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I Think I Fell In Love Today
Songs like
I Think I Fell In Love Today
by
Kelsea Ballerini
Based on a tempo of (+/- 10%) and a similar genre
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Jordan Davis
A Little Lime
92 bpm • G# Maj • 02:39 • -5.51db
59% Popularity • 66% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
67% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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BEXAR
Handmade
92 bpm • F min • 03:08 • -4.28db
31% Popularity • 81% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Lexie Hayden
Somewhere Drinking
92 bpm • E Maj • 03:25 • -4.94db
11% Popularity • 54% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Rhett
Want It Again
91 bpm • A Maj • 02:52 • -9.14db
60% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Kelsea Ballerini
I Think I Fell In Love Today
92 bpm • G# Maj • 02:32 • -10.38db
30% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gone West
R&R
93 bpm • E Maj • 03:35 • -5.93db
19% Popularity • 68% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Jana Kramer
I've Done Love
91 bpm • D min • 03:09 • -5db
32% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Canaan Cox
Long Way Home
91 bpm • B Maj • 03:16 • -4.96db
46% Popularity • 54% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Trent Harmon
First Five Minutes
93 bpm • D Maj • 02:46 • -4.76db
20% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Hannah Ellis
Friends Like These
91 bpm • F# Maj • 03:24 • -5db
19% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Cole
Miss Love
91 bpm • F# Maj • 03:21 • -7.3db
12% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
44% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Thomas Rhett
The Day You Stop Lookin' Back
91 bpm • G Maj • 03:24 • -8.21db
40% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
60% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kelsea Ballerini
MARILYN
90 bpm • C# Maj • 03:26 • -7.12db
45% Popularity • 64% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Hannah Ellis
Home And A Hometown
93 bpm • B Maj • 03:13 • -4.98db
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Ingrid Andress
Lady Like
93 bpm • F# min • 03:26 • -7.16db
34% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Niall Horan
Seeing Blind
94 bpm • A Maj • 03:05 • -7.57db
63% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Smithfield
The Rust
94 bpm • F Maj • 04:19 • -7.28db
13% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Madeline Merlo
Neon Love
90 bpm • F# min • 03:09 • -5.76db
33% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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ERNEST
Would If I Could
90 bpm • F# Maj • 03:22 • -6.62db
62% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Temecula Road
Fades
90 bpm • C# Maj • 03:07 • -4db
24% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ingrid Andress
Anything But Love
90 bpm • D Maj • 03:32 • -7.33db
28% Popularity • 51% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsea Ballerini
overshare
90 bpm • G Maj • 02:50 • -3.35db
38% Popularity • 67% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
56% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Halsey
the other girl [the other mix]
90 bpm • G# min • 03:23 • -6db
35% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Walker County
Someone's Someone
90 bpm • F# Maj • 02:51 • -6db
21% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
45% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Rich
Feels Like Home
90 bpm • F Maj • 03:20 • -4db
36% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Kelsea Ballerini
Fun and Games
90 bpm • C# min • 03:00 • -5.98db
14% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Tenille Townes
Girl Who Didn't Care
90 bpm • E Maj • 03:12 • -4.85db
43% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Seaforth
Love That - Reimagined
95 bpm • D# Maj • 03:11 • -6.3db
20% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
60% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Julia Cole
Trust You
95 bpm • D Maj • 02:55 • -8.31db
27% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Laci Kaye Booth
Used To You
95 bpm • C# Maj • 03:39 • -7.99db
30% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kelsea Ballerini
love and hate - ballerini album version
90 bpm • F Maj • 02:43 • -9.02db
26% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
56% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Rhett
When We’re 80
95 bpm • C# min • 02:56 • -4.81db
38% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Madeline Merlo
If You Never Broke My Heart
89 bpm • C# Maj • 02:55 • -6db
36% Popularity • 55% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kelsea Ballerini
the other girl - ballerini album version
89 bpm • G# min • 03:33 • -10.23db
28% Popularity • 47% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
61% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:52 • -7.84db
47% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Taylor Edwards
Homesick
95 bpm • D# Maj • 02:55 • -5.48db
28% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Bandi
Only One
96 bpm • C# min • 02:59 • -5.99db
29% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Madeline Merlo
If You Never Broke My Heart - Unplugged
89 bpm • C# Maj • 02:56 • -5db
31% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kelsea Ballerini
LOVE IS A COWBOY
96 bpm • F# Maj • 02:43 • -7db
58% Popularity • 53% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Morgan Evans
Beautiful Tonight
89 bpm • D Maj • 03:17 • -7db
33% Popularity • 51% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Morgan Johnston
Good Guy
88 bpm • A# Maj • 03:27 • -8db
20% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Callista Clark
Don’t Need It Anymore
97 bpm • C# Maj • 03:19 • -6.33db
10% Popularity • 56% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kane Brown
Homesick - First Dance Version
97 bpm • G# Maj • 03:19 • -6.82db
36% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Kelsea Ballerini
In Between
95 bpm • G Maj • 03:29 • -8.21db
17% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
53% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Maren Morris
The Feels
97 bpm • F# min • 03:07 • -5.33db
45% Popularity • 69% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Taylor Edwards
Not Supposed To Know Each Other
98 bpm • D Maj • 02:41 • -4db
45% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
64% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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FLETCHER
Better Version
87 bpm • G# min • 02:53 • -9db
57% Popularity • 51% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Kelsea Ballerini
Graveyard
88 bpm • G# Maj • 03:46 • -6.7db
17% Popularity • 42% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Canaan Smith
Always And Forever
98 bpm • A# Maj • 02:54 • -6.36db
44% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Lee Brice
The Best Part Of Me
86 bpm • B Maj • 03:25 • -8.57db
40% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Smithfield
Me No You
98 bpm • C# min • 02:56 • -3.37db
20% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Seth Ennis
Call Your Mama
86 bpm • F# Maj • 03:16 • -7.93db
39% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Gone West
This Time
86 bpm • A Maj • 03:39 • -8.23db
26% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kelsea Ballerini
overshare - ballerini album version
86 bpm • A Maj • 02:52 • -8.83db
28% Popularity • 66% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsey Lamb
Girl at the Bar
99 bpm • E Maj • 03:29 • -5.69db
25% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Tenille Townes
The Most Beautiful Things
99 bpm • G Maj • 03:59 • -11.3db
36% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
67% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Thompson Square
Breakers
85 bpm • C Maj • 03:56 • -8.38db
23% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -8.23db
34% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Edwards
Catch Myself
100 bpm • D Maj • 02:55 • -6.09db
29% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Scott
Naked
100 bpm • G min • 03:27 • -7.74db
36% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Rhett
Almost
100 bpm • C Maj • 03:11 • -6db
41% Popularity • 60% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Kelsea Ballerini
We Were Like
100 bpm • E Maj • 03:00 • -4.59db
41% Popularity • 59% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Erin Kinsey
I Ain't Crazy
100 bpm • C Maj • 02:56 • -4.18db
59% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Julia Cole
Even In My Dreams
85 bpm • F Maj • 03:11 • -3.56db
39% Popularity • 31% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Maren Morris
A Song for Everything
100 bpm • C# Maj • 03:14 • -7.86db
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Seaforth
Used to It
84 bpm • F Maj • 03:26 • -6db
29% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Alexandra Kay
We Wouldn't Be Us
102 bpm • F# Maj • 03:16 • -5.85db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Kelsea Ballerini
UNIVERSE
84 bpm • A Maj • 02:56 • -11.05db
45% Popularity • 43% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Kerry Degman
You're My Person
102 bpm • D Maj • 02:40 • -8db
23% Popularity • 67% Danceability • 60% Energy • 37% Liveness
3% Instrumentalness • 53% Positiveness
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Hannah Ellis
Us (Acoustic)
102 bpm • F Maj • 02:59 • -6.75db
27% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kane Brown
Work
83 bpm • D Maj • 03:05 • -8.7db
41% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
35% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Kaylee Bell
Light On
102 bpm • D Maj • 03:36 • -5.36db
29% Popularity • 36% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Kelsea Ballerini
Get Over Yourself
84 bpm • A Maj • 03:20 • -7.9db
26% Popularity • 46% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Keith Urban
You’ll Think Of Me
83 bpm • D Maj • 04:53 • -11db
58% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Evans
Over For You - Live in Melbourne
83 bpm • E Maj • 03:34 • -9.24db
35% Popularity • 42% Danceability • 26% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
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Thompson Square
Masterpiece
83 bpm • C# Maj • 04:07 • -6db
29% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Carter Faith
Already Crazy
82 bpm • E Maj • 03:19 • -7.8db
39% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
35% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kelsea Ballerini
love me like a girl - ballerini album ve...
102 bpm • F# Maj • 03:52 • -8.59db
26% Popularity • 66% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
69% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Andress
Yearbook
82 bpm • E Maj • 03:32 • -6.6db
37% Popularity • 49% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
61% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Madeline Merlo
Unraveling
82 bpm • E Maj • 03:32 • -5db
26% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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I Think I Fell In Love Today