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I Think I Love Her
Songs like
I Think I Love Her
by
Andrew Michael Britton
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Pemberton
The Fantabulous Emancipation of One Harl...
190 bpm • D min • 02:03 • -6.1db
21% Popularity • 46% Danceability • 45% Energy • 7% Liveness
79% Instrumentalness • 6% Positiveness
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Lux-Inspira
Impenetrable
190 bpm • B Maj • 01:11 • -8.76db
27% Popularity • 38% Danceability • 48% Energy • 27% Liveness
81% Instrumentalness • 4% Positiveness
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Andrew Michael Britton
I Should Of Loved You
195 bpm • F# min • 03:00 • -6.17db
0% Popularity • 45% Danceability • 95% Energy • 28% Liveness
38% Instrumentalness • 62% Positiveness
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Joel J. Richard
Presto Museum Battle
188 bpm • G Maj • 02:54 • -8.25db
28% Popularity • 39% Danceability • 81% Energy • 18% Liveness
74% Instrumentalness • 20% Positiveness
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Christoffer Moe Ditlevsen
Digital Future
186 bpm • G# Maj • 02:18 • -15.41db
23% Popularity • 37% Danceability • 48% Energy • 11% Liveness
74% Instrumentalness • 6% Positiveness
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David Stephen Goldsmith
High Flier
198 bpm • C Maj • 02:29 • -8.24db
5% Popularity • 60% Danceability • 68% Energy • 7% Liveness
68% Instrumentalness • 83% Positiveness
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Saycet
Albert
181 bpm • A min • 02:12 • -14.17db
28% Popularity • 10% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 38% Positiveness
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Savfk
As Above, So Below
181 bpm • C min • 05:00 • -13.19db
16% Popularity • 38% Danceability • 37% Energy • 14% Liveness
21% Instrumentalness • 10% Positiveness
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Andrew Michael Britton
Hell Is Empty
182 bpm • C# Maj • 03:32 • -7.15db
10% Popularity • 44% Danceability • 70% Energy • 17% Liveness
3% Instrumentalness • 36% Positiveness
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David Buckley
We Reap What We Sow
180 bpm • G# Maj • 01:30 • -8.77db
22% Popularity • 43% Danceability • 81% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Anthony Edwin Phillips
Surface Detail
180 bpm • G# min • 02:23 • -14.07db
3% Popularity • 11% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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David Stephen Goldsmith
Nickel & Dime
200 bpm • B min • 02:29 • -5.13db
0% Popularity • 42% Danceability • 92% Energy • 48% Liveness
6% Instrumentalness • 41% Positiveness
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The Flight
Synchronicity
180 bpm • G Maj • 03:12 • -16.9db
16% Popularity • 42% Danceability • 42% Energy • 10% Liveness
85% Instrumentalness • 57% Positiveness
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Tigerblood Jewel
Let's Go Go Go
180 bpm • G# Maj • 02:26 • -10db
33% Popularity • 31% Danceability • 62% Energy • 11% Liveness
83% Instrumentalness • 14% Positiveness
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Andrew Michael Britton
Close To Midnight
180 bpm • F min • 02:25 • -20.73db
0% Popularity • 48% Danceability • 32% Energy • 13% Liveness
63% Instrumentalness • 53% Positiveness
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Daniel Law Heath
Tribal Battles
176 bpm • F min • 02:39 • -9.83db
15% Popularity • 16% Danceability • 89% Energy • 15% Liveness
78% Instrumentalness • 31% Positiveness
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Tyler Bates
John Wick Reckoning
176 bpm • D min • 03:02 • -8.09db
41% Popularity • 42% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 32% Positiveness
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David Stephen Goldsmith
Confetti Carcrash
180 bpm • C Maj • 02:24 • -5.32db
0% Popularity • 33% Danceability • 93% Energy • 35% Liveness
93% Instrumentalness • 48% Positiveness
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Laurent Dury
Interstellar Travel
180 bpm • G# Maj • 02:27 • -9db
12% Popularity • 24% Danceability • 58% Energy • 21% Liveness
82% Instrumentalness • 13% Positiveness
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Sonya Belousova
The Time of Axe and Sword Is Now
175 bpm • D Maj • 04:56 • -10.34db
39% Popularity • 8% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 5% Positiveness
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Andrew Michael Britton
Unbreakable
180 bpm • D min • 02:43 • -7.35db
1% Popularity • 42% Danceability • 74% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
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Geoff Zanelli
New Suit
174 bpm • A# Maj • 01:17 • -17.97db
13% Popularity • 38% Danceability • 19% Energy • 14% Liveness
88% Instrumentalness • 18% Positiveness
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Tyler Bates
Really Pissed Off (End Credits)
175 bpm • G Maj • 01:37 • -5.94db
34% Popularity • 46% Danceability • 72% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Zack Hemsey
The Runner (Instrumental)
174 bpm • D min • 04:35 • -13.78db
26% Popularity • 56% Danceability • 56% Energy • 23% Liveness
95% Instrumentalness • 58% Positiveness
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Edgar Hopp
Phoenix Rising
174 bpm • C Maj • 02:22 • -11db
33% Popularity • 45% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Ralf Wengenmayr
Ballon
173 bpm • F min • 02:52 • -15.16db
9% Popularity • 37% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
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Think Up Anger
The End
172 bpm • G min • 02:43 • -13.9db
14% Popularity • 18% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Norman Dück
Raise the Stakes
173 bpm • A Maj • 01:03 • -13.45db
21% Popularity • 30% Danceability • 59% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Tyler Bates
La Vendetta
175 bpm • D min • 03:40 • -8.98db
34% Popularity • 49% Danceability • 64% Energy • 4% Liveness
88% Instrumentalness • 22% Positiveness
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Saycet
Les bas-fonds
172 bpm • A# min • 02:12 • -13.36db
21% Popularity • 51% Danceability • 60% Energy • 13% Liveness
70% Instrumentalness • 30% Positiveness
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Andrew Michael Britton
Missing
172 bpm • E min • 02:24 • -12.07db
1% Popularity • 50% Danceability • 57% Energy • 11% Liveness
8% Instrumentalness • 78% Positiveness
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Inon Zur
Kings And Pawns
171 bpm • A min • 01:53 • -8.69db
25% Popularity • 33% Danceability • 60% Energy • 23% Liveness
94% Instrumentalness • 54% Positiveness
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Brendan Angelides
What Do We Do Now?
171 bpm • C# Maj • 04:32 • -13.31db
13% Popularity • 14% Danceability • 48% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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James Newton Howard
Unbreakable - Original Motion Picture So...
170 bpm • E min • 03:23 • -24.46db
28% Popularity • 23% Danceability • 17% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Tyler Bates
Deconsecrated
175 bpm • F Maj • 03:18 • -7.52db
36% Popularity • 51% Danceability • 71% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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Daniel Pemberton
The Devil & The Daughter - Bonus Track
171 bpm • G Maj • 04:25 • -12.58db
32% Popularity • 27% Danceability • 42% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Andrew Michael Britton
Crazy Kids
170 bpm • A# Maj • 02:11 • -6.22db
0% Popularity • 39% Danceability • 86% Energy • 13% Liveness
81% Instrumentalness • 26% Positiveness
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Manel Santisteban
Asalto al camión (End credits)
170 bpm • D Maj • 02:30 • -13.99db
29% Popularity • 53% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Kevin Graham
Broken Sky
170 bpm • A min • 04:19 • -10.55db
8% Popularity • 24% Danceability • 74% Energy • 8% Liveness
97% Instrumentalness • 24% Positiveness
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Twelve Titans Music
Monolith
170 bpm • C# Maj • 03:43 • -12.33db
27% Popularity • 29% Danceability • 50% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
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Tyler Bates
Suits Maps And Guns
173 bpm • A Maj • 05:05 • -8.62db
31% Popularity • 57% Danceability • 69% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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David Stephen Goldsmith
Lost Boy Symphony
168 bpm • D# Maj • 02:34 • -6.29db
1% Popularity • 51% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Andrew Michael Britton
There's A Light
170 bpm • E min • 02:50 • -8.43db
0% Popularity • 42% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
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Zack Hemsey
Lifespan (Resurrection)
168 bpm • D# min • 03:41 • -11.91db
15% Popularity • 59% Danceability • 69% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Christopher Deighton
Fortitude and Valour
166 bpm • F Maj • 02:29 • -17db
21% Popularity • 15% Danceability • 36% Energy • 14% Liveness
82% Instrumentalness • 15% Positiveness
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Hampus Naeselius
Absolute Power
165 bpm • C# Maj • 02:41 • -12.13db
11% Popularity • 45% Danceability • 62% Energy • 15% Liveness
71% Instrumentalness • 28% Positiveness
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Tyler Bates
Antique Gun Assembly
172 bpm • D Maj • 01:25 • -9.5db
25% Popularity • 55% Danceability • 83% Energy • 21% Liveness
92% Instrumentalness • 74% Positiveness
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Scott Shields
Gas Station
164 bpm • B min • 02:19 • -17.14db
8% Popularity • 43% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Andrew Michael Britton
Tidal Wave
168 bpm • E min • 03:03 • -5.78db
5% Popularity • 45% Danceability • 89% Energy • 13% Liveness
76% Instrumentalness • 38% Positiveness
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Andrew Michael Britton
Time Of Our Lives
168 bpm • E Maj • 03:04 • -6.53db
3% Popularity • 55% Danceability • 62% Energy • 10% Liveness
8% Instrumentalness • 57% Positiveness
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Andrew Michael Britton
Natural Born Fighter
166 bpm • C Maj • 03:42 • -8.77db
14% Popularity • 35% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Andrew Michael Britton
Watch Me Now
167 bpm • D Maj • 02:49 • -6.57db
0% Popularity • 55% Danceability • 90% Energy • 13% Liveness
88% Instrumentalness • 66% Positiveness
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I Think I Love Her