Songs like I Should Let You Go by Chelsea Cutler
Based on a tempo of (+/- 10%) and a similar genre
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FRENSHIP
Keep You Close
76 bpm • D Maj • 03:17 • -8db
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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FLETCHER
I Fall Apart - Recorded At Electric Lady...
76 bpm • C# min • 03:51 • -8.46db
47% Popularity • 45% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 45% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Emmanuel Franco
Feel Like Home
76 bpm • G Maj • 03:19 • -10.53db
31% Popularity • 48% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 48% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Emma Sameth
Long Way Home
76 bpm • F Maj • 03:38 • -9.56db
23% Popularity • 50% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 50% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Chelsea Cutler
I Should Let You Go
76 bpm • D Maj • 03:06 • -8.15db
32% Popularity • 60% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 60% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Hudson
Overwhelmed
76 bpm • D# Maj • 02:44 • -8.45db
36% Popularity • 45% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 45% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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JP Saxe
Blurry
75 bpm • G min • 04:12 • -8.77db
32% Popularity • 47% Danceability • 57% Energy • 10% Liveness
13% Instrumentalness • 31% Positiveness
32% Popularity • 47% Danceability • 57% Energy • 10% Liveness
13% Instrumentalness • 31% Positiveness
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ayokay
Cassette
75 bpm • C# min • 03:23 • -6.74db
42% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Zachary Knowles
no place like hope
75 bpm • G# Maj • 04:12 • -15db
32% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 69% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Band CAMINO
Less Than I Do
77 bpm • A Maj • 03:31 • -6.94db
49% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Liv Dawson
I Like You
75 bpm • C# min • 03:09 • -8.26db
23% Popularity • 66% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 66% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Dreamsuite
Just Us
75 bpm • E Maj • 03:40 • -10.27db
31% Popularity • 61% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 61% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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CALI JEWLS
Posture
75 bpm • F# Maj • 03:11 • -10.88db
24% Popularity • 66% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 66% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Peter Saputo
Why Can't I Say No?
75 bpm • F# Maj • 04:22 • -6.21db
19% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 43% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Phoebe Ryan
Ring
77 bpm • A Maj • 03:40 • -4.66db
20% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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ROSIE
to get over you
75 bpm • F# min • 02:50 • -6db
26% Popularity • 60% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 60% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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joan
brokenhearted
75 bpm • A# Maj • 03:32 • -7.95db
36% Popularity • 61% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 61% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
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AJ Mitchell
Burn
78 bpm • A# Maj • 02:19 • -8.02db
37% Popularity • 40% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 40% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah Paige
Sunshine
78 bpm • A Maj • 03:45 • -10.83db
13% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Olivia O'Brien
Just Friends
78 bpm • D# min • 02:13 • -10.48db
37% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Jordy Searcy
Always/almost
78 bpm • E min • 03:35 • -10db
28% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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ASTN
Tidal Wave
78 bpm • C# Maj • 03:59 • -14.35db
26% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Carlie Hanson
Good Enough
78 bpm • G# Maj • 03:36 • -6.24db
35% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Tori Templet
Is She
78 bpm • A min • 03:10 • -14.81db
16% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sody
i'll be there
78 bpm • C Maj • 02:24 • -9.15db
21% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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ROSIE
Retail Therapy
78 bpm • C# Maj • 03:01 • -9.54db
31% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Bensbeendead.
Prayer
78 bpm • A Maj • 03:28 • -11.02db
14% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Greyson Chance
Bad To Myself
79 bpm • C# Maj • 02:50 • -5.61db
26% Popularity • 62% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 62% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Harry Hudson
Addiction
79 bpm • F Maj • 03:11 • -11.37db
17% Popularity • 37% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 37% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Gatton
Stbcks
79 bpm • B Maj • 02:32 • -16.94db
32% Popularity • 32% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 32% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Ben Kessler
Known Like This
79 bpm • D Maj • 03:23 • -10db
22% Popularity • 35% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 35% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Chelsea Cutler
I Was In Heaven
79 bpm • F Maj • 04:16 • -10.63db
38% Popularity • 33% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 33% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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CAL
Catch
79 bpm • F Maj • 02:51 • -6.4db
15% Popularity • 37% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 37% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Chet Porter
Stay
79 bpm • F# Maj • 04:05 • -10db
41% Popularity • 23% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 23% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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JP Saxe
Line By Line
72 bpm • C Maj • 03:26 • -7.27db
45% Popularity • 65% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 65% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Harry Hudson
Love, Dad
80 bpm • F# min • 04:34 • -8db
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Bryce Xavier
bus ride away
80 bpm • F# Maj • 02:54 • -12.21db
16% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Kessler
Just Wanna Be Your Friend
72 bpm • G# min • 02:27 • -9.26db
29% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
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ayokay
Half Past You
80 bpm • G min • 02:54 • -7.64db
40% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Thoreau
Cities
80 bpm • D Maj • 03:31 • -9db
28% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Zeitler
Hate Me
80 bpm • E Maj • 02:55 • -11.15db
18% Popularity • 52% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 52% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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ROSIE
Screaming Underwater
81 bpm • C Maj • 02:59 • -10db
25% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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JP Saxe
Hold It Together
81 bpm • G Maj • 03:39 • -12.51db
32% Popularity • 56% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 56% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Kessler
Even When You're Home
72 bpm • C# min • 03:31 • -8db
28% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mark Diamond
Road
71 bpm • B Maj • 03:39 • -6db
15% Popularity • 65% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 65% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Olivia O'Brien
Almost In Love
81 bpm • E min • 03:25 • -6.31db
33% Popularity • 45% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 45% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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craves
Never Enough - Acoustic
71 bpm • G min • 03:11 • -14.11db
15% Popularity • 46% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 46% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Douglas
Cope
81 bpm • G Maj • 03:04 • -14db
13% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chelsea Cutler
310 Bowery
81 bpm • D Maj • 01:39 • -8.22db
29% Popularity • 55% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 55% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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JP Saxe
25 in Barcelona
82 bpm • C Maj • 03:13 • -12.25db
46% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Derek DeRush
Satellites
82 bpm • F Maj • 03:00 • -7.15db
29% Popularity • 41% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 41% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Ruel
Hard Sometimes
82 bpm • A# Maj • 04:29 • -7.9db
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Reece Miller
Too Much
82 bpm • E Maj • 02:59 • -8.16db
24% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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ILLENIUM
Crashing – Stripped
82 bpm • F Maj • 03:46 • -8.88db
35% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Neptune
I Want U - Neptune Remix
83 bpm • D Maj • 03:29 • -11.89db
22% Popularity • 43% Danceability • 52% Energy • 9% Liveness
7% Instrumentalness • 32% Positiveness
22% Popularity • 43% Danceability • 52% Energy • 9% Liveness
7% Instrumentalness • 32% Positiveness
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JP Saxe
3 Minutes
70 bpm • G Maj • 03:31 • -11.26db
39% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Samuel Allen
Snowglobe
70 bpm • E Maj • 03:49 • -7.18db
18% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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ÊMIA
Behind the Scenes
83 bpm • E Maj • 02:45 • -5.78db
9% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 62% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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ASTN
Leave Me Before I Love You
84 bpm • F Maj • 02:40 • -11db
34% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Oh Wonder
I Like It When You Love Me
84 bpm • F min • 03:46 • -12db
45% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Carneyval
i'd call you but i can't
84 bpm • D min • 02:15 • -12.39db
27% Popularity • 58% Danceability • 35% Energy • 85% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 58% Danceability • 35% Energy • 85% Liveness
0% Instrumentalness • 40% Positiveness
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Rosie Darling
Water Me Down
84 bpm • C Maj • 03:01 • -8.2db
31% Popularity • 47% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Neptune
Far Apart
84 bpm • E Maj • 02:43 • -11.34db
24% Popularity • 58% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 58% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Kidswaste
More Colors
84 bpm • F Maj • 04:56 • -10.68db
33% Popularity • 40% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 40% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Sleeping Lion
Easy For You
68 bpm • D Maj • 03:41 • -9.63db
20% Popularity • 30% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 30% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Hudson
Give Up On Us
85 bpm • F# Maj • 02:38 • -10db
28% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Hall
Something That You Miss
85 bpm • B Maj • 02:22 • -4.77db
18% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Georgia Ku
What Do I Do? - Acoustic
86 bpm • A Maj • 03:30 • -4.42db
11% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Blake Rose
Rest Of Us
67 bpm • C# Maj • 03:32 • -8db
34% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Kessler
Lying
86 bpm • F# Maj • 03:05 • -8.39db
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Josie Dunne
Same (Alternate Version)
86 bpm • D# Maj • 02:46 • -9db
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Emily Burns
Hate Me Too
86 bpm • C# Maj • 03:30 • -8db
27% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Ashley Kutcher
If I Could
87 bpm • C# Maj • 03:07 • -9.57db
42% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Quinn XCII
Stay Next To Me (Acoustic)
88 bpm • F Maj • 03:25 • -8db
34% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Jobe
Make It All Better
88 bpm • C Maj • 03:26 • -8db
7% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bazzi
Who Am I?
88 bpm • F Maj • 02:51 • -6.35db
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Thomston
The Heights
88 bpm • C min • 03:19 • -10.34db
25% Popularity • 47% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 47% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Chelsea Cutler
Sleeping with Roses
88 bpm • D Maj • 01:20 • -14.07db
39% Popularity • 46% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 46% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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joan
love me better - winter
89 bpm • C# Maj • 03:17 • -11.68db
12% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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sad alex
all the way over
90 bpm • B min • 02:32 • -4.85db
18% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Greyson Chance
Honeysuckle
90 bpm • B Maj • 02:22 • -9.15db
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Zachary Knowles
i can't sleep
90 bpm • C Maj • 04:33 • -9db
22% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Chelsea Cutler
Sixteen
90 bpm • C# min • 03:44 • -7.42db
40% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 65% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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ayokay
Ocean Front Apt.
90 bpm • D# Maj • 02:12 • -9.89db
38% Popularity • 70% Danceability • 38% Energy • 16% Liveness
43% Instrumentalness • 30% Positiveness
38% Popularity • 70% Danceability • 38% Energy • 16% Liveness
43% Instrumentalness • 30% Positiveness
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Gentle Bones
Why Do We?
90 bpm • A Maj • 02:56 • -7db
32% Popularity • 65% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 65% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Kayshawn
Save Your Love
90 bpm • E Maj • 03:22 • -10db
17% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Motel 7
Would U Believe Me
90 bpm • F# min • 02:47 • -10db
26% Popularity • 70% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
26% Popularity • 70% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 12% Positiveness
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Lostboycrow
Violet Sky
90 bpm • C# min • 03:30 • -7.28db
22% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Chelsea Cutler
Are You Listening
90 bpm • D Maj • 02:52 • -6.13db
32% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 76% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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René Le Feuvre
Here for You
90 bpm • G min • 03:35 • -9.32db
19% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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LANY
sad - stripped
91 bpm • G Maj • 02:56 • -9.11db
43% Popularity • 34% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 34% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Lizzy Cameron
Never Met You
90 bpm • C Maj • 03:09 • -6.33db
8% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
