Songs like I Say A Little Prayer For You by Natalie Cole
Based on a tempo of (+/- 10%) and a similar genre
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Eliane Elias
Save Your Love For Me
114 bpm • G# Maj • 04:00 • -14db
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Delicatessen
That's all
114 bpm • F Maj • 03:37 • -15.52db
38% Popularity • 87% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 87% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Natalie Cole
I Say A Little Prayer For You
114 bpm • G Maj • 03:29 • -6.19db
43% Popularity • 83% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 83% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Rachelle Spring
Sweet Child O' Mine - Bossa Version
114 bpm • E Maj • 03:49 • -11db
46% Popularity • 86% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 86% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Carla Bruni
The Winner Takes It All
114 bpm • D Maj • 03:31 • -12.33db
58% Popularity • 68% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 68% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sylvia Bennett
Fly Me to the Moon
114 bpm • F Maj • 02:43 • -9.61db
44% Popularity • 64% Danceability • 42% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
44% Popularity • 64% Danceability • 42% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
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Catherine Russell
You Turned The Tables On Me
114 bpm • A min • 03:40 • -10db
53% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Delicatessen
Don't be that way / Águas de março
114 bpm • F Maj • 03:42 • -11.68db
30% Popularity • 89% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 89% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Eliane Elias
A Man And A Woman
114 bpm • G Maj • 03:16 • -14db
34% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
34% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
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Oleta Adams
New York State Of Mind
114 bpm • F Maj • 05:33 • -10db
36% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Natalie Cole
A Smile Like Yours
114 bpm • C# Maj • 04:22 • -10db
32% Popularity • 57% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 57% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Bebel Gilberto
So Nice (Summer Samba)
113 bpm • C Maj • 03:32 • -10.88db
45% Popularity • 73% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
45% Popularity • 73% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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Lauren Wood
Fallen
113 bpm • D# Maj • 03:41 • -21.64db
59% Popularity • 69% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 69% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Manhattan Jazz Quartett
You Are the Sunshine of My Life
115 bpm • C Maj • 05:12 • -9.69db
47% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Emilie Schiøtt
Coming Home
115 bpm • A Maj • 02:17 • -12db
61% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Johnson
Stand By Me - Acoustic
115 bpm • E Maj • 02:47 • -12.62db
52% Popularity • 93% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 93% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Dinah Eastwood
Your Love- Single
115 bpm • C Maj • 03:00 • -11db
50% Popularity • 80% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 80% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Basia
Promises
113 bpm • F# Maj • 04:02 • -13db
37% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
37% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
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Marcus Davis Jr
The Guy's in Love With You
115 bpm • C# Maj • 03:20 • -9.61db
33% Popularity • 80% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 80% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lauren Wood
Fallen - Bonus Track
113 bpm • D# Maj • 04:00 • -12db
48% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Denise King
I Can't Take My Eyes Off You
113 bpm • G# Maj • 03:19 • -14.21db
54% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Nancy Wilson
I Wish You Love - 2004 Remastered/Remixe...
115 bpm • A# min • 02:00 • -11.17db
59% Popularity • 66% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 66% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Natalie Cole
Starting Over Again
115 bpm • C Maj • 04:13 • -13.03db
61% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Nora & Will
I Say a Little Prayer
112 bpm • E min • 02:49 • -16.16db
43% Popularity • 68% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 68% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Wanda Sá
New York, New York (Bossa Version)
116 bpm • A Maj • 03:36 • -10db
41% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Paula Toller
Fly Me to the Moon
116 bpm • D min • 04:52 • -13.35db
27% Popularity • 47% Danceability • 32% Energy • 33% Liveness
7% Instrumentalness • 14% Positiveness
27% Popularity • 47% Danceability • 32% Energy • 33% Liveness
7% Instrumentalness • 14% Positiveness
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Amazonics
Lovin' You
112 bpm • A Maj • 04:07 • -15.87db
49% Popularity • 82% Danceability • 29% Energy • 30% Liveness
3% Instrumentalness • 59% Positiveness
49% Popularity • 82% Danceability • 29% Energy • 30% Liveness
3% Instrumentalness • 59% Positiveness
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Tony DeSare
I Wish You Love
112 bpm • G# Maj • 03:00 • -14db
40% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Cole
Frenesi
116 bpm • D Maj • 03:25 • -6.04db
35% Popularity • 70% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 70% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Paul Carrack
Sunny - Remastered
112 bpm • F min • 03:18 • -11.34db
56% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Steve Tyrell
That's What Friends Are For
112 bpm • F# Maj • 03:43 • -9db
32% Popularity • 59% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 59% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Susie Arioli
All the Way
112 bpm • F Maj • 03:07 • -11.21db
37% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Morris Albert
Neverless
117 bpm • D Maj • 04:33 • -10.01db
26% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Tony DeSare
All of Me
112 bpm • C Maj • 03:26 • -14.22db
34% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Natalie Cole
Bachata Rosa
112 bpm • A Maj • 04:03 • -8.55db
54% Popularity • 66% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 66% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Chantal Chamberland
I Wish You Love
117 bpm • F Maj • 02:51 • -10.66db
42% Popularity • 65% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 65% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Emilie Schiøtt
Give Me a Kiss
117 bpm • C Maj • 01:58 • -10db
63% Popularity • 91% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 91% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sàloa Farah
Lucy in the Sky with Diamonds - Bossa Ve...
111 bpm • C Maj • 04:57 • -11db
23% Popularity • 75% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 75% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Gino Vannelli
Living Inside Myself
111 bpm • A Maj • 05:16 • -6.08db
35% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
111 bpm • A# Maj • 04:02 • -12.31db
59% Popularity • 77% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 74% Positiveness
59% Popularity • 77% Danceability • 66% Energy • 18% Liveness
4% Instrumentalness • 74% Positiveness
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Natalie Cole
Cottage For Sale
116 bpm • G Maj • 02:40 • -11.84db
17% Popularity • 77% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 77% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Ali & Alana
Isn't She Lovely / Fly Me To The Moon
118 bpm • F# Maj • 03:05 • -11db
46% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Juliana Aquino
Never Knew Love Like This Before
118 bpm • A# Maj • 04:58 • -10.33db
48% Popularity • 73% Danceability • 53% Energy • 14% Liveness
2% Instrumentalness • 35% Positiveness
48% Popularity • 73% Danceability • 53% Energy • 14% Liveness
2% Instrumentalness • 35% Positiveness
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Emilie Schiøtt
It May Be You
118 bpm • G# Maj • 03:41 • -13db
56% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Phil Perry
Just To See Her
110 bpm • B min • 04:25 • -7.41db
36% Popularity • 76% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 76% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Jamie Lancaster
All You Need Is Love
110 bpm • G Maj • 03:26 • -14db
42% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
42% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Natalie Cole
Smile
112 bpm • D# Maj • 03:38 • -19.83db
31% Popularity • 26% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 26% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Priscilla Mariano
I Still Haven't Found What I'm Looking F...
110 bpm • B Maj • 03:26 • -12.18db
28% Popularity • 78% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 78% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Juliana Aquino
Don't Leave Me This Way
118 bpm • F Maj • 04:53 • -8.98db
50% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jeff Cascaro
Love Is in the Air
110 bpm • A# Maj • 05:22 • -8.38db
51% Popularity • 73% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
51% Popularity • 73% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Michael Bublé
The Way You Look Tonight
110 bpm • F# Maj • 04:39 • -10.49db
57% Popularity • 64% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 64% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Ismael Reinhardt
Just The Way You Look Tonight
110 bpm • C Maj • 04:36 • -7db
27% Popularity • 47% Danceability • 53% Energy • 7% Liveness
3% Instrumentalness • 42% Positiveness
27% Popularity • 47% Danceability • 53% Energy • 7% Liveness
3% Instrumentalness • 42% Positiveness
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Natalie Cole
Quizás, Quizás, Quizás
110 bpm • B min • 02:28 • -8db
38% Popularity • 85% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 85% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Billynho Blanco
Do You Know (The Ping Pong Song) (Bossa ...
110 bpm • D Maj • 03:48 • -15.94db
38% Popularity • 85% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 85% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Juliana Aquino
Could It Be Magic
110 bpm • E Maj • 04:55 • -12db
51% Popularity • 76% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
51% Popularity • 76% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
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Sylvia Bennett
C'est si bon
119 bpm • D Maj • 03:02 • -7.86db
22% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Leah Sanders
Señorita
119 bpm • G min • 03:10 • -11.47db
49% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Sabrina Firda Firda Firda Firda
I Love You More Today Than Yesterday
119 bpm • F# Maj • 03:42 • -10.38db
31% Popularity • 86% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
31% Popularity • 86% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Natalie Cole
More Than You'll Ever Know
119 bpm • B min • 04:40 • -9.44db
19% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Smokey Robinson
Just To See Her
109 bpm • E min • 04:04 • -15.49db
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Mary MacGregor
I've Never Been to Me
119 bpm • B Maj • 03:24 • -5.27db
49% Popularity • 57% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 57% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
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Sylvia Bennett
La mer
119 bpm • F min • 03:22 • -7.29db
43% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Engelbert Humperdinck
Can't Take My Eyes Off You
119 bpm • D# Maj • 03:41 • -10.36db
63% Popularity • 54% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 54% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Jean Frye Sidwell
Over the Rainbow - H. Arlen & E. Harburg
119 bpm • G Maj • 05:42 • -12db
11% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Andy Gibb
Will You Love Me Tomorrow
119 bpm • C# min • 04:40 • -7db
37% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Smokey Robinson
Just To See Her - Stripped Mix
109 bpm • A Maj • 04:48 • -5.34db
27% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Chicago
Happy Man
109 bpm • E min • 03:15 • -12.01db
48% Popularity • 69% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 69% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Sylvia Bennett
Look of Love
109 bpm • C Maj • 03:30 • -9db
41% Popularity • 76% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
41% Popularity • 76% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
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Malene Mortensen
Sway
120 bpm • B Maj • 02:46 • -9.43db
48% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Natalie Cole
Come Rain Or Come Shine
120 bpm • F min • 03:08 • -5.4db
26% Popularity • 75% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 75% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Sample
When I Need You
109 bpm • C# Maj • 04:13 • -13db
36% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Gino Vannelli
Living Inside Myself
120 bpm • B Maj • 04:23 • -13.2db
46% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Maria Luiza
Call Me Irresponsible
120 bpm • A# Maj • 02:53 • -12.16db
44% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Les Crossaders
A Hard Day's Night
120 bpm • C Maj • 02:53 • -9db
45% Popularity • 75% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 75% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Graziella Schazad
Take on Me
120 bpm • B Maj • 03:33 • -9db
30% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Karen Souza
Every Breath You Take
120 bpm • C Maj • 02:47 • -10db
60% Popularity • 77% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 77% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Groove Da Praia
Is This Love
120 bpm • A Maj • 03:17 • -11.86db
55% Popularity • 92% Danceability • 49% Energy • 39% Liveness
68% Instrumentalness • 66% Positiveness
55% Popularity • 92% Danceability • 49% Energy • 39% Liveness
68% Instrumentalness • 66% Positiveness
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Rick Hale
The Way I Am / Just the Way You Are (Mas...
120 bpm • F Maj • 03:32 • -10.88db
44% Popularity • 62% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 62% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Double Zero Orchestra
I Say A Little Prayer
120 bpm • A Maj • 03:10 • -9.74db
35% Popularity • 74% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
35% Popularity • 74% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Malene Mortensen
Take Me to Your Heart
120 bpm • C Maj • 04:47 • -6.43db
34% Popularity • 84% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 84% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Jasper
Oh Pretty Woman - Bossa Version
120 bpm • A Maj • 03:08 • -12db
38% Popularity • 74% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 74% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie Lancaster
Boys Don't Cry
120 bpm • A Maj • 03:13 • -12.85db
49% Popularity • 82% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 82% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Cassandra Beck
Material Girl
120 bpm • G Maj • 02:54 • -7.55db
52% Popularity • 84% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 84% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Chantal Chamberland
La Mer
120 bpm • G Maj • 03:50 • -10.44db
52% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ray Charles
Sorry Seems To Be The Hardest Word
120 bpm • F min • 03:59 • -8.78db
54% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Malene Mortensen
Girl from Ipanema
120 bpm • F Maj • 04:03 • -13db
40% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tahta Menezes
You´ve Got A Friend (Bossa Version)
108 bpm • B min • 04:15 • -12db
54% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Carrack
What Does It Take - Remastered
108 bpm • C min • 02:51 • -9.8db
41% Popularity • 59% Danceability • 51% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
41% Popularity • 59% Danceability • 51% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
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Bossa Curve
Call Me Maybe
108 bpm • G Maj • 03:48 • -9.72db
35% Popularity • 89% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 89% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Priscilla Mariano
I Need You Now - Bossa Version
108 bpm • E Maj • 04:08 • -12.27db
24% Popularity • 81% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 81% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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BossArt Ensemble
Cheerleader
108 bpm • G# Maj • 03:19 • -8db
51% Popularity • 91% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 85% Positiveness
51% Popularity • 91% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 85% Positiveness
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Al Jarreau
Your Song
120 bpm • D# Maj • 05:38 • -12db
46% Popularity • 52% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
46% Popularity • 52% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Basia
Half A Minute
108 bpm • F Maj • 03:56 • -7db
26% Popularity • 66% Danceability • 91% Energy • 97% Liveness
4% Instrumentalness • 60% Positiveness
26% Popularity • 66% Danceability • 91% Energy • 97% Liveness
4% Instrumentalness • 60% Positiveness
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Jane Monheit
Moon River
120 bpm • A Maj • 04:41 • -12.35db
24% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Andy Gibb
One More Look At The Night
121 bpm • D Maj • 03:47 • -9.55db
43% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 71% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Sylvia Bennett
Besame Mucho (English Version)
121 bpm • B min • 03:13 • -8.05db
33% Popularity • 74% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Rio Bossa Trio
Big Girls Don't Cry - Bossanova
108 bpm • G Maj • 04:29 • -10.28db
48% Popularity • 82% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 82% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Glenn Medeiros
Nightbird
121 bpm • E Maj • 02:48 • -11.3db
39% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
