Songs like I Never Did Get Through by John Farnham
Based on a tempo of (+/- 10%) and a similar genre
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Genesis
No Son of Mine - 2007 Remaster
104 bpm • C Maj • 06:39 • -8.66db
54% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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John Mellencamp
Jack & Diane
104 bpm • A Maj • 04:14 • -8.21db
74% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
74% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Savage Garden
To the Moon & Back
104 bpm • C min • 05:39 • -7.29db
60% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Tina Turner
The Best - Edit
104 bpm • C Maj • 04:15 • -6.86db
54% Popularity • 68% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
54% Popularity • 68% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Barry Manilow
Mandy
104 bpm • A# Maj • 03:33 • -9.03db
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Split Enz
Message to My Girl
105 bpm • C# Maj • 04:03 • -7.31db
46% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Feargal Sharkey
A Good Heart
105 bpm • A# Maj • 04:41 • -10.22db
57% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Noiseworks
Welcome To The World
103 bpm • C# Maj • 04:46 • -12db
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tina Turner
The Best
104 bpm • C Maj • 05:29 • -9.54db
74% Popularity • 66% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 74% Positiveness
74% Popularity • 66% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 74% Positiveness
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Wendy Matthews
Standing Strong
103 bpm • F Maj • 04:54 • -11db
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tom Cochrane
Life Is A Highway
103 bpm • F Maj • 04:26 • -3.46db
64% Popularity • 68% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
64% Popularity • 68% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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John Farnham
Let Me Out
105 bpm • B min • 04:25 • -13.35db
23% Popularity • 75% Danceability • 65% Energy • 31% Liveness
5% Instrumentalness • 31% Positiveness
23% Popularity • 75% Danceability • 65% Energy • 31% Liveness
5% Instrumentalness • 31% Positiveness
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Noiseworks
Miles And Miles
105 bpm • C min • 04:15 • -8.36db
22% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Heart
All I Wanna Do Is Make Love To You
103 bpm • G Maj • 05:10 • -8.83db
66% Popularity • 63% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
66% Popularity • 63% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Cher
I Found Someone
103 bpm • D min • 03:43 • -10.94db
55% Popularity • 54% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 54% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Ian Moss
Out of the Fire
103 bpm • A# min • 04:57 • -11.88db
29% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 78% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Crowded House
Fall At Your Feet
103 bpm • C min • 03:18 • -13.62db
60% Popularity • 65% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
60% Popularity • 65% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Bette Midler
Beast of Burden
105 bpm • E Maj • 03:45 • -6.81db
50% Popularity • 58% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 58% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Nik Kershaw
I Won't Let The Sun Go Down On Me
106 bpm • A Maj • 03:23 • -7.99db
58% Popularity • 63% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
58% Popularity • 63% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Roxette
Joyride - Single Version
102 bpm • D Maj • 04:01 • -6.24db
60% Popularity • 65% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 65% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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John Farnham
The Time Has Come
106 bpm • C Maj • 04:56 • -9.65db
15% Popularity • 53% Danceability • 78% Energy • 62% Liveness
4% Instrumentalness • 64% Positiveness
15% Popularity • 53% Danceability • 78% Energy • 62% Liveness
4% Instrumentalness • 64% Positiveness
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George Michael
Father Figure - Remastered
102 bpm • D# Maj • 05:36 • -13.29db
63% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Nik Kershaw
The Riddle
102 bpm • A Maj • 03:54 • -7.94db
65% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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TOTO
Stop Loving You
102 bpm • F Maj • 04:29 • -13.35db
59% Popularity • 56% Danceability • 65% Energy • 6% Liveness
7% Instrumentalness • 60% Positiveness
59% Popularity • 56% Danceability • 65% Energy • 6% Liveness
7% Instrumentalness • 60% Positiveness
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John Farnham
See the Banners Fall
106 bpm • F# min • 04:34 • -11.39db
23% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Men Without Hats
The Safety Dance
102 bpm • F Maj • 02:44 • -4.48db
62% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Melissa Etheridge
Like The Way I Do
101 bpm • D min • 05:24 • -13.02db
55% Popularity • 60% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 60% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Noiseworks
No Lies - 2007 Remastered
102 bpm • A Maj • 03:54 • -6.64db
25% Popularity • 55% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
25% Popularity • 55% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Bryan Adams
It's Only Love
101 bpm • F Maj • 03:14 • -4.49db
60% Popularity • 52% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 52% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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Dragon
Still In Love With You
107 bpm • C Maj • 03:24 • -14db
39% Popularity • 88% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 88% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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U2
I Still Haven't Found What I'm Looking F...
101 bpm • C# Maj • 04:37 • -9.42db
78% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
78% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Elton John
Sad Songs (Say So Much)
107 bpm • C Maj • 04:09 • -6.26db
50% Popularity • 74% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
50% Popularity • 74% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Noiseworks
In My Youth
102 bpm • D Maj • 03:35 • -9.95db
29% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 38% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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ABBA
Knowing Me, Knowing You
107 bpm • D Maj • 04:01 • -7.07db
70% Popularity • 55% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
70% Popularity • 55% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Taylor Dayne
I'll Be Your Shelter
107 bpm • C Maj • 04:43 • -5.26db
45% Popularity • 69% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 69% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Genesis
I Can't Dance - 2007 Remaster
108 bpm • D# Maj • 03:59 • -9.82db
65% Popularity • 91% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 91% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Elton John
Sad Songs (Say So Much)
107 bpm • C Maj • 04:55 • -11.21db
55% Popularity • 76% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Aretha Franklin
I Knew You Were Waiting (For Me)
108 bpm • A Maj • 04:00 • -6db
62% Popularity • 70% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 70% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Go West
The King of Wishful Thinking
108 bpm • C Maj • 04:01 • -7.38db
65% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
65% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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John Farnham
Reasons
108 bpm • D Maj • 04:25 • -12.91db
35% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Wendy Matthews
Friday's Child
108 bpm • A# Maj • 04:00 • -12.23db
24% Popularity • 68% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
24% Popularity • 68% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Kate Ceberano
Brave
100 bpm • C Maj • 05:30 • -14.98db
27% Popularity • 60% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Cher
If I Could Turn Back Time
108 bpm • B Maj • 03:59 • -10.37db
74% Popularity • 66% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 66% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Air Supply
All Out Of Love
108 bpm • C Maj • 04:03 • -12.74db
53% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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John Farnham
Reasons - Remastered 2006
108 bpm • D Maj • 04:26 • -7.42db
11% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Medley
(I've Had) The Time Of My Life - theme f...
108 bpm • F# min • 04:49 • -11.25db
68% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
39% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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INXS
Need You Tonight
109 bpm • A# min • 03:01 • -7.22db
76% Popularity • 80% Danceability • 63% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
76% Popularity • 80% Danceability • 63% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
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Boston
More Than a Feeling
109 bpm • G Maj • 04:45 • -8.04db
81% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
81% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Fine Young Cannibals
She Drives Me Crazy
109 bpm • D Maj • 03:35 • -5.68db
76% Popularity • 80% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 80% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Lionel Richie
All Night Long (All Night) - Single Vers...
109 bpm • C# Maj • 04:18 • -12.04db
73% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
73% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Eric Carmen
Make Me Lose Control
109 bpm • E Maj • 04:45 • -9.07db
54% Popularity • 72% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 72% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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The Bellamy Brothers
Let Your Love Flow
109 bpm • D# Maj • 03:16 • -14.69db
68% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Mr. Mister
Broken Wings
99 bpm • C# min • 05:43 • -14.28db
71% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
71% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bruce Springsteen
Tougher Than the Rest
99 bpm • F Maj • 04:33 • -11.18db
62% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
62% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Meat Loaf
I Would Do Anything For Love (But I Won'...
99 bpm • C Maj • 10:19 • -7.78db
39% Popularity • 32% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 32% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Steve Winwood
Higher Love
99 bpm • F Maj • 05:51 • -12.16db
66% Popularity • 70% Danceability • 78% Energy • 30% Liveness
15% Instrumentalness • 95% Positiveness
66% Popularity • 70% Danceability • 78% Energy • 30% Liveness
15% Instrumentalness • 95% Positiveness
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Tina Turner
We Don't Need Another Hero (Thunderdome)
99 bpm • G# min • 04:15 • -5.87db
64% Popularity • 69% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
64% Popularity • 69% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Bruce Springsteen
Hungry Heart
110 bpm • G# Maj • 03:19 • -7.41db
70% Popularity • 64% Danceability • 89% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
70% Popularity • 64% Danceability • 89% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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ICEHOUSE
Electric Blue
110 bpm • A# Maj • 04:23 • -4.76db
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Eric Carmen
Hungry Eyes
110 bpm • F Maj • 04:11 • -9db
75% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Kate Ceberano
I Won't Let You Down
110 bpm • D min • 04:31 • -7db
19% Popularity • 68% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 68% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Joel
A Matter of Trust
110 bpm • D Maj • 04:08 • -8db
56% Popularity • 74% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 74% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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ICEHOUSE
Man Of Colours
110 bpm • C min • 05:10 • -6.83db
38% Popularity • 48% Danceability • 71% Energy • 28% Liveness
11% Instrumentalness • 27% Positiveness
38% Popularity • 48% Danceability • 71% Energy • 28% Liveness
11% Instrumentalness • 27% Positiveness
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John Farnham
No Ordinary World
98 bpm • C# Maj • 03:47 • -7.5db
17% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Deep Blue Something
Breakfast At Tiffany's
110 bpm • D Maj • 04:17 • -5.55db
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
54% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
54% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Tina Turner
What's Love Got to Do with It - 2015 Rem...
98 bpm • C# Maj • 03:50 • -8.9db
71% Popularity • 86% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 86% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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John Farnham
Seemed Like a Good Idea (At the Time)
98 bpm • D Maj • 04:17 • -11.21db
17% Popularity • 73% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 73% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Wilson Phillips
Hold On
98 bpm • F Maj • 04:26 • -9.9db
67% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 68% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Spandau Ballet
True - 2003 Remaster
98 bpm • C Maj • 06:33 • -8.44db
68% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
68% Popularity • 78% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Belinda Carlisle
In Too Deep
111 bpm • C# Maj • 04:05 • -7db
39% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Climie Fisher
Love Changes (Everything)
111 bpm • F Maj • 04:28 • -5.87db
61% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 62% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Cold Chisel
Choirgirl - 2011 Remastered
97 bpm • C Maj • 03:13 • -2.78db
49% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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John Farnham
Seemed Like a Good Idea (At the Time)
98 bpm • D Maj • 03:47 • -10.44db
15% Popularity • 74% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 74% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Bruce Hornsby
The Way It Is
111 bpm • G Maj • 04:57 • -12.2db
69% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
69% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
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Billy Idol
Hot In The City
111 bpm • F Maj • 03:39 • -5.56db
59% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 66% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Nik Kershaw
Wouldn't It Be Good
97 bpm • D min • 04:37 • -8.53db
65% Popularity • 66% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
65% Popularity • 66% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
