Songs like I Should Be Home by Balu Brigada
Based on a tempo of (+/- 10%) and a similar genre
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Nolie
Lucky Me
128 bpm • G# Maj • 02:12 • -6db
28% Popularity • 59% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 59% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Harrison Lipton
Sagittarius
128 bpm • D Maj • 03:42 • -9.1db
18% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
18% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Brent de la Cruz
Save Your Breath
128 bpm • A Maj • 03:28 • -5.01db
38% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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PARK RD
Outta My Hands
128 bpm • C Maj • 03:14 • -7.91db
11% Popularity • 47% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 47% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Clubhouse
Are We Going Too Slow?
128 bpm • B Maj • 02:31 • -9.9db
24% Popularity • 65% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 65% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Chloe George
Runaway Blue
129 bpm • C# min • 03:33 • -2.48db
32% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Stevan
Reptilian
129 bpm • C Maj • 03:17 • -7.79db
13% Popularity • 64% Danceability • 71% Energy • 21% Liveness
79% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 71% Energy • 21% Liveness
79% Instrumentalness • 65% Positiveness
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Oceanic
Care More
127 bpm • D# min • 03:07 • -8.06db
22% Popularity • 68% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Nabes
Desert Sun
127 bpm • F# min • 02:48 • -9.12db
34% Popularity • 76% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 76% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Daily J
Tuning Out
127 bpm • A Maj • 04:09 • -4.95db
32% Popularity • 74% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 74% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Downtown Kayoto
Karma Called
127 bpm • F# min • 03:26 • -6.08db
38% Popularity • 76% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 76% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Rook Monroe
Dreaming
129 bpm • F Maj • 03:02 • -6.84db
16% Popularity • 68% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 68% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Stevan
The Wave
129 bpm • D# min • 02:32 • -6.33db
21% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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HARBOUR
Swimming in My Head
126 bpm • A Maj • 03:19 • -4.93db
34% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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beaux
it's a landslide
130 bpm • E Maj • 02:39 • -4.83db
32% Popularity • 74% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 74% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Ruby Red
Too Late (To Call)
130 bpm • A min • 03:41 • -6db
37% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Evenson
IF I EVER FEEL BETTER
126 bpm • A Maj • 02:33 • -8.41db
37% Popularity • 78% Danceability • 70% Energy • 35% Liveness
5% Instrumentalness • 89% Positiveness
37% Popularity • 78% Danceability • 70% Energy • 35% Liveness
5% Instrumentalness • 89% Positiveness
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Deaf Andrews
Calm and Collected
130 bpm • F# min • 03:27 • -7db
35% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Ashes To Amber
Outskirts Of Infinity
130 bpm • E Maj • 03:07 • -7db
55% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Aidan Bissett
I Can't Be Your Friend
130 bpm • A Maj • 02:51 • -5.58db
32% Popularity • 73% Danceability • 68% Energy • 6% Liveness
4% Instrumentalness • 80% Positiveness
32% Popularity • 73% Danceability • 68% Energy • 6% Liveness
4% Instrumentalness • 80% Positiveness
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Phil Good
UNALIVE
126 bpm • D Maj • 02:42 • -7.92db
35% Popularity • 79% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
35% Popularity • 79% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Your Neighbors
Rx
130 bpm • E Maj • 03:25 • -4.96db
37% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Kieran Ivy
Figured Out
130 bpm • A# min • 02:26 • -7.85db
28% Popularity • 70% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 70% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Nolie
Think Back
130 bpm • G Maj • 02:48 • -5.44db
31% Popularity • 86% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 86% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Devon
EVERYDAY CHANGING
130 bpm • F min • 03:12 • -5.57db
23% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Jefferson Clay
Freaking Out Is Fine
126 bpm • A# Maj • 02:11 • -6.64db
41% Popularity • 79% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
41% Popularity • 79% Danceability • 74% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
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Sebastian Portillo
Little Hickory
130 bpm • C min • 04:03 • -6db
29% Popularity • 70% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 70% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Leland Blue
I Look Like A Fool
126 bpm • C Maj • 03:35 • -3.7db
14% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Balu Brigada
Good 4 U
125 bpm • A Maj • 03:48 • -7.54db
8% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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COIN
Getting Older
126 bpm • A Maj • 02:56 • -7.02db
38% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Francisco Martin
Passenger Princess
125 bpm • E Maj • 03:36 • -7db
33% Popularity • 70% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 70% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Wingtip
Talk
125 bpm • A# Maj • 03:17 • -6.51db
35% Popularity • 78% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 78% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Alex Mick
THE WAY SHE KNOWS
131 bpm • A Maj • 03:00 • -7.25db
29% Popularity • 68% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 68% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Richie Quake
Baby Ocean Girl
131 bpm • G Maj • 03:36 • -5.15db
34% Popularity • 53% Danceability • 92% Energy • 66% Liveness
63% Instrumentalness • 61% Positiveness
34% Popularity • 53% Danceability • 92% Energy • 66% Liveness
63% Instrumentalness • 61% Positiveness
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Oli Fox
Butterfingers
125 bpm • C min • 03:05 • -5.2db
29% Popularity • 62% Danceability • 87% Energy • 60% Liveness
18% Instrumentalness • 63% Positiveness
29% Popularity • 62% Danceability • 87% Energy • 60% Liveness
18% Instrumentalness • 63% Positiveness
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Grady
Driving Into The Sun
125 bpm • F Maj • 05:54 • -6.48db
29% Popularity • 66% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 66% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Felly
Free Love
131 bpm • F min • 02:53 • -7.38db
39% Popularity • 78% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 78% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Huron John
JUST ME & FRIENDS
125 bpm • G# Maj • 02:48 • -8.17db
33% Popularity • 82% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 90% Positiveness
33% Popularity • 82% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 90% Positiveness
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okaywill
Mr. Bad
125 bpm • C Maj • 03:13 • -9.88db
32% Popularity • 84% Danceability • 42% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
32% Popularity • 84% Danceability • 42% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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DWLLRS
Beauty Rains
125 bpm • A# Maj • 03:31 • -6.04db
34% Popularity • 64% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 64% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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milk.
You&I.
125 bpm • C Maj • 04:16 • -8.67db
32% Popularity • 70% Danceability • 59% Energy • 23% Liveness
38% Instrumentalness • 54% Positiveness
32% Popularity • 70% Danceability • 59% Energy • 23% Liveness
38% Instrumentalness • 54% Positiveness
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Rook Monroe
Californialand
125 bpm • G Maj • 02:18 • -5.43db
33% Popularity • 78% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 78% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Jefferson Clay
People IDK Yet
125 bpm • A Maj • 02:13 • -7.48db
37% Popularity • 76% Danceability • 79% Energy • 37% Liveness
3% Instrumentalness • 97% Positiveness
37% Popularity • 76% Danceability • 79% Energy • 37% Liveness
3% Instrumentalness • 97% Positiveness
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Gus Dapperton
Wet Cement
132 bpm • B min • 04:33 • -6.36db
40% Popularity • 62% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 62% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Let's Be Frank
I Like Me Better When I'm With You
132 bpm • C# min • 03:21 • -6.72db
15% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Taos
Vertigo
132 bpm • D Maj • 02:50 • -11.08db
29% Popularity • 70% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 70% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Noah Richardson
WHEREVER U GO
124 bpm • F# Maj • 03:30 • -10.89db
27% Popularity • 71% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 18% Positiveness
27% Popularity • 71% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 18% Positiveness
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The Hails
Exonerate
124 bpm • D Maj • 03:09 • -5.39db
28% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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SEB
home2u
124 bpm • A# Maj • 02:45 • -7.12db
42% Popularity • 71% Danceability • 82% Energy • 22% Liveness
1% Instrumentalness • 53% Positiveness
42% Popularity • 71% Danceability • 82% Energy • 22% Liveness
1% Instrumentalness • 53% Positiveness
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ioakim
kids should know better
124 bpm • G# Maj • 03:31 • -6.32db
21% Popularity • 71% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 71% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Your Neighbors
Memo
124 bpm • G min • 03:52 • -7.03db
30% Popularity • 65% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 65% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
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Grey Oakes
Maybe UR Right
124 bpm • A Maj • 03:16 • -9.18db
21% Popularity • 43% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 43% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Carlina
d e e p e r
124 bpm • G Maj • 02:10 • -9.27db
30% Popularity • 67% Danceability • 80% Energy • 7% Liveness
23% Instrumentalness • 97% Positiveness
30% Popularity • 67% Danceability • 80% Energy • 7% Liveness
23% Instrumentalness • 97% Positiveness
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Grand Lotus
better.
124 bpm • E min • 02:56 • -5.8db
39% Popularity • 62% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 62% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Jordan Nash
Fear and Loathing
124 bpm • C# Maj • 03:09 • -4.85db
28% Popularity • 64% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 64% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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India Thieriot
Montage
124 bpm • E Maj • 02:50 • -10.65db
27% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Jefferson Clay
Say So
124 bpm • G Maj • 02:12 • -7.09db
36% Popularity • 83% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 83% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Lee Sugar
Sunshine
124 bpm • A# Maj • 02:38 • -6.38db
46% Popularity • 81% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 81% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Butter Bath
Show Me That You Care
133 bpm • C Maj • 03:39 • -7.32db
27% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Newport
Don't Mind
133 bpm • C Maj • 03:22 • -4.19db
30% Popularity • 70% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 70% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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Garren Sean
don't let ur feelings kill the mood
123 bpm • D# min • 02:46 • -4.11db
31% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Levi Evans
So Happy
123 bpm • F# Maj • 03:32 • -9.07db
23% Popularity • 84% Danceability • 70% Energy • 19% Liveness
2% Instrumentalness • 80% Positiveness
23% Popularity • 84% Danceability • 70% Energy • 19% Liveness
2% Instrumentalness • 80% Positiveness
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Dayglow
Like She Does
123 bpm • D# Maj • 04:32 • -3.74db
40% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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bennytheghost
My Boy
123 bpm • B min • 02:55 • -5.4db
29% Popularity • 67% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 67% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Eddie Benjamin
Stargirl
123 bpm • C# min • 02:53 • -9.11db
24% Popularity • 77% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 77% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Julius
Come Down Soon
134 bpm • E Maj • 02:44 • -6.06db
27% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 78% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Nick Wagen
Look the Other Way
134 bpm • F# min • 02:33 • -4.77db
30% Popularity • 69% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 69% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Carver Commodore
Drown Me In Emotions
134 bpm • E Maj • 03:38 • -6.89db
42% Popularity • 72% Danceability • 62% Energy • 10% Liveness
58% Instrumentalness • 61% Positiveness
42% Popularity • 72% Danceability • 62% Energy • 10% Liveness
58% Instrumentalness • 61% Positiveness
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Worry Club
Lately
134 bpm • F# Maj • 04:04 • -8.43db
33% Popularity • 69% Danceability • 81% Energy • 26% Liveness
1% Instrumentalness • 92% Positiveness
33% Popularity • 69% Danceability • 81% Energy • 26% Liveness
1% Instrumentalness • 92% Positiveness
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Talking Points
Last Licks
122 bpm • C Maj • 03:11 • -4.36db
23% Popularity • 56% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 56% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Honeyboys
Mr. Daniels
122 bpm • C# min • 04:33 • -4.28db
28% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Houston
Dinosaurs In The Garden
122 bpm • C Maj • 03:10 • -5.83db
14% Popularity • 82% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
14% Popularity • 82% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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Girlish
RUNAROUND
122 bpm • C# Maj • 02:11 • -7db
16% Popularity • 73% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
16% Popularity • 73% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
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Daily J
Honey
122 bpm • E min • 03:14 • -5.34db
43% Popularity • 76% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 76% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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HOAX
the comedown
122 bpm • A Maj • 03:11 • -4.29db
42% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 67% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Foley
On the Rocks
135 bpm • G Maj • 02:50 • -6.05db
28% Popularity • 64% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 64% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Leland Blue
Restless
135 bpm • B Maj • 03:41 • -4.6db
29% Popularity • 57% Danceability • 84% Energy • 6% Liveness
3% Instrumentalness • 69% Positiveness
29% Popularity • 57% Danceability • 84% Energy • 6% Liveness
3% Instrumentalness • 69% Positiveness
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Alann8h
Youthless Youth
135 bpm • B min • 02:45 • -7.25db
26% Popularity • 66% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 66% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Gus Dapperton
Horizons
135 bpm • F min • 03:03 • -5.32db
42% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Anna Shoemaker
Holly
121 bpm • F# Maj • 02:47 • -6.19db
47% Popularity • 62% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
47% Popularity • 62% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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HOAX
wasting time
121 bpm • D min • 03:57 • -4.32db
33% Popularity • 35% Danceability • 79% Energy • 84% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 35% Danceability • 79% Energy • 84% Liveness
0% Instrumentalness • 59% Positiveness
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DLG.
CLOSE ONE!
136 bpm • A min • 03:31 • -4.96db
41% Popularity • 86% Danceability • 61% Energy • 20% Liveness
9% Instrumentalness • 70% Positiveness
41% Popularity • 86% Danceability • 61% Energy • 20% Liveness
9% Instrumentalness • 70% Positiveness
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Stevan
AUTO
136 bpm • D Maj • 03:03 • -6.51db
31% Popularity • 70% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 98% Positiveness
31% Popularity • 70% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 98% Positiveness
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Plant Dad
favorite boy
120 bpm • C Maj • 03:10 • -9.39db
17% Popularity • 60% Danceability • 69% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
17% Popularity • 60% Danceability • 69% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
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Gus Dapperton
Spent On You
136 bpm • A# min • 03:42 • -5.89db
34% Popularity • 68% Danceability • 82% Energy • 34% Liveness
3% Instrumentalness • 79% Positiveness
34% Popularity • 68% Danceability • 82% Energy • 34% Liveness
3% Instrumentalness • 79% Positiveness
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almost monday
coast to coast
120 bpm • C min • 02:29 • -4.6db
42% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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MORE&MORE
YEAH! WOO! - Radio Edit
120 bpm • B min • 02:12 • -9.26db
42% Popularity • 86% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 86% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Peach Tree Rascals
My Favorite Sweater
120 bpm • F Maj • 02:36 • -6.58db
30% Popularity • 68% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 68% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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milk.
I Might Bore You.
120 bpm • E Maj • 03:32 • -8.23db
37% Popularity • 61% Danceability • 71% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
37% Popularity • 61% Danceability • 71% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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ioakim
backseat
120 bpm • C Maj • 03:17 • -9.53db
15% Popularity • 68% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
15% Popularity • 68% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Riarosa
Cloud
120 bpm • D min • 02:50 • -10db
24% Popularity • 77% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 62% Positiveness
24% Popularity • 77% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 62% Positiveness
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Jyme
U.F.O's
120 bpm • C Maj • 02:22 • -4.3db
34% Popularity • 81% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 81% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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young friend
GOOD GUY
120 bpm • E Maj • 02:36 • -6.03db
23% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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George Moir
Apollo 13
120 bpm • D Maj • 03:14 • -5.98db
22% Popularity • 82% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 82% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Daily J
After You
120 bpm • C Maj • 03:22 • -5.56db
42% Popularity • 76% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 76% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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ioakim
mess
120 bpm • E min • 03:41 • -7.21db
18% Popularity • 70% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 70% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Balu Brigada
Find A Way
120 bpm • F# min • 03:47 • -6.63db
10% Popularity • 70% Danceability • 69% Energy • 8% Liveness
21% Instrumentalness • 75% Positiveness
10% Popularity • 70% Danceability • 69% Energy • 8% Liveness
21% Instrumentalness • 75% Positiveness
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Tim Atlas
SeeThru
120 bpm • B min • 02:59 • -5.32db
28% Popularity • 63% Danceability • 76% Energy • 35% Liveness
16% Instrumentalness • 73% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 35% Liveness
16% Instrumentalness • 73% Positiveness
