as Close as I'll Get to Loving Yo...
87 bpm • A# Maj • 03:16 • -8db
43% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Dan Seals
They Rage On
88 bpm • C# Maj • 04:39 • -15.34db
34% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Judds
Love Is Alive
86 bpm • E Maj • 03:56 • -11.28db
50% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sweethearts of the Rodeo
Satisfy You
88 bpm • D Maj • 02:41 • -8.48db
30% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Doug Stone
I Thought It Was You
86 bpm • D Maj • 03:28 • -11db
32% Popularity • 60% Danceability • 30% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 60% Danceability • 30% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Doug Supernaw
I Don't Call Him Daddy
89 bpm • D Maj • 03:47 • -13.13db
35% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Mickey Gilley
Here Comes the Hurt Again
85 bpm • G Maj • 02:45 • -8.39db
34% Popularity • 66% Danceability • 50% Energy • 14% Liveness
2% Instrumentalness • 43% Positiveness
34% Popularity • 66% Danceability • 50% Energy • 14% Liveness
2% Instrumentalness • 43% Positiveness
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Red Sovine
Giddy Up Go
85 bpm • C# Maj • 03:56 • -15db
35% Popularity • 56% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 56% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Charlie Rich
Behind Closed Doors
85 bpm • D Maj • 02:54 • -11.79db
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
37% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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T. Graham Brown
I Tell It Like It Used To Be
89 bpm • D Maj • 03:00 • -10.61db
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
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Restless Heart
Why Does It Have to Be (Wrong or Right)
89 bpm • A Maj • 03:00 • -13.61db
43% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mickey Gilley
Don't The Girls All Get Prettier At Clos...
89 bpm • C Maj • 02:58 • -13.92db
35% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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T.G. Sheppard
Strong Heart - Rerecorded
85 bpm • F Maj • 03:35 • -12.22db
3% Popularity • 61% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 61% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ronnie McDowell
Older Women - Re-Recorded In Stereo
89 bpm • A# Maj • 02:49 • -9.35db
40% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Shenandoah
Sunday In The South
89 bpm • G Maj • 04:21 • -12.52db
38% Popularity • 66% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 66% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Gary Stewart
An Empty Glass
89 bpm • G Maj • 03:41 • -14.98db
45% Popularity • 61% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
45% Popularity • 61% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Tanya Tucker
Love Me Like You Used To
89 bpm • A# Maj • 03:49 • -17.39db
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mel McDaniel
I Can Never Get You Off My Mind
89 bpm • E Maj • 02:16 • -6.14db
36% Popularity • 69% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 69% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Dave and Sugar
Queen of the Silver Dollar
89 bpm • D Maj • 02:45 • -11.55db
33% Popularity • 59% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 59% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Mickey Gilley
Don't the Girls All Get Prettier at Clos...
90 bpm • C Maj • 02:57 • -7.85db
30% Popularity • 65% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 65% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Shenandoah
The Moon Over Georgia
89 bpm • A Maj • 03:12 • -9.92db
47% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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T. Graham Brown
I Tell It Like It Used To Be
90 bpm • D Maj • 03:00 • -15.81db
28% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Lee
The Yellow Rose
90 bpm • F Maj • 02:23 • -15.74db
29% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Larry Gatlin & The Gatlin Brothers
Denver
84 bpm • D Maj • 03:41 • -10.71db
20% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven - Rerecorded
90 bpm • C# Maj • 03:11 • -12.88db
27% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Rabbitt
Drivin' My Life Away - 2009 Remaster
84 bpm • A Maj • 03:17 • -8db
46% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Shenandoah
I Got You
85 bpm • C Maj • 03:45 • -10.11db
23% Popularity • 46% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 46% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Doug Stone
These Lips Don't Know
90 bpm • C Maj • 03:28 • -8.78db
24% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
60% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
90 bpm • G Maj • 02:47 • -12.28db
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven
91 bpm • C# Maj • 03:10 • -12.56db
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Mickey Gilley
Stand By Me - Single Version
91 bpm • E Maj • 03:35 • -12.28db
48% Popularity • 67% Danceability • 42% Energy • 14% Liveness
5% Instrumentalness • 34% Positiveness
48% Popularity • 67% Danceability • 42% Energy • 14% Liveness
5% Instrumentalness • 34% Positiveness
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The Judds
Give A Little Love
91 bpm • C Maj • 03:49 • -11.28db
30% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Hank Williams, Jr.
I'm For Love
91 bpm • B Maj • 02:55 • -7.61db
39% Popularity • 65% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 65% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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K.T. Oslin
Do Ya'
83 bpm • G Maj • 04:04 • -15db
39% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Larry Gatlin & The Gatlin Brothers
Midnight Choir (Mogen David)
90 bpm • D Maj • 05:00 • -16.51db
21% Popularity • 37% Danceability • 29% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 37% Danceability • 29% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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The Kendalls
It Don't Feel Like Sinnin' To Me
83 bpm • G Maj • 02:29 • -7.6db
15% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Ed Bruce
You're the Best Break This Old Heart Eve...
83 bpm • E Maj • 03:20 • -11.92db
44% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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McBride & The Ride
Can I Count On You
92 bpm • D Maj • 03:19 • -10.15db
38% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Tammy Wynette
Two Story House
83 bpm • C# Maj • 02:40 • -11db
34% Popularity • 58% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 58% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
91 bpm • A# Maj • 02:38 • -12db
27% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 51% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Barbara Mandrell
The Midnight Oil
82 bpm • F# Maj • 02:40 • -10.95db
33% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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K.T. Oslin
Come Next Monday
82 bpm • A Maj • 03:50 • -11.01db
32% Popularity • 75% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 75% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Ed Bruce
Girls, Women & Ladies
82 bpm • C Maj • 03:15 • -13.63db
30% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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T.G. Sheppard
I'll Be Coming Back for More
93 bpm • D Maj • 02:54 • -13.53db
15% Popularity • 66% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 66% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Confederate Railroad
When You Leave That Way You Can Never Go...
81 bpm • D Maj • 04:11 • -12.77db
35% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Larry Gatlin & The Gatlin Brothers
I Don't Wanna Cry
92 bpm • G Maj • 02:46 • -12.38db
25% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Sweethearts of the Rodeo
Since I Found You
81 bpm • F Maj • 02:47 • -10db
32% Popularity • 73% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 73% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Cal Smith
Country Bumpkin
94 bpm • G Maj • 03:41 • -17.59db
24% Popularity • 68% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 68% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Stampley
Do You Ever Fool Around
81 bpm • C# Maj • 02:44 • -12.45db
17% Popularity • 57% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 57% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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T.G. Sheppard
I'll Be Coming Back for More - Rerecorde...
93 bpm • D Maj • 02:57 • -9.68db
9% Popularity • 66% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 66% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Moe Bandy & Joe Stampley
Do You Ever Fool Around
81 bpm • C# Maj • 02:46 • -12db
25% Popularity • 55% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Patty Loveless
Don't Toss Us Away
94 bpm • E Maj • 04:13 • -15.22db
28% Popularity • 52% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 52% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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John Schneider
I've Been Around Enough To Know
94 bpm • A Maj • 02:37 • -15.27db
42% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Dan Seals
Your Love
80 bpm • F Maj • 03:02 • -15.23db
37% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Kendalls
Makin' Believe
94 bpm • E Maj • 03:15 • -7db
19% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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T.G. Sheppard
Mister D.J.
81 bpm • C Maj • 03:14 • -11.51db
7% Popularity • 57% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 57% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Shenandoah
Next To You, Next To Me
94 bpm • G# Maj • 03:25 • -8db
61% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
61% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:11 • -18db
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Earl Thomas Conley
What She Is (Is Woman In Love)
80 bpm • F Maj • 04:03 • -13db
33% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 62% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tanya Tucker
What's Your Mama's Name
80 bpm • F Maj • 03:03 • -16.5db
42% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Rich
Rollin' With The Flow
95 bpm • D Maj • 02:40 • -11.42db
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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T.G. Sheppard
You Feel Good All Over
81 bpm • F Maj • 03:15 • -14.85db
2% Popularity • 53% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 53% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Terri Gibbs
Somebody's Knockin
95 bpm • B min • 03:01 • -10.91db
40% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:06 • -10.38db
22% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Merle Haggard & The Strangers
The Fightin' Side Of Me
95 bpm • E Maj • 02:52 • -13.66db
40% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Larry Gatlin & The Gatlin Brothers
Take Me To Your Lovin' Place
95 bpm • A# Maj • 02:43 • -11.73db
24% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Shenandoah
Ghost In This House
95 bpm • D Maj • 03:35 • -9.4db
24% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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T.G. Sheppard
Only One You
95 bpm • E min • 03:22 • -12.45db
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
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Mel McDaniel
Goodbye Marie
95 bpm • D# Maj • 02:56 • -7.83db
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Wariner
Your Memory
96 bpm • E Maj • 02:55 • -14db
33% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Reba McEntire
One Promise Too Late
79 bpm • C Maj • 03:25 • -16db
52% Popularity • 64% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 64% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 68% Positiveness
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T. Graham Brown
Don't Go To Strangers
96 bpm • C Maj • 03:59 • -9db
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Judds
Mama He's Crazy
96 bpm • G Maj • 03:14 • -7db
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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T.G. Sheppard
Only One You - Rerecorded
96 bpm • E min • 03:16 • -10.58db
18% Popularity • 80% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 80% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
96 bpm • A Maj • 03:24 • -10.71db
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Mel McDaniel
I Call It Love
79 bpm • F# Maj • 03:12 • -8db
40% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Stampley
Whiskey Chasin'
96 bpm • G# Maj • 02:47 • -11.89db
28% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Wariner
What I Didn't Do
97 bpm • G Maj • 03:09 • -17.12db
42% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Joe Royal
Out of Sight and on My Mind
78 bpm • F Maj • 03:48 • -16db
20% Popularity • 57% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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T.G. Sheppard
Doncha?
96 bpm • C Maj • 04:27 • -9.77db
7% Popularity • 77% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 77% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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David Frizzell
You'e the Reason God Made Oklahoma
97 bpm • A Maj • 03:24 • -11.19db
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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T. Graham Brown
Don't Go To Strangers
97 bpm • C Maj • 04:02 • -13.51db
24% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Tanya Tucker
Texas (When I Die)
78 bpm • A# Maj • 04:52 • -13.89db
43% Popularity • 56% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 56% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Mel Tillis
Southern Rains
97 bpm • G Maj • 02:33 • -12.15db
27% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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T.G. Sheppard
Face the Night Alone
79 bpm • C# Maj • 03:39 • -13.72db
0% Popularity • 45% Danceability • 37% Energy • 18% Liveness
3% Instrumentalness • 22% Positiveness
0% Popularity • 45% Danceability • 37% Energy • 18% Liveness
3% Instrumentalness • 22% Positiveness
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John Schneider
I'm Gonna Leave You Tomorrow
97 bpm • G Maj • 03:45 • -16.49db
29% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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T. Graham Brown
If You Could Only See Me Now
78 bpm • G# Maj • 03:07 • -12db
36% Popularity • 63% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 63% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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The Notorious Cherry Bombs
It's Hard To Kiss The Lips At Night That...
97 bpm • F Maj • 04:23 • -6.04db
33% Popularity • 64% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 64% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Tanya Tucker
Two Sparrows In A Hurricane
97 bpm • A# Maj • 04:10 • -13.68db
53% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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T.G. Sheppard
Good Man
97 bpm • F Maj • 03:59 • -5.62db
6% Popularity • 58% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 58% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
