Songs like I Think Of You by J. Roddy Walston & The Business
Based on a tempo of (+/- 10%) and a similar genre
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Houndmouth
Otis
74 bpm • F Maj • 03:11 • -7.67db
28% Popularity • 46% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 46% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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You Won't
Old Idea
74 bpm • C Maj • 04:01 • -9.08db
9% Popularity • 32% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
9% Popularity • 32% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Hollis Brown
Faith & Love
75 bpm • A Maj • 03:51 • -8.24db
10% Popularity • 69% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 69% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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The Black Keys
Act Nice and Gentle
75 bpm • E min • 02:41 • -4.23db
43% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Ha Ha Tonka
Dead to the World
73 bpm • G Maj • 04:19 • -5.94db
7% Popularity • 20% Danceability • 73% Energy • 30% Liveness
1% Instrumentalness • 38% Positiveness
7% Popularity • 20% Danceability • 73% Energy • 30% Liveness
1% Instrumentalness • 38% Positiveness
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The Shouting Matches
Milkman
75 bpm • E Maj • 03:20 • -9.04db
32% Popularity • 53% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 87% Positiveness
32% Popularity • 53% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 87% Positiveness
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Roadkill Ghost Choir
Slow Knife
76 bpm • B min • 03:52 • -5.09db
15% Popularity • 46% Danceability • 80% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
15% Popularity • 46% Danceability • 80% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
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Sean Hayes
Before We Turn to Dust
76 bpm • C Maj • 04:54 • -10.12db
4% Popularity • 65% Danceability • 40% Energy • 23% Liveness
1% Instrumentalness • 62% Positiveness
4% Popularity • 65% Danceability • 40% Energy • 23% Liveness
1% Instrumentalness • 62% Positiveness
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Rumspringa
Witches Milk
76 bpm • E min • 03:47 • -11.07db
8% Popularity • 57% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 57% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Alabama Shakes
Dunes
77 bpm • G# Maj • 04:17 • -6.08db
37% Popularity • 40% Danceability • 60% Energy • 14% Liveness
2% Instrumentalness • 45% Positiveness
37% Popularity • 40% Danceability • 60% Energy • 14% Liveness
2% Instrumentalness • 45% Positiveness
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The Shins
Death Cream - Spotify Sessions Curated b...
71 bpm • C Maj • 03:06 • -6.75db
10% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Paper Bird
Blood & Bones
77 bpm • B Maj • 03:57 • -8.99db
17% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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The Moondoggies
Ain't No Lord
77 bpm • A Maj • 03:22 • -8db
18% Popularity • 44% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
18% Popularity • 44% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
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Houndmouth
Casino (Bad Things)
78 bpm • G# Maj • 02:40 • -4.94db
26% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Sheepdogs
Never Gonna Get My Love
78 bpm • D Maj • 03:15 • -5.98db
15% Popularity • 49% Danceability • 70% Energy • 23% Liveness
2% Instrumentalness • 34% Positiveness
15% Popularity • 49% Danceability • 70% Energy • 23% Liveness
2% Instrumentalness • 34% Positiveness
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Chadwick Stokes
Rainsong
78 bpm • G Maj • 03:01 • -12.69db
14% Popularity • 59% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
14% Popularity • 59% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 75% Positiveness
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Tweedy
World Away
79 bpm • G Maj • 03:31 • -7.48db
17% Popularity • 77% Danceability • 67% Energy • 10% Liveness
25% Instrumentalness • 87% Positiveness
17% Popularity • 77% Danceability • 67% Energy • 10% Liveness
25% Instrumentalness • 87% Positiveness
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The Snake The Cross The Crown
Behold The River
79 bpm • F Maj • 05:36 • -8.6db
12% Popularity • 45% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
12% Popularity • 45% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Jamestown Revival
California (Cast Iron Soul) - Cabin Mix
79 bpm • A Maj • 05:29 • -7.33db
32% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Whigs
Summer Heat
79 bpm • D Maj • 03:42 • -6.46db
3% Popularity • 54% Danceability • 79% Energy • 9% Liveness
30% Instrumentalness • 62% Positiveness
3% Popularity • 54% Danceability • 79% Energy • 9% Liveness
30% Instrumentalness • 62% Positiveness
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The Shouting Matches
Three Dollar Bill
79 bpm • E min • 03:27 • -10.26db
25% Popularity • 62% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 94% Positiveness
25% Popularity • 62% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 94% Positiveness
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The Suitcase Junket
Earth Apple
80 bpm • C# Maj • 03:06 • -11.56db
14% Popularity • 47% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Weeks
Altar Girl
80 bpm • D Maj • 04:42 • -2.73db
18% Popularity • 33% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 33% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Guster
Long Night
80 bpm • A# Maj • 04:44 • -7.31db
33% Popularity • 42% Danceability • 67% Energy • 26% Liveness
3% Instrumentalness • 32% Positiveness
33% Popularity • 42% Danceability • 67% Energy • 26% Liveness
3% Instrumentalness • 32% Positiveness
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He's My Brother She's My Sister
How'm I Gonna Get Back Home Tonight
80 bpm • F Maj • 03:38 • -4.7db
8% Popularity • 45% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 45% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Ugly Casanova
Lay Me Down
80 bpm • D Maj • 03:41 • -7db
20% Popularity • 46% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
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The Shouting Matches
House Call
68 bpm • F# Maj • 04:52 • -12.29db
33% Popularity • 68% Danceability • 50% Energy • 13% Liveness
14% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 50% Energy • 13% Liveness
14% Instrumentalness • 72% Positiveness
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Fruit Bats
Union Blanket
81 bpm • E Maj • 05:19 • -7.41db
17% Popularity • 65% Danceability • 58% Energy • 11% Liveness
33% Instrumentalness • 38% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 11% Liveness
33% Instrumentalness • 38% Positiveness
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Houndmouth
Come On, Illinois
81 bpm • G# Maj • 03:21 • -6.1db
20% Popularity • 45% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 45% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Patrick Sweany
Them Shoes
82 bpm • C Maj • 05:48 • -8db
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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The Barr Brothers
The Devil's Harp
82 bpm • E min • 04:26 • -10.72db
12% Popularity • 50% Danceability • 49% Energy • 10% Liveness
6% Instrumentalness • 30% Positiveness
12% Popularity • 50% Danceability • 49% Energy • 10% Liveness
6% Instrumentalness • 30% Positiveness
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Fly Golden Eagle
Bed of Roses
82 bpm • B min • 04:09 • -3.29db
10% Popularity • 25% Danceability • 87% Energy • 59% Liveness
21% Instrumentalness • 60% Positiveness
10% Popularity • 25% Danceability • 87% Energy • 59% Liveness
21% Instrumentalness • 60% Positiveness
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J. Roddy Walston & The Business
Use Your Language
82 bpm • C# min • 03:39 • -4.2db
21% Popularity • 54% Danceability • 91% Energy • 30% Liveness
14% Instrumentalness • 82% Positiveness
21% Popularity • 54% Danceability • 91% Energy • 30% Liveness
14% Instrumentalness • 82% Positiveness
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Fruit Bats
Picture of a Bird
81 bpm • G Maj • 03:45 • -5.99db
17% Popularity • 66% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
17% Popularity • 66% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Okkervil River
Pink-Slips
82 bpm • A# Maj • 03:39 • -5.47db
18% Popularity • 58% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Fort Frances
Anonymous
83 bpm • D Maj • 04:04 • -5db
12% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Ages and Ages
No Nostalgia
83 bpm • D Maj • 03:22 • -6.19db
22% Popularity • 49% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 49% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Wood Brothers
Glad
84 bpm • E Maj • 03:42 • -10.47db
34% Popularity • 62% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 29% Positiveness
34% Popularity • 62% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 29% Positiveness
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J. Roddy Walston & The Business
Full Growing Man
83 bpm • D Maj • 04:04 • -5.66db
19% Popularity • 26% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
19% Popularity • 26% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 46% Positiveness
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The Donkeys
Excelsior Lady
84 bpm • A# Maj • 03:34 • -8.66db
23% Popularity • 62% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 62% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Fly Golden Eagle
Need Some Money
84 bpm • F Maj • 05:35 • -4.81db
11% Popularity • 62% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 62% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Ha Ha Tonka
Hide it Well
84 bpm • G# Maj • 03:25 • -10.43db
15% Popularity • 66% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
15% Popularity • 66% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Ages and Ages
No Pressure
85 bpm • C Maj • 04:15 • -8.96db
12% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Wood Brothers
Raindrop
85 bpm • C Maj • 03:55 • -6.25db
16% Popularity • 64% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 64% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Anthony D'Amato
Good and Ready
86 bpm • G Maj • 04:23 • -6.98db
12% Popularity • 68% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 68% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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JR JR
We Almost Lost Detroit
86 bpm • C min • 03:20 • -3.57db
18% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Plants and Animals
Lightshow
85 bpm • G min • 03:35 • -6db
31% Popularity • 40% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 40% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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J. Roddy Walston & The Business
Sally Bangs
86 bpm • C Maj • 03:16 • -3.95db
27% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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A.A. Bondy
Witness Blues
87 bpm • G Maj • 03:12 • -11.68db
16% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Typhoon
Young Fathers
88 bpm • G Maj • 04:27 • -6.84db
36% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kingsley Flood
Waiting On the River to Rise
88 bpm • F Maj • 03:33 • -8.46db
17% Popularity • 61% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 61% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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The Moondoggies
Old Hound
89 bpm • G# min • 02:28 • -16.74db
11% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Field Report
Taking Alcatraz
89 bpm • E Maj • 05:23 • -10.23db
8% Popularity • 34% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 16% Positiveness
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J. Roddy Walston & The Business
The Times Are A Staying
88 bpm • D Maj • 04:06 • -4.25db
16% Popularity • 57% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 57% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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little hurricane
Give Em Hell
89 bpm • F# min • 04:30 • -13.37db
1% Popularity • 30% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 30% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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The New Basement Tapes
Quick Like A Flash
89 bpm • A# Maj • 03:17 • -7.03db
24% Popularity • 43% Danceability • 59% Energy • 18% Liveness
70% Instrumentalness • 75% Positiveness
24% Popularity • 43% Danceability • 59% Energy • 18% Liveness
70% Instrumentalness • 75% Positiveness
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Conor Oberst
Governor's Ball
90 bpm • E Maj • 04:18 • -5.75db
20% Popularity • 55% Danceability • 76% Energy • 30% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 55% Danceability • 76% Energy • 30% Liveness
1% Instrumentalness • 51% Positiveness
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Rumspringa
Criminal Love
91 bpm • E min • 02:55 • -8.61db
16% Popularity • 54% Danceability • 92% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
16% Popularity • 54% Danceability • 92% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
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Seth Avett
Somebody That I Used to Know
91 bpm • F Maj • 02:23 • -5.79db
18% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Bahamas
Little Record Girl
92 bpm • G Maj • 03:02 • -7db
36% Popularity • 58% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
36% Popularity • 58% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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little hurricane
Lies
89 bpm • G Maj • 03:19 • -9.53db
0% Popularity • 32% Danceability • 54% Energy • 6% Liveness
3% Instrumentalness • 47% Positiveness
0% Popularity • 32% Danceability • 54% Energy • 6% Liveness
3% Instrumentalness • 47% Positiveness
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The Wood Brothers
American Heartache
92 bpm • E min • 03:42 • -5.8db
17% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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hoots & hellmouth
I Don't Mind Your Cussing
92 bpm • G Maj • 03:34 • -13.31db
19% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Maldives
Muscle For The Wing
92 bpm • C Maj • 03:43 • -8.02db
8% Popularity • 64% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 64% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Auerbach
When I Left The Room
93 bpm • C# Maj • 04:01 • -6.79db
29% Popularity • 34% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 34% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 22% Positiveness
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Conor Oberst
Nikorette
94 bpm • D Maj • 04:11 • -4.74db
2% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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The Donkeys
Don't Know Who We Are
94 bpm • C Maj • 03:58 • -7.82db
16% Popularity • 65% Danceability • 57% Energy • 6% Liveness
78% Instrumentalness • 93% Positiveness
16% Popularity • 65% Danceability • 57% Energy • 6% Liveness
78% Instrumentalness • 93% Positiveness
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White Denim
Let It Feel Good (My Eagles)
93 bpm • G Maj • 03:44 • -7.13db
16% Popularity • 43% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 43% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Rumspringa
Skulls 'n Phones
94 bpm • F min • 03:55 • -10.45db
10% Popularity • 70% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
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A.A. Bondy
No Man Shall
94 bpm • E min • 03:35 • -8.35db
15% Popularity • 58% Danceability • 53% Energy • 11% Liveness
45% Instrumentalness • 49% Positiveness
15% Popularity • 58% Danceability • 53% Energy • 11% Liveness
45% Instrumentalness • 49% Positiveness
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Benjamin Booker
Kids Never Growing Older
94 bpm • C# Maj • 05:35 • -9.38db
9% Popularity • 44% Danceability • 53% Energy • 12% Liveness
22% Instrumentalness • 44% Positiveness
9% Popularity • 44% Danceability • 53% Energy • 12% Liveness
22% Instrumentalness • 44% Positiveness
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Field Report
Fergus Falls
95 bpm • A Maj • 05:03 • -11.27db
13% Popularity • 44% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
13% Popularity • 44% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Modest Mouse
The Best Room
95 bpm • C Maj • 04:24 • -3db
33% Popularity • 59% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 59% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Tall Tall Trees
Waiting on the Day
95 bpm • C min • 04:53 • -8.99db
19% Popularity • 44% Danceability • 70% Energy • 24% Liveness
6% Instrumentalness • 74% Positiveness
19% Popularity • 44% Danceability • 70% Energy • 24% Liveness
6% Instrumentalness • 74% Positiveness
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The Avett Brothers
Colorshow
96 bpm • A min • 03:57 • -4.8db
26% Popularity • 40% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 40% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Wheeler Brothers
Portraits
96 bpm • F# Maj • 05:36 • -8.02db
11% Popularity • 51% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 51% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Spanish Gold
Day Drinkin
96 bpm • E Maj • 02:04 • -7.64db
8% Popularity • 72% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 72% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Typhoon
Common Sentiments
97 bpm • D Maj • 04:36 • -6.95db
15% Popularity • 33% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 33% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Kopecky
Wandering Eyes
97 bpm • F# min • 03:13 • -8.31db
4% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’d Be Waiting
97 bpm • E Maj • 03:40 • -12.71db
39% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Avett Brothers
Matrimony
97 bpm • D Maj • 02:50 • -6.88db
21% Popularity • 55% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 60% Positiveness
21% Popularity • 55% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 60% Positiveness
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J. Roddy Walston & The Business
Generic In Love
97 bpm • E Maj • 01:50 • -4.12db
17% Popularity • 57% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 57% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Black Joe Lewis & The Honeybears
Bitch, I Love You
98 bpm • E Maj • 02:44 • -3.73db
46% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Tumbleweed Wanderers
Take It Back
98 bpm • A Maj • 04:33 • -7.97db
16% Popularity • 58% Danceability • 81% Energy • 33% Liveness
5% Instrumentalness • 56% Positiveness
16% Popularity • 58% Danceability • 81% Energy • 33% Liveness
5% Instrumentalness • 56% Positiveness
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Rumspringa
Going Down South
98 bpm • C# Maj • 02:38 • -10.6db
14% Popularity • 34% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 34% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Monsters Of Folk
Say Please
98 bpm • D Maj • 02:48 • -5.16db
18% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Benjamin Booker
I Thought I Heard You Screaming
99 bpm • A Maj • 03:04 • -15.69db
20% Popularity • 55% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 55% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Diamond Rugs
Motherland
99 bpm • C min • 04:18 • -6.82db
9% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Quiet Life
Record Time
100 bpm • G# Maj • 05:53 • -10.68db
16% Popularity • 45% Danceability • 73% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
16% Popularity • 45% Danceability • 73% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
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Wheeler Brothers
My Time
100 bpm • B Maj • 03:40 • -7.57db
7% Popularity • 70% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 70% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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T. Hardy Morris
Young Assumption
101 bpm • A# Maj • 03:08 • -7.46db
12% Popularity • 50% Danceability • 58% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 50% Danceability • 58% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Streets of Laredo
Lonsdale Line
101 bpm • C Maj • 03:41 • -4.62db
1% Popularity • 58% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 58% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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J. Roddy Walston & The Business
Don't Get Old (Acoustic)
101 bpm • E Maj • 03:06 • -6.4db
6% Popularity • 63% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 63% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Rumspringa
Triptych
101 bpm • F# min • 03:50 • -12.25db
10% Popularity • 65% Danceability • 62% Energy • 29% Liveness
6% Instrumentalness • 88% Positiveness
10% Popularity • 65% Danceability • 62% Energy • 29% Liveness
6% Instrumentalness • 88% Positiveness
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The Kingston Springs
1991
101 bpm • D Maj • 05:44 • -6.58db
8% Popularity • 67% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 67% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Patrick Sweany
Your Man
101 bpm • A Maj • 03:50 • -6.63db
16% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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T. Hardy Morris
Audition Tapes
102 bpm • F Maj • 04:01 • -8.79db
13% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Band of Horses
Throw My Mess
102 bpm • D Maj • 03:13 • -7.05db
35% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
