Songs like I Will Follow - Acoustic by Chris Tomlin
Based on a tempo of (+/- 10%) and a similar genre
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Colton Dixon
You Are
96 bpm • D Maj • 03:22 • -3.59db
52% Popularity • 51% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 51% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Gray
Place For Me
96 bpm • A Maj • 02:51 • -4.07db
42% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Tomlin
Goodness, Love And Mercy
96 bpm • C Maj • 04:20 • -4.68db
35% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Leanna Crawford
Stars
96 bpm • C# Maj • 03:26 • -8.03db
40% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Chelsea
In This for You
96 bpm • C Maj • 02:56 • -8.41db
38% Popularity • 48% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 48% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Wilson
Carry Me
95 bpm • G# Maj • 03:23 • -3.69db
37% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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We Are Messengers
Everything Comes Alive
97 bpm • G# Maj • 03:21 • -5.48db
45% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Gray
Learning
96 bpm • C Maj • 03:17 • -5.13db
33% Popularity • 64% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 64% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Tomlin
I Will Follow - Acoustic
96 bpm • A# Maj • 04:03 • -7.88db
22% Popularity • 69% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 69% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Mack Brock
Savior Of The World - Single Version
95 bpm • A# Maj • 04:44 • -6.21db
42% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Francesca Battistelli
Giants Fall
95 bpm • B Maj • 03:06 • -4.84db
48% Popularity • 60% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 60% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
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Building 429
Fear No More
95 bpm • A# Maj • 03:12 • -6.47db
65% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Jadon Lavik
My Father's World
95 bpm • E Maj • 02:43 • -12db
48% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Rhett
Be A Light
98 bpm • C Maj • 02:53 • -6.69db
44% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Tomlin
Impossible Things
96 bpm • D Maj • 04:27 • -4.42db
34% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Delirious?
I Could Sing of Your Love Forever
95 bpm • F Maj • 06:10 • -10.24db
48% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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CAIN
Any More (Acoustic)
98 bpm • E Maj • 03:04 • -3.81db
50% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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David Crowder Band
Everything Glorious
94 bpm • C# Maj • 03:47 • -6db
38% Popularity • 57% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 57% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Building 429
Unashamed
94 bpm • B Maj • 03:44 • -2.78db
28% Popularity • 53% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 53% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Wilson
That Was Then, This Is Now
98 bpm • F Maj • 03:17 • -4.55db
51% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Tomlin
The God I Know
95 bpm • B Maj • 04:46 • -5.22db
26% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Cochren & Co.
By Our Love
94 bpm • A Maj • 03:01 • -6.58db
44% Popularity • 51% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 51% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Francesca Battistelli
Write Your Story
94 bpm • D Maj • 03:23 • -5.95db
49% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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7eventh Time Down
The 99
94 bpm • G# Maj • 03:21 • -8.46db
36% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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We The Kingdom
You Are Heaven
99 bpm • F Maj • 04:46 • -4.99db
33% Popularity • 29% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 29% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dan Bremnes
Where The Light Is
99 bpm • F# Maj • 03:52 • -5.84db
40% Popularity • 46% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 46% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Leanna Crawford
Work in Progress
93 bpm • F Maj • 03:14 • -7.72db
45% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Mandisa
Unfinished
93 bpm • A Maj • 03:32 • -4.33db
51% Popularity • 63% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 63% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Anne Wilson
Dirt Roads In Heaven
93 bpm • C Maj • 03:22 • -6.86db
2% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Rice
Untitled Hymn (Come To Jesus)
92 bpm • G# Maj • 03:49 • -11db
36% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Watermark
Captivate Us
100 bpm • G# Maj • 05:32 • -10.08db
36% Popularity • 55% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 55% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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Chris Tomlin
King Of Glory
100 bpm • G Maj • 03:08 • -6.5db
25% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Cochren & Co.
He's Not Here
100 bpm • D Maj • 03:02 • -5db
43% Popularity • 73% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 73% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Mandisa
Back To You
93 bpm • E Maj • 03:36 • -1.6db
33% Popularity • 68% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 68% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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People & Songs
Touched by a Fire
92 bpm • B Maj • 03:50 • -3.28db
24% Popularity • 49% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 49% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Francesca Battistelli
God Is Good
92 bpm • D# Maj • 03:17 • -6.39db
49% Popularity • 55% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 55% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Watermark
Captivate Us
100 bpm • G# Maj • 05:08 • -14.53db
31% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Tomlin
God Almighty
100 bpm • A Maj • 06:38 • -6.76db
23% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Stars Go Dim
It's Gonna Get Better
92 bpm • E min • 03:22 • -7.07db
46% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Gray
More Like Falling in Love
92 bpm • A Maj • 03:39 • -5.46db
39% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Stephen Stanley
No Hopeless Soul - Unplugged
92 bpm • C Maj • 03:13 • -8db
42% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Danny Gokey
Fighter
92 bpm • C# Maj • 03:21 • -5.88db
45% Popularity • 68% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 68% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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CityAlight
Once for All
100 bpm • D# Maj • 04:50 • -7.97db
45% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Cody Carnes
Run To The Father - Radio Version
91 bpm • C Maj • 04:21 • -8db
31% Popularity • 26% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 26% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Mass Anthem
Testify to Love
91 bpm • D# Maj • 02:54 • -10.32db
49% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Tomlin
Our God - Acoustic
101 bpm • B Maj • 04:29 • -6.88db
19% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Pat Barrett
As For Me
91 bpm • A Maj • 03:12 • -5.68db
39% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mack Brock
Heart Wide Open
91 bpm • B Maj • 04:42 • -7.65db
40% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Tasha Layton
Sound of Heaven
102 bpm • G# Maj • 04:25 • -8.05db
31% Popularity • 58% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 58% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dan Bremnes
Beautiful
102 bpm • G# Maj • 03:41 • -6.05db
36% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Mandisa
Bleed The Same
102 bpm • G Maj • 04:04 • -4.89db
53% Popularity • 63% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 63% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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David Crowder Band
Open Skies
102 bpm • F# Maj • 03:58 • -6db
31% Popularity • 62% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 62% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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CityAlight
Grace
90 bpm • C Maj • 03:44 • -10.45db
53% Popularity • 25% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 25% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Gray
Laugh Out Loud
90 bpm • B Maj • 03:34 • -5.2db
31% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Afters
Eyes of a Believer
90 bpm • F# min • 03:26 • -3.76db
34% Popularity • 52% Danceability • 93% Energy • 28% Liveness
5% Instrumentalness • 39% Positiveness
34% Popularity • 52% Danceability • 93% Energy • 28% Liveness
5% Instrumentalness • 39% Positiveness
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Jordan Feliz
Faith - Radio Version
90 bpm • C min • 03:46 • -11.52db
45% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jamie Grace
You Lead
90 bpm • C Maj • 03:39 • -2.96db
41% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Building 429
Where I Belong
90 bpm • B Maj • 03:20 • -5db
55% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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CityAlight
Jerusalem
90 bpm • B Maj • 04:48 • -6.48db
52% Popularity • 50% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 50% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Gray
With Every Act of Love
90 bpm • C Maj • 03:36 • -6db
42% Popularity • 57% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 57% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Delirious?
Did You Fell the Mountains Tremble? - Ex...
102 bpm • D Maj • 09:46 • -7.2db
26% Popularity • 49% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 49% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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We The Kingdom
No Doubt About It
103 bpm • B Maj • 04:47 • -6.77db
49% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jadon Lavik
Tis So Sweet
89 bpm • F Maj • 04:44 • -9.75db
35% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Zach Williams
Walk With You
103 bpm • G Maj • 03:47 • -7.39db
47% Popularity • 50% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 50% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Katy Nichole
In Jesus Name (God Of Possible) - Piano ...
103 bpm • F# Maj • 03:40 • -8db
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Third Day
Your Love Oh Lord (Psalm 36)
89 bpm • G Maj • 03:56 • -7db
45% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Brian Doerksen
Come Now Is The Time To Worship
103 bpm • A Maj • 05:18 • -6.38db
35% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kristene DiMarco
I Am No Victim
104 bpm • F Maj • 04:41 • -7db
40% Popularity • 23% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 23% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Francesca Battistelli
This Is the Stuff
104 bpm • D Maj • 03:03 • -5.62db
44% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Tomlin
How Can I Keep From Singing
104 bpm • A# Maj • 04:16 • -4db
40% Popularity • 50% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 50% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Leeland
City of God
88 bpm • G Maj • 09:21 • -7.38db
38% Popularity • 30% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 30% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Mass Anthem
Who Am I / Voice of Truth
104 bpm • D Maj • 02:43 • -8.84db
57% Popularity • 36% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 36% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan St. Cyr
In My Lifetime
88 bpm • E Maj • 03:30 • -5.68db
32% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Hannah Kerr
Grave
88 bpm • C Maj • 02:55 • -5.19db
31% Popularity • 63% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 63% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Francesca Battistelli
Run To Jesus
88 bpm • F# Maj • 03:20 • -5.24db
31% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Tomlin
Satisfied
88 bpm • C# Maj • 03:33 • -3.63db
30% Popularity • 57% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 57% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Cade Thompson
Every Step of the Way
88 bpm • F Maj • 03:15 • -6db
46% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Wilson
I See God In You
88 bpm • F# Maj • 04:03 • -8.69db
30% Popularity • 40% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 40% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Young Oceans
Come Holy One
87 bpm • D# Maj • 04:25 • -7db
35% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 46% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Hannah Kerr
Ordinary
105 bpm • F# min • 03:02 • -6.01db
34% Popularity • 65% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 65% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Dan Bremnes
He Knows
106 bpm • A# Maj • 03:20 • -6.39db
29% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Riley Clemmons
Broken Prayers - Piano Version
87 bpm • G Maj • 03:06 • -7db
42% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Rush Of Fools
Power in the Blood
105 bpm • C# min • 03:07 • -7db
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Wilson
Pushing Back The Dark
105 bpm • A Maj • 03:25 • -3.29db
35% Popularity • 58% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 58% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Baldwin
Get Your Hopes Up
107 bpm • D Maj • 04:37 • -6.93db
38% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Francesca Battistelli
If We're Honest
107 bpm • A# Maj • 03:09 • -8.83db
46% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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People & Songs
Redeemed by the Blood of the Lamb
108 bpm • F# Maj • 04:22 • -7.35db
37% Popularity • 25% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 25% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Peterson
Isn't It Love - 2014 Version
108 bpm • D Maj • 04:39 • -11.8db
38% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mac Powell
Joy Of The Lord
108 bpm • C Maj • 02:56 • -5.16db
48% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Third Day
Born Again
108 bpm • G Maj • 03:36 • -6db
46% Popularity • 30% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 30% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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David Crowder Band
Leaning On The Everlasting Arms / 'Tis S...
85 bpm • G Maj • 04:45 • -8.21db
41% Popularity • 55% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 55% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Tomlin
Majesty Of Heaven
85 bpm • A# Maj • 04:44 • -4.44db
26% Popularity • 50% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 50% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jadon Lavik
What A Friend
109 bpm • D Maj • 05:10 • -9.87db
37% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 33% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Leeland
Tears of The Saints
84 bpm • B Maj • 06:16 • -5.75db
35% Popularity • 42% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 42% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Mac Powell
Everlasting Arms
85 bpm • E Maj • 03:33 • -6.43db
46% Popularity • 47% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 47% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Ripp
Helpless Without You
84 bpm • A# Maj • 03:34 • -5.86db
36% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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David Crowder Band
O, For A Thousand Tongues To Sing
109 bpm • G Maj • 05:08 • -6.87db
39% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 50% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Tomlin
I Lift My Hands
84 bpm • B Maj • 04:38 • -5.59db
50% Popularity • 43% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 43% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
