Songs like I Remember You by Lee Konitz
Based on a tempo of (+/- 10%) and a similar genre
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
28% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Oliver Nelson
Blues And The Abstract Truth
116 bpm • G min • 05:12 • -13db
27% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
27% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
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Fats Navarro
Double Talk
116 bpm • G min • 05:33 • -11.46db
22% Popularity • 54% Danceability • 52% Energy • 20% Liveness
91% Instrumentalness • 87% Positiveness
22% Popularity • 54% Danceability • 52% Energy • 20% Liveness
91% Instrumentalness • 87% Positiveness
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Curtis Fuller
Hugore
116 bpm • D# Maj • 06:44 • -9.56db
11% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 62% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Lee Konitz
I Remember You
116 bpm • A# min • 04:26 • -14.22db
42% Popularity • 56% Danceability • 30% Energy • 15% Liveness
10% Instrumentalness • 57% Positiveness
42% Popularity • 56% Danceability • 30% Energy • 15% Liveness
10% Instrumentalness • 57% Positiveness
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Horace Silver Quintet
For Heaven's Sake
117 bpm • D# Maj • 05:07 • -14.85db
14% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
14% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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Harold Land
You Don't Know What Love Is
115 bpm • F min • 03:58 • -21.76db
16% Popularity • 51% Danceability • 5% Energy • 32% Liveness
12% Instrumentalness • 30% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 32% Liveness
12% Instrumentalness • 30% Positiveness
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George Shearing Trio
Makin' Whoopee
117 bpm • G# Maj • 04:00 • -20.14db
37% Popularity • 79% Danceability • 24% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
37% Popularity • 79% Danceability • 24% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
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Stan Getz Quartet
There Will Never Be Another You
115 bpm • C min • 09:20 • -13.83db
25% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Curtis Fuller
A Lovely Way To Spend An Evening
117 bpm • F Maj • 06:53 • -16db
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Fats Navarro
Barry's Bop
115 bpm • F Maj • 02:41 • -7.89db
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 84% Positiveness
30% Popularity • 70% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 84% Positiveness
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John Lewis
I Should Care
117 bpm • A# min • 04:52 • -29.93db
29% Popularity • 55% Danceability • 1% Energy • 18% Liveness
77% Instrumentalness • 20% Positiveness
29% Popularity • 55% Danceability • 1% Energy • 18% Liveness
77% Instrumentalness • 20% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Kenny Drew
Groovin' The Blues - Rudy Van Gelder Edi...
115 bpm • A# min • 06:19 • -9.32db
22% Popularity • 65% Danceability • 43% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
22% Popularity • 65% Danceability • 43% Energy • 15% Liveness
5% Instrumentalness • 43% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 4 / Complete
115 bpm • C# Maj • 02:38 • -9.73db
41% Popularity • 56% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 56% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Kenny Wheeler
Kind Folk
117 bpm • A min • 08:36 • -16.78db
16% Popularity • 49% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 49% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Thad Jones
If I Love Again - 2007 Digital Remaster/...
117 bpm • C min • 07:27 • -11db
27% Popularity • 49% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
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Clifford Jordan
Soul-Lo Blues - Remastered 1997
115 bpm • A# Maj • 08:31 • -12.69db
25% Popularity • 64% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
25% Popularity • 64% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Stanley Turrentine
Then I'll Be Tired Of You
115 bpm • C Maj • 06:09 • -15.44db
25% Popularity • 50% Danceability • 16% Energy • 32% Liveness
64% Instrumentalness • 34% Positiveness
25% Popularity • 50% Danceability • 16% Energy • 32% Liveness
64% Instrumentalness • 34% Positiveness
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Serge Chaloff
Thanks For The Memory
117 bpm • F Maj • 03:48 • -18db
25% Popularity • 53% Danceability • 5% Energy • 23% Liveness
1% Instrumentalness • 26% Positiveness
25% Popularity • 53% Danceability • 5% Energy • 23% Liveness
1% Instrumentalness • 26% Positiveness
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Phineas Newborn Jr.
Afternoon in Paris
118 bpm • G# Maj • 06:45 • -20db
24% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
24% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
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Lee Konitz
Two Not One
118 bpm • G# Maj • 05:31 • -10.56db
40% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Rue De Paris
Peace
118 bpm • A# Maj • 05:49 • -18.09db
1% Popularity • 64% Danceability • 14% Energy • 12% Liveness
17% Instrumentalness • 34% Positiveness
1% Popularity • 64% Danceability • 14% Energy • 12% Liveness
17% Instrumentalness • 34% Positiveness
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Johnny Griffin
63rd Street Theme
118 bpm • C min • 05:34 • -11.28db
19% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
19% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
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Miles Davis And Milt Jackson Sextet
Minor March
118 bpm • F min • 08:15 • -13.79db
15% Popularity • 47% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Stan Getz Quartet
You're Blase
114 bpm • F# Maj • 04:13 • -19.8db
20% Popularity • 39% Danceability • 3% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
20% Popularity • 39% Danceability • 3% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
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Gigi Gryce
A Night At Tony's
114 bpm • F min • 05:08 • -9.59db
6% Popularity • 52% Danceability • 55% Energy • 30% Liveness
30% Instrumentalness • 88% Positiveness
6% Popularity • 52% Danceability • 55% Energy • 30% Liveness
30% Instrumentalness • 88% Positiveness
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Lee Konitz
Tautology - Alternate Take
118 bpm • G min • 02:43 • -12.68db
10% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bud Powell Trio
Nice Work If You Can Get It
114 bpm • G# Maj • 03:18 • -15db
31% Popularity • 53% Danceability • 45% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
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John Lewis
Afternoon in Paris
118 bpm • D min • 09:58 • -19.68db
31% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
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Fats Navarro
Our Delight
114 bpm • C min • 02:58 • -9.06db
32% Popularity • 56% Danceability • 66% Energy • 36% Liveness
38% Instrumentalness • 59% Positiveness
32% Popularity • 56% Danceability • 66% Energy • 36% Liveness
38% Instrumentalness • 59% Positiveness
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Phil Woods
Blue Ballad
118 bpm • D Maj • 06:34 • -17db
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
40% Popularity • 47% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 6% Positiveness
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Lou Donaldson
Old Folks
114 bpm • D min • 06:20 • -12.5db
37% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
37% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
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Stanley Turrentine
Smile, Stacey - Remastered
114 bpm • G min • 08:06 • -8.11db
31% Popularity • 54% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 54% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Bud Powell Trio
Lullaby of Birdland
118 bpm • G Maj • 01:49 • -17db
44% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
44% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
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Kenny Wheeler
Nonetheless
119 bpm • C min • 05:27 • -16db
9% Popularity • 49% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
9% Popularity • 49% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
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Sonny Stitt
Alone Together
119 bpm • C min • 04:51 • -10.58db
42% Popularity • 57% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Konitz
Lennie Bird
114 bpm • A min • 04:36 • -10.15db
7% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Dizzy Reece
The Rake
119 bpm • D Maj • 06:07 • -11.45db
22% Popularity • 59% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
22% Popularity • 59% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Serge Chaloff
I've Got The World On A String
119 bpm • F min • 06:46 • -16.05db
8% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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John Coltrane Quartet
It's Easy To Remember - Take 2
119 bpm • G# Maj • 04:40 • -13.4db
22% Popularity • 51% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 51% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Tina Brooks
True Blue
119 bpm • F min • 04:57 • -7db
38% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
38% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Sonny Stitt Quartet
Strike Up The Band
119 bpm • G min • 03:25 • -9.14db
9% Popularity • 59% Danceability • 51% Energy • 18% Liveness
40% Instrumentalness • 85% Positiveness
9% Popularity • 59% Danceability • 51% Energy • 18% Liveness
40% Instrumentalness • 85% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Phil Woods
Alive and Well
119 bpm • G Maj • 03:36 • -3.24db
11% Popularity • 44% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 65% Positiveness
11% Popularity • 44% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 65% Positiveness
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Joshua Redman
Body & Soul
113 bpm • A# min • 04:50 • -18.63db
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
41% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
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Rue De Paris
Midnight Jam
119 bpm • G# Maj • 05:05 • -13.13db
4% Popularity • 51% Danceability • 30% Energy • 12% Liveness
51% Instrumentalness • 47% Positiveness
4% Popularity • 51% Danceability • 30% Energy • 12% Liveness
51% Instrumentalness • 47% Positiveness
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Barry Harris Trio
Ornithology
113 bpm • D Maj • 03:31 • -12db
28% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
28% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
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Booker Little
Milestones
120 bpm • A# min • 05:34 • -11.13db
23% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
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Fats Navarro
Be Bop Romp
112 bpm • G# Maj • 02:38 • -7.9db
30% Popularity • 73% Danceability • 43% Energy • 6% Liveness
40% Instrumentalness • 86% Positiveness
30% Popularity • 73% Danceability • 43% Energy • 6% Liveness
40% Instrumentalness • 86% Positiveness
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Duke Jordan
Social Call
112 bpm • C# Maj • 06:08 • -14.2db
20% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
47% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
47% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Sonny Clark
Blues In The Night
120 bpm • C Maj • 05:55 • -15.82db
33% Popularity • 59% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 59% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Lennie Tristano
You Go to My Head - Live
112 bpm • F min • 05:24 • -25.08db
19% Popularity • 60% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 45% Positiveness
19% Popularity • 60% Danceability • 5% Energy • 5% Liveness
74% Instrumentalness • 45% Positiveness
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Ethan Iverson
A Distant Bell
112 bpm • A min • 02:01 • -15.36db
13% Popularity • 43% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
13% Popularity • 43% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
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Wayne Shorter
Twelve More Bars To Go - Rudy Van Gelder...
112 bpm • C min • 05:31 • -7.04db
28% Popularity • 52% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 52% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sonny Stitt Quartet
Taking A Chance On Love
112 bpm • F Maj • 02:32 • -8.34db
36% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
36% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
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Lou Donaldson
There Is No Greater Love
112 bpm • C Maj • 06:53 • -13.51db
38% Popularity • 55% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
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Paul Gonsalves
Yesterdays
120 bpm • A min • 03:32 • -22db
30% Popularity • 61% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 44% Positiveness
30% Popularity • 61% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 44% Positiveness
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Sam Rivers
Beatrice
120 bpm • F Maj • 06:12 • -18.62db
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Gary Burton
Senor Mouse
112 bpm • B min • 06:17 • -20db
42% Popularity • 46% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
42% Popularity • 46% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Phil Woods
Stolen Moments
121 bpm • C min • 09:36 • -5db
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Sonny Clark Trio
Two Bass Hit - Remastered 2001/Rudy Van ...
121 bpm • C# Maj • 03:45 • -11.56db
29% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Woody Shaw
Organ Grinder
111 bpm • D# Maj • 05:31 • -14.52db
23% Popularity • 43% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
23% Popularity • 43% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Lou Donaldson
Blues Walk
121 bpm • F min • 06:43 • -16db
45% Popularity • 65% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
45% Popularity • 65% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 3 / Alternate
111 bpm • G# Maj • 02:42 • -9.63db
33% Popularity • 51% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 51% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Serge Chaloff
Stairway To The Stars
111 bpm • A# Maj • 04:52 • -20.24db
16% Popularity • 51% Danceability • 5% Energy • 14% Liveness
21% Instrumentalness • 26% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 14% Liveness
21% Instrumentalness • 26% Positiveness
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Lee Konitz
Round Midnight
111 bpm • A# min • 05:19 • -21.43db
24% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
24% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
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Coleman Hawkins Quartet
Swingin' Scotch
122 bpm • D min • 05:31 • -13db
29% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
29% Popularity • 56% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 74% Positiveness
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Stan Getz Quartet
Like Someone In Love
122 bpm • G# Maj • 06:30 • -14.95db
38% Popularity • 58% Danceability • 21% Energy • 21% Liveness
2% Instrumentalness • 39% Positiveness
38% Popularity • 58% Danceability • 21% Energy • 21% Liveness
2% Instrumentalness • 39% Positiveness
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Oliver Nelson
Miss Fine
122 bpm • A# Maj • 04:11 • -9.07db
27% Popularity • 54% Danceability • 50% Energy • 8% Liveness
71% Instrumentalness • 71% Positiveness
27% Popularity • 54% Danceability • 50% Energy • 8% Liveness
71% Instrumentalness • 71% Positiveness
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Kenny Drew Trio
Weird-O - Remastered
122 bpm • F min • 04:00 • -12.92db
22% Popularity • 54% Danceability • 45% Energy • 13% Liveness
64% Instrumentalness • 69% Positiveness
22% Popularity • 54% Danceability • 45% Energy • 13% Liveness
64% Instrumentalness • 69% Positiveness
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Lennie Tristano
Love Lines
111 bpm • D# Maj • 02:19 • -21db
32% Popularity • 52% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
32% Popularity • 52% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
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Charlie Parker Quartet
Hot Blues
110 bpm • C Maj • 02:22 • -12db
43% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
43% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
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Paul Bley
Drum One
110 bpm • G min • 02:22 • -11.97db
30% Popularity • 44% Danceability • 53% Energy • 21% Liveness
95% Instrumentalness • 81% Positiveness
30% Popularity • 44% Danceability • 53% Energy • 21% Liveness
95% Instrumentalness • 81% Positiveness
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Charles Lloyd
Sweet Georgia Bright
110 bpm • F min • 05:42 • -12.47db
8% Popularity • 58% Danceability • 48% Energy • 5% Liveness
1% Instrumentalness • 56% Positiveness
8% Popularity • 58% Danceability • 48% Energy • 5% Liveness
1% Instrumentalness • 56% Positiveness
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Cannonball Adderley Quartet
I've Told Ev'ry Little Star
110 bpm • D min • 03:39 • -7.34db
41% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
41% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Sarah Vaughan
Let's Take An Old-fashioned Walk
122 bpm • C Maj • 05:18 • -15.58db
16% Popularity • 49% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
16% Popularity • 49% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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Lee Konitz
A Ballad for Lennie - Live
110 bpm • G Maj • 07:58 • -20.77db
8% Popularity • 55% Danceability • 19% Energy • 84% Liveness
81% Instrumentalness • 29% Positiveness
8% Popularity • 55% Danceability • 19% Energy • 84% Liveness
81% Instrumentalness • 29% Positiveness
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Lou Donaldson
Polka Dots And Moonbeams
122 bpm • D min • 04:58 • -12db
24% Popularity • 48% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 16% Positiveness
24% Popularity • 48% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 16% Positiveness
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McCoy Tyner Trio
Blues for Gwen - 2018 Digitally Remaster...
110 bpm • F min • 04:25 • -17.47db
22% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Horace Silver Quintet
Ill Wind - Remastered
123 bpm • F Maj • 06:53 • -14db
19% Popularity • 51% Danceability • 35% Energy • 26% Liveness
2% Instrumentalness • 39% Positiveness
19% Popularity • 51% Danceability • 35% Energy • 26% Liveness
2% Instrumentalness • 39% Positiveness
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Sonny Criss
How High The Moon
110 bpm • C Maj • 03:06 • -6.56db
32% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
32% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
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Ethan Iverson
It's You - Tempo Complex
123 bpm • A# Maj • 01:05 • -18.6db
7% Popularity • 41% Danceability • 28% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
7% Popularity • 41% Danceability • 28% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Charlie Parker Quartet
Love For Sale - Take 3 / Incomplete
123 bpm • F min • 01:03 • -11db
57% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Al Cohn
Tenor Conclave
123 bpm • C min • 11:04 • -8.26db
8% Popularity • 51% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 51% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Shelly Manne And His Friends
Show Me - Instrumental
123 bpm • G Maj • 03:41 • -27db
32% Popularity • 58% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
32% Popularity • 58% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Dizzy Reece
I Had The Craziest Dream
109 bpm • A# Maj • 03:05 • -10.94db
36% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
36% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
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Lee Konitz
Midnight Mood
123 bpm • F# Maj • 03:49 • -13.25db
3% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ethan Iverson
Blueberry Ice Cream - Take 1
123 bpm • A Maj • 03:34 • -14.54db
2% Popularity • 53% Danceability • 25% Energy • 11% Liveness
17% Instrumentalness • 43% Positiveness
2% Popularity • 53% Danceability • 25% Energy • 11% Liveness
17% Instrumentalness • 43% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Griffin
Nice And Easy - Remastered 2006/Rudy Van...
124 bpm • F min • 04:19 • -9.24db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
39% Instrumentalness • 51% Positiveness
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Art Pepper
Imagination
109 bpm • F min • 05:55 • -14.79db
35% Popularity • 65% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
35% Popularity • 65% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Lennie Tristano
You Don't Know What Love Is
109 bpm • C min • 03:28 • -12.85db
17% Popularity • 61% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
17% Popularity • 61% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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John Lewis
Little Girl Blue
109 bpm • D# Maj • 04:29 • -18.49db
31% Popularity • 55% Danceability • 10% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
31% Popularity • 55% Danceability • 10% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
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Jimmy Giuffre
Two Kinds of Blues
109 bpm • G Maj • 05:17 • -26db
18% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
18% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Ethan Iverson
Body and Soul
124 bpm • G# Maj • 05:49 • -18.19db
2% Popularity • 65% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
2% Popularity • 65% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
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Lee Konitz
There Will Never Be Another You
108 bpm • G# Maj • 04:45 • -10.78db
35% Popularity • 67% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness
35% Popularity • 67% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 75% Positiveness