Songs like I Still Love You by Shirley Murdock
Based on a tempo of (+/- 10%) and a similar genre
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Shirley Murdock
I Still Love You
85 bpm • C Maj • 05:14 • -12.1db
21% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Pebbles
Always - Single Version
85 bpm • G# min • 04:46 • -6.34db
28% Popularity • 46% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 46% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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John Ruffin
Scene 7
85 bpm • G# Maj • 04:00 • -27.9db
0% Popularity • 60% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 60% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Jade
Blessed
86 bpm • B min • 05:09 • -12.7db
12% Popularity • 63% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 63% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Eugene Wilde
Don't Say No Tonight
86 bpm • F# Maj • 05:13 • -6.23db
29% Popularity • 59% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 59% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Ann Nesby
This Could Be Love
84 bpm • D Maj • 04:02 • -8db
26% Popularity • 70% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 58% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 21% Liveness
1% Instrumentalness • 58% Positiveness
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Vesta Williams
You Make Me Want To (Love Again)
87 bpm • G# Maj • 04:59 • -14db
12% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Karyn White
How I Want You
83 bpm • F# Maj • 04:57 • -9db
25% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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New Edition
Boys To Men - Remixed Version
83 bpm • C# Maj • 05:48 • -9.5db
17% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Force M.D.'s
Somebody's Crying
83 bpm • A min • 04:05 • -12.45db
30% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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O'Bryan
Still Water (Love)
88 bpm • A Maj • 04:08 • -7db
27% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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John Ruffin
Scene 7
88 bpm • B Maj • 07:44 • -23.43db
0% Popularity • 60% Danceability • 27% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 60% Danceability • 27% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
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Bigg Robb
Don't Let the Rain
82 bpm • G Maj • 05:04 • -10.26db
15% Popularity • 67% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 67% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Angela Winbush
Sensitive Heart
82 bpm • C# min • 05:04 • -7.76db
18% Popularity • 71% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 71% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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New Edition
Boys To Men - Extended Vocal Version
83 bpm • C# Maj • 05:50 • -7.9db
15% Popularity • 70% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 70% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Tony Terry
Head Over Heels
82 bpm • G min • 05:43 • -8.81db
18% Popularity • 59% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 59% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Miki Howard
Baby, Be Mine
82 bpm • E min • 05:31 • -8.67db
6% Popularity • 32% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
6% Popularity • 32% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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John Ruffin
Scene 4
82 bpm • F Maj • 09:12 • -26.58db
0% Popularity • 58% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 58% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Force M.D.'s
Walking on Air
82 bpm • G Maj • 04:17 • -15.72db
29% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Angela Winbush
You're My Everything
82 bpm • A# min • 05:37 • -10db
16% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Miles Jaye
Let's Start Love Over
89 bpm • G# Maj • 05:02 • -12.24db
39% Popularity • 70% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 70% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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New Edition
Boys To Men
82 bpm • C# Maj • 04:10 • -15db
49% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Miki Howard
Baby, Be Mine
82 bpm • G Maj • 05:28 • -13.74db
36% Popularity • 32% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 32% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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John Ruffin
Scene 3
82 bpm • C Maj • 09:01 • -26.81db
0% Popularity • 58% Danceability • 16% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 58% Danceability • 16% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
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Anita Baker
Angel
81 bpm • A min • 05:00 • -12.72db
41% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 62% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Jon B.
Pride & Joy
81 bpm • A# Maj • 03:36 • -8db
26% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kandi
Should of Listen
89 bpm • A Maj • 01:10 • -5.31db
21% Popularity • 53% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 53% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Shirley Murdock
Go on Without You
80 bpm • D# min • 04:52 • -10.04db
40% Popularity • 40% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 40% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Miki Howard
Come Share My Love
81 bpm • F# Maj • 04:50 • -13.19db
42% Popularity • 60% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
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Jason Waver
Love Ambition
80 bpm • C# Maj • 05:58 • -14db
31% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 69% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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LSG
Drove Me to Tears
90 bpm • E min • 04:35 • -7db
23% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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John Ruffin
Scene 9
90 bpm • F# min • 09:32 • -23.17db
0% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Eddie Levert
Something's Got to Change
80 bpm • A# min • 04:10 • -5.44db
2% Popularity • 56% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
2% Popularity • 56% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Tony! Toni! Toné!
It Never Rains (In Southern California)
80 bpm • A# Maj • 05:04 • -14.1db
49% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Miki Howard
Ain't Nobody Like You
80 bpm • F# min • 04:55 • -10db
30% Popularity • 70% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 70% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Angela Winbush
Keep Turnin' Me On
79 bpm • A# min • 06:29 • -8db
28% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Vesta Williams
I'm Coming Back
80 bpm • D min • 04:46 • -14.88db
10% Popularity • 70% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 70% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Cherrelle
Everything I Miss At Home
91 bpm • D min • 03:55 • -12.6db
39% Popularity • 66% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 66% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Ann Nesby
I Apologize
79 bpm • F Maj • 04:59 • -5.21db
16% Popularity • 36% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 36% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Shirley Murdock
The One I Need
91 bpm • C# Maj • 04:40 • -9db
15% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Miki Howard
Come Home to Me
80 bpm • C Maj • 05:48 • -9.31db
22% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Karyn White
Nobody but My Baby
79 bpm • C min • 05:05 • -7.66db
26% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Tony! Toni! Toné!
(Lay Your Head On My) Pillow
79 bpm • F# min • 06:12 • -8.95db
51% Popularity • 71% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 71% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Vesta Williams
Congratulations
79 bpm • G Maj • 04:25 • -16.5db
33% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Toni Braxton
Love Affair
79 bpm • F min • 04:28 • -7.05db
31% Popularity • 56% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 56% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Damian Dame
Right Down to It
92 bpm • C# min • 04:54 • -11.27db
20% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jaheim
Ready, Willing & Able
92 bpm • G min • 04:57 • -9.76db
29% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Evelyn "Champagne" King
Kisses Don't Lie
79 bpm • F# Maj • 04:47 • -14.66db
28% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Force M.D.'s
Love Is A House
92 bpm • G# Maj • 05:12 • -15.69db
47% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Al B. Sure!
Oooh This Love Is So
92 bpm • E min • 04:39 • -18.01db
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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John Ruffin
Scene 9
78 bpm • F min • 05:17 • -27.35db
0% Popularity • 58% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 58% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Anita Baker
Lead Me into Love - Single Version
78 bpm • F min • 04:08 • -8db
25% Popularity • 44% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 44% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Intro
What You Won't Do for Love
78 bpm • F# min • 04:16 • -8.95db
21% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Vesta Williams
Better Days
93 bpm • C# min • 04:24 • -12db
13% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Miki Howard with Gerald Levert
That's What Love Is - Remastered
78 bpm • F Maj • 04:29 • -6.15db
16% Popularity • 64% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 64% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Kelly Price
Soul Of A Woman
78 bpm • F# Maj • 04:32 • -10.62db
31% Popularity • 58% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 58% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Al B. Sure!
Naturally Mine
78 bpm • G# Maj • 04:14 • -17db
38% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Meli'sa Morgan
Heart Breaking Decision
93 bpm • F# min • 04:32 • -14.97db
23% Popularity • 69% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 69% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Anita Baker
I Apologize - Single Version
77 bpm • B Maj • 04:16 • -10.9db
38% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Rahsaan Patterson
Can't We Wait A Minute
94 bpm • A Maj • 05:43 • -15db
18% Popularity • 26% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 26% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 13% Positiveness
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Miki Howard with Gerald Levert
That's What Love Is
78 bpm • F Maj • 04:32 • -11.83db
22% Popularity • 69% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 69% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Karyn White
Love Saw It
93 bpm • F# min • 05:20 • -14.55db
41% Popularity • 76% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 76% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Solo
Touch Me
94 bpm • G Maj • 04:18 • -8db
17% Popularity • 80% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 80% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Enchantment
Enchanted Lady
77 bpm • C# Maj • 05:23 • -5db
22% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ralph Tresvant
When I Need Somebody
94 bpm • D Maj • 04:44 • -10.81db
24% Popularity • 65% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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The Gap Band
Wednesday Lover
77 bpm • B Maj • 04:57 • -12.66db
31% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Miki Howard with Gerald Levert
That's What Love Is - 2006 Remaster
77 bpm • F Maj • 04:34 • -7.7db
8% Popularity • 69% Danceability • 68% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 69% Danceability • 68% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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Beverly Crawford
Everything Will Be Alright
94 bpm • C# Maj • 03:36 • -1.98db
5% Popularity • 52% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 52% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Con Funk Shun
Baby I'm Hooked (Right Into Your Love)
95 bpm • D Maj • 04:11 • -10db
36% Popularity • 74% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 74% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Isley, Jasper, Isley
Insatiable Woman
76 bpm • G# Maj • 05:12 • -8db
30% Popularity • 70% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 70% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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L.T.D.
Stranger
76 bpm • F# Maj • 04:32 • -12db
39% Popularity • 50% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 50% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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John Ruffin
Scene 11
95 bpm • C Maj • 02:41 • -27.03db
1% Popularity • 66% Danceability • 28% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 66% Danceability • 28% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Profyle
Whispers In The Dark
76 bpm • C# Maj • 04:34 • -7.6db
27% Popularity • 65% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 65% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Intro
So Many Reasons
95 bpm • F min • 04:43 • -13.32db
20% Popularity • 66% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 66% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Troop
Spread My Wings - Reprise
95 bpm • B Maj • 02:55 • -10.24db
18% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Tony! Toni! Toné!
For The Love Of You
95 bpm • F Maj • 05:37 • -13.12db
23% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 66% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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LSG
Lesson Learned
96 bpm • G# min • 04:11 • -7.4db
18% Popularity • 71% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 71% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Stacy Lattisaw
Every Drop Of Your Love
76 bpm • D min • 04:48 • -7.62db
18% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Vesta Williams
I Promise Love
76 bpm • F# min • 05:19 • -8.73db
9% Popularity • 56% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 56% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Miki Howard
Until You Come Back to Me (That's What I...
96 bpm • G Maj • 04:07 • -7.78db
25% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Meli'sa Morgan
Now Or Never
75 bpm • G Maj • 04:45 • -17.75db
15% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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For Real
Love Will Be Waiting At Home - from Wait...
96 bpm • B Maj • 05:59 • -11.34db
36% Popularity • 63% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 63% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Surface
You Are My Everything
96 bpm • C# Maj • 03:56 • -11.52db
20% Popularity • 72% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 72% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Tony! Toni! Toné!
Slow Wine
75 bpm • C# min • 04:49 • -9.43db
48% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Vesta Williams
4 U
96 bpm • B Maj • 05:15 • -12.36db
8% Popularity • 77% Danceability • 75% Energy • 64% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 77% Danceability • 75% Energy • 64% Liveness
1% Instrumentalness • 82% Positiveness
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Kashif
Love Changes
75 bpm • G Maj • 04:45 • -11.61db
32% Popularity • 65% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 65% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Meli'sa Morgan
Love Changes (Duet With Kashif) - 2013 -...
75 bpm • G Maj • 04:44 • -9.17db
25% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Angela Winbush
No One Has Ever Cared (Like You)
75 bpm • A min • 06:31 • -14.99db
9% Popularity • 64% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Surface
You Are My Everything
96 bpm • C# Maj • 04:31 • -10db
35% Popularity • 71% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 71% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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John Ruffin
Scene 10
97 bpm • A# min • 03:08 • -23.22db
0% Popularity • 59% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 59% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Karyn White
Beside You
75 bpm • G# Maj • 04:59 • -8.24db
15% Popularity • 36% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 36% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Frederick
Gentle - Calling Your Name
97 bpm • A Maj • 05:39 • -11.51db
34% Popularity • 66% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Con Funk Shun
Make It Last
75 bpm • D Maj • 05:02 • -14db
26% Popularity • 25% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
26% Popularity • 25% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Angela Winbush
No One Has Ever Cared (Like You) - Edit
75 bpm • A min • 06:05 • -7.27db
13% Popularity • 62% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 62% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Surface
Closer Than Friends
97 bpm • F Maj • 04:45 • -10db
43% Popularity • 77% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 77% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Troop
Spread My Wings
97 bpm • B Maj • 05:08 • -11db
41% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Shirley Murdock
Somebody
97 bpm • C# Maj • 04:19 • -6.98db
3% Popularity • 78% Danceability • 82% Energy • 90% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 78% Danceability • 82% Energy • 90% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Cooper
Dinner for Two
97 bpm • D min • 05:48 • -13.48db
27% Popularity • 73% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 73% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
