Songs like I See A Million People (05-01-41) by Una Mae Carlisle
Based on a tempo of (+/- 10%) and a similar genre
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Una Mae Carlisle
I See a Million People
90 bpm • A# Maj • 03:03 • -14.3db
1% Popularity • 67% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 67% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Slim Gaillard
Look-A There
90 bpm • C Maj • 02:16 • -18.51db
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
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Lil Armstrong
Oriental Swing
89 bpm • A Maj • 03:00 • -4db
7% Popularity • 77% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 69% Positiveness
7% Popularity • 77% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 69% Positiveness
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Slim & Slam
8, 9 and 10 (Alternate Take)
89 bpm • D Maj • 02:42 • -15.23db
9% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
9% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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Earl Hines
Up jumped the devil
91 bpm • C# Maj • 02:48 • -12.4db
27% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
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Una Mae Carlisle
Now I lay me down to dream
90 bpm • G Maj • 03:08 • -8.19db
0% Popularity • 69% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 69% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Cats & The Fiddle
Killing Jive - Alternate Take
91 bpm • C Maj • 02:51 • -10.07db
13% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
13% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Lee Wiley
Oh Look at Me Now
89 bpm • C# Maj • 03:09 • -16.33db
12% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
23% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
23% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Lil Hardin Armstrong
Bluer Than Blue
89 bpm • F min • 03:11 • -10.85db
5% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Louis Jordan
Jack, You're Dead
92 bpm • G# Maj • 02:34 • -7.05db
18% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Una Mae Carlisle
Walkin' by the River
90 bpm • G Maj • 03:04 • -14.91db
13% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
29% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
29% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Lucky Millinder
I Know Who Threw the Whiskey in the Well...
92 bpm • A# Maj • 02:46 • -8.7db
21% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Una Mae Carlisle
I Would Do Anything for You
91 bpm • D# Maj • 02:56 • -9.52db
1% Popularity • 77% Danceability • 38% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
1% Popularity • 77% Danceability • 38% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
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Nat Gonella And His Georgians
I Can't Dance (I Got Ants in My Pants)
92 bpm • A# Maj • 03:21 • -11db
13% Popularity • 81% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 81% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Slim Gaillard
The Flat Foot Floogie
88 bpm • C Maj • 02:49 • -12db
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
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Julia Lee And Her Boyfriends
Ugly Papa
87 bpm • A# Maj • 02:50 • -12db
15% Popularity • 74% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 74% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Una Mae Carlisle
Gone
89 bpm • F Maj • 03:14 • -7.28db
0% Popularity • 52% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 52% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Dodds
47Th Street Stomp
86 bpm • C Maj • 03:10 • -8.98db
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Slim Gaillard
A-Well-A-Take-Um-A-Joe
92 bpm • F Maj • 03:05 • -9.42db
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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Louis Jordan
Ration Blues
94 bpm • F min • 03:09 • -10.1db
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Una Mae Carlisle
It's Sad but True
87 bpm • A# Maj • 03:31 • -16.03db
2% Popularity • 60% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 60% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Rex Stewart
Shake It and Break It
95 bpm • G# Maj • 01:51 • -11.41db
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Brooks Prumo Orchestra
Benny's Bugle
95 bpm • G# Maj • 03:44 • -9db
17% Popularity • 64% Danceability • 42% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
17% Popularity • 64% Danceability • 42% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
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Wingy Manone
When I Get You Alone Tonight
95 bpm • D# Maj • 03:12 • -7.5db
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
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Una Mae Carlisle
So long, shorty
94 bpm • F Maj • 02:32 • -7.96db
0% Popularity • 72% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 72% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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The Cats & The Fiddle
Please Don't Leave Me Now
96 bpm • D min • 03:06 • -10.84db
10% Popularity • 78% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
10% Popularity • 78% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Wingy Carpenter
Team Up
96 bpm • G# Maj • 02:53 • -13.38db
10% Popularity • 81% Danceability • 24% Energy • 7% Liveness
24% Instrumentalness • 96% Positiveness
10% Popularity • 81% Danceability • 24% Energy • 7% Liveness
24% Instrumentalness • 96% Positiveness
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Louis Jordan
Saxa - Woogie
84 bpm • D# Maj • 02:36 • -12.79db
3% Popularity • 58% Danceability • 41% Energy • 27% Liveness
23% Instrumentalness • 94% Positiveness
3% Popularity • 58% Danceability • 41% Energy • 27% Liveness
23% Instrumentalness • 94% Positiveness
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Una Mae Carlisle
I've Got A Crying Need For You (08-30-44...
95 bpm • F Maj • 02:54 • -14.4db
2% Popularity • 52% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 52% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Erskine Hawkins
Soft Winds
84 bpm • C# Maj • 03:35 • -8db
11% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
11% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
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Kid Ory
Sheik of Araby
97 bpm • A# Maj • 04:50 • -10.97db
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Una Mae Carlisle
City Called Heaven
85 bpm • F Maj • 02:57 • -16.69db
2% Popularity • 51% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 51% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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THE SCHWINGS BAND
Lithuanian Artillery
98 bpm • C Maj • 03:18 • -15.11db
19% Popularity • 79% Danceability • 31% Energy • 16% Liveness
71% Instrumentalness • 70% Positiveness
19% Popularity • 79% Danceability • 31% Energy • 16% Liveness
71% Instrumentalness • 70% Positiveness
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The Delta Rhythm Boys
Ain't Gonna Worry 'Bout a Soul
83 bpm • A min • 02:37 • -12.28db
11% Popularity • 74% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
11% Popularity • 74% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Jonah Jones
Just A Gigolo - Remastered
83 bpm • A# Maj • 02:03 • -11.7db
30% Popularity • 73% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
30% Popularity • 73% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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Una Mae Carlisle
Don't tech it
95 bpm • D# Maj • 02:24 • -8.64db
0% Popularity • 67% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 67% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Charlie Shavers
Jack, I'm Mellow
98 bpm • D# Maj • 02:48 • -12.81db
10% Popularity • 78% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 85% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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The Cats & The Fiddle
I'm Singing, so Help Me
98 bpm • G# Maj • 02:21 • -10.15db
12% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Ella Mae Morse
Milkman Keep Those Bottles Quiet
83 bpm • C# Maj • 02:40 • -3.02db
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Bob Howard
Copper Colored Gal (10-12-36)
98 bpm • C Maj • 02:50 • -12.17db
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
11% Instrumentalness • 86% Positiveness
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
11% Instrumentalness • 86% Positiveness
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Una Mae Carlisle
That's my man
85 bpm • A# Maj • 03:02 • -7.56db
0% Popularity • 45% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 45% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Reverent Juke
Castle Rock
98 bpm • G# Maj • 05:44 • -10db
16% Popularity • 71% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 71% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
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Red Norvo
Everyone's Wrong but Me
98 bpm • G Maj • 02:58 • -14.54db
12% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
12% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Mint Julep Jazz Band
Darktown Strutters' Ball
98 bpm • D# Maj • 03:12 • -10db
18% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Wingy Manone
Ochi Chornya
82 bpm • A Maj • 02:54 • -9db
29% Popularity • 78% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 78% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Barnet
I Like to Riff
82 bpm • C# Maj • 02:54 • -8.05db
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Una Mae Carlisle
I Can't Give You Anything but Love, Baby
96 bpm • F min • 02:57 • -16.94db
1% Popularity • 65% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 65% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
28% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
28% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Louis Jordan
I Know You I Know What You Wanna Do
99 bpm • C min • 02:31 • -8.86db
14% Popularity • 80% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 80% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Una Mae Carlisle
Sweet Talk
97 bpm • A min • 03:03 • -16.7db
3% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Wingy Manone
Ain't It a Shame About Mame?
99 bpm • C min • 03:04 • -10.58db
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
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Helen Humes
Song of the Wanderer
81 bpm • A# Maj • 01:45 • -6.22db
16% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Cats & The Fiddle
When I Grow Too Old to Dream
100 bpm • F Maj • 02:47 • -9.78db
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Una Mae Carlisle
It ain't like that
97 bpm • F Maj • 02:33 • -7.74db
0% Popularity • 70% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 70% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Harlem Kiddies
Do You Wanna Jump Children?
100 bpm • A# Maj • 03:20 • -14db
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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THE SCHWINGS BAND
Swing Paradise (Slow Version)
81 bpm • C Maj • 02:47 • -12.01db
22% Popularity • 73% Danceability • 37% Energy • 21% Liveness
95% Instrumentalness • 82% Positiveness
22% Popularity • 73% Danceability • 37% Energy • 21% Liveness
95% Instrumentalness • 82% Positiveness
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The Cats & The Fiddle
Stomp, Stomp
100 bpm • G# Maj • 02:56 • -10.4db
18% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Julia Lee And Her Boyfriends
My Man Stands out (Alternate Take)
80 bpm • G# Maj • 02:10 • -11.5db
24% Popularity • 82% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 82% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Una Mae Carlisle
I met you then, I know you now
97 bpm • D# Maj • 02:56 • -9.61db
0% Popularity • 79% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 79% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Lee And Her Boyfriends
My Man Stands Out
80 bpm • D# Maj • 02:16 • -12.86db
28% Popularity • 82% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 82% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Brooks Prumo Orchestra
Esquire Bounce
79 bpm • G# Maj • 03:27 • -9.55db
21% Popularity • 58% Danceability • 38% Energy • 13% Liveness
5% Instrumentalness • 63% Positiveness
21% Popularity • 58% Danceability • 38% Energy • 13% Liveness
5% Instrumentalness • 63% Positiveness
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Una Mae Carlisle
Don't Try Your Jive on Me
97 bpm • G min • 02:52 • -8.93db
10% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
10% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Ivie Anderson
I Got It Bad and That Ain't Good
79 bpm • C min • 03:16 • -12.62db
1% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 34% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Julia Lee
Lotus Blossom
103 bpm • F min • 03:15 • -11.05db
14% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cab Calloway & His Orchestra
Are You All Reet?
79 bpm • C# Maj • 03:02 • -9.26db
8% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Erskine Hawkins & His Orchestra
Swing Out
103 bpm • A# Maj • 03:19 • -13db
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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Una Mae Carlisle
Tain't Yours
83 bpm • G# Maj • 02:53 • -10.68db
1% Popularity • 58% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 58% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Brooks Prumo Orchestra
Bolero At The Savoy
78 bpm • C min • 03:02 • -8.48db
23% Popularity • 65% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 65% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
