Songs like I Need Some Air - Takes 1 & 2 by Otis Spann
Based on a tempo of (+/- 10%) and a similar genre
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J. B. Hutto
Lone Wolf
153 bpm • D Maj • 06:08 • -10.35db
19% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
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Lonnie Johnson
Long Road to Travel
152 bpm • D min • 02:22 • -16db
22% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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J.B. Lenoir
Down in Mississippi
152 bpm • A Maj • 03:16 • -9db
21% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Paolo Mizzau & the Doctor Love Band
Headache Man
154 bpm • F Maj • 04:17 • -8.02db
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Otis Spann
It Was A Big Thing
153 bpm • G Maj • 03:23 • -11.37db
9% Popularity • 50% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 50% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Big Bill Broonzy
Hey Hey
154 bpm • A Maj • 02:55 • -14.19db
21% Popularity • 68% Danceability • 30% Energy • 23% Liveness
9% Instrumentalness • 82% Positiveness
21% Popularity • 68% Danceability • 30% Energy • 23% Liveness
9% Instrumentalness • 82% Positiveness
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Billy Boy Arnold
Left My Happy Home
155 bpm • F Maj • 02:34 • -9.66db
33% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Friends
Wayward Angel
151 bpm • B min • 07:11 • -8.89db
19% Popularity • 44% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
19% Popularity • 44% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Professor Longhair
It's My Fault, Darling - Remastered
156 bpm • C Maj • 04:54 • -5.5db
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Sleepy John Estes
Drop Down Mama
157 bpm • B Maj • 03:11 • -9.72db
17% Popularity • 45% Danceability • 32% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
17% Popularity • 45% Danceability • 32% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
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Otis Spann
Otis Blues
150 bpm • D Maj • 04:18 • -14.5db
11% Popularity • 29% Danceability • 56% Energy • 21% Liveness
94% Instrumentalness • 81% Positiveness
11% Popularity • 29% Danceability • 56% Energy • 21% Liveness
94% Instrumentalness • 81% Positiveness
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Magic Slim & The Teardrops
Crazy Woman
149 bpm • C# min • 05:48 • -5db
32% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
32% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Lester Davenport
Slow Down Baby
157 bpm • C Maj • 05:58 • -16.27db
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
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Pinetop Perkins
Lend Me Your Love
158 bpm • C Maj • 04:50 • -14.2db
9% Popularity • 54% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 43% Positiveness
9% Popularity • 54% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 43% Positiveness
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Jay McShann
'Tain't Nobody's Biz'ness If I Do
158 bpm • G Maj • 07:01 • -15.96db
34% Popularity • 53% Danceability • 11% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
34% Popularity • 53% Danceability • 11% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
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Lurrie Bell
Blues in My Soul
158 bpm • A min • 06:03 • -7.3db
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
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Otis Spann
Spann's Boogie Woogie
158 bpm • C Maj • 02:13 • -13.1db
8% Popularity • 49% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
8% Popularity • 49% Danceability • 26% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Joe Louis Walker
Mean Old Train
148 bpm • E Maj • 03:03 • -7.55db
21% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
21% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Son Seals
She's Fine aka Honey, Where You Going
159 bpm • D Maj • 03:42 • -16.7db
33% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
33% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
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Albert Collins
Conversation with Collins
146 bpm • A min • 08:51 • -14.8db
18% Popularity • 66% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 66% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
32% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
32% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
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Hubert Sumlin
My Guitar and Me
160 bpm • A# Maj • 04:15 • -11.69db
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Sunnyland Slim
Sunnyland Special
144 bpm • F Maj • 04:47 • -10.78db
9% Popularity • 48% Danceability • 52% Energy • 22% Liveness
88% Instrumentalness • 78% Positiveness
9% Popularity • 48% Danceability • 52% Energy • 22% Liveness
88% Instrumentalness • 78% Positiveness
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Pee Wee Crayton
Let The Good Times Roll
162 bpm • A Maj • 02:53 • -10db
35% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Albert Collins
Avalanche
162 bpm • D Maj • 02:39 • -5.06db
31% Popularity • 44% Danceability • 89% Energy • 25% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 44% Danceability • 89% Energy • 25% Liveness
89% Instrumentalness • 72% Positiveness
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Freddie King
Stormy Monday
144 bpm • F Maj • 04:24 • -13.81db
41% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Pinetop Perkins
For You My Love
164 bpm • C Maj • 04:00 • -14.51db
14% Popularity • 43% Danceability • 48% Energy • 14% Liveness
10% Instrumentalness • 78% Positiveness
14% Popularity • 43% Danceability • 48% Energy • 14% Liveness
10% Instrumentalness • 78% Positiveness
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Otis Spann
Temperature Is Rising (100.2°F)
143 bpm • D# Maj • 06:10 • -11.29db
15% Popularity • 52% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 52% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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James Booker
Junco Partner
142 bpm • G Maj • 05:10 • -17.8db
30% Popularity • 57% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 70% Positiveness
30% Popularity • 57% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 70% Positiveness
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Pee Wee Crayton
Texas Hop
163 bpm • B Maj • 03:06 • -13.36db
14% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
14% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
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Albert Collins
Frosty - Single Version
143 bpm • A min • 03:05 • -13.32db
34% Popularity • 62% Danceability • 46% Energy • 15% Liveness
75% Instrumentalness • 69% Positiveness
34% Popularity • 62% Danceability • 46% Energy • 15% Liveness
75% Instrumentalness • 69% Positiveness
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Hubert Sumlin
Groove - Take 2
166 bpm • E Maj • 04:11 • -12.51db
22% Popularity • 51% Danceability • 45% Energy • 40% Liveness
21% Instrumentalness • 84% Positiveness
22% Popularity • 51% Danceability • 45% Energy • 40% Liveness
21% Instrumentalness • 84% Positiveness
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Billy Boy Arnold
Shake The Boogie
166 bpm • C Maj • 02:43 • -13.84db
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Son Seals
Now That I'm Down
141 bpm • D Maj • 06:02 • -13.66db
44% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Big Joe Williams
Baby Please Don't Go
167 bpm • G Maj • 02:44 • -15db
39% Popularity • 50% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
39% Popularity • 50% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
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Lafayette Leake
Train Boogie
140 bpm • A# Maj • 05:00 • -11.79db
11% Popularity • 61% Danceability • 71% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
11% Popularity • 61% Danceability • 71% Energy • 12% Liveness
86% Instrumentalness • 85% Positiveness
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Albert Collins
Sno-Cone - Pt. 2
140 bpm • A min • 02:35 • -11db
29% Popularity • 53% Danceability • 46% Energy • 8% Liveness
63% Instrumentalness • 64% Positiveness
29% Popularity • 53% Danceability • 46% Energy • 8% Liveness
63% Instrumentalness • 64% Positiveness
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Louisiana Red
I Am Louisiana Red
139 bpm • G Maj • 02:07 • -16db
20% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Homesick James
Homesick's Shuffle
139 bpm • B Maj • 04:14 • -13db
23% Popularity • 60% Danceability • 66% Energy • 31% Liveness
87% Instrumentalness • 93% Positiveness
23% Popularity • 60% Danceability • 66% Energy • 31% Liveness
87% Instrumentalness • 93% Positiveness
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Junior Wells' Chicago Blues Band
Messin' With The Kid
139 bpm • F Maj • 02:22 • -9.39db
27% Popularity • 67% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 67% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Oscher
Gotta Go Now
168 bpm • G Maj • 03:02 • -8.35db
18% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
18% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
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Muddy Waters
Train Fare Home - Paris, 4 Novembre 1968...
168 bpm • F min • 04:37 • -11.15db
18% Popularity • 35% Danceability • 47% Energy • 87% Liveness
5% Instrumentalness • 42% Positiveness
18% Popularity • 35% Danceability • 47% Energy • 87% Liveness
5% Instrumentalness • 42% Positiveness
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Albert Collins
Don't Lose Your Cool
168 bpm • A# Maj • 02:17 • -11.78db
17% Popularity • 51% Danceability • 57% Energy • 16% Liveness
86% Instrumentalness • 70% Positiveness
17% Popularity • 51% Danceability • 57% Energy • 16% Liveness
86% Instrumentalness • 70% Positiveness
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Lonnie Johnson
St. Louis Blues
168 bpm • G Maj • 03:05 • -17.17db
30% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Spann
Ain't Nobody's Business
139 bpm • C Maj • 05:11 • -17db
33% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Professor Longhair
501 Boogie
169 bpm • C Maj • 03:28 • -14db
23% Popularity • 36% Danceability • 55% Energy • 21% Liveness
84% Instrumentalness • 85% Positiveness
23% Popularity • 36% Danceability • 55% Energy • 21% Liveness
84% Instrumentalness • 85% Positiveness
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Aron Burton
Little Red Rooster
169 bpm • C Maj • 06:18 • -12.53db
26% Popularity • 40% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 40% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Shines
Ramblin'
169 bpm • D# Maj • 02:34 • -15db
24% Popularity • 44% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 62% Positiveness
24% Popularity • 44% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 62% Positiveness
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Jimmy Witherspoon
I'll Go On Living
170 bpm • D# Maj • 03:44 • -18.35db
12% Popularity • 49% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
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Hound Dog Taylor
Phillips Goes Bananas
170 bpm • C# min • 02:37 • -12.92db
33% Popularity • 47% Danceability • 66% Energy • 12% Liveness
92% Instrumentalness • 93% Positiveness
33% Popularity • 47% Danceability • 66% Energy • 12% Liveness
92% Instrumentalness • 93% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Solomon Burke
Along About Midnight
170 bpm • A# Maj • 04:05 • -12.01db
31% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Otis Spann
Sellin' My Thing
137 bpm • G Maj • 07:23 • -9.12db
9% Popularity • 63% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 93% Positiveness
9% Popularity • 63% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 93% Positiveness
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Big Bill Broonzy
Hey, Hey Baby
171 bpm • A Maj • 02:54 • -15.5db
28% Popularity • 68% Danceability • 23% Energy • 9% Liveness
40% Instrumentalness • 82% Positiveness
28% Popularity • 68% Danceability • 23% Energy • 9% Liveness
40% Instrumentalness • 82% Positiveness
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J.B. Lenoir
Mama Talk To Your Daughter
137 bpm • A min • 02:21 • -9db
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kim Wilson
Tiger Man
137 bpm • G# Maj • 03:40 • -7.56db
17% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Gary Smith
South Bay Beatdown
137 bpm • A Maj • 02:58 • -9.95db
15% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
15% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
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Slim Harpo
My Little Queen Bee (Got A Brand New Kin...
137 bpm • F Maj • 02:36 • -6.03db
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Lightnin' Slim
Rooster Blues
136 bpm • B min • 02:44 • -14db
11% Popularity • 64% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 88% Positiveness
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Fenton Robinson
Country Girl - Remastered
136 bpm • C Maj • 04:52 • -6.15db
34% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Eddie "Cleanhead" Vinson
Kidney Stew
136 bpm • F min • 03:03 • -10.95db
35% Popularity • 63% Danceability • 46% Energy • 12% Liveness
10% Instrumentalness • 86% Positiveness
35% Popularity • 63% Danceability • 46% Energy • 12% Liveness
10% Instrumentalness • 86% Positiveness
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Bobby "Blue" Bland
Driftin' Blues - Single Version
172 bpm • G Maj • 03:28 • -7.63db
35% Popularity • 44% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 44% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Otis Rush
I Can't Quit You Baby - Alternate Versio...
172 bpm • D Maj • 03:40 • -11db
31% Popularity • 39% Danceability • 35% Energy • 24% Liveness
3% Instrumentalness • 56% Positiveness
31% Popularity • 39% Danceability • 35% Energy • 24% Liveness
3% Instrumentalness • 56% Positiveness
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Slim Harpo
Little Queen Bee (Got a Brand New King)
136 bpm • C min • 02:38 • -11.74db
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Son Seals
Going Back Home
172 bpm • D min • 07:03 • -9.73db
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
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Taj Mahal
(You've Got To) Love Her With A Feeling
172 bpm • A# Maj • 03:49 • -5.93db
18% Popularity • 38% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 38% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Big Joe Turner
Stormy Monday
173 bpm • F min • 04:34 • -17.88db
8% Popularity • 57% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 57% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Eddy Clearwater
I'm Gonna Move
173 bpm • G Maj • 06:15 • -10.49db
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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Sonny Boy Williamson I
Got The Bottle Up And Gone
172 bpm • A Maj • 02:33 • -15.36db
32% Popularity • 61% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 61% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Magic Sam
I Just Want A Little Bit
135 bpm • G# Maj • 03:04 • -11db
22% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Otis Spann
Take A Little Walk With Me - Remastered
135 bpm • A Maj • 03:27 • -9db
27% Popularity • 48% Danceability • 49% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
27% Popularity • 48% Danceability • 49% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
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Taj Mahal
Checkin' Up On My Baby
135 bpm • G min • 04:54 • -9.17db
31% Popularity • 44% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 44% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Albert Collins
Lights Are On But Nobody's Home - Remast...
173 bpm • F Maj • 06:58 • -6.66db
42% Popularity • 36% Danceability • 63% Energy • 24% Liveness
6% Instrumentalness • 46% Positiveness
42% Popularity • 36% Danceability • 63% Energy • 24% Liveness
6% Instrumentalness • 46% Positiveness
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Floyd Dixon
Hey, Bartender
135 bpm • A# Maj • 03:25 • -6db
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Hubert Sumlin
Give the Name Jacquot
174 bpm • G Maj • 05:03 • -12.55db
18% Popularity • 50% Danceability • 45% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
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Jimmy Dawkins
Highway Man Blues
174 bpm • B min • 07:38 • -8.81db
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Roy Buchanan
After Hours
174 bpm • C Maj • 06:14 • -10.5db
25% Popularity • 39% Danceability • 55% Energy • 6% Liveness
13% Instrumentalness • 59% Positiveness
25% Popularity • 39% Danceability • 55% Energy • 6% Liveness
13% Instrumentalness • 59% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
28% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Albert Collins
Too Tired
135 bpm • D Maj • 03:00 • -6.78db
20% Popularity • 57% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 57% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 50% Positiveness
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J.B. Lenoir
Voodoo Boogie
134 bpm • F Maj • 01:58 • -11.97db
30% Popularity • 66% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
30% Popularity • 66% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
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Buster Benton
Born with the Blues
174 bpm • A min • 04:49 • -12.27db
14% Popularity • 37% Danceability • 42% Energy • 4% Liveness
46% Instrumentalness • 59% Positiveness
14% Popularity • 37% Danceability • 42% Energy • 4% Liveness
46% Instrumentalness • 59% Positiveness
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Son Seals
Sitting At My Window
174 bpm • G Maj • 04:34 • -13.16db
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
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Muddy Waters
I'm Ready
134 bpm • G Maj • 03:39 • -7.06db
13% Popularity • 56% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
13% Popularity • 56% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Magic Slim
Living In My Neighborhood
134 bpm • F# min • 04:46 • -13.95db
15% Popularity • 77% Danceability • 40% Energy • 15% Liveness
3% Instrumentalness • 81% Positiveness
15% Popularity • 77% Danceability • 40% Energy • 15% Liveness
3% Instrumentalness • 81% Positiveness
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Pinetop Perkins
Blues After Hours
175 bpm • G Maj • 05:03 • -15.51db
21% Popularity • 46% Danceability • 23% Energy • 31% Liveness
7% Instrumentalness • 32% Positiveness
21% Popularity • 46% Danceability • 23% Energy • 31% Liveness
7% Instrumentalness • 32% Positiveness
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Albert Collins
Too Many Dirty Dishes - Remastered
175 bpm • D Maj • 06:52 • -7db
34% Popularity • 43% Danceability • 59% Energy • 33% Liveness
2% Instrumentalness • 46% Positiveness
34% Popularity • 43% Danceability • 59% Energy • 33% Liveness
2% Instrumentalness • 46% Positiveness
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Otis Spann
I Got Rambling On My Mind #2 - Remastere...
134 bpm • A min • 04:03 • -8.99db
12% Popularity • 48% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 65% Positiveness
12% Popularity • 48% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 65% Positiveness
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Pink Anderson
I Got A Woman 'Way Cross Town
133 bpm • G Maj • 03:01 • -17.15db
30% Popularity • 71% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 71% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Muddy Waters
Ring Up - Paris, 4 Novembre 1968 (Restau...
134 bpm • F min • 04:19 • -10.6db
20% Popularity • 47% Danceability • 71% Energy • 98% Liveness
19% Instrumentalness • 59% Positiveness
20% Popularity • 47% Danceability • 71% Energy • 98% Liveness
19% Instrumentalness • 59% Positiveness
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Jimmy Witherspoon
Sail On Little Girl
175 bpm • G Maj • 02:46 • -17.77db
31% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Albert Collins
When The Welfare Turns Its Back On You
176 bpm • C Maj • 05:26 • -7db
23% Popularity • 48% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 64% Positiveness
23% Popularity • 48% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 64% Positiveness
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Otis Spann
Moon Blues
176 bpm • A min • 04:26 • -11db
29% Popularity • 45% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 45% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Pinetop Perkins
Pinetop Boogie woogie
176 bpm • C Maj • 04:34 • -12.59db
30% Popularity • 47% Danceability • 61% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
30% Popularity • 47% Danceability • 61% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
