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I Was Glad
Songs like
I Was Glad
by
Hubert Parry
Based on a tempo of (+/- 10%) and a similar genre
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Edward Bairstow
I Sat Down Under His Shadow
135 bpm • E Maj • 01:43 • -25.9db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Eric Coates
By the Sleepy Lagoon
135 bpm • C Maj • 03:57 • -29.36db
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
9% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
17% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Che ...
135 bpm • A# Maj • 02:39 • -19.15db
22% Popularity • 30% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Hubert Parry
Scenes from Shelley's Prometheus Unbound...
134 bpm • C min • 01:40 • -22.72db
3% Popularity • 35% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Edvard Grieg
Wedding Day at Troldhaugen
136 bpm • G Maj • 05:51 • -17.78db
15% Popularity • 33% Danceability • 13% Energy • 17% Liveness
73% Instrumentalness • 16% Positiveness
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Albert Ketèlbey
Bells across the Meadows
136 bpm • D# Maj • 05:12 • -27db
17% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
26% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Hubert Parry
Songs of Farewell: IV. There is an Old B...
134 bpm • G Maj • 04:03 • -20.89db
4% Popularity • 17% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Arthur Sullivan
H.M.S. Pinafore: Overture
137 bpm • D# Maj • 04:27 • -15db
13% Popularity • 40% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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George Frideric Handel
Crux Fidelis (after "Ombra ma fu"- Xerse...
133 bpm • F Maj • 02:29 • -28.2db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 5% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
136 bpm • A# Maj • 05:14 • -16.82db
2% Popularity • 15% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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Aaron Copland
Simple Gifts
133 bpm • G# Maj • 01:32 • -18.08db
20% Popularity • 21% Danceability • 14% Energy • 22% Liveness
75% Instrumentalness • 16% Positiveness
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William Walton
Belshazzar's Feast: Thus spake Isaiah
132 bpm • A# Maj • 05:11 • -23.58db
8% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Eugène Cormon
Les Pecheurs De Perles (The Pearl Fisher...
132 bpm • D# Maj • 05:54 • -23db
21% Popularity • 23% Danceability • 10% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Hubert Parry
Jerusalem
133 bpm • D Maj • 02:42 • -17db
20% Popularity • 16% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
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Giacomo Puccini
Madama Butterfly, Act 2: Humming Chorus
139 bpm • A# Maj • 03:17 • -31.99db
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Hubert Parry
An English Suite: IV. Caprice
138 bpm • C Maj • 02:38 • -18.82db
4% Popularity • 41% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 27% Positiveness
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Charles Gounod
Ave Maria, CG89a
131 bpm • F Maj • 02:52 • -25.34db
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Paul Reade
Suite from "The Victorian Kitchen Garden...
140 bpm • A# Maj • 03:12 • -33.12db
17% Popularity • 20% Danceability • 0% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Hubert Parry
Parry: Jerusalem (Arr. Elgar)
138 bpm • D Maj • 02:23 • -18.5db
16% Popularity • 15% Danceability • 31% Energy • 29% Liveness
86% Instrumentalness • 31% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: I. Kyrie
130 bpm • A Maj • 03:33 • -25.43db
31% Popularity • 16% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Eric Coates
The Dam Busters March
129 bpm • C Maj • 04:08 • -17.65db
5% Popularity • 33% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 31% Positiveness
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George Butterworth
2 English Idylls: No. 1. English Idyll
141 bpm • F Maj • 04:26 • -23db
15% Popularity • 24% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Hubert Parry
Dear Lord and Father of mankind
131 bpm • D# Maj • 02:58 • -25.26db
3% Popularity • 19% Danceability • 15% Energy • 14% Liveness
10% Instrumentalness • 9% Positiveness
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Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
8% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Eric Coates
The Dam Busters (Arr. Duthoit)
142 bpm • C Maj • 03:55 • -19db
9% Popularity • 37% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Aaron Copland
Old American Songs II: IV. At the River ...
142 bpm • D# Maj • 03:01 • -22.65db
17% Popularity • 14% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
► Preview
Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Ernest Tomlinson
Little Serenade
143 bpm • A Maj • 03:23 • -31db
20% Popularity • 18% Danceability • 2% Energy • 13% Liveness
67% Instrumentalness • 17% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Giuseppe Verdi
Nabucco, Act III: "Va', pensiero" (Choru...
143 bpm • C# Maj • 04:35 • -21.83db
20% Popularity • 19% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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George Butterworth
2 English Idylls: No. 2. English Idyll
143 bpm • C Maj • 04:26 • -24db
11% Popularity • 15% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Hubert Parry
An English Suite: VII. Frolic
127 bpm • G Maj • 03:18 • -19.08db
5% Popularity • 46% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 65% Positiveness
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Ronald Binge
Scottish Rhapsody
127 bpm • G Maj • 06:26 • -22.64db
11% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Anonymous
Grimstock
126 bpm • G# Maj • 01:29 • -18.15db
8% Popularity • 48% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Hubert Parry
The Birds: No. 22, Bridal March of the B...
126 bpm • C Maj • 05:23 • -15.5db
3% Popularity • 24% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492: Overture
144 bpm • D Maj • 04:07 • -21db
29% Popularity • 36% Danceability • 9% Energy • 22% Liveness
88% Instrumentalness • 30% Positiveness
► Preview
Ronald Binge
Miss Melanie
126 bpm • A Maj • 02:25 • -20.17db
14% Popularity • 55% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
19% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Jeremiah Clarke
The Prince of Denmark's March
126 bpm • D Maj • 02:36 • -18.49db
13% Popularity • 24% Danceability • 9% Energy • 33% Liveness
97% Instrumentalness • 28% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
145 bpm • A Maj • 02:17 • -26.16db
21% Popularity • 39% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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William Walton
Spitfire Prelude and Fugue
125 bpm • C Maj • 07:48 • -13.99db
15% Popularity • 28% Danceability • 40% Energy • 34% Liveness
61% Instrumentalness • 16% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Mouret
Mouret: Rondeau ("Masterpiece Theater" T...
146 bpm • D Maj • 02:10 • -20.03db
16% Popularity • 26% Danceability • 10% Energy • 29% Liveness
93% Instrumentalness • 49% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Joseph Haydn
Insanae et vanae curae
124 bpm • C# min • 06:42 • -19.79db
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Eric Coates
The Dambusters: March: 'The Dam Busters'
148 bpm • C Maj • 03:56 • -20.48db
10% Popularity • 29% Danceability • 14% Energy • 25% Liveness
95% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
Aufforderung zum Tanz, Op. 65 (Orch. Ber...
122 bpm • D Maj • 08:47 • -18db
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
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Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: No. 6, Bog...
121 bpm • F Maj • 03:28 • -27db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
28% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
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Giovanni Pierluigi da Palestrina
Jesu, rex admirabilis
120 bpm • E min • 01:45 • -27.24db
18% Popularity • 27% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Giuseppe Verdi
Il trovatore: Anvil Chorus 'Vedi le fosc...
119 bpm • G Maj • 03:05 • -19.15db
24% Popularity • 47% Danceability • 17% Energy • 7% Liveness
53% Instrumentalness • 19% Positiveness
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Hubert Parry
Parry: Dear Lord and Father of Mankind
120 bpm • D# Maj • 03:58 • -27.76db
28% Popularity • 20% Danceability • 14% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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William Walton
Crown Imperial: A Coronation March (Arr....
119 bpm • C Maj • 05:46 • -19.3db
11% Popularity • 28% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 41% Positiveness
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Charles-Marie Widor
Widor: Toccata
119 bpm • F Maj • 05:36 • -21db
18% Popularity • 22% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
11% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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George Frideric Handel
The Arrival Of The Queen Of Sheba, From ...
118 bpm • A Maj • 03:11 • -18.41db
39% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
► Preview
William Mathias
Serenade: Allegretto
118 bpm • E min • 02:14 • -35db
14% Popularity • 31% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 13% Positiveness
► Preview
Hollywood Symphony Orchestra
The Arrival of the Queen of Sheba
118 bpm • A# Maj • 03:08 • -15db
26% Popularity • 59% Danceability • 31% Energy • 33% Liveness
92% Instrumentalness • 80% Positiveness
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Chor der Staatsoper Budapest
Tannhäuser: Pilgerchor
118 bpm • D# Maj • 06:23 • -17db
17% Popularity • 21% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
Now is The Month of Maying - 1989 Digita...
117 bpm • F Maj • 02:25 • -17.06db
16% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
George Martin
The Mission Chorales: Chorale 5
116 bpm • E min • 01:05 • -21.26db
20% Popularity • 17% Danceability • 12% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Coronation Anthem No. 1, HWV 258...
118 bpm • D Maj • 06:04 • -12.51db
13% Popularity • 41% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
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John Ireland
A Downland Suite: III. Minuet
116 bpm • A# Maj • 04:57 • -25db
23% Popularity • 27% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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I Was Glad