Songs like I Went Down to the River by Big Boy Bloater
Based on a tempo of (+/- 10%) and a similar genre
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Shawn Kellerman
Drivin'
127 bpm • C Maj • 03:48 • -4.83db
13% Popularity • 69% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 69% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Fuzillis
Sticky Chicken
127 bpm • C Maj • 02:42 • -4.32db
11% Popularity • 63% Danceability • 88% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 63% Danceability • 88% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Max Lazzarin
Buzz off
127 bpm • A Maj • 02:27 • -10.45db
19% Popularity • 67% Danceability • 58% Energy • 18% Liveness
2% Instrumentalness • 73% Positiveness
19% Popularity • 67% Danceability • 58% Energy • 18% Liveness
2% Instrumentalness • 73% Positiveness
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Barrence Whitfield & The Savages
Turn Your Damper Down
127 bpm • E Maj • 03:07 • -4.48db
17% Popularity • 34% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 34% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Big Boy Bloater
I Went Down to the River
127 bpm • D# Maj • 03:49 • -8.76db
0% Popularity • 61% Danceability • 66% Energy • 6% Liveness
20% Instrumentalness • 97% Positiveness
0% Popularity • 61% Danceability • 66% Energy • 6% Liveness
20% Instrumentalness • 97% Positiveness
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Blues EtÃlicos
Walking the Streets
126 bpm • G Maj • 03:58 • -6.61db
19% Popularity • 56% Danceability • 85% Energy • 43% Liveness
1% Instrumentalness • 83% Positiveness
19% Popularity • 56% Danceability • 85% Energy • 43% Liveness
1% Instrumentalness • 83% Positiveness
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Joakim Tinderholt & His Band
Anything Is Better Than Nothing
128 bpm • F min • 02:49 • -9.46db
10% Popularity • 67% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 67% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Design Virus
Fearful
126 bpm • A Maj • 03:11 • -11.77db
17% Popularity • 58% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 58% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Max Lazzarin
A girl with a knife
127 bpm • D Maj • 03:03 • -8.9db
21% Popularity • 50% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 50% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Nico Duportal & His Rhythm Dudes
Goin' Back to Ya
128 bpm • F min • 03:25 • -3db
16% Popularity • 73% Danceability • 89% Energy • 13% Liveness
65% Instrumentalness • 97% Positiveness
16% Popularity • 73% Danceability • 89% Energy • 13% Liveness
65% Instrumentalness • 97% Positiveness
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Big Boy Bloater
Matchbox
128 bpm • D Maj • 02:52 • -7db
0% Popularity • 64% Danceability • 49% Energy • 8% Liveness
58% Instrumentalness • 92% Positiveness
0% Popularity • 64% Danceability • 49% Energy • 8% Liveness
58% Instrumentalness • 92% Positiveness
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Paolo Mizzau & the Doctor Love Band
Hard Lovin'
126 bpm • A min • 04:19 • -7.76db
0% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Los Mambo Jambo
Rastro de CarmÃn
126 bpm • G min • 02:40 • -6.19db
11% Popularity • 74% Danceability • 64% Energy • 15% Liveness
91% Instrumentalness • 92% Positiveness
11% Popularity • 74% Danceability • 64% Energy • 15% Liveness
91% Instrumentalness • 92% Positiveness
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Sasquatch and the Sick-A-Billys
Bitch Blues
126 bpm • E Maj • 03:51 • -6.78db
14% Popularity • 60% Danceability • 87% Energy • 13% Liveness
3% Instrumentalness • 91% Positiveness
14% Popularity • 60% Danceability • 87% Energy • 13% Liveness
3% Instrumentalness • 91% Positiveness
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Blues EtÃlicos
What´s on Your Mind
128 bpm • F# min • 04:18 • -6.13db
21% Popularity • 64% Danceability • 77% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
21% Popularity • 64% Danceability • 77% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
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Fairchild 670
Peaceful Resistance, Pt. 2
125 bpm • F Maj • 01:23 • -5.44db
14% Popularity • 57% Danceability • 72% Energy • 9% Liveness
50% Instrumentalness • 25% Positiveness
14% Popularity • 57% Danceability • 72% Energy • 9% Liveness
50% Instrumentalness • 25% Positiveness
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Lily Locksmith
When I Put the Blues on You
129 bpm • A Maj • 02:07 • -5.53db
9% Popularity • 53% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 53% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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The Hi-Jivers
It Takes Time
125 bpm • F min • 03:09 • -8.7db
14% Popularity • 62% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 72% Positiveness
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Big Boy Bloater
Insanely Happy
125 bpm • F Maj • 03:01 • -6.5db
1% Popularity • 62% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 62% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Tj Overcast
Girl Like You
125 bpm • D# min • 03:30 • -8.65db
10% Popularity • 70% Danceability • 53% Energy • 12% Liveness
43% Instrumentalness • 83% Positiveness
10% Popularity • 70% Danceability • 53% Energy • 12% Liveness
43% Instrumentalness • 83% Positiveness
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Sasquatch and the Sick-A-Billys
Bed Full of Flames
125 bpm • E min • 03:45 • -10.22db
8% Popularity • 51% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 51% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Arthur James & Northbound
Drownin' on Dry Land
125 bpm • A# min • 05:24 • -7.81db
11% Popularity • 67% Danceability • 73% Energy • 5% Liveness
9% Instrumentalness • 51% Positiveness
11% Popularity • 67% Danceability • 73% Energy • 5% Liveness
9% Instrumentalness • 51% Positiveness
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Travellin' Brothers
Adelene
124 bpm • F Maj • 03:09 • -7.28db
12% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Furious
Hold My Heart
124 bpm • A Maj • 01:56 • -6.76db
16% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Big Boy Bloater
Please Don't Leave Me
129 bpm • G# Maj • 02:48 • -9db
1% Popularity • 60% Danceability • 74% Energy • 28% Liveness
41% Instrumentalness • 89% Positiveness
1% Popularity • 60% Danceability • 74% Energy • 28% Liveness
41% Instrumentalness • 89% Positiveness
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Cole & Ward
Weird Dream
130 bpm • G min • 03:12 • -5.96db
11% Popularity • 68% Danceability • 56% Energy • 30% Liveness
1% Instrumentalness • 66% Positiveness
11% Popularity • 68% Danceability • 56% Energy • 30% Liveness
1% Instrumentalness • 66% Positiveness
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MFC Chicken
Don't Wanna Talk About Chicken
130 bpm • D Maj • 02:13 • -3.36db
14% Popularity • 60% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 60% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Glen Campbell
In My Arms
130 bpm • B Maj • 03:26 • -4.92db
28% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Artie Norton
Coming Home
130 bpm • A Maj • 03:47 • -4.36db
9% Popularity • 65% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 65% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Max Lazzarin
Struck
124 bpm • G Maj • 02:41 • -8.73db
18% Popularity • 69% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 69% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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Big Boy Bloater
No Good Lover
130 bpm • B min • 03:10 • -8db
0% Popularity • 60% Danceability • 53% Energy • 28% Liveness
16% Instrumentalness • 97% Positiveness
0% Popularity • 60% Danceability • 53% Energy • 28% Liveness
16% Instrumentalness • 97% Positiveness
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Spunyboys
Moonshine
130 bpm • G min • 02:57 • -5.89db
13% Popularity • 74% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
13% Popularity • 74% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Jhett Black
16 Tons
124 bpm • G Maj • 03:19 • -12.09db
16% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Frank Muschalle
Right from Wrong
130 bpm • A# min • 02:48 • -11.98db
9% Popularity • 64% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 88% Positiveness
9% Popularity • 64% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 88% Positiveness
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Mike Sanchez
Someday
123 bpm • A Maj • 02:26 • -5.18db
9% Popularity • 66% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 66% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Barrence Whitfield & The Savages
I Do My Best to Survive
123 bpm • G Maj • 02:39 • -5.71db
9% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Big Boy Bloater
Bring Her Back to Me
130 bpm • A Maj • 02:45 • -7db
1% Popularity • 76% Danceability • 51% Energy • 11% Liveness
9% Instrumentalness • 76% Positiveness
1% Popularity • 76% Danceability • 51% Energy • 11% Liveness
9% Instrumentalness • 76% Positiveness
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Greg Izor & The Box Kickers
Hold On
123 bpm • A min • 02:02 • -2.7db
14% Popularity • 40% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 40% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Reginald Jeremy
Walking On Wire
123 bpm • D Maj • 03:49 • -8.86db
21% Popularity • 46% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 46% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Baboons
Love U Right Tonight
123 bpm • C Maj • 02:34 • -11.69db
22% Popularity • 73% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 73% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Dusty Dave & The Heart Attacks
Tough Enough
131 bpm • D Maj • 03:09 • -4.89db
9% Popularity • 80% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 80% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Blues EtÃlicos
Mandala Boogie
131 bpm • B min • 03:25 • -6.15db
23% Popularity • 52% Danceability • 78% Energy • 48% Liveness
93% Instrumentalness • 80% Positiveness
23% Popularity • 52% Danceability • 78% Energy • 48% Liveness
93% Instrumentalness • 80% Positiveness
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Andre Williams
My Sister Stole My Woman
131 bpm • D Maj • 01:48 • -5.11db
11% Popularity • 44% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
11% Popularity • 44% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Greg Overman
Why Do I Always Drink
123 bpm • D Maj • 03:54 • -13db
25% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Carey Pullman
Shake It Brother Shake
132 bpm • B min • 01:48 • -13.19db
32% Popularity • 74% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 74% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Al Dual
Freight Train Boogie
132 bpm • G Maj • 03:00 • -3.07db
8% Popularity • 54% Danceability • 98% Energy • 70% Liveness
24% Instrumentalness • 81% Positiveness
8% Popularity • 54% Danceability • 98% Energy • 70% Liveness
24% Instrumentalness • 81% Positiveness
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Blas Picón
Can't Find My Way Back Home
132 bpm • A# min • 04:42 • -0.93db
9% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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The Backyard Casanovas
You Don't Give a Damn
122 bpm • B min • 03:21 • -4.46db
9% Popularity • 60% Danceability • 88% Energy • 33% Liveness
1% Instrumentalness • 87% Positiveness
9% Popularity • 60% Danceability • 88% Energy • 33% Liveness
1% Instrumentalness • 87% Positiveness
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Pompano Drive
Walking by Myself
122 bpm • A Maj • 02:54 • -3.89db
20% Popularity • 52% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 52% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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The Legendary Blues Band
Life Of Ease
122 bpm • A Maj • 02:38 • -8.76db
7% Popularity • 54% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 54% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Midniters
No Clue
133 bpm • D Maj • 04:06 • -8.79db
11% Popularity • 58% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 58% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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The Kokomo Kings
I´m Your Plumber
122 bpm • C Maj • 02:24 • -3.7db
8% Popularity • 65% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 65% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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All Through The Night
Will to Change
133 bpm • E Maj • 02:41 • -10.28db
15% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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SnowHeel Slim
get right on to it
133 bpm • D Maj • 02:06 • -8.62db
10% Popularity • 66% Danceability • 60% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
10% Popularity • 66% Danceability • 60% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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Mungo Jerry
Hey, Mr Teacher
133 bpm • G Maj • 02:41 • -6.23db
9% Popularity • 56% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Paladins
Don't Stay Out All Night
133 bpm • C Maj • 03:31 • -12.93db
18% Popularity • 45% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 45% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Little Steve and The Big Beat
Teasin' Without Pleasin'
133 bpm • G min • 03:00 • -6.27db
15% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Deadbeatz
Hangover No7
133 bpm • G Maj • 02:16 • -4.25db
17% Popularity • 73% Danceability • 87% Energy • 12% Liveness
30% Instrumentalness • 96% Positiveness
17% Popularity • 73% Danceability • 87% Energy • 12% Liveness
30% Instrumentalness • 96% Positiveness
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James Harman
Pick Up The Slack
121 bpm • F min • 04:56 • -6.73db
11% Popularity • 53% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 53% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Nine Below Zero
Ice Cream Man
121 bpm • D Maj • 03:17 • -4.22db
13% Popularity • 55% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 55% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Munhall
The Heavenly Hound
121 bpm • F min • 04:15 • -4.68db
10% Popularity • 51% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 51% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Francesca Sparrow
The Little Upsetter
121 bpm • A min • 03:48 • -9.35db
18% Popularity • 69% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 87% Positiveness
18% Popularity • 69% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 87% Positiveness
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PowerSolo
B.R.O.W.N.
121 bpm • E Maj • 02:23 • -5.38db
14% Popularity • 60% Danceability • 96% Energy • 21% Liveness
46% Instrumentalness • 87% Positiveness
14% Popularity • 60% Danceability • 96% Energy • 21% Liveness
46% Instrumentalness • 87% Positiveness
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The Reluctant Playboys
I'm Comin' Home to You
134 bpm • A Maj • 02:50 • -4.44db
23% Popularity • 75% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 75% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Big Boy Bloater
Every Path Has Its Puddle
120 bpm • G Maj • 03:03 • -5.76db
0% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Blue Moon Marquee
Country Man
120 bpm • G min • 05:01 • -10.33db
8% Popularity • 81% Danceability • 46% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 81% Danceability • 46% Energy • 18% Liveness
1% Instrumentalness • 49% Positiveness
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Adolph Walker
Love Me Once
134 bpm • G min • 04:24 • -10.45db
16% Popularity • 57% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 63% Positiveness
16% Popularity • 57% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 63% Positiveness
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Francesca Sparrow
Cut Out
134 bpm • C min • 03:02 • -10db
18% Popularity • 58% Danceability • 66% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
18% Popularity • 58% Danceability • 66% Energy • 15% Liveness
7% Instrumentalness • 86% Positiveness
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The Kokomo Kings
A Wasted Day Is Forever Lost
120 bpm • A# Maj • 03:04 • -5.94db
10% Popularity • 59% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 59% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Cole & Ward
Deep Blood Moon
120 bpm • B min • 03:55 • -5.63db
11% Popularity • 78% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 78% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Big Boy Bloater
She Gets Naked for a Living
120 bpm • C Maj • 03:34 • -6.46db
1% Popularity • 65% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 65% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Mad Guz and The Mojos
Got My Mojo Workin'
120 bpm • E Maj • 04:41 • -5.86db
9% Popularity • 70% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 70% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Al Watkins
I Woke Up This Morning With My Mind Set ...
120 bpm • G Maj • 03:33 • -8.57db
23% Popularity • 67% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Paul Pedana
Champagne
120 bpm • F min • 04:52 • -5.38db
16% Popularity • 53% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 54% Positiveness
16% Popularity • 53% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 54% Positiveness
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Trainman Blues
Going Home
120 bpm • D Maj • 03:23 • -8.39db
24% Popularity • 82% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Midniters
Gimme All Your Loving
120 bpm • G Maj • 03:00 • -8.97db
13% Popularity • 54% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 54% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Big Boy Bloater
The Beast With 50,000 Eyes
120 bpm • A min • 03:28 • -5.85db
0% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Max Lazzarin
Medicine man
120 bpm • A min • 03:15 • -11.68db
23% Popularity • 68% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
23% Popularity • 68% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
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Derek Lee Goodreid
Threefold Cord
135 bpm • E min • 03:35 • -4.42db
10% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Errol Linton
Sad & Lonesome
135 bpm • G Maj • 03:40 • -7.38db
9% Popularity • 55% Danceability • 78% Energy • 21% Liveness
24% Instrumentalness • 62% Positiveness
9% Popularity • 55% Danceability • 78% Energy • 21% Liveness
24% Instrumentalness • 62% Positiveness
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Barrence Whitfield & The Savages
I'm Young
119 bpm • F min • 02:35 • -4.94db
8% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 52% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Slim Harpo
Cigarettes and Coffee Blues
135 bpm • A Maj • 02:11 • -5.75db
17% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Big Boy Bloater
Lifetime Money Back Guarantee
120 bpm • F Maj • 03:18 • -6.76db
0% Popularity • 77% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 77% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Trickbag
Party in the backyard
135 bpm • D Maj • 03:12 • -7.02db
10% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Cello Inferno
The Night of the Blood Moon
135 bpm • A# min • 03:41 • -5.7db
1% Popularity • 31% Danceability • 91% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
1% Popularity • 31% Danceability • 91% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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The Hi-Stakes
As Hip As It Gets
119 bpm • F Maj • 02:26 • -11.87db
15% Popularity • 79% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 79% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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MR BOB`S MACHINERY
Baby, baby why did you go
135 bpm • A# Maj • 03:34 • -13.58db
16% Popularity • 49% Danceability • 53% Energy • 31% Liveness
62% Instrumentalness • 77% Positiveness
16% Popularity • 49% Danceability • 53% Energy • 31% Liveness
62% Instrumentalness • 77% Positiveness
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The Baboons
No Way Out
135 bpm • C Maj • 03:28 • -11.67db
13% Popularity • 52% Danceability • 89% Energy • 14% Liveness
8% Instrumentalness • 69% Positiveness
13% Popularity • 52% Danceability • 89% Energy • 14% Liveness
8% Instrumentalness • 69% Positiveness
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Big Boy Bloater
Sweet & Brown
120 bpm • G Maj • 02:34 • -7.83db
0% Popularity • 55% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 55% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 12% Positiveness
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Garrett Mason
Butterface
119 bpm • G# Maj • 03:02 • -8.07db
8% Popularity • 62% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
8% Popularity • 62% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Constance Clemens
Whereto
136 bpm • E min • 04:34 • -11.25db
29% Popularity • 60% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 60% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Hi-Stakes
Why Do I Have To Give A Reason
119 bpm • F min • 02:34 • -8.07db
9% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
9% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
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The Kingsmen
Over You
136 bpm • C Maj • 02:05 • -18.67db
9% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Kelly Hahne
Flesh and Blood
136 bpm • F min • 03:07 • -4.06db
31% Popularity • 51% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 51% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Big Boy Bloater
Every Path Has Its Puddle
119 bpm • D Maj • 03:06 • -6.05db
1% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Smoke Heavy
Mean Trainer
118 bpm • G Maj • 03:32 • -13.4db
17% Popularity • 64% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 64% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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The Limboos
No Troubles
136 bpm • C Maj • 02:46 • -3.37db
15% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Kokomo Kings
She´s Shaking Up a Storm
137 bpm • C Maj • 02:34 • -8.06db
12% Popularity • 76% Danceability • 52% Energy • 31% Liveness
9% Instrumentalness • 97% Positiveness
12% Popularity • 76% Danceability • 52% Energy • 31% Liveness
9% Instrumentalness • 97% Positiveness
