Songs like I Should've Told You by Fiji Blue
Based on a tempo of (+/- 10%) and a similar genre
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Roman Rouge
Darkness
117 bpm • C# Maj • 03:22 • -7.98db
21% Popularity • 73% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 73% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Wldlfe
You Don't Love Me (Like You Used To)
117 bpm • F min • 04:26 • -8.5db
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Fiji Blue
I Should've Told You
117 bpm • G# Maj • 03:17 • -7db
47% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Public Library Commute
Across the Room
117 bpm • C Maj • 03:00 • -7db
52% Popularity • 83% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 83% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Orlando
I Don’t
117 bpm • C# Maj • 02:54 • -5db
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Alexander 23
Mars
117 bpm • A# Maj • 02:33 • -7.63db
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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david hugo
Sleep and Friends
118 bpm • G Maj • 02:54 • -8.24db
29% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Vacation Club
Always or Never
118 bpm • D Maj • 03:30 • -8db
29% Popularity • 70% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 70% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Fiji Blue
Day by Day
117 bpm • A# Maj • 02:57 • -9db
47% Popularity • 91% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 91% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Chris James
Let's Get Lost
118 bpm • G# Maj • 03:17 • -5.65db
33% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Fenn
Next to Me
118 bpm • F# min • 02:49 • -6.41db
36% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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YAØ
RHCF
118 bpm • F# min • 03:04 • -7db
32% Popularity • 79% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 79% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Motel 7
It's Alright
118 bpm • E Maj • 02:30 • -9.28db
41% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
41% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
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Fiji Blue
Only When I Look into Your Eyes
118 bpm • A# Maj • 03:19 • -5.49db
47% Popularity • 72% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 72% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
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Great Good Fine Ok
Progress
116 bpm • F Maj • 03:07 • -5.46db
32% Popularity • 93% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 93% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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shy martin
Feelings
116 bpm • G Maj • 02:49 • -9db
44% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Dhruv
vulnerable
116 bpm • G# min • 03:18 • -8.73db
54% Popularity • 70% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 70% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Lennon Stella
Summer Feelings
116 bpm • F min • 02:40 • -6.11db
61% Popularity • 70% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 70% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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John Splithoff
Like You Talk To Me
118 bpm • G Maj • 03:22 • -7.48db
26% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Liimo
All I Do
116 bpm • G# Maj • 03:21 • -6.14db
20% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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lost spaces
bad.motel
115 bpm • A Maj • 03:23 • -7.11db
26% Popularity • 69% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 69% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Edgar Sandoval Jr
Sentimental
119 bpm • E Maj • 02:42 • -11.06db
19% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Krish
Run & Hide
115 bpm • F min • 03:47 • -6.46db
17% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Conor Matthews
Balloons
119 bpm • D Maj • 04:27 • -6.18db
28% Popularity • 73% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 73% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jake Scott
Favorite T-Shirt
115 bpm • A Maj • 03:04 • -8.14db
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Fiji Blue
95 at Night
115 bpm • A min • 02:51 • -7db
35% Popularity • 80% Danceability • 66% Energy • 11% Liveness
47% Instrumentalness • 62% Positiveness
35% Popularity • 80% Danceability • 66% Energy • 11% Liveness
47% Instrumentalness • 62% Positiveness
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Eddie Benjamin
Running Away From Home
115 bpm • G# Maj • 03:00 • -5.16db
28% Popularity • 66% Danceability • 63% Energy • 54% Liveness
1% Instrumentalness • 51% Positiveness
28% Popularity • 66% Danceability • 63% Energy • 54% Liveness
1% Instrumentalness • 51% Positiveness
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Rangga Jones
Favourite Things
120 bpm • A Maj • 02:53 • -8.29db
55% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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AJ Mitchell
Say It Again
120 bpm • C# Maj • 03:26 • -7.52db
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Devin Kennedy
Loose Change
120 bpm • B Maj • 02:43 • -14.7db
54% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Stephen Puth
Watching You Walk Away
120 bpm • F# min • 03:00 • -6.22db
31% Popularity • 78% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 78% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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GRACEY
Like That
114 bpm • C min • 02:46 • -6db
40% Popularity • 83% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 83% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Joshua Golden
heaven come
120 bpm • F Maj • 02:56 • -7.54db
43% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
43% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Gabrielle Aplin
When The Lights Go Out
120 bpm • C Maj • 03:06 • -7.73db
40% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Wingtip
Strangers
120 bpm • E Maj • 02:46 • -9.99db
41% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Cody Simpson
High Forever
120 bpm • A Maj • 02:53 • -14.27db
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Peter Fenn
Tour Guide
120 bpm • C Maj • 02:20 • -9.71db
20% Popularity • 80% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 80% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Hotel Apache
This Love Rightfully Belongs To Somebody...
120 bpm • A# Maj • 03:14 • -7db
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Fiji Blue
I Loved You, What Happened?
120 bpm • A# Maj • 02:38 • -8.35db
44% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Public Library Commute
No One Like You
120 bpm • D Maj • 02:50 • -6db
43% Popularity • 71% Danceability • 62% Energy • 17% Liveness
65% Instrumentalness • 69% Positiveness
43% Popularity • 71% Danceability • 62% Energy • 17% Liveness
65% Instrumentalness • 69% Positiveness
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NATIIVE
Reset
120 bpm • A Maj • 02:35 • -6.07db
26% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Charlie Puth
Hard On Yourself
114 bpm • C# min • 02:40 • -4.53db
57% Popularity • 82% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 82% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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sundial
i just want someone to love me
120 bpm • C Maj • 02:25 • -12.37db
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Petit Biscuit
Burnin
114 bpm • G# min • 02:55 • -8.75db
46% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Fiji Blue
Numb
114 bpm • F min • 02:42 • -8db
44% Popularity • 76% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 76% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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GRACEY
Empty Love
120 bpm • D Maj • 03:27 • -9db
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Sylo
Why R U Back?
114 bpm • E min • 03:36 • -5db
29% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Olivia Lunny
Think Of Me
114 bpm • C# Maj • 02:46 • -7.1db
41% Popularity • 75% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 75% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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ayokay
I Still Need You
121 bpm • G Maj • 02:58 • -7db
37% Popularity • 78% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 78% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
46% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Fiji Blue
Affection
113 bpm • A# min • 02:54 • -8.37db
55% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Ethan Dufault
So Bad
113 bpm • A Maj • 02:31 • -6.83db
44% Popularity • 81% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 81% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Emilee
How It Goes
113 bpm • C Maj • 02:19 • -13.32db
28% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ruel
GROWING UP IS _____
113 bpm • C Maj • 03:53 • -6db
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Chris James
I Never Learned
122 bpm • F# Maj • 02:32 • -7db
41% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Lukey
PEACHSUN
122 bpm • B Maj • 03:37 • -7.77db
35% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Fiji Blue
Home
122 bpm • C# Maj • 02:40 • -7.89db
42% Popularity • 84% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 84% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Great Good Fine Ok
You Don’t Look at Me the Same
122 bpm • D Maj • 02:56 • -9db
36% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Peach Tree Rascals
Mariposa
112 bpm • A Maj • 03:30 • -6.1db
70% Popularity • 69% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 69% Danceability • 53% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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david hugo
Dangerous
112 bpm • F# min • 02:51 • -7.33db
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Curtis Waters
Doodoodoo
112 bpm • F min • 02:53 • -6.72db
39% Popularity • 75% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 75% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Francis Karel
You're Too Close
112 bpm • F# Maj • 03:37 • -5db
40% Popularity • 71% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 71% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Fiji Blue
Feel Something
122 bpm • D Maj • 02:30 • -6.38db
43% Popularity • 70% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 70% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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remy
checked out
123 bpm • F Maj • 02:17 • -8.04db
44% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Peach Tree Rascals
Mango
123 bpm • F# Maj • 03:11 • -6.33db
52% Popularity • 87% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 87% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Liimo
Thinking About It
111 bpm • A Maj • 03:28 • -4db
29% Popularity • 47% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 47% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Brandon Mig
Driving in the City
111 bpm • C Maj • 03:30 • -6.04db
37% Popularity • 74% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 74% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Peter Fenn
Okay
123 bpm • A Maj • 02:22 • -7.28db
26% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Fiji Blue
Reasons You Should Care
123 bpm • C# min • 02:41 • -6db
45% Popularity • 90% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 90% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Regard
You - Acoustic
123 bpm • C Maj • 03:34 • -8.26db
41% Popularity • 40% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 40% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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HNATA
Slowtime
124 bpm • C Maj • 03:40 • -10.67db
27% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Liimo
Pineapple Radio
111 bpm • A# Maj • 03:04 • -3.88db
19% Popularity • 73% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 73% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Petit Biscuit
Drivin Thru the Night
124 bpm • A Maj • 03:07 • -9db
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
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Locals Only Sound
Move With Me
124 bpm • F# Maj • 03:05 • -6.99db
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Fiji Blue
Wait!
123 bpm • A Maj • 02:48 • -9.26db
46% Popularity • 75% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 75% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Chris James
Not Angry
124 bpm • F min • 03:19 • -12.42db
60% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Phil Good
Everything's Good
124 bpm • G# Maj • 03:03 • -4.24db
46% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Mina Okabe
Miss Those Days
124 bpm • C# Maj • 02:52 • -7db
44% Popularity • 84% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 84% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Before You Exit
Silence
124 bpm • G# Maj • 03:20 • -9.86db
46% Popularity • 93% Danceability • 52% Energy • 13% Liveness
19% Instrumentalness • 75% Positiveness
46% Popularity • 93% Danceability • 52% Energy • 13% Liveness
19% Instrumentalness • 75% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Fiji Blue
Picture
123 bpm • B Maj • 03:11 • -9.18db
36% Popularity • 75% Danceability • 45% Energy • 15% Liveness
7% Instrumentalness • 42% Positiveness
36% Popularity • 75% Danceability • 45% Energy • 15% Liveness
7% Instrumentalness • 42% Positiveness
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Jake Miller
Ross And Rachel
124 bpm • A Maj • 03:12 • -6.61db
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Hobbie Stuart
French Toast
110 bpm • A min • 03:29 • -7.56db
24% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Prewett
Don't Feel
110 bpm • B min • 03:23 • -7db
28% Popularity • 78% Danceability • 60% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 78% Danceability • 60% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
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Alextbh
no space
110 bpm • B min • 02:57 • -5.21db
40% Popularity • 88% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 88% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Fenn
Far Away
110 bpm • G# Maj • 02:11 • -9db
53% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Fiji Blue
Butterflies
110 bpm • G# Maj • 02:56 • -7.24db
55% Popularity • 73% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 73% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Fly By Midnight
When She's Dancing
110 bpm • F Maj • 03:07 • -5.52db
33% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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lost spaces
inter.vision
110 bpm • A min • 03:56 • -9.92db
22% Popularity • 82% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 82% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Devin Kennedy
No Worries
110 bpm • D Maj • 02:41 • -11.05db
50% Popularity • 77% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 77% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Scott
CWJBHN
110 bpm • A# Maj • 03:13 • -10.64db
50% Popularity • 74% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 74% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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slchld
camellia
110 bpm • A# Maj • 02:31 • -4.74db
52% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
52% Popularity • 71% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Dillon Davis
Friends With Feelings
125 bpm • E Maj • 03:27 • -14.31db
27% Popularity • 47% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Fly By Midnight
Toy
110 bpm • E Maj • 03:10 • -7db
32% Popularity • 63% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 63% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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nodisco.
Pretty Blue Jeans & Me
109 bpm • F Maj • 02:51 • -6db
28% Popularity • 74% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 74% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
