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I the Third (aka Karate)
Songs like
I the Third (aka Karate)
by
Dave & Ansell Collins
Based on a tempo of (+/- 10%) and a similar genre
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Dave & Ansell Collins
Burning Love
88 bpm • D# Maj • 04:03 • -12.8db
1% Popularity • 80% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Deltones
Chopsticks
88 bpm • B Maj • 02:31 • -5.95db
9% Popularity • 83% Danceability • 53% Energy • 13% Liveness
79% Instrumentalness • 82% Positiveness
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The Ethiopians
Train to Skaville
88 bpm • G# Maj • 02:57 • -12.53db
50% Popularity • 79% Danceability • 26% Energy • 35% Liveness
55% Instrumentalness • 56% Positiveness
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Johnny Nash
Cupid
88 bpm • C Maj • 03:23 • -6.86db
28% Popularity • 66% Danceability • 46% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
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Cimarons
We Are Not the Same
88 bpm • C Maj • 03:31 • -5.13db
18% Popularity • 56% Danceability • 81% Energy • 30% Liveness
4% Instrumentalness • 89% Positiveness
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Nora Dean
Barbwire
88 bpm • D# Maj • 02:19 • -8.19db
35% Popularity • 72% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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Dave & Ansell Collins
I the Third (Karate)
88 bpm • A# Maj • 02:56 • -10.32db
14% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Tommy McCook & The Supersonics
Reggae Merengue
88 bpm • F Maj • 02:14 • -9.54db
43% Popularity • 72% Danceability • 51% Energy • 10% Liveness
80% Instrumentalness • 91% Positiveness
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The Pioneers
Starvation (Edit)
88 bpm • A# Maj • 02:23 • -10.02db
23% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Uniques
People Rock Steady
89 bpm • G Maj • 03:04 • -9.06db
15% Popularity • 69% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 82% Positiveness
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Clancy Eccles
Fattie Fattie
89 bpm • G# min • 02:42 • -9.56db
28% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Lord Creator
Come Down (69 Version)
89 bpm • D# Maj • 02:18 • -10.48db
29% Popularity • 81% Danceability • 41% Energy • 14% Liveness
64% Instrumentalness • 95% Positiveness
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Dave & Ansell Collins
My Conversation
87 bpm • D Maj • 03:54 • -9.28db
1% Popularity • 71% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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I-Roy
Noisy Place
89 bpm • C# Maj • 02:15 • -8db
25% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Pat Rhoden
Living for the City
89 bpm • C# Maj • 03:01 • -7.71db
15% Popularity • 82% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Kingstonians
Mix It Up
87 bpm • C Maj • 02:42 • -10.49db
22% Popularity • 86% Danceability • 46% Energy • 9% Liveness
25% Instrumentalness • 84% Positiveness
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The Maytones
Loving Reggae (aka My Love and I)
89 bpm • D# Maj • 02:57 • -7.85db
24% Popularity • 63% Danceability • 75% Energy • 8% Liveness
20% Instrumentalness • 97% Positiveness
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Lord Creator
Such Is Life
89 bpm • F min • 02:33 • -6.02db
25% Popularity • 80% Danceability • 54% Energy • 6% Liveness
82% Instrumentalness • 66% Positiveness
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Dave & Ansell Collins
What A Confusion
89 bpm • C Maj • 04:31 • -13.85db
1% Popularity • 82% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Pluto Shervington
Dat
87 bpm • D Maj • 03:56 • -13db
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Pioneers
Reggae Fever
89 bpm • A# min • 02:50 • -8.03db
30% Popularity • 73% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Harry J Allstars
Liquidator
90 bpm • C# Maj • 02:52 • -8.18db
50% Popularity • 76% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
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Clancy Eccles
Feel the Rhythm
86 bpm • B Maj • 02:31 • -6.75db
25% Popularity • 78% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Barker
That Girl (Groovy Situation)
90 bpm • G# Maj • 03:17 • -14.25db
8% Popularity • 83% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 56% Positiveness
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The Rudies
Patches
86 bpm • B Maj • 02:56 • -8.13db
7% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Gladiators
Sweet Soul Music
86 bpm • F Maj • 01:58 • -7.15db
34% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Pioneers
Money Day
89 bpm • G# Maj • 02:23 • -11.35db
34% Popularity • 86% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Nash
Hold Me Tight
90 bpm • D# min • 02:42 • -9db
33% Popularity • 78% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Shorty The President
President Mash Up the Resident
85 bpm • G# min • 02:49 • -5.46db
16% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
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Dave Barker
My Best Girl
90 bpm • F# min • 02:22 • -12.05db
27% Popularity • 77% Danceability • 31% Energy • 22% Liveness
1% Instrumentalness • 91% Positiveness
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Dandy Livingstone
Don't Break Your Promise
85 bpm • F min • 02:52 • -12.11db
31% Popularity • 85% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Rudy Mills
A Place Called Happiness
91 bpm • G# Maj • 02:36 • -8.5db
19% Popularity • 83% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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The Uniques
My Conversation
85 bpm • C# Maj • 03:27 • -14db
37% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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The Ethiopians
The Whip
85 bpm • A# Maj • 03:01 • -8.75db
31% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Charmers
Skinhead Train
85 bpm • F min • 02:41 • -5.73db
19% Popularity • 76% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Dave Barker
Do Your Thing
91 bpm • G# min • 03:48 • -9.77db
26% Popularity • 80% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 89% Positiveness
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Dave & Ansell Collins
What Am I to Do
91 bpm • C Maj • 03:53 • -13.11db
1% Popularity • 78% Danceability • 36% Energy • 11% Liveness
43% Instrumentalness • 67% Positiveness
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Bob & Marcia
Ain't Nothing Like the Real Thing
91 bpm • C Maj • 02:30 • -9.83db
16% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Jim Brown
Seen Him
85 bpm • A# Maj • 02:03 • -5.92db
12% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Pat Kelly
Somebodys Baby
85 bpm • F Maj • 02:59 • -7.62db
30% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Tommy McCook
Last Flight to Reggae City
85 bpm • E Maj • 02:45 • -4.44db
10% Popularity • 78% Danceability • 56% Energy • 15% Liveness
3% Instrumentalness • 95% Positiveness
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Clancy Eccles
What Will Your Mama Say
85 bpm • D min • 03:18 • -10.38db
27% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Burning Spear
Marcus Garvey
92 bpm • G min • 03:27 • -9.89db
55% Popularity • 70% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Bob & Marcia
It's a Rockin' Good Way
91 bpm • G Maj • 03:06 • -10.51db
9% Popularity • 62% Danceability • 53% Energy • 23% Liveness
35% Instrumentalness • 62% Positiveness
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Stranger & Gladdy (feat. Lee Perry)
Seeing Is Knowing/ Kimble
85 bpm • F# Maj • 06:17 • -10.16db
9% Popularity • 87% Danceability • 29% Energy • 11% Liveness
9% Instrumentalness • 55% Positiveness
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Tito Simon
This Monday Morning Feeling
92 bpm • D# Maj • 03:15 • -7.87db
18% Popularity • 85% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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The Melodians
You Don't Need Me
92 bpm • C# Maj • 03:10 • -10.88db
27% Popularity • 79% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Mr Foundation
See Them a Come
92 bpm • F Maj • 03:08 • -6db
12% Popularity • 83% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Susan Cadogan
I Keep On Loving You
84 bpm • G Maj • 02:49 • -9.79db
15% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Pama International
It Ain't Funny
92 bpm • C Maj • 03:17 • -3.18db
3% Popularity • 69% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Jackie Edwards
In Paradise
84 bpm • B Maj • 02:55 • -7.72db
22% Popularity • 67% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Tony Scott
What Am I To Do
92 bpm • C Maj • 03:09 • -10.65db
29% Popularity • 71% Danceability • 50% Energy • 12% Liveness
53% Instrumentalness • 96% Positiveness
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The Sound Dimension
Rockfort Rock
84 bpm • G Maj • 02:23 • -10.98db
28% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
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Stranger Cole
Last Flight To Reggae City
84 bpm • E Maj • 02:48 • -10.55db
17% Popularity • 79% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 89% Positiveness
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The Kingstonians
Hold Down
84 bpm • C Maj • 02:51 • -11.69db
26% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
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Harry J Allstars
Liquidator
92 bpm • C Maj • 03:06 • -11.65db
43% Popularity • 68% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
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Jackie Edwards
Too Experienced
84 bpm • F# min • 02:56 • -6.09db
13% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Bongo Herman
Chairman of the Board
92 bpm • F Maj • 03:02 • -5.4db
14% Popularity • 76% Danceability • 84% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
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Dandy
People Get Ready
84 bpm • F# Maj • 02:27 • -10.14db
11% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Errol Dunkley
OK Fred
93 bpm • G Maj • 03:49 • -11.24db
21% Popularity • 74% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 88% Positiveness
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Owen Gray
Give Me a Little Sign
93 bpm • D# min • 03:07 • -10.16db
35% Popularity • 84% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Dobby Dobson
Loving Pauper
84 bpm • G Maj • 03:15 • -5.42db
18% Popularity • 79% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Three Tops
It's Raining
93 bpm • C Maj • 02:57 • -10.04db
14% Popularity • 87% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Pioneers
Give Me a Little Loving
84 bpm • A# Maj • 02:45 • -7.5db
17% Popularity • 79% Danceability • 53% Energy • 10% Liveness
5% Instrumentalness • 92% Positiveness
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Michigan & Smiley
Nice Up The Dance
83 bpm • A# min • 04:58 • -12db
17% Popularity • 73% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Niney The Observer
Blood and Fire
83 bpm • G Maj • 03:08 • -16db
42% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Greyhound
The Pressure Is Coming
93 bpm • A min • 02:12 • -12.1db
15% Popularity • 80% Danceability • 37% Energy • 12% Liveness
12% Instrumentalness • 78% Positiveness
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Hortense Ellis
Sitting in the Park
83 bpm • G Maj • 03:06 • -7.9db
18% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Jamaicans
Things You Say You Love
93 bpm • C Maj • 02:46 • -9.77db
28% Popularity • 80% Danceability • 41% Energy • 7% Liveness
38% Instrumentalness • 81% Positiveness
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Drumbago
Dulcemania
83 bpm • F Maj • 02:52 • -11.66db
15% Popularity • 71% Danceability • 66% Energy • 29% Liveness
75% Instrumentalness • 96% Positiveness
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Willie Williams
Armagideon Time - Disco Mix Vocal
83 bpm • D# min • 02:24 • -13db
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Ken Parker
I Can't Hide
83 bpm • C Maj • 02:25 • -8.72db
17% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Valentines
Guns Fever (Blam Blam Fever)
94 bpm • C Maj • 02:50 • -13.69db
34% Popularity • 90% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Joya Landis
Moonlight Lover
82 bpm • F Maj • 02:20 • -11.01db
26% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Althea And Donna
Uptown Top Ranking - Remastered 2001
82 bpm • G Maj • 03:49 • -8db
64% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Pat Kelly
Little Boy Blue
82 bpm • A# Maj • 02:46 • -5.82db
40% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Honey Boy Martin
Dreader Than Dread
94 bpm • C# Maj • 02:33 • -6.09db
27% Popularity • 88% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Dennis Alcapone
Wake Up Jamaica
82 bpm • F Maj • 02:34 • -11.72db
23% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Sophia George
Girlie Girlie
82 bpm • D# Maj • 03:06 • -7.7db
49% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Errol Dunkley
OK Fred
94 bpm • G Maj • 03:50 • -6.94db
33% Popularity • 70% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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The Jamaicans
Things You Say You Love
94 bpm • C Maj • 02:49 • -13db
31% Popularity • 79% Danceability • 33% Energy • 9% Liveness
55% Instrumentalness • 77% Positiveness
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Winston Wright
Moonlight Groover
82 bpm • F Maj • 02:35 • -7.37db
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
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Tommy McCook
Green Mango
82 bpm • G# Maj • 03:41 • -10db
19% Popularity • 83% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
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Joya Landis
Kansas City
94 bpm • F Maj • 03:05 • -7.93db
18% Popularity • 85% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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The Fabulous Flames
Holly Holy
94 bpm • A Maj • 03:05 • -8.1db
15% Popularity • 80% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Dillinger
Cocaine In My Brain
94 bpm • A min • 03:42 • -5.83db
18% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Slickers
Johnny To Bad
82 bpm • G Maj • 03:10 • -10.57db
21% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
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Scotty
Draw Your Brakes
82 bpm • F Maj • 02:55 • -11db
39% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Dave & Ansell Collins
My Best Girl
82 bpm • F# min • 02:52 • -13.14db
5% Popularity • 79% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Tommy McCook & The Supersonics
Liquidator
95 bpm • F Maj • 02:41 • -10.47db
25% Popularity • 80% Danceability • 65% Energy • 8% Liveness
72% Instrumentalness • 96% Positiveness
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UB40
Signing Off
95 bpm • B min • 04:24 • -14.2db
28% Popularity • 70% Danceability • 52% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
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The Melodians
Come On Little Girl
82 bpm • G Maj • 02:26 • -13.28db
29% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Federals
Penny for Your Song
82 bpm • G# Maj • 02:58 • -8.71db
18% Popularity • 83% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
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Wayne Smith
Under Me Sleng Teng
82 bpm • D Maj • 04:07 • -9db
44% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Dave & Ansell Collins
Only The Strong Survive
82 bpm • C# Maj • 03:46 • -13.05db
1% Popularity • 82% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
► Preview
The Tennors
Ride Your Donkey
82 bpm • C# Maj • 02:03 • -6.43db
34% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Tamlins
Baltimore
81 bpm • D Maj • 04:38 • -18db
27% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Melodians
I'll Get Along Without You
95 bpm • G Maj • 03:03 • -10.75db
36% Popularity • 73% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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The Sound Dimension
Real Rock
81 bpm • D# Maj • 02:29 • -9db
31% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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Rudy Mills
John Jones
81 bpm • B min • 03:11 • -7.96db
18% Popularity • 75% Danceability • 78% Energy • 6% Liveness
37% Instrumentalness • 96% Positiveness
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I the Third (aka Karate)