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I See A Darkness
Songs like
I See A Darkness
by
Bonnie Prince Billy
Based on a tempo of (+/- 10%) and a similar genre
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Lo Carmen
Sometimes It's Hard
109 bpm • C Maj • 04:19 • -10.74db
1% Popularity • 67% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Nadia Reid
Track of the Time
109 bpm • F Maj • 04:37 • -13.08db
29% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Lost Brothers
Medicine Wine
109 bpm • C Maj • 04:20 • -12.86db
11% Popularity • 50% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 26% Positiveness
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Smog
I Was A Stranger
108 bpm • E Maj • 03:23 • -14.26db
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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The Felice Brothers
Nail It on the First Try
110 bpm • F Maj • 02:10 • -19.21db
36% Popularity • 38% Danceability • 13% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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cabane
Here in the Wind
110 bpm • C# min • 03:00 • -10.18db
4% Popularity • 34% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
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Itasca
Only a Traveler
110 bpm • G Maj • 03:46 • -10.97db
8% Popularity • 53% Danceability • 35% Energy • 20% Liveness
9% Instrumentalness • 12% Positiveness
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Bert Jansch
When the Sun Comes Up
108 bpm • F min • 03:54 • -6.55db
16% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Fairlight
Body Below
110 bpm • C Maj • 02:35 • -6.82db
34% Popularity • 55% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Thee Conductor
Love To Lockhart
110 bpm • E Maj • 02:16 • -12.3db
14% Popularity • 55% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Songs: Ohia
Soul
110 bpm • A min • 05:44 • -12.47db
23% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Trembling Bells
Ferrari in a Demolition Derby
108 bpm • F Maj • 04:14 • -7.47db
3% Popularity • 21% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Kivel
the clearing
110 bpm • G Maj • 03:13 • -12.6db
0% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bill Callahan
The Wild Kindness
110 bpm • E min • 03:32 • -4.56db
22% Popularity • 40% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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The Lost Brothers
After the Fire
110 bpm • A# Maj • 03:34 • -15.26db
18% Popularity • 63% Danceability • 43% Energy • 11% Liveness
38% Instrumentalness • 52% Positiveness
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Nadia Reid
Reach My Destination
108 bpm • D# Maj • 03:04 • -15.17db
28% Popularity • 43% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Buckner
Surrounded
110 bpm • C# min • 02:47 • -12.82db
36% Popularity • 51% Danceability • 31% Energy • 11% Liveness
26% Instrumentalness • 24% Positiveness
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Little Wings
By Now
111 bpm • A min • 03:44 • -12.21db
22% Popularity • 68% Danceability • 39% Energy • 10% Liveness
33% Instrumentalness • 50% Positiveness
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J Mascis
Wide Awake
111 bpm • G Maj • 03:30 • -13.62db
34% Popularity • 48% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Evan Dando
Rudy with a Flashlight
111 bpm • A Maj • 02:37 • -15db
28% Popularity • 67% Danceability • 30% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
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Timber Timbre
Ballad of Lonesome Hunter
107 bpm • G Maj • 02:08 • -26.11db
35% Popularity • 41% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Karl Blau
That's How I Got to Memphis
111 bpm • E Maj • 04:03 • -9.43db
26% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
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Micah P. Hinson
Carelessly
111 bpm • G Maj • 03:13 • -9.9db
21% Popularity • 48% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Phosphorescent
Can I Sleep In Your Arms
107 bpm • E Maj • 03:44 • -14.39db
26% Popularity • 35% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Steve Gunn
Morning Is Mended
112 bpm • C Maj • 04:00 • -10.35db
19% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Songs: Ohia
Hot Black Silk
111 bpm • B min • 03:08 • -9db
28% Popularity • 74% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 60% Positiveness
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Bonnie Prince Billy
Goat And Ram
106 bpm • A Maj • 05:15 • -10.65db
14% Popularity • 38% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Felice Brothers
We Shall Live Again
112 bpm • D Maj • 08:16 • -10.56db
20% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Will Johnson
Just to Know What You've Been Dreaming
112 bpm • G Maj • 04:27 • -9.02db
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
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Thee Conductor
Tsk, Tsk
112 bpm • G# min • 02:26 • -16.56db
1% Popularity • 65% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Steve Gunn
Wild Mountain Thyme
106 bpm • C# Maj • 04:46 • -14db
27% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lewsberg
Table For Two
106 bpm • C Maj • 01:41 • -17.76db
21% Popularity • 65% Danceability • 20% Energy • 10% Liveness
42% Instrumentalness • 23% Positiveness
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John Bramwell
Sat Beneath the Lightning Tree
106 bpm • C# min • 04:02 • -13.75db
34% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
48% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jeff Tweedy
Via Chicago
106 bpm • E Maj • 05:06 • -15.43db
27% Popularity • 60% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Karl Blau
No Regrets
113 bpm • D Maj • 03:51 • -7.94db
10% Popularity • 52% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 31% Positiveness
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Timber Timbre
Tell Me His Name
105 bpm • G Maj • 03:12 • -13.85db
30% Popularity • 48% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Jim White
That Girl From Brownsville Texas
105 bpm • A# Maj • 06:22 • -10.51db
15% Popularity • 47% Danceability • 38% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
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Matt Kivel
amagansett
105 bpm • D Maj • 03:35 • -13.52db
0% Popularity • 63% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Vic Chesnutt
Chain
105 bpm • G min • 02:59 • -13.19db
19% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Little Wings
A Blade of Grass
113 bpm • C Maj • 02:57 • -12.74db
9% Popularity • 61% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Bonnie Stillwatter
The Devil Is People - The Cheech Wizard'...
113 bpm • F min • 06:46 • -14.44db
0% Popularity • 28% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Ratso
Our Lady of Light
105 bpm • G Maj • 05:06 • -10db
21% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Joe Henry
Our Song
105 bpm • G Maj • 06:19 • -10.12db
22% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Kivel
Forgiveness
113 bpm • G Maj • 03:29 • -15.39db
2% Popularity • 80% Danceability • 22% Energy • 11% Liveness
67% Instrumentalness • 24% Positiveness
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Nathan Salsburg
Orbit Song
113 bpm • B Maj • 02:50 • -12.52db
3% Popularity • 35% Danceability • 28% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
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Calexico
Follow the Water
114 bpm • F# Maj • 03:45 • -11.29db
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Smog
Feather By Feather
104 bpm • B Maj • 05:36 • -12db
26% Popularity • 44% Danceability • 36% Energy • 11% Liveness
42% Instrumentalness • 14% Positiveness
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Kira Skov
Lilac Sky
104 bpm • G Maj • 05:09 • -17.9db
4% Popularity • 55% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Jolie Holland
Damn Shame
114 bpm • D Maj • 04:50 • -18.36db
29% Popularity • 48% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Bonnie Prince Billy
Blood Embrace
104 bpm • E min • 07:57 • -18.87db
14% Popularity • 63% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 18% Positiveness
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Dave Rawlings Machine
Method Acting / Cortez The Killer
114 bpm • F min • 10:20 • -16.68db
17% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Stuart A. Staples
This Old Town
104 bpm • C Maj • 04:00 • -15.46db
13% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Felice Brothers
Inferno
114 bpm • A Maj • 03:41 • -9.69db
32% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Angie Hart
Little Bridges
104 bpm • G Maj • 04:19 • -10.51db
4% Popularity • 64% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Hurley
Are You Here For The Festival
115 bpm • A# Maj • 03:56 • -11db
28% Popularity • 74% Danceability • 31% Energy • 14% Liveness
20% Instrumentalness • 65% Positiveness
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Bonnie Prince Billy
When Thy Song
114 bpm • B min • 04:17 • -19.42db
9% Popularity • 43% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Smog
In The Pines
115 bpm • B Maj • 05:12 • -17db
34% Popularity • 46% Danceability • 13% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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Blake Mills
Cheers
103 bpm • C Maj • 03:32 • -13.72db
23% Popularity • 48% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Trembling Bells
Excursions into Assonance
115 bpm • G Maj • 04:22 • -10.13db
3% Popularity • 31% Danceability • 34% Energy • 14% Liveness
35% Instrumentalness • 13% Positiveness
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Micah P. Hinson
Take off That Dress for Me
115 bpm • C Maj • 02:01 • -16.51db
41% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Wilco
Ambulance
115 bpm • D# Maj • 03:11 • -14.69db
27% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Palace Brothers
For The Mekons et al
115 bpm • A Maj • 05:21 • -12.34db
14% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Smog
I Feel Like The Mother Of The World
115 bpm • B Maj • 03:09 • -10.27db
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
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Bill Callahan
I Love You
103 bpm • C Maj • 06:41 • -5.8db
16% Popularity • 49% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Trembling Bells
Lay It Down
103 bpm • F Maj • 03:47 • -15.66db
10% Popularity • 42% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Loudon Wainwright III
Lullaby
116 bpm • C Maj • 02:57 • -16.78db
39% Popularity • 57% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Little Wings
Hill Hidden Nog
116 bpm • B min • 02:39 • -12.98db
13% Popularity • 60% Danceability • 27% Energy • 10% Liveness
10% Instrumentalness • 24% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
33% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Kurt Vile
Slow Talkers
103 bpm • B min • 03:00 • -15.56db
34% Popularity • 48% Danceability • 32% Energy • 11% Liveness
46% Instrumentalness • 46% Positiveness
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Vic Chesnutt
Bug
116 bpm • A# Maj • 03:17 • -10.51db
16% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sparklehorse
Spirit Ditch
116 bpm • B Maj • 03:23 • -18db
38% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
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Jolie Holland
Wandering Angus
116 bpm • A Maj • 03:59 • -24.98db
14% Popularity • 42% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 22% Positiveness
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Richard Swift
The Novelist
117 bpm • F Maj • 02:54 • -11.86db
13% Popularity • 24% Danceability • 32% Energy • 12% Liveness
20% Instrumentalness • 20% Positiveness
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Dawn McCarthy
Empty Boxes
102 bpm • C Maj • 02:47 • -12.45db
4% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Bonnie Stillwatter
The Devil Is People
117 bpm • A# Maj • 05:41 • -11.5db
3% Popularity • 35% Danceability • 20% Energy • 9% Liveness
10% Instrumentalness • 16% Positiveness
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Spain
Before It All Went Wrong
102 bpm • B min • 03:36 • -13.76db
29% Popularity • 76% Danceability • 31% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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Bonnie Prince Billy
Gloria
101 bpm • A min • 03:09 • -12.62db
19% Popularity • 43% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Steve Gunn
Motion Pictures (For Carrie)
117 bpm • F Maj • 04:00 • -14db
8% Popularity • 47% Danceability • 22% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
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Karen Dalton
Katie Cruel
118 bpm • A# Maj • 02:22 • -10db
18% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Current 93
Idumea (Vocals Bonnie "Prince" Billy)
118 bpm • D min • 02:43 • -12.4db
4% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dawn McCarthy
My Little Yellow Bird
118 bpm • A Maj • 02:23 • -11.96db
6% Popularity • 46% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Jason Molina
Almost Let You In
101 bpm • B Maj • 03:25 • -13.22db
22% Popularity • 63% Danceability • 33% Energy • 27% Liveness
11% Instrumentalness • 27% Positiveness
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Richard Buckner
Ariel Ramirez
101 bpm • D Maj • 02:17 • -12.63db
30% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Pink Nasty
Btk Blues
118 bpm • A# Maj • 03:56 • -6.21db
0% Popularity • 33% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 14% Positiveness
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Craig Finn
God in Chicago
118 bpm • F Maj • 04:45 • -13.85db
31% Popularity • 57% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Delines
82nd Street
118 bpm • F# Maj • 04:43 • -13.46db
2% Popularity • 53% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Billy Bragg
Someday Some Morning Sometime
118 bpm • C Maj • 02:51 • -14.56db
37% Popularity • 43% Danceability • 23% Energy • 8% Liveness
9% Instrumentalness • 9% Positiveness
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Dawn McCarthy
Devoted To You
101 bpm • E Maj • 02:24 • -11.47db
6% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jolie Holland
Louisiana 1927
118 bpm • G Maj • 05:02 • -13.8db
14% Popularity • 34% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Vic Chesnutt
Flirted With You All My Life
100 bpm • F Maj • 04:41 • -12db
35% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Bonnie Prince Billy
Bananas
100 bpm • E Maj • 02:43 • -15.17db
22% Popularity • 49% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Laura Marling
The Needle And The Damage Done
119 bpm • G Maj • 02:01 • -12.51db
30% Popularity • 58% Danceability • 21% Energy • 20% Liveness
5% Instrumentalness • 37% Positiveness
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Andrew Rinehart
Friend of the Devil
100 bpm • F# Maj • 03:24 • -8.4db
5% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Trembling Bells
I Made a Date
119 bpm • A Maj • 06:34 • -7db
6% Popularity • 19% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jolie Holland
Mexico City
119 bpm • F Maj • 03:54 • -7.35db
22% Popularity • 54% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Stephin Merritt
One April Day
100 bpm • G# Maj • 01:54 • -7db
32% Popularity • 47% Danceability • 48% Energy • 19% Liveness
78% Instrumentalness • 63% Positiveness
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cabane
La Gomera
100 bpm • D# min • 03:47 • -13.26db
5% Popularity • 41% Danceability • 23% Energy • 21% Liveness
15% Instrumentalness • 13% Positiveness
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Will Oldham
Always Bound
119 bpm • G Maj • 02:33 • -18.91db
11% Popularity • 66% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Blake Mills
It'll All Work Out
119 bpm • A Maj • 04:28 • -8db
38% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
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I See A Darkness