Songs like I Will Praise Thee, Oh Lord by Knut Nystedt
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Pie Jesu (Alla helgons dag)
79 bpm • G# Maj • 03:27 • -13.25db
0% Popularity • 21% Danceability • 28% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 28% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Pekka Simojoki
Kiitos, Jumalamme, Kun Annoit Kauniin Ma...
79 bpm • G# min • 04:09 • -22.12db
8% Popularity • 14% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
He Shall Feed His Flock
79 bpm • G Maj • 04:49 • -22db
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
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Knut Nystedt
Peace I Leave With You
79 bpm • C# min • 02:37 • -23.16db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Mårten Jansson
Requiem Novum: III. Dies irae
79 bpm • F min • 08:43 • -18.57db
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Calmus Ensemble
Abschied Vom Walde
79 bpm • D# Maj • 02:41 • -23db
14% Popularity • 18% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 18% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Coro Accademia Filarmonica Romana
Adoramus te, Christe (II)
79 bpm • B min • 02:02 • -20db
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Geirr Tveitt
Geirr Tveitt / Håkon Berge: Vé no velk...
79 bpm • C# min • 02:40 • -19.79db
10% Popularity • 19% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Knut Nystedt
I Will Praise Thee, Oh Lord
79 bpm • E min • 01:39 • -17db
11% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
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Haderslev Domkirkes Pigekor
Et misericordia
79 bpm • A# Maj • 05:00 • -19db
11% Popularity • 15% Danceability • 15% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 12% Liveness
34% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Spotless Rose
79 bpm • G Maj • 02:55 • -25db
17% Popularity • 18% Danceability • 20% Energy • 28% Liveness
17% Instrumentalness • 21% Positiveness
17% Popularity • 18% Danceability • 20% Energy • 28% Liveness
17% Instrumentalness • 21% Positiveness
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The Hamrahlíð Choir
Hættu að gráta hringaná
79 bpm • G min • 01:35 • -25.21db
9% Popularity • 34% Danceability • 10% Energy • 61% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 10% Energy • 61% Liveness
0% Instrumentalness • 4% Positiveness
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F. Mendelsohn
Lyftu þínum augum upp
79 bpm • B Maj • 02:00 • -34.4db
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Hägerstens Kammarkör
Den blida vår är inne
79 bpm • A Maj • 04:34 • -27.24db
7% Popularity • 14% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Abendlied
78 bpm • F Maj • 02:42 • -20.45db
1% Popularity • 12% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
15% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
15% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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Knut Nystedt
Partita Hos Gud er idel glede, Op. 44: I...
78 bpm • A# Maj • 00:54 • -37.46db
2% Popularity • 15% Danceability • 1% Energy • 26% Liveness
98% Instrumentalness • 32% Positiveness
2% Popularity • 15% Danceability • 1% Energy • 26% Liveness
98% Instrumentalness • 32% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Thomas Morley
Fyer, Fyer!
78 bpm • F Maj • 02:30 • -17db
8% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
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Trond Kverno
Det Hellige Kors Vår Herre Han Bar
80 bpm • C# min • 02:40 • -22.01db
8% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
8% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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John Wells
Now Is the Hour
78 bpm • D# Maj • 02:24 • -25.74db
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Melchior Vulpius
Oppstanden Er Vår Frelsermann
80 bpm • A# Maj • 00:59 • -21.3db
11% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 3, Op. 145: ...
78 bpm • A# Maj • 02:12 • -40.47db
16% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Laestadian Lutheran Church
A Song of My Home I Am Singing SHZ 576
80 bpm • E min • 02:53 • -22.91db
12% Popularity • 15% Danceability • 11% Energy • 22% Liveness
9% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 11% Energy • 22% Liveness
9% Instrumentalness • 7% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
78 bpm • F Maj • 02:00 • -27.51db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Laestadian Lutheran Church
I Recall the Day of Rapture SHZ 315
78 bpm • G min • 03:22 • -22db
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
13% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe brève No. 7: II. Gloria
78 bpm • C Maj • 01:12 • -21db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
11% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Knut Nystedt
Laudate (Knut Nystedt)
80 bpm • A Maj • 01:55 • -15db
5% Popularity • 18% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 18% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
17% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Margaret Bonds
The Ballad of the Brown King: VIII. That...
80 bpm • G# Maj • 01:24 • -18.26db
7% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Lumen Valo
Pjotr Tsaikovski: Legend (op. 54/5)
81 bpm • E min • 03:04 • -22.64db
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Yves Castagnet
Castagnet: Guéris nos cœurs, Seigneur ...
77 bpm • G Maj • 03:56 • -15db
10% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rejike
In the Lord
77 bpm • F# Maj • 02:25 • -14.84db
28% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 18% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Knut Nystedt
Gloria
81 bpm • A min • 02:07 • -22.46db
5% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
10% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
77 bpm • C Maj • 04:51 • -27.92db
9% Popularity • 7% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Örebro Chamber Choir
Dofta, dofta, vit syren: Dofta, dofta vi...
81 bpm • A min • 01:38 • -27.43db
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Knut Nystedt
3 Motets, Op. 43: No. 1, Thus Saith the ...
77 bpm • G min • 01:54 • -26db
4% Popularity • 25% Danceability • 4% Energy • 16% Liveness
50% Instrumentalness • 3% Positiveness
4% Popularity • 25% Danceability • 4% Energy • 16% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
18% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Carl Orff
Odi et amo
81 bpm • D# min • 01:31 • -21db
9% Popularity • 28% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Michael John Trotta
Ubi Caritas
81 bpm • D Maj • 02:32 • -21.4db
13% Popularity • 12% Danceability • 11% Energy • 31% Liveness
44% Instrumentalness • 7% Positiveness
13% Popularity • 12% Danceability • 11% Energy • 31% Liveness
44% Instrumentalness • 7% Positiveness
► Preview
Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Stabat Mater dolorosa
81 bpm • B min • 04:14 • -29.04db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Laestadian Lutheran Church
O Jesus, Dearest Friend to Me SHZ 320
77 bpm • E min • 04:02 • -17.52db
13% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
13% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
► Preview
Knut Nystedt
Partita Hos Gud er idel glede, Op. 44: V...
77 bpm • A# Maj • 00:55 • -20.51db
2% Popularity • 20% Danceability • 8% Energy • 66% Liveness
94% Instrumentalness • 39% Positiveness
2% Popularity • 20% Danceability • 8% Energy • 66% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Ars Nova Copenhagen
Påskeblomst, Hvad Vil Du Her?
82 bpm • F Maj • 04:44 • -28db
11% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Erbarme dich (Långfredagen)
77 bpm • A# min • 07:39 • -11.82db
0% Popularity • 12% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Sexteto Cantábile
Exultate Deo (Alessandro Scarlatti)
76 bpm • B Maj • 01:45 • -18.18db
26% Popularity • 23% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
26% Popularity • 23% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
12% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
Pseudo-Yoik
76 bpm • A Maj • 02:30 • -10.45db
10% Popularity • 30% Danceability • 47% Energy • 33% Liveness
92% Instrumentalness • 31% Positiveness
10% Popularity • 30% Danceability • 47% Energy • 33% Liveness
92% Instrumentalness • 31% Positiveness
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Ronaldo Miranda
Suite Nordestina: III. Bumba chora
76 bpm • A# min • 02:18 • -18.69db
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Joseph Barnby
Psalm 7 "O Lord My God, in Thee Have I P...
76 bpm • A min • 05:02 • -32.84db
13% Popularity • 23% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 23% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Sumphonia
Zion, Sing! (Psalm 146)
76 bpm • D# Maj • 03:07 • -18.27db
10% Popularity • 12% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 12% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Joel
And So It Goes
82 bpm • D Maj • 03:37 • -24.58db
3% Popularity • 19% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
3% Popularity • 19% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Prima Luce
Little Hymn to Saint Joseph
82 bpm • F# Maj • 02:26 • -23.54db
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Christoph Ernst Friedrich Weyse
Det er så yndigt at følges ad
82 bpm • G# Maj • 03:56 • -25.47db
9% Popularity • 18% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Knut Nystedt
Peace I Leave With You
76 bpm • C# min • 01:45 • -19.75db
2% Popularity • 16% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 11% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Re...
82 bpm • G# min • 04:36 • -20db
8% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe brève No. 7: IV. O Salutaris Host...
82 bpm • F Maj • 02:19 • -35.08db
14% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Laestadian Lutheran Church
O Shepherd of the Sheep SHZ 269
75 bpm • G min • 05:44 • -22db
8% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Christopher Walker
Lord, Let Me Love You More and More
75 bpm • F# min • 03:08 • -20.5db
9% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
John Partridge
Dies irae for the Children of Ukraine
75 bpm • A min • 02:21 • -21.79db
14% Popularity • 12% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
