Songs like I Want You to Want Me by First Class
Based on a tempo of (+/- 10%) and a similar genre
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The Buckinghams
Kind of a Drag
139 bpm • G Maj • 02:06 • -8db
41% Popularity • 27% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
41% Popularity • 27% Danceability • 78% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
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The Osmonds
Down By The Lazy River - Re-Recorded In ...
139 bpm • B min • 02:40 • -7.72db
9% Popularity • 70% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 70% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Alvin Stardust
Jealous Mind
139 bpm • A Maj • 02:41 • -4.24db
31% Popularity • 49% Danceability • 91% Energy • 86% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 49% Danceability • 91% Energy • 86% Liveness
0% Instrumentalness • 80% Positiveness
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The Buoys
Timothy
139 bpm • A min • 02:45 • -9.73db
29% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Petula Clark
A Sign of the Times
139 bpm • A# Maj • 02:52 • -10.18db
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Cliff Bennett & The Rebel Rousers
Got To Get You Into My Life - 2004 Digit...
138 bpm • G Maj • 02:37 • -10db
30% Popularity • 48% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 48% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Showaddywaddy
Chain Gang
140 bpm • G Maj • 03:11 • -7db
17% Popularity • 75% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 75% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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The Osmonds
Yo-Yo
138 bpm • D Maj • 03:15 • -5.8db
27% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Yusuf / Cat Stevens
Another Saturday Night
140 bpm • F Maj • 02:30 • -7db
46% Popularity • 75% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 75% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Litty Vuitton
Pipe It Up
140 bpm • C Maj • 02:30 • -11.15db
0% Popularity • 77% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 77% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Starland Vocal Band
Hail! Hail! Rock and Roll!
140 bpm • A Maj • 02:44 • -10.51db
19% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Crazy Elephant
Gimme Gimme Good Lovin'
138 bpm • D Maj • 02:03 • -13.79db
39% Popularity • 85% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 85% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Petula Clark
I Know a Place
138 bpm • E Maj • 02:41 • -9.08db
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Billy J. Kramer
Do You Want to Know a Secret?
137 bpm • E Maj • 02:03 • -9.83db
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Springbok
Temma Harbour
141 bpm • B Maj • 02:54 • -15.68db
11% Popularity • 49% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 49% Danceability • 47% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
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Wizzard
See My Baby Jive - 2006 Remaster
137 bpm • A Maj • 05:02 • -5db
40% Popularity • 36% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 36% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Sanford Townsend Band
Smoke from a Distant Fire
137 bpm • A Maj • 03:33 • -9.34db
51% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Barry Blue
School Love
137 bpm • A Maj • 03:15 • -6.38db
13% Popularity • 44% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 44% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Boz Scaggs
Lido Shuffle (2023 Remaster)
141 bpm • A# Maj • 03:43 • -9.81db
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Vanity Fare
Hitchin' A Ride
137 bpm • C Maj • 02:55 • -7.53db
42% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Tommy Boyce
I Wonder What She's Doing Tonight?
137 bpm • A# Maj • 02:41 • -12db
39% Popularity • 57% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 57% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 97% Positiveness
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Gary Puckett & The Union Gap
Keep The Customer Satisfied
136 bpm • D Maj • 02:38 • -11.65db
18% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ocean
Put Your Hand in the Hand
136 bpm • A Maj • 02:56 • -14.95db
36% Popularity • 83% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
36% Popularity • 83% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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The Osmonds
Down By The Lazy River
142 bpm • C# min • 02:43 • -5db
37% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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The DeFranco Family
Abra-Ca-Dabra
136 bpm • D Maj • 03:12 • -11.9db
13% Popularity • 65% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 65% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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The Honeycombs
Have I the Right
142 bpm • C# min • 02:58 • -8.07db
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Austin Roberts
Rocky
142 bpm • C Maj • 03:42 • -11.74db
27% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Fortunes
You've Got Your Troubles
136 bpm • B min • 03:21 • -11.48db
41% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 62% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Jonathan King
Una Paloma Blanca
136 bpm • F Maj • 03:09 • -13db
27% Popularity • 68% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 68% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Barry Blue
Miss Hit And Run
135 bpm • G Maj • 03:11 • -6.73db
10% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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First Class
Beach Baby
135 bpm • C Maj • 04:26 • -7.74db
1% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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White Plains
Step Into A Dream
135 bpm • C Maj • 02:24 • -13db
10% Popularity • 62% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 62% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Sherman
Easy Come, Easy Go
143 bpm • E Maj • 02:40 • -11db
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 54% Danceability • 39% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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Jigsaw
Sky High
135 bpm • B min • 02:53 • -5.76db
48% Popularity • 60% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 60% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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The Osmonds
Love Me For A Reason
143 bpm • A Maj • 04:03 • -5.45db
43% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Barry Blue
Hot Shot
135 bpm • C Maj • 02:58 • -7.57db
9% Popularity • 53% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 53% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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The Drifters
Saturday Night at the Movies
135 bpm • F# Maj • 02:33 • -7db
54% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Slik
Forever And ever
135 bpm • F Maj • 03:38 • -8.66db
30% Popularity • 22% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 22% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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We Five
You Were On My Mind
143 bpm • C# min • 02:35 • -8db
42% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Showaddywaddy
A Little Bit of Soap
135 bpm • D# Maj • 02:28 • -6.71db
30% Popularity • 54% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 54% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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B.J. Thomas
The Eyes Of A New York Woman
135 bpm • A Maj • 03:03 • -8.01db
28% Popularity • 40% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 40% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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McGuinness Flint
Malt And Barley Blues - Remastered
143 bpm • G Maj • 02:15 • -12db
27% Popularity • 69% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 69% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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First Class
Beach Baby
135 bpm • G Maj • 04:53 • -9.92db
19% Popularity • 41% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
19% Popularity • 41% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
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The Dooleys
A Rose Has To Die - Single Version
135 bpm • C# Maj • 02:41 • -10.56db
27% Popularity • 71% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 71% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Christie
Lightnin' Strikes
134 bpm • D# Maj • 03:01 • -8.46db
43% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Yung Mack
Crazy World
144 bpm • D Maj • 04:27 • -4.33db
0% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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1910 Fruitgum Company
Simon Says
134 bpm • A Maj • 02:18 • -11db
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
39% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Vanity Fare
Hitchin' a Ride
134 bpm • C Maj • 03:08 • -11db
20% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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First Class
Beach Baby
135 bpm • G Maj • 04:53 • -10db
42% Popularity • 40% Danceability • 73% Energy • 6% Liveness
2% Instrumentalness • 44% Positiveness
42% Popularity • 40% Danceability • 73% Energy • 6% Liveness
2% Instrumentalness • 44% Positiveness
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Helen Reddy
Leave Me Alone (Ruby Red Dress)
134 bpm • G Maj • 03:27 • -8.5db
28% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Showaddywaddy
Sweet Little Rock 'N' Roller
134 bpm • C Maj • 03:28 • -8.92db
26% Popularity • 88% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 88% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Davey Asprey
Niburu - First Class Remix
134 bpm • C# Maj • 06:53 • -8.24db
0% Popularity • 30% Danceability • 90% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
0% Popularity • 30% Danceability • 90% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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![Springtime Mama cover art]()
Henry Gross
Springtime Mama
144 bpm • A min • 03:41 • -11.17db
10% Popularity • 47% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 47% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Tommy Boyce
Alice Long (You're Still My Favorite Gir...
144 bpm • C Maj • 02:51 • -6.44db
21% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
21% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
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First Class
Bobby Dazzler
144 bpm • C Maj • 03:35 • -8.67db
1% Popularity • 55% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 55% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Mike Batt
Summertime City
134 bpm • A# Maj • 03:37 • -8.54db
16% Popularity • 65% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 65% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Showaddywaddy
Trocadero
144 bpm • C# min • 03:22 • -7.73db
15% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Osmonds
Goin' Home
145 bpm • D Maj • 02:28 • -11db
23% Popularity • 52% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
23% Popularity • 52% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
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Gary Lewis & The Playboys
This Diamond Ring
134 bpm • A# min • 02:12 • -8.35db
41% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Petula Clark
Don't Sleep In the Subway
134 bpm • A# Maj • 02:55 • -7.33db
37% Popularity • 42% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 42% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
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McGuinness Flint
When I'm Dead And Gone - Remastered
145 bpm • D Maj • 03:41 • -14.63db
36% Popularity • 51% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 51% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Gerry Monroe
Sally
133 bpm • F Maj • 02:32 • -5.16db
13% Popularity • 50% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 50% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Brian Connolly's Sweet
Little Willy
133 bpm • B Maj • 03:05 • -9.36db
36% Popularity • 67% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 67% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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O.C. Smith
The Son of Hickory Holler's Tramp
145 bpm • F Maj • 03:53 • -11db
22% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The DeFranco Family
Heartbeat It's A Love Beat
145 bpm • F# min • 03:14 • -9.9db
32% Popularity • 48% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 48% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Edward Bear
Last Song
133 bpm • G Maj • 03:11 • -12db
19% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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The Osmonds
One Way Ticket To Anywhere
145 bpm • G Maj • 03:05 • -10.23db
15% Popularity • 52% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 52% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 72% Positiveness
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The Supremes
River Deep, Mountain High
145 bpm • A# Maj • 03:09 • -9.03db
36% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Reflections
(Just Like) Romeo & Juliet
145 bpm • D# Maj • 02:07 • -9db
31% Popularity • 77% Danceability • 86% Energy • 22% Liveness
58% Instrumentalness • 98% Positiveness
31% Popularity • 77% Danceability • 86% Energy • 22% Liveness
58% Instrumentalness • 98% Positiveness
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Alvin Stardust
My Coo Ca Choo
132 bpm • F min • 02:47 • -4.46db
43% Popularity • 57% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 57% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Darts
Come Back My Love
146 bpm • G Maj • 02:31 • -7.87db
37% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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White Plains
My Baby Loves Lovin'
132 bpm • A# Maj • 02:37 • -12.35db
37% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 68% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The DeFranco Family
Save The Last Dance For Me
146 bpm • C Maj • 03:19 • -10.63db
12% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Cowsills
Indian Lake
132 bpm • G Maj • 02:43 • -9db
40% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Gallery
Nice to Be with You
132 bpm • A Maj • 02:37 • -10.83db
41% Popularity • 68% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 68% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Goldsboro
Hello Summertime
132 bpm • A# Maj • 02:27 • -15.87db
25% Popularity • 63% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 63% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Darts
The Boy from New York City
147 bpm • C Maj • 03:03 • -7.81db
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
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Gidea Park
Beach Boy Gold
147 bpm • G# Maj • 04:28 • -13db
20% Popularity • 59% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 59% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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David Essex
Gonna Make You a Star
131 bpm • A# min • 03:32 • -8.43db
37% Popularity • 58% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 58% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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Starland Vocal Band
Afternoon Delight
147 bpm • F Maj • 03:13 • -11.73db
61% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
61% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Bo Donaldson & The Heywoods
Who Do You Think You Are
131 bpm • D min • 03:21 • -6.01db
27% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Tommy James & The Shondells
Mony Mony
131 bpm • D Maj • 02:54 • -11.57db
55% Popularity • 59% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 59% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Showaddywaddy
You Got What It Takes
131 bpm • D Maj • 03:03 • -6db
23% Popularity • 72% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 72% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Vanity Fare
Hitchin' a Ride
131 bpm • C Maj • 02:52 • -16db
32% Popularity • 76% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 76% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The Pointer Sisters
Should I Do It
130 bpm • B min • 03:51 • -5db
28% Popularity • 67% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 67% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 75% Positiveness
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Pickettywitch
That Same Old Feeling
131 bpm • C Maj • 03:05 • -7.49db
36% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Cuff Links
Tracy
130 bpm • B Maj • 02:16 • -11db
37% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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The Chiffons
Sweet Talkin' Guy
148 bpm • B min • 02:26 • -5db
45% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Rubettes
Baby I Know
130 bpm • D# Maj • 04:21 • -11.3db
29% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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B.J. Thomas
Hooked On A Feeling
130 bpm • A Maj • 02:47 • -6.79db
54% Popularity • 33% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 33% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Flash Cadillac & The Continental Kids
Did You Boogie
130 bpm • A# Maj • 02:46 • -4db
17% Popularity • 72% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 72% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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Peter And Gordon
A World Without Love
130 bpm • E Maj • 02:44 • -6db
47% Popularity • 55% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 55% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Love Affair
A Day Without Love
130 bpm • G Maj • 03:14 • -13db
27% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Boris Bitch
Boom, Pt. 2
130 bpm • D Maj • 03:13 • -9.62db
0% Popularity • 75% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 75% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Gene Pitney
It Hurts To Be In Love
130 bpm • F# Maj • 02:32 • -8.66db
37% Popularity • 59% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 59% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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10cc
Rubber Bullets
149 bpm • G Maj • 05:18 • -4.46db
47% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ddda Prodigy
Livin' Life
130 bpm • C# Maj • 02:15 • -9.29db
0% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Vogues
Five O'Clock World
130 bpm • A Maj • 02:27 • -11db
30% Popularity • 48% Danceability • 63% Energy • 17% Liveness
9% Instrumentalness • 82% Positiveness
30% Popularity • 48% Danceability • 63% Energy • 17% Liveness
9% Instrumentalness • 82% Positiveness
