Songs like I Need A Forest Fire by James Blake
Based on a tempo of (+/- 10%) and a similar genre
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Tora
Too Much
128 bpm • G# Maj • 02:34 • -9.6db
59% Popularity • 73% Danceability • 48% Energy • 10% Liveness
49% Instrumentalness • 9% Positiveness
59% Popularity • 73% Danceability • 48% Energy • 10% Liveness
49% Instrumentalness • 9% Positiveness
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Caribou
Can't Do Without You
128 bpm • C Maj • 03:56 • -9.03db
44% Popularity • 69% Danceability • 41% Energy • 80% Liveness
82% Instrumentalness • 52% Positiveness
44% Popularity • 69% Danceability • 41% Energy • 80% Liveness
82% Instrumentalness • 52% Positiveness
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#1 Dads
Return To
128 bpm • F# min • 04:15 • -14db
32% Popularity • 46% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
32% Popularity • 46% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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James Blake
I Need A Forest Fire
128 bpm • D Maj • 04:17 • -12db
56% Popularity • 29% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 29% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Bahamas
All The Time
127 bpm • E min • 03:54 • -4.82db
59% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Sampha
(No One Knows Me) Like the Piano
129 bpm • A# Maj • 03:38 • -13.79db
56% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Coldplay
Midnight
127 bpm • C# Maj • 04:54 • -12.42db
62% Popularity • 55% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
62% Popularity • 55% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
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Bearcubs
Underwaterfall
127 bpm • F min • 04:20 • -11.09db
48% Popularity • 83% Danceability • 24% Energy • 11% Liveness
70% Instrumentalness • 9% Positiveness
48% Popularity • 83% Danceability • 24% Energy • 11% Liveness
70% Instrumentalness • 9% Positiveness
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James Blake
f.o.r.e.v.e.r.
129 bpm • A# min • 02:40 • -17.35db
33% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Charlotte Day Wilson
Work
130 bpm • C# Maj • 03:44 • -8.04db
63% Popularity • 62% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 16% Positiveness
63% Popularity • 62% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 16% Positiveness
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TOKiMONSTA
Realla
130 bpm • F Maj • 03:30 • -8.45db
47% Popularity • 63% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
47% Popularity • 63% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Maggie Rogers
On + Off
130 bpm • E Maj • 03:41 • -6.16db
53% Popularity • 59% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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James Blake
Lullaby For My Insomniac
130 bpm • A# Maj • 03:43 • -16.58db
33% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Wet
Don't Wanna Be Your Girl
130 bpm • C Maj • 02:54 • -13.4db
47% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
47% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Angus & Julia Stone
Chateau
130 bpm • F Maj • 04:33 • -11.22db
56% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
56% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Jamie xx
Stranger in a Room
130 bpm • C min • 02:57 • -17.26db
49% Popularity • 67% Danceability • 16% Energy • 10% Liveness
38% Instrumentalness • 33% Positiveness
49% Popularity • 67% Danceability • 16% Energy • 10% Liveness
38% Instrumentalness • 33% Positiveness
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Vancouver Sleep Clinic
Collapse
130 bpm • C min • 03:41 • -14.48db
41% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Daughter
Landfill
126 bpm • B min • 04:23 • -7.93db
46% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Maribou State
Nervous Tics
126 bpm • C min • 04:14 • -9.41db
63% Popularity • 81% Danceability • 62% Energy • 10% Liveness
58% Instrumentalness • 74% Positiveness
63% Popularity • 81% Danceability • 62% Energy • 10% Liveness
58% Instrumentalness • 74% Positiveness
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The Lumineers
Angela
130 bpm • E Maj • 03:21 • -8.23db
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Haux
Caves
130 bpm • D# min • 03:53 • -13.29db
42% Popularity • 55% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
42% Popularity • 55% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
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Bibio
The Way You Talk
131 bpm • G# min • 02:50 • -16db
36% Popularity • 42% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
36% Popularity • 42% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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RY X
Love Like This
125 bpm • B Maj • 04:10 • -14.97db
45% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
45% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
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Alabama Shakes
This Feeling
131 bpm • G Maj • 04:28 • -11.51db
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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MorMor
Whatever Comes to Mind
131 bpm • A# Maj • 04:09 • -7.8db
42% Popularity • 54% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
42% Popularity • 54% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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Bon Iver
8 (circle)
125 bpm • A Maj • 05:09 • -10.77db
51% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
51% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Blood Orange
Best to You
125 bpm • C Maj • 03:45 • -8.51db
53% Popularity • 66% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 66% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
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Jamie xx
SeeSaw
125 bpm • A min • 04:28 • -11.89db
46% Popularity • 62% Danceability • 68% Energy • 68% Liveness
84% Instrumentalness • 19% Positiveness
46% Popularity • 62% Danceability • 68% Energy • 68% Liveness
84% Instrumentalness • 19% Positiveness
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James Blake
I Hope My Life - 1-800 Mix
125 bpm • B min • 05:40 • -13.6db
30% Popularity • 64% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Låpsley
Falling Short
125 bpm • A min • 03:23 • -9.1db
44% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Beyoncé
Forward
124 bpm • G min • 01:19 • -15.63db
54% Popularity • 39% Danceability • 13% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
54% Popularity • 39% Danceability • 13% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
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Jono McCleery
Painted Blue
132 bpm • E min • 02:33 • -13db
27% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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James Blake
Noise Above Our Heads
124 bpm • B min • 05:03 • -12.16db
31% Popularity • 75% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 40% Positiveness
31% Popularity • 75% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 40% Positiveness
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IDER
Pulse
132 bpm • F# Maj • 03:35 • -11.27db
35% Popularity • 53% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 53% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Maribou State
Manila
124 bpm • F# min • 03:12 • -7.87db
61% Popularity • 72% Danceability • 61% Energy • 32% Liveness
90% Instrumentalness • 34% Positiveness
61% Popularity • 72% Danceability • 61% Energy • 32% Liveness
90% Instrumentalness • 34% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Angus & Julia Stone
Nothing Else
124 bpm • C# min • 04:24 • -13.53db
47% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
47% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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James Blake
Love Me In Whatever Way
123 bpm • G# min • 05:03 • -11.68db
37% Popularity • 32% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 32% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Local Natives
Wide Eyes
123 bpm • B min • 04:26 • -8.02db
47% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
47% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
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Four Tet
Lush
133 bpm • C# min • 05:11 • -10.46db
52% Popularity • 66% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
52% Popularity • 66% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Nilüfer Yanya
Keep On Calling
123 bpm • F# min • 03:50 • -7.21db
44% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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James Blake
DLM
133 bpm • D Maj • 02:25 • -15.08db
37% Popularity • 40% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 40% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Rainbow Kitten Surprise
Devil Like Me
123 bpm • D Maj • 03:08 • -6.83db
70% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Mount Kimbie
somehow she’s still here
123 bpm • E Maj • 02:47 • -12.74db
38% Popularity • 58% Danceability • 38% Energy • 15% Liveness
14% Instrumentalness • 48% Positiveness
38% Popularity • 58% Danceability • 38% Energy • 15% Liveness
14% Instrumentalness • 48% Positiveness
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Bon Iver
33 “GOD”
133 bpm • E Maj • 03:33 • -10.47db
53% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
53% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Golden Vessel
Hesitate
123 bpm • D Maj • 04:11 • -10db
53% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
53% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Blood Orange
Champagne Coast
123 bpm • A Maj • 04:52 • -12.63db
61% Popularity • 81% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 76% Positiveness
61% Popularity • 81% Danceability • 41% Energy • 8% Liveness
39% Instrumentalness • 76% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Monica Martin
Go Easy, Kid
122 bpm • D# Maj • 04:27 • -13.14db
40% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Westerman
Confirmation
122 bpm • G# Maj • 03:29 • -11.65db
45% Popularity • 78% Danceability • 36% Energy • 6% Liveness
34% Instrumentalness • 38% Positiveness
45% Popularity • 78% Danceability • 36% Energy • 6% Liveness
34% Instrumentalness • 38% Positiveness
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Bon Iver
iMi
134 bpm • G# Maj • 03:16 • -11.54db
48% Popularity • 48% Danceability • 40% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
48% Popularity • 48% Danceability • 40% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The New Basement Tapes
When I Get My Hands On You
135 bpm • C# min • 03:10 • -13.94db
60% Popularity • 91% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
60% Popularity • 91% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
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Volcano Choir
Tiderays
121 bpm • B Maj • 04:57 • -10db
38% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
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Leif Vollebekk
Into the Ether
135 bpm • C# Maj • 05:49 • -12.07db
39% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Big Red Machine
Gratitude
121 bpm • G# Maj • 05:56 • -7.61db
32% Popularity • 66% Danceability • 61% Energy • 5% Liveness
10% Instrumentalness • 44% Positiveness
32% Popularity • 66% Danceability • 61% Energy • 5% Liveness
10% Instrumentalness • 44% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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James Blake
The Colour In Anything
135 bpm • F Maj • 03:33 • -13.34db
35% Popularity • 39% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 12% Positiveness
35% Popularity • 39% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 12% Positiveness
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Vera Blue
Hold
120 bpm • F# min • 04:06 • -5.66db
44% Popularity • 32% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 32% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Unknown Mortal Orchestra
Multi-Love
120 bpm • D# min • 04:10 • -5.24db
57% Popularity • 78% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 78% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Beverly Glenn-Copeland
Ever New - Reworked by Bon Iver & Flock ...
120 bpm • G Maj • 06:23 • -13.43db
28% Popularity • 34% Danceability • 37% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
28% Popularity • 34% Danceability • 37% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Haux
Homegrown
120 bpm • A Maj • 04:02 • -13.68db
49% Popularity • 66% Danceability • 33% Energy • 19% Liveness
39% Instrumentalness • 22% Positiveness
49% Popularity • 66% Danceability • 33% Energy • 19% Liveness
39% Instrumentalness • 22% Positiveness
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James Blake
when the party’s over
136 bpm • A min • 03:13 • -12.97db
49% Popularity • 47% Danceability • 17% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
49% Popularity • 47% Danceability • 17% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
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Maribou State
The Clown
120 bpm • A min • 04:07 • -7.97db
55% Popularity • 68% Danceability • 60% Energy • 27% Liveness
11% Instrumentalness • 40% Positiveness
55% Popularity • 68% Danceability • 60% Energy • 27% Liveness
11% Instrumentalness • 40% Positiveness
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Unknown Mortal Orchestra
Hunnybee
120 bpm • F# Maj • 04:28 • -7.97db
61% Popularity • 96% Danceability • 38% Energy • 31% Liveness
41% Instrumentalness • 57% Positiveness
61% Popularity • 96% Danceability • 38% Energy • 31% Liveness
41% Instrumentalness • 57% Positiveness
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Beverly Glenn-Copeland
Ever New - Reworked by Bon Iver & Flock ...
120 bpm • G Maj • 06:24 • -13.05db
21% Popularity • 59% Danceability • 37% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
21% Popularity • 59% Danceability • 37% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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slenderbodies
anemone
120 bpm • B min • 03:48 • -8.2db
56% Popularity • 85% Danceability • 63% Energy • 20% Liveness
1% Instrumentalness • 61% Positiveness
56% Popularity • 85% Danceability • 63% Energy • 20% Liveness
1% Instrumentalness • 61% Positiveness
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Joe Goddard
Taking Over
120 bpm • A# Maj • 05:36 • -8.47db
49% Popularity • 72% Danceability • 57% Energy • 10% Liveness
39% Instrumentalness • 55% Positiveness
49% Popularity • 72% Danceability • 57% Energy • 10% Liveness
39% Instrumentalness • 55% Positiveness
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James Blake
Radio Silence
120 bpm • D Maj • 04:00 • -9.64db
41% Popularity • 53% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
41% Popularity • 53% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Blood Orange
You're Not Good Enough
120 bpm • C Maj • 04:21 • -6.55db
57% Popularity • 74% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
57% Popularity • 74% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Låpsley
Station - 2014
120 bpm • G Maj • 03:14 • -20.88db
44% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Hundred Waters
Cavity - Shigeto Remix
119 bpm • G# Maj • 05:07 • -8.39db
26% Popularity • 52% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
26% Popularity • 52% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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James Blake
Overgrown
137 bpm • A min • 05:00 • -10.42db
42% Popularity • 34% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Palace
Heaven Up There
138 bpm • E Maj • 07:17 • -10.54db
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Caribou
Melody Day - Four Tet Remix
138 bpm • C# min • 04:47 • -13.95db
41% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
41% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
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Jamie xx
Sleep Sound
118 bpm • F min • 03:52 • -14db
43% Popularity • 74% Danceability • 46% Energy • 42% Liveness
90% Instrumentalness • 11% Positiveness
43% Popularity • 74% Danceability • 46% Energy • 42% Liveness
90% Instrumentalness • 11% Positiveness
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Charlotte Day Wilson
Mountains
118 bpm • A# Maj • 04:09 • -9.13db
49% Popularity • 54% Danceability • 40% Energy • 37% Liveness
2% Instrumentalness • 14% Positiveness
49% Popularity • 54% Danceability • 40% Energy • 37% Liveness
2% Instrumentalness • 14% Positiveness
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James Blake
Our Love Comes Back
137 bpm • A min • 03:39 • -18.66db
35% Popularity • 33% Danceability • 19% Energy • 14% Liveness
44% Instrumentalness • 13% Positiveness
35% Popularity • 33% Danceability • 19% Energy • 14% Liveness
44% Instrumentalness • 13% Positiveness
