Songs like I Will Survive by CAKE
Based on a tempo of (+/- 10%) and a similar genre
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Cold War Kids
We Used To Vacation
96 bpm • C Maj • 04:01 • -4db
46% Popularity • 44% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 44% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Flight of the Conchords
Business Time
96 bpm • F min • 04:04 • -8.62db
44% Popularity • 82% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 82% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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The White Stripes
Fell In Love With a Girl
96 bpm • E min • 01:50 • -1.57db
73% Popularity • 36% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 36% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
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Sublime
What I Got
96 bpm • G Maj • 02:50 • -7.47db
75% Popularity • 80% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
75% Popularity • 80% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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CAKE
I Will Survive
96 bpm • E min • 05:10 • -8db
62% Popularity • 50% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 50% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Barenaked Ladies
Pinch Me
95 bpm • G Maj • 04:45 • -4db
57% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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The Raconteurs
Hands
97 bpm • C# Maj • 04:01 • -8db
36% Popularity • 32% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
36% Popularity • 32% Danceability • 67% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
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The Black Keys
Little Black Submarines
95 bpm • D Maj • 04:11 • -7.51db
70% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The White Stripes
Hello Operator
95 bpm • A# Maj • 02:36 • -8.94db
52% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Violent Femmes
Blister In The Sun
97 bpm • C Maj • 02:25 • -8.9db
73% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
73% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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CAKE
Nugget
96 bpm • F# Maj • 03:58 • -8db
48% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Sublime
Smoke Two Joints
95 bpm • G Maj • 02:53 • -6.19db
65% Popularity • 76% Danceability • 69% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
65% Popularity • 76% Danceability • 69% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Beck
Where It's At - Album Version W/ Intro
97 bpm • D Maj • 05:29 • -7.41db
44% Popularity • 67% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 54% Positiveness
44% Popularity • 67% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 54% Positiveness
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Queens of the Stone Age
Smooth Sailing
95 bpm • B Maj • 04:51 • -3.6db
54% Popularity • 59% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 59% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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The White Stripes
We're Going to Be Friends
97 bpm • G Maj • 02:20 • -5.75db
67% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Pearl Jam
Daughter - Remastered
97 bpm • G Maj • 03:54 • -9.69db
69% Popularity • 62% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 62% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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CAKE
She'll Come Back to Me
95 bpm • G Maj • 02:24 • -9.27db
26% Popularity • 54% Danceability • 60% Energy • 18% Liveness
9% Instrumentalness • 81% Positiveness
26% Popularity • 54% Danceability • 60% Energy • 18% Liveness
9% Instrumentalness • 81% Positiveness
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Modest Mouse
Lampshades on Fire
95 bpm • G min • 03:07 • -3.91db
57% Popularity • 66% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 66% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Goldfinger
99 Red Balloons
97 bpm • E Maj • 03:49 • -7.32db
62% Popularity • 28% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 28% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Everclear
Father Of Mine
97 bpm • C# Maj • 03:51 • -5.4db
62% Popularity • 57% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 57% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The White Stripes
My Doorbell
97 bpm • G# Maj • 04:01 • -9.97db
54% Popularity • 61% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
54% Popularity • 61% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Citizen King
Better Days (And the Bottom Drops Out)
95 bpm • A Maj • 03:27 • -3.31db
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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CAKE
Opera Singer
95 bpm • E Maj • 04:06 • -8db
39% Popularity • 71% Danceability • 68% Energy • 6% Liveness
2% Instrumentalness • 95% Positiveness
39% Popularity • 71% Danceability • 68% Energy • 6% Liveness
2% Instrumentalness • 95% Positiveness
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OK Go
Needing/Getting
95 bpm • D Maj • 05:13 • -4.28db
32% Popularity • 46% Danceability • 91% Energy • 30% Liveness
4% Instrumentalness • 24% Positiveness
32% Popularity • 46% Danceability • 91% Energy • 30% Liveness
4% Instrumentalness • 24% Positiveness
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Nada Surf
Popular
95 bpm • G Maj • 03:40 • -6.1db
56% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Everclear
Amphetamine
97 bpm • G Maj • 03:35 • -7db
39% Popularity • 32% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 32% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
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Sublime
Don't Push
97 bpm • G Maj • 04:19 • -8.34db
52% Popularity • 86% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 86% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Green Day
When I Come Around
98 bpm • B Maj • 02:58 • -4.24db
79% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
79% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Fountains Of Wayne
Sink to the Bottom
97 bpm • E Maj • 03:12 • -6.42db
48% Popularity • 47% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 47% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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R.E.M.
What’s The Frequency, Kenneth? - Remas...
94 bpm • D Maj • 04:00 • -4db
56% Popularity • 37% Danceability • 95% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
56% Popularity • 37% Danceability • 95% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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The White Stripes
Icky Thump
94 bpm • A Maj • 04:14 • -7.24db
66% Popularity • 42% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
66% Popularity • 42% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
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CAKE
Meanwhile, Rick James...
98 bpm • F Maj • 03:57 • -7db
38% Popularity • 68% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
38% Popularity • 68% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Sublime
Scarlet Begonias
97 bpm • E min • 03:31 • -7.95db
58% Popularity • 86% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
58% Popularity • 86% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
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Beastie Boys
Sure Shot
98 bpm • C# Maj • 03:19 • -7.92db
61% Popularity • 69% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 69% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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311
Come Original
94 bpm • B min • 03:43 • -5.59db
47% Popularity • 65% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 65% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Blind Melon
Mouthful Of Cavities
98 bpm • E min • 03:34 • -9.86db
46% Popularity • 34% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 44% Positiveness
46% Popularity • 34% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 44% Positiveness
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The White Stripes
I Just Don't Know What to Do With Myself
94 bpm • C Maj • 02:46 • -7.76db
55% Popularity • 40% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 40% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jack White
Love Interruption
94 bpm • A Maj • 02:37 • -11db
48% Popularity • 58% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 58% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Sublime
40oz. To Freedom
94 bpm • C Maj • 03:03 • -7.85db
60% Popularity • 69% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 69% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Presidents Of The United States Of America
Peaches
94 bpm • B Maj • 02:51 • -4db
67% Popularity • 41% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
67% Popularity • 41% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Soul Coughing
Super Bon Bon
99 bpm • C# Maj • 03:31 • -9db
53% Popularity • 69% Danceability • 72% Energy • 12% Liveness
11% Instrumentalness • 92% Positiveness
53% Popularity • 69% Danceability • 72% Energy • 12% Liveness
11% Instrumentalness • 92% Positiveness
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They Might Be Giants
Particle Man
94 bpm • A Maj • 01:55 • -8db
45% Popularity • 71% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 71% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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CAKE
Never, Never Gonna Give You Up
93 bpm • G Maj • 03:50 • -9.67db
37% Popularity • 71% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 71% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Filter
Take A Picture
99 bpm • D Maj • 06:03 • -8.04db
64% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Beastie Boys
Body Movin' - Remastered 2009
99 bpm • F# Maj • 03:03 • -7db
51% Popularity • 76% Danceability • 92% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
51% Popularity • 76% Danceability • 92% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
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Everclear
AM Radio
93 bpm • C# Maj • 03:56 • -4db
43% Popularity • 62% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 62% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Cold War Kids
Hang Me Up To Dry
92 bpm • A min • 03:38 • -2.82db
68% Popularity • 51% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 51% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
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The Flaming Lips
The W.A.N.D.
99 bpm • A Maj • 03:42 • -3.46db
43% Popularity • 53% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 53% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Sublime
5446 Thats My Number/ Ball And Chain
100 bpm • D Maj • 05:17 • -7.55db
54% Popularity • 67% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 67% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Band Of Skulls
I Know What I Am
100 bpm • A Maj • 03:18 • -4.4db
56% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Sugar Ray
Fly
100 bpm • C# Maj • 04:04 • -8.15db
67% Popularity • 84% Danceability • 65% Energy • 31% Liveness
22% Instrumentalness • 67% Positiveness
67% Popularity • 84% Danceability • 65% Energy • 31% Liveness
22% Instrumentalness • 67% Positiveness
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The Raconteurs
Consoler of the Lonely
100 bpm • C Maj • 03:25 • -4.99db
50% Popularity • 41% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 41% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Audioslave
Doesn't Remind Me
100 bpm • A Maj • 04:15 • -3.59db
63% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 46% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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311
All Mixed Up
92 bpm • A# min • 02:59 • -9.4db
61% Popularity • 76% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
61% Popularity • 76% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Pixies
Hey
100 bpm • G Maj • 03:30 • -12.37db
67% Popularity • 59% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
67% Popularity • 59% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
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Better Than Ezra
Desperately Wanting
100 bpm • C Maj • 04:37 • -5.29db
55% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
55% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
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Sugar Ray
Fly
100 bpm • C# Maj • 04:52 • -7.91db
46% Popularity • 82% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 82% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Blind Melon
Galaxie / Hello, Goodbye
100 bpm • C Maj • 03:31 • -7.98db
45% Popularity • 46% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 46% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Everclear
Everything To Everyone
100 bpm • C Maj • 03:20 • -6db
55% Popularity • 65% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 65% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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CAKE
Long Line of Cars
100 bpm • B min • 03:23 • -8.24db
45% Popularity • 74% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 88% Positiveness
45% Popularity • 74% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 88% Positiveness
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They Might Be Giants
Birdhouse in Your Soul
100 bpm • G# Maj • 03:18 • -8.32db
57% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Flight of the Conchords
Hiphopopotamus vs. Rhymenoceros
100 bpm • A min • 02:09 • -9.39db
47% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Sugar Ray
When It's Over - David Kahne Main
100 bpm • E Maj • 03:37 • -5.77db
57% Popularity • 68% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Sublime
Badfish
92 bpm • B min • 03:08 • -5.48db
71% Popularity • 80% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
71% Popularity • 80% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Butthole Surfers
Dracula From Houston
100 bpm • E Maj • 03:42 • -3.9db
47% Popularity • 58% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 58% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Spoon
I Turn My Camera On
100 bpm • A# Maj • 03:32 • -6.42db
56% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Queens of the Stone Age
Make It Wit Chu
92 bpm • A Maj • 04:50 • -5.29db
68% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dishwalla
Counting Blue Cars (Tell Me Your Thought...
100 bpm • B min • 04:51 • -4.36db
58% Popularity • 45% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 45% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Semisonic
Closing Time
92 bpm • G Maj • 04:34 • -5.45db
74% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
74% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Soul Coughing
Rolling
92 bpm • F# min • 03:36 • -8.99db
36% Popularity • 55% Danceability • 67% Energy • 9% Liveness
8% Instrumentalness • 58% Positiveness
36% Popularity • 55% Danceability • 67% Energy • 9% Liveness
8% Instrumentalness • 58% Positiveness
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Butthole Surfers
The Shame of Life
92 bpm • G Maj • 03:54 • -6.64db
44% Popularity • 60% Danceability • 86% Energy • 33% Liveness
11% Instrumentalness • 62% Positiveness
44% Popularity • 60% Danceability • 86% Energy • 33% Liveness
11% Instrumentalness • 62% Positiveness
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Everclear
Santa Monica
100 bpm • G Maj • 03:11 • -5.33db
68% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
68% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Red Hot Chili Peppers
Give It Away
92 bpm • G Maj • 04:42 • -9.92db
74% Popularity • 67% Danceability • 94% Energy • 15% Liveness
9% Instrumentalness • 78% Positiveness
74% Popularity • 67% Danceability • 94% Energy • 15% Liveness
9% Instrumentalness • 78% Positiveness
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G. Love & Special Sauce
Cold Beverage
101 bpm • D min • 02:33 • -8.21db
42% Popularity • 66% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 66% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Counting Crows
Hanginaround
91 bpm • C Maj • 04:07 • -7db
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Third Eye Blind
Jumper - 1998 Edit
91 bpm • C Maj • 04:32 • -9.23db
66% Popularity • 60% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 60% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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DISPATCH
The General
91 bpm • A# Maj • 04:06 • -6.14db
59% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
59% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Sublime
Santeria
91 bpm • C# min • 03:02 • -5.02db
79% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Red Hot Chili Peppers
Aeroplane
101 bpm • F Maj • 04:45 • -4.7db
63% Popularity • 64% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 64% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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The Mighty Mighty Bosstones
The Impression That I Get
91 bpm • E Maj • 03:15 • -17.18db
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Beastie Boys
Hey Ladies
102 bpm • C# Maj • 03:47 • -10.65db
52% Popularity • 95% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 95% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Incubus
Drive
91 bpm • E min • 03:52 • -7.34db
80% Popularity • 64% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
80% Popularity • 64% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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XTC
Dear God - Remastered 2001
91 bpm • G Maj • 03:39 • -8db
53% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Third Eye Blind
Semi-Charmed Life
102 bpm • G Maj • 04:28 • -6.58db
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Red Hot Chili Peppers
Suck My Kiss
102 bpm • C Maj • 03:37 • -9.96db
66% Popularity • 62% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 62% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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The White Stripes
The Denial Twist
90 bpm • A# min • 02:35 • -7.99db
58% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Live
I Alone
90 bpm • F# Maj • 03:51 • -7.28db
65% Popularity • 40% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
65% Popularity • 40% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 10% Positiveness
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Soul Coughing
Soft Serve
90 bpm • C Maj • 03:12 • -12db
37% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sublime
Date Rape
102 bpm • E min • 03:37 • -8.2db
59% Popularity • 64% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 64% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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CAKE
Strangers in the Night
90 bpm • A min • 02:51 • -10.95db
39% Popularity • 73% Danceability • 40% Energy • 52% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 73% Danceability • 40% Energy • 52% Liveness
0% Instrumentalness • 66% Positiveness
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Blues Traveler
But Anyway
102 bpm • C# min • 04:09 • -9.14db
55% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Fiona Apple
Criminal
90 bpm • G min • 05:41 • -7.91db
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Live
Lightning Crashes
90 bpm • B Maj • 05:25 • -9.26db
70% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Talking Heads
Burning Down the House
103 bpm • F min • 04:01 • -13.14db
65% Popularity • 78% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
65% Popularity • 78% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
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Sublime
Same In The End
102 bpm • D min • 02:36 • -4.26db
61% Popularity • 64% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 64% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Soul Coughing
Circles
102 bpm • C Maj • 03:06 • -7db
47% Popularity • 70% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
47% Popularity • 70% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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CAKE
Mahna, Mahna
90 bpm • G Maj • 02:54 • -11.37db
42% Popularity • 74% Danceability • 48% Energy • 7% Liveness
47% Instrumentalness • 64% Positiveness
42% Popularity • 74% Danceability • 48% Energy • 7% Liveness
47% Instrumentalness • 64% Positiveness
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OK Go
The Writing's On the Wall
103 bpm • G Maj • 03:33 • -3.65db
45% Popularity • 55% Danceability • 97% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 55% Danceability • 97% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
