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I Will Not Leave You Comfortless
Songs like
I Will Not Leave You Comfortless
by
The Wartburg Choir
Based on a tempo of (+/- 10%) and a similar genre
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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The Wartburg Choir
I Will Not Leave You Comfortless
136 bpm • A Maj • 01:41 • -19db
10% Popularity • 20% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Philip Bliss
It is Well With My Soul (Arr. for choir ...
136 bpm • G# Maj • 05:20 • -21.76db
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Sven-David Sandström
Four Songs of Love: II. Until the Daybre...
137 bpm • G# Maj • 02:23 • -34.11db
9% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Lyle Stutzman
Hark! Ten Thousand Harps
135 bpm • F# Maj • 04:39 • -20.06db
11% Popularity • 20% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
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James MacMillan
Strathclyde Motets: Factus est repente
135 bpm • C Maj • 02:37 • -24.42db
7% Popularity • 16% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
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Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Andrea Ramsey
That Which Remains
135 bpm • E Maj • 03:23 • -21.95db
9% Popularity • 18% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Lux Singers
Go to Dark Gethsemane
137 bpm • D min • 04:39 • -32.38db
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Bob Chilcott
O Danny boy - SATB
135 bpm • D Maj • 03:04 • -26.47db
9% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
18% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
9% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
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Gregorian Chants
Dominus Dixit
138 bpm • G min • 05:07 • -25.17db
14% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
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Oasis Chorale
Let Thy Holy Presence
138 bpm • C# min • 03:15 • -28.5db
3% Popularity • 17% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Charles Hylton Stewart
Psalm 13
134 bpm • F Maj • 02:56 • -34.94db
12% Popularity • 15% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas II (Through Infinite Ages)
138 bpm • C Maj • 03:58 • -25.66db
15% Popularity • 17% Danceability • 11% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: VIII. Praise th...
138 bpm • G# Maj • 02:48 • -21.61db
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Michael John Trotta
Alleluia
138 bpm • G Maj • 02:23 • -19.39db
14% Popularity • 19% Danceability • 13% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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The Wartburg Choir
Ich bin die auferstehung und das leben
134 bpm • B Maj • 03:08 • -21.27db
1% Popularity • 19% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Laura Hawley
In Song: III. In Song
134 bpm • F Maj • 01:56 • -17.81db
8% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Connor Koppin
I Still Possess
134 bpm • A Maj • 05:23 • -20.52db
2% Popularity • 18% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Foster
Under the Willow She's Sleeping (Arr. fo...
139 bpm • E Maj • 06:11 • -23.7db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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MÃ¥rten Jansson
Missa Popularis: V. Agnus Dei
139 bpm • B min • 06:28 • -22.1db
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Charles Wood
O Most Merciful
139 bpm • G min • 01:28 • -28db
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Moses Hogan
I'm Gonna Sing 'til the Spirit Moves in ...
133 bpm • F min • 02:41 • -22.78db
9% Popularity • 33% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Walker
Lord, We Adore You
139 bpm • F min • 02:32 • -21.44db
10% Popularity • 16% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
Three Madrigals: III. Sigh no more, ladi...
139 bpm • G Maj • 01:22 • -23.55db
13% Popularity • 35% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25: Lift Thine Eye...
133 bpm • D Maj • 01:52 • -36.94db
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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The Wartburg Choir
O Salutaris Hostia
133 bpm • D Maj • 03:20 • -22.79db
3% Popularity • 18% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: III. Credo
133 bpm • C Maj • 06:16 • -24.08db
7% Popularity • 18% Danceability • 13% Energy • 28% Liveness
5% Instrumentalness • 5% Positiveness
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John Blow
Salvator mundi
133 bpm • D Maj • 03:57 • -21.47db
8% Popularity • 22% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The University Of Utah Singers
Alleluia
140 bpm • D# Maj • 03:45 • -14.47db
11% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
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Bob Chilcott
St. John Passion, Part III: Hymn: There ...
140 bpm • C Maj • 02:36 • -17.05db
9% Popularity • 19% Danceability • 23% Energy • 8% Liveness
31% Instrumentalness • 9% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Selig sind die Toten, SWV 281
140 bpm • F# Maj • 03:59 • -24db
8% Popularity • 14% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: IV. San...
140 bpm • D Maj • 02:05 • -20.38db
19% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Shawn Kirchner
O! What a Beautiful City
132 bpm • D# Maj • 05:01 • -18.59db
8% Popularity • 20% Danceability • 28% Energy • 9% Liveness
17% Instrumentalness • 14% Positiveness
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Harry Bramma
People, Look East
132 bpm • D# Maj • 02:04 • -23.14db
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Michael John Trotta
Trotta: Ubi Caritas
131 bpm • D Maj • 02:25 • -21db
16% Popularity • 39% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
9% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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The Acclamation Chorale
I Want to Thank You, Lord
131 bpm • C# Maj • 02:20 • -19.67db
8% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VII. Lux æterna
131 bpm • A# Maj • 03:52 • -28.71db
7% Popularity • 16% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Laudate
131 bpm • C Maj • 02:45 • -18.9db
2% Popularity • 25% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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The University Of Utah Singers
All That Hath Life And Breath Praise Ye ...
131 bpm • G min • 02:47 • -18.42db
8% Popularity • 29% Danceability • 24% Energy • 34% Liveness
19% Instrumentalness • 13% Positiveness
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Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
7% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
15% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Archangel Voices
Eis polla ~ Priest Georgi Izvekov
130 bpm • A# Maj • 01:24 • -23.19db
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: V. Benedictu...
130 bpm • G# min • 02:40 • -20.86db
7% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
29% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Johann Crüger
Deck Thyself, My Soul, with Gladness
130 bpm • D# Maj • 04:47 • -24.31db
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 5, A...
129 bpm • C# Maj • 03:31 • -21.8db
9% Popularity • 19% Danceability • 18% Energy • 8% Liveness
63% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
O Nata Lux
143 bpm • D Maj • 05:11 • -26.75db
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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The Wartburg Choir
Daniel, Servant of the Lord
143 bpm • D Maj • 03:03 • -17.89db
7% Popularity • 23% Danceability • 24% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: IVa. Sanctus
129 bpm • C Maj • 02:46 • -24.37db
8% Popularity • 19% Danceability • 12% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
129 bpm • E min • 02:40 • -30db
15% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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The National Lutheran Choir
We Shall Walk Through the Valley in Peac...
129 bpm • D# Maj • 03:44 • -31.27db
14% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 6% Positiveness
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Richard Runciman Terry
Praise to the Holiest in the Height
129 bpm • D Maj • 03:52 • -18.54db
10% Popularity • 22% Danceability • 21% Energy • 15% Liveness
6% Instrumentalness • 8% Positiveness
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Emil RÃ¥berg
The Tyger
143 bpm • F min • 03:28 • -29.28db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Communion Hymn of Pascha - S. Trubachev
129 bpm • B min • 01:18 • -31.6db
23% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Carlos Cordero
¡Ayúdame!
129 bpm • G min • 05:09 • -20.85db
8% Popularity • 22% Danceability • 40% Energy • 34% Liveness
93% Instrumentalness • 8% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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I Will Not Leave You Comfortless