Songs like I Say A Little Prayer (For You) by Maulawi
Based on a tempo of (+/- 10%) and a similar genre
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Maulawi
I Say A Little Prayer (For You)
171 bpm • G# min • 05:28 • -8.6db
1% Popularity • 30% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 38% Positiveness
1% Popularity • 30% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 38% Positiveness
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Hysear Don Walker
Complete Expressions
171 bpm • F Maj • 03:17 • -8.24db
7% Popularity • 55% Danceability • 54% Energy • 14% Liveness
23% Instrumentalness • 71% Positiveness
7% Popularity • 55% Danceability • 54% Energy • 14% Liveness
23% Instrumentalness • 71% Positiveness
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Letta Mbulu
Pula Yetla
171 bpm • E Maj • 03:40 • -15.67db
12% Popularity • 57% Danceability • 35% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
12% Popularity • 57% Danceability • 35% Energy • 10% Liveness
76% Instrumentalness • 27% Positiveness
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Maurice McIntyre
Humility In The Light Of Creator - Alter...
170 bpm • D# min • 02:54 • -20.36db
15% Popularity • 16% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 30% Positiveness
15% Popularity • 16% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 30% Positiveness
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Catalyst
Salaam
171 bpm • C# Maj • 01:38 • -13db
12% Popularity • 24% Danceability • 38% Energy • 6% Liveness
5% Instrumentalness • 8% Positiveness
12% Popularity • 24% Danceability • 38% Energy • 6% Liveness
5% Instrumentalness • 8% Positiveness
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The Tropicals
African Popcorn
170 bpm • F min • 03:02 • -13.95db
12% Popularity • 51% Danceability • 54% Energy • 14% Liveness
31% Instrumentalness • 83% Positiveness
12% Popularity • 51% Danceability • 54% Energy • 14% Liveness
31% Instrumentalness • 83% Positiveness
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Alan Tew
Money Runner
170 bpm • G Maj • 02:14 • -18.53db
29% Popularity • 48% Danceability • 37% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
29% Popularity • 48% Danceability • 37% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
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Gene Russell
Get Down
170 bpm • F min • 03:47 • -16.27db
24% Popularity • 65% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 60% Positiveness
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Charlie Mariano
Mirror
170 bpm • C# Maj • 08:34 • -8.04db
8% Popularity • 32% Danceability • 72% Energy • 36% Liveness
57% Instrumentalness • 35% Positiveness
8% Popularity • 32% Danceability • 72% Energy • 36% Liveness
57% Instrumentalness • 35% Positiveness
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Max Roach
Absolutions
173 bpm • G# min • 04:40 • -13.15db
17% Popularity • 26% Danceability • 60% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
17% Popularity • 26% Danceability • 60% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
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Piero Umiliani
Free Dimension - Remastered 2023
173 bpm • B min • 02:17 • -9.99db
7% Popularity • 50% Danceability • 60% Energy • 8% Liveness
65% Instrumentalness • 94% Positiveness
7% Popularity • 50% Danceability • 60% Energy • 8% Liveness
65% Instrumentalness • 94% Positiveness
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Sabu Martinez
Nus
173 bpm • G Maj • 03:10 • -14db
14% Popularity • 54% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Chester Thompson
Power House
168 bpm • D Maj • 06:32 • -13.42db
4% Popularity • 46% Danceability • 48% Energy • 30% Liveness
89% Instrumentalness • 55% Positiveness
4% Popularity • 46% Danceability • 48% Energy • 30% Liveness
89% Instrumentalness • 55% Positiveness
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Calvin Keys
Gee-Gee
169 bpm • A min • 07:56 • -15db
10% Popularity • 38% Danceability • 45% Energy • 17% Liveness
91% Instrumentalness • 72% Positiveness
10% Popularity • 38% Danceability • 45% Energy • 17% Liveness
91% Instrumentalness • 72% Positiveness
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David Axelrod
The Signs Part I
174 bpm • A# Maj • 03:43 • -11.96db
9% Popularity • 34% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
9% Popularity • 34% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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I Marc 4
Candy
168 bpm • F Maj • 03:06 • -14.65db
20% Popularity • 55% Danceability • 32% Energy • 34% Liveness
90% Instrumentalness • 78% Positiveness
20% Popularity • 55% Danceability • 32% Energy • 34% Liveness
90% Instrumentalness • 78% Positiveness
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June Tyson
Outer Spaceways Incorporated
174 bpm • C min • 03:00 • -11.99db
11% Popularity • 33% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 33% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Karate Boogaloo
9 to 5
175 bpm • G# min • 02:38 • -10.53db
10% Popularity • 57% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 74% Positiveness
10% Popularity • 57% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 74% Positiveness
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Brahja
In the Mess
175 bpm • G Maj • 09:00 • -8.96db
31% Popularity • 19% Danceability • 84% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
31% Popularity • 19% Danceability • 84% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Sahib Shihab
Lillemor
175 bpm • A min • 07:58 • -9db
12% Popularity • 46% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 46% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Calvin Keys
Aunt Lovey
166 bpm • D Maj • 07:22 • -12.91db
7% Popularity • 44% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
7% Popularity • 44% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
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Gene Russell
For Heaven's Sake
167 bpm • A# Maj • 03:44 • -19.46db
11% Popularity • 39% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 39% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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The Kimba Unit
Having Fun
177 bpm • F Maj • 03:29 • -12.34db
20% Popularity • 69% Danceability • 64% Energy • 37% Liveness
92% Instrumentalness • 91% Positiveness
20% Popularity • 69% Danceability • 64% Energy • 37% Liveness
92% Instrumentalness • 91% Positiveness
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Uncivilized
Woodstock - Trumpet
177 bpm • C Maj • 01:10 • -14.25db
23% Popularity • 47% Danceability • 50% Energy • 40% Liveness
66% Instrumentalness • 79% Positiveness
23% Popularity • 47% Danceability • 50% Energy • 40% Liveness
66% Instrumentalness • 79% Positiveness
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Jonny Teupen Group
Tropical Scene
177 bpm • C Maj • 04:08 • -20.48db
8% Popularity • 58% Danceability • 34% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
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Hozan Yamamoto
Spotlight on Sapporo
165 bpm • A Maj • 03:40 • -6.05db
10% Popularity • 25% Danceability • 80% Energy • 52% Liveness
94% Instrumentalness • 82% Positiveness
10% Popularity • 25% Danceability • 80% Energy • 52% Liveness
94% Instrumentalness • 82% Positiveness
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Chico Hamilton
The Dream
165 bpm • F min • 03:11 • -12.28db
27% Popularity • 47% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 47% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Oneness Of Juju
Space Jungle Funk
164 bpm • F Maj • 09:41 • -12.05db
7% Popularity • 41% Danceability • 63% Energy • 20% Liveness
89% Instrumentalness • 42% Positiveness
7% Popularity • 41% Danceability • 63% Energy • 20% Liveness
89% Instrumentalness • 42% Positiveness
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Leroy Vinnegar
Twila
164 bpm • E min • 06:15 • -17db
8% Popularity • 36% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Ramon Morris
First Come, First Served
178 bpm • C Maj • 04:47 • -8.38db
10% Popularity • 51% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 82% Positiveness
10% Popularity • 51% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 82% Positiveness
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Pete Jolly
Plummer Park
163 bpm • F min • 04:25 • -17db
17% Popularity • 47% Danceability • 46% Energy • 15% Liveness
85% Instrumentalness • 84% Positiveness
17% Popularity • 47% Danceability • 46% Energy • 15% Liveness
85% Instrumentalness • 84% Positiveness
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Ron Everett
Mood Two Latin for You
162 bpm • F Maj • 07:47 • -13.18db
10% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 55% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The John Betsch Society
Ode to Ethiopia
181 bpm • F Maj • 04:28 • -6.63db
8% Popularity • 34% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 34% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Jack McDuff
Made In Sweden
182 bpm • C# Maj • 07:37 • -10.13db
11% Popularity • 43% Danceability • 70% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
11% Popularity • 43% Danceability • 70% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Les McCann
Damascus
183 bpm • G# Maj • 04:13 • -14.75db
12% Popularity • 24% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
12% Popularity • 24% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Oneness Of Juju
Tarishi
159 bpm • G# min • 03:51 • -9.75db
9% Popularity • 56% Danceability • 73% Energy • 11% Liveness
39% Instrumentalness • 83% Positiveness
9% Popularity • 56% Danceability • 73% Energy • 11% Liveness
39% Instrumentalness • 83% Positiveness
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Pete Jolly
The Indian's Summer
158 bpm • A min • 03:39 • -15.38db
14% Popularity • 45% Danceability • 33% Energy • 47% Liveness
86% Instrumentalness • 51% Positiveness
14% Popularity • 45% Danceability • 33% Energy • 47% Liveness
86% Instrumentalness • 51% Positiveness
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Eddie Henderson
Galaxy
158 bpm • D# Maj • 06:36 • -11db
8% Popularity • 36% Danceability • 68% Energy • 7% Liveness
78% Instrumentalness • 33% Positiveness
8% Popularity • 36% Danceability • 68% Energy • 7% Liveness
78% Instrumentalness • 33% Positiveness
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Ian Carr
Summer Rain
158 bpm • F Maj • 06:12 • -14db
12% Popularity • 40% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
12% Popularity • 40% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Leon Spencer
Where I’m Coming From
157 bpm • G Maj • 05:37 • -19db
13% Popularity • 62% Danceability • 42% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
13% Popularity • 62% Danceability • 42% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
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Rudolph Johnson
The Traveler
186 bpm • D# Maj • 06:40 • -16.23db
8% Popularity • 22% Danceability • 49% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
8% Popularity • 22% Danceability • 49% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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Jazz Workshop
Mezare Israel
157 bpm • D min • 03:46 • -10.35db
9% Popularity • 53% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
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Misha Panfilov
Caipirinha
157 bpm • C Maj • 07:09 • -9.11db
11% Popularity • 30% Danceability • 42% Energy • 32% Liveness
69% Instrumentalness • 46% Positiveness
11% Popularity • 30% Danceability • 42% Energy • 32% Liveness
69% Instrumentalness • 46% Positiveness
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Wildflower
Flute Song
186 bpm • F# Maj • 04:40 • -12db
15% Popularity • 53% Danceability • 46% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
15% Popularity • 53% Danceability • 46% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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Gene Russell
Listen Here
156 bpm • A# Maj • 03:12 • -11.03db
8% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Max Roach
Abstrutions
156 bpm • C# min • 03:38 • -13.66db
23% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
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Marion Brown
Moment Of Truth
156 bpm • F min • 04:36 • -10.45db
8% Popularity • 38% Danceability • 72% Energy • 11% Liveness
74% Instrumentalness • 48% Positiveness
8% Popularity • 38% Danceability • 72% Energy • 11% Liveness
74% Instrumentalness • 48% Positiveness
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Ron Everett
Musicman New Rock Joy
156 bpm • A# Maj • 11:34 • -14.93db
7% Popularity • 74% Danceability • 63% Energy • 10% Liveness
19% Instrumentalness • 87% Positiveness
7% Popularity • 74% Danceability • 63% Energy • 10% Liveness
19% Instrumentalness • 87% Positiveness
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Clifford Jordan Quartet
Eddie Harris
155 bpm • C# Maj • 04:19 • -16.96db
13% Popularity • 46% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 59% Positiveness
13% Popularity • 46% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 59% Positiveness
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Sestetto Dino Piana & Oscar Valdambrini
Misterioso
154 bpm • G# Maj • 04:42 • -13.42db
11% Popularity • 46% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
11% Popularity • 46% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Mayafra Combo
Iffillah ha-ha
154 bpm • D min • 06:20 • -11.17db
7% Popularity • 66% Danceability • 56% Energy • 24% Liveness
65% Instrumentalness • 94% Positiveness
7% Popularity • 66% Danceability • 56% Energy • 24% Liveness
65% Instrumentalness • 94% Positiveness
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David Axelrod
1,000 Rads
153 bpm • F min • 08:07 • -11.54db
8% Popularity • 71% Danceability • 56% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
8% Popularity • 71% Danceability • 56% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
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Marcos Resende
Nina Neném
153 bpm • D# Maj • 05:10 • -8.52db
8% Popularity • 30% Danceability • 88% Energy • 38% Liveness
22% Instrumentalness • 52% Positiveness
8% Popularity • 30% Danceability • 88% Energy • 38% Liveness
22% Instrumentalness • 52% Positiveness
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Bayeté
I'm On It
191 bpm • C min • 02:54 • -17.8db
7% Popularity • 39% Danceability • 39% Energy • 7% Liveness
14% Instrumentalness • 88% Positiveness
7% Popularity • 39% Danceability • 39% Energy • 7% Liveness
14% Instrumentalness • 88% Positiveness
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Hilton Felton
Spreading Fever
153 bpm • G# Maj • 08:13 • -10.19db
9% Popularity • 76% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 74% Positiveness
9% Popularity • 76% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 74% Positiveness
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Brian Jackson
Under The Bridge
153 bpm • G Maj • 04:03 • -7.63db
13% Popularity • 37% Danceability • 83% Energy • 39% Liveness
49% Instrumentalness • 74% Positiveness
13% Popularity • 37% Danceability • 83% Energy • 39% Liveness
49% Instrumentalness • 74% Positiveness
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Yusef Lateef
Psychicemotus
152 bpm • D Maj • 05:04 • -16.08db
25% Popularity • 66% Danceability • 31% Energy • 8% Liveness
69% Instrumentalness • 63% Positiveness
25% Popularity • 66% Danceability • 31% Energy • 8% Liveness
69% Instrumentalness • 63% Positiveness
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Smoke
Shelda
151 bpm • A# min • 05:26 • -20.2db
31% Popularity • 50% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 50% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Work Money Death
At Once Familiar
151 bpm • E min • 09:52 • -9.79db
11% Popularity • 26% Danceability • 73% Energy • 37% Liveness
87% Instrumentalness • 44% Positiveness
11% Popularity • 26% Danceability • 73% Energy • 37% Liveness
87% Instrumentalness • 44% Positiveness
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Cynthia Matty-Huber
Forgive
150 bpm • B min • 04:09 • -14.98db
9% Popularity • 82% Danceability • 41% Energy • 14% Liveness
87% Instrumentalness • 85% Positiveness
9% Popularity • 82% Danceability • 41% Energy • 14% Liveness
87% Instrumentalness • 85% Positiveness
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Piero Umiliani
Hard Times
150 bpm • G# Maj • 04:19 • -14.09db
28% Popularity • 51% Danceability • 42% Energy • 19% Liveness
88% Instrumentalness • 82% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 19% Liveness
88% Instrumentalness • 82% Positiveness
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Maulawi
People Make The World Go Round
150 bpm • F min • 04:15 • -14.85db
5% Popularity • 36% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 42% Positiveness
5% Popularity • 36% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 42% Positiveness
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Roy Haynes
Dorian
150 bpm • C min • 06:48 • -15.22db
3% Popularity • 40% Danceability • 32% Energy • 10% Liveness
10% Instrumentalness • 58% Positiveness
3% Popularity • 40% Danceability • 32% Energy • 10% Liveness
10% Instrumentalness • 58% Positiveness
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The Putbacks
Heavy Shit
150 bpm • D# min • 01:07 • -11.62db
30% Popularity • 75% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 82% Positiveness
30% Popularity • 75% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 82% Positiveness
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ATA Records
Planet Nine
149 bpm • G min • 03:25 • -9.52db
16% Popularity • 71% Danceability • 49% Energy • 3% Liveness
90% Instrumentalness • 96% Positiveness
16% Popularity • 71% Danceability • 49% Energy • 3% Liveness
90% Instrumentalness • 96% Positiveness
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Doug Hammond
Wake Up Brothers
149 bpm • G# min • 03:13 • -9.18db
12% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Art Ensemble Of Chicago
Ja
148 bpm • D# Maj • 08:39 • -14.59db
14% Popularity • 40% Danceability • 32% Energy • 37% Liveness
17% Instrumentalness • 47% Positiveness
14% Popularity • 40% Danceability • 32% Energy • 37% Liveness
17% Instrumentalness • 47% Positiveness
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Marion Brown
Eleven Light City - Pt. 2
148 bpm • A# min • 02:10 • -33.13db
16% Popularity • 24% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 24% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Giger
Here Comes the Family
148 bpm • C min • 07:23 • -8.3db
9% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bayeté
Eurus - The Southwest Wind
148 bpm • A min • 06:15 • -30.61db
7% Popularity • 24% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
7% Popularity • 24% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
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Weldon Irvine
Turkish Bath
148 bpm • G min • 06:56 • -7.15db
12% Popularity • 64% Danceability • 79% Energy • 14% Liveness
66% Instrumentalness • 97% Positiveness
12% Popularity • 64% Danceability • 79% Energy • 14% Liveness
66% Instrumentalness • 97% Positiveness
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Jack DeJohnette
Epilog
148 bpm • B min • 03:14 • -12.35db
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
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Jeremy Steig
Mint Tea
148 bpm • F min • 05:20 • -12.69db
11% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 56% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Azymuth
Duro de Roer
147 bpm • B min • 04:10 • -12.39db
19% Popularity • 31% Danceability • 80% Energy • 36% Liveness
55% Instrumentalness • 44% Positiveness
19% Popularity • 31% Danceability • 80% Energy • 36% Liveness
55% Instrumentalness • 44% Positiveness
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Wolfgang Dauner
My Man's Gone Now
146 bpm • C# Maj • 03:28 • -12db
9% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Piero Umiliani
Stream
147 bpm • F Maj • 02:01 • -15.33db
26% Popularity • 51% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
26% Popularity • 51% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
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Weldon Irvine
Liberated Brother
147 bpm • D min • 06:29 • -11.61db
10% Popularity • 54% Danceability • 55% Energy • 9% Liveness
36% Instrumentalness • 22% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 9% Liveness
36% Instrumentalness • 22% Positiveness
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Kamal Abdul Alim
Peace
146 bpm • F min • 07:44 • -15db
8% Popularity • 39% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
8% Popularity • 39% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
