Songs like I Wish Someone Would Care by Irma Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Irma Thomas
I Wish Someone Would Care
154 bpm • D Maj • 04:18 • -5.17db
7% Popularity • 42% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 42% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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George McGregor & The Bronzettes
Temptation Is Hard to Fight
154 bpm • A Maj • 02:44 • -8.46db
30% Popularity • 37% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 37% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Bill Withers
Use Me
155 bpm • B min • 03:48 • -13.46db
68% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Minnie Riperton
Les Fleurs
152 bpm • F# Maj • 03:19 • -9.45db
60% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Charles Bradley
Heartaches and Pain
155 bpm • C Maj • 02:56 • -9db
44% Popularity • 53% Danceability • 44% Energy • 5% Liveness
55% Instrumentalness • 60% Positiveness
44% Popularity • 53% Danceability • 44% Energy • 5% Liveness
55% Instrumentalness • 60% Positiveness
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Bobbie Gentry
He Made A Woman Out Of Me
156 bpm • C min • 02:37 • -16.84db
36% Popularity • 58% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 58% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Garnet Mimms & The Enchanters
Cry Baby
151 bpm • A# Maj • 03:28 • -11db
35% Popularity • 52% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 52% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Ann Peebles
Trouble, Heartaches & Sadness
157 bpm • D min • 02:41 • -8.39db
54% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ruby Johnson
I'll Run Your Hurt Away
151 bpm • F Maj • 03:07 • -9.98db
30% Popularity • 64% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 64% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby "Blue" Bland
Ain't No Love In The Heart Of The City -...
158 bpm • A min • 03:53 • -18.25db
66% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
66% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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Wanda Davis
Where Did You Sleep Last Night
158 bpm • E min • 03:39 • -9.75db
24% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ruth Brown
Sweet Baby of Mine
149 bpm • D Maj • 02:33 • -8.72db
37% Popularity • 76% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 76% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Fontella Bass
Honey Bee
149 bpm • A# min • 02:05 • -7.7db
22% Popularity • 56% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 56% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Captain Beefheart & His Magic Band
I'm Glad
148 bpm • D Maj • 03:30 • -10.05db
46% Popularity • 37% Danceability • 41% Energy • 11% Liveness
26% Instrumentalness • 35% Positiveness
46% Popularity • 37% Danceability • 41% Energy • 11% Liveness
26% Instrumentalness • 35% Positiveness
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Labi Siffre
It Must Be Love
148 bpm • B min • 03:56 • -12.03db
48% Popularity • 64% Danceability • 37% Energy • 3% Liveness
34% Instrumentalness • 62% Positiveness
48% Popularity • 64% Danceability • 37% Energy • 3% Liveness
34% Instrumentalness • 62% Positiveness
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Charles Bradley
Changes
148 bpm • C Maj • 05:42 • -8.27db
62% Popularity • 41% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 41% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ann Peebles
I Can't Stand the Rain
160 bpm • C# Maj • 02:30 • -12.33db
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
56% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Irma Thomas
Nobody Wants To Hear Nobody's Troubles
147 bpm • G Maj • 03:08 • -9.8db
11% Popularity • 51% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 51% Danceability • 55% Energy • 72% Liveness
0% Instrumentalness • 74% Positiveness
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Gloria Jones
Tainted Love - Single Version
161 bpm • G# Maj • 02:11 • -5.66db
48% Popularity • 52% Danceability • 68% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 52% Danceability • 68% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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Jean Wells
Have a Little Mercy
147 bpm • D# Maj • 02:35 • -6.6db
22% Popularity • 45% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 45% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Wendy Rene
Give You What I Got
162 bpm • G Maj • 02:47 • -12.05db
34% Popularity • 62% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 62% Danceability • 26% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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LaVern Baker
Love Me Right
146 bpm • C# Maj • 01:54 • -7db
46% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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The Invincibles
Heart Full of Love
146 bpm • F# min • 02:04 • -13.66db
43% Popularity • 57% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
43% Popularity • 57% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Sil Austin
Slow Walk
146 bpm • F Maj • 02:39 • -9db
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
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Cat Power
New York
146 bpm • G min • 02:01 • -8db
51% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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![This Will Be Our Year [Mono] cover art](https://i.scdn.co/image/ab67616d00001e0298ce064ab1bb36180d1b02ea)
The Zombies
This Will Be Our Year [Mono]
146 bpm • A Maj • 02:09 • -9.32db
43% Popularity • 40% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 40% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Dylan
The Man in Me
145 bpm • G# Maj • 03:06 • -9.37db
60% Popularity • 42% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
60% Popularity • 42% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
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Melba Moore
The Magic Touch
164 bpm • G# Maj • 02:27 • -12.98db
25% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Irma Thomas
Wish Someone Would Care
164 bpm • G Maj • 02:20 • -12.1db
35% Popularity • 40% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 40% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
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Lion
You've Got a Woman
144 bpm • F# min • 03:25 • -7.36db
53% Popularity • 72% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 72% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Shuggie Otis
Sweet Thang
143 bpm • G Maj • 04:12 • -13.4db
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
52% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
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Ruby Johnson
When My Love Comes Down
144 bpm • D Maj • 02:43 • -12.78db
29% Popularity • 58% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 58% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jackson C. Frank
Blues Run the Game
166 bpm • C# Maj • 03:31 • -13.92db
55% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Dorsey
Working in the Coal Mine
143 bpm • A# Maj • 02:49 • -9.06db
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Irma Thomas
Hittin' On Nothing
144 bpm • D min • 02:17 • -10.44db
34% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Chuck & Mac
Powerful Love
142 bpm • F Maj • 02:46 • -10db
31% Popularity • 47% Danceability • 50% Energy • 40% Liveness
1% Instrumentalness • 57% Positiveness
31% Popularity • 47% Danceability • 50% Energy • 40% Liveness
1% Instrumentalness • 57% Positiveness
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Martha Reeves & The Vandellas
(Love Is Like A) Heat Wave
167 bpm • C min • 02:43 • -9.29db
64% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
64% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
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The Impressions
People Get Ready
142 bpm • C# Maj • 02:43 • -12.67db
58% Popularity • 41% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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King Curtis
A Whiter Shade of Pale
142 bpm • C Maj • 03:55 • -10.58db
32% Popularity • 31% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
32% Popularity • 31% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
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Bill Moss
Number One
142 bpm • B min • 03:01 • -9db
16% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Irma Thomas
Baby Don't Look Down
167 bpm • C Maj • 02:34 • -10.6db
23% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Mable John
Shouldn't I Love Him
167 bpm • E Maj • 02:29 • -12.38db
29% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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William Bell
I Forgot To Be Your Lover
142 bpm • E min • 02:22 • -12.6db
59% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Denise LaSalle
Trapped By a Thing Called Love
141 bpm • F min • 02:38 • -5db
32% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Laura Lee
Dirty Man
168 bpm • D Maj • 02:51 • -15db
32% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Labi Siffre
Watch Me
168 bpm • A Maj • 03:33 • -10.92db
51% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Irma Thomas
You Don't Miss A Good Thing (Until It's ...
168 bpm • A Maj • 02:22 • -10.72db
34% Popularity • 32% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 32% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Funkadelic
Can You Get To That
141 bpm • G# Maj • 02:49 • -5.44db
61% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Charles Bradley
Victim of Love
141 bpm • E Maj • 03:30 • -7.26db
52% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Ben E. King with orchestra
This Magic Moment
141 bpm • C Maj • 02:27 • -13.83db
35% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Delfonics
Didn't I (Blow Your Mind This Time)
141 bpm • A Maj • 03:21 • -7db
55% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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O.V. Wright
Motherless Child
170 bpm • A min • 02:34 • -13.47db
30% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Connie Francis
Fallin'
139 bpm • E min • 02:13 • -7.62db
43% Popularity • 59% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 59% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 88% Positiveness
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Donny Hathaway
I Love You More Than You'll Ever Know
139 bpm • C min • 05:20 • -14.29db
48% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Big John Hamilton
How Much Can A Man Take
139 bpm • A# Maj • 02:45 • -8.31db
15% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sam & Dave
When Something Is Wrong with My Baby
139 bpm • C# Maj • 03:14 • -6db
43% Popularity • 38% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 38% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Charles Bradley
How Long
171 bpm • C min • 03:54 • -7.02db
51% Popularity • 37% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 37% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Allen Toussaint
Soul Sister - Remastered Version
171 bpm • F Maj • 02:49 • -9.13db
42% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Shuggie Otis
Strawberry Letter 23
171 bpm • A min • 03:59 • -12.8db
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Chuck Jackson
I Don't Want to Cry
139 bpm • C Maj • 02:21 • -13.07db
24% Popularity • 45% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 45% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
138 bpm • D# Maj • 03:08 • -14db
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
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Bob Dylan
Wigwam
138 bpm • C Maj • 03:08 • -8.64db
41% Popularity • 41% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
41% Popularity • 41% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Marlena Shaw
Let's Wade In The Water
137 bpm • C Maj • 03:34 • -5db
42% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
42% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
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Booker T. & the M.G.'s
Green Onions
137 bpm • A# Maj • 02:56 • -8.74db
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
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Jimmy Cliff
Many Rivers To Cross
138 bpm • F Maj • 02:44 • -16db
50% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Dorothy Moore
Misty Blue
173 bpm • D# Maj • 03:42 • -14.66db
54% Popularity • 39% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
54% Popularity • 39% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Charles Sheffield
It's Your Voodoo Working
136 bpm • G# Maj • 01:46 • -11.19db
37% Popularity • 60% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 60% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Screamin' Jay Hawkins
I Put a Spell On You
174 bpm • A# min • 02:24 • -12.09db
51% Popularity • 73% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
51% Popularity • 73% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 90% Positiveness
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Linda Lyndell
What A Man
174 bpm • G Maj • 02:40 • -8db
57% Popularity • 58% Danceability • 71% Energy • 20% Liveness
8% Instrumentalness • 90% Positiveness
57% Popularity • 58% Danceability • 71% Energy • 20% Liveness
8% Instrumentalness • 90% Positiveness
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Them Two
Am I a Good Man
174 bpm • D# min • 03:09 • -4.88db
41% Popularity • 26% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
41% Popularity • 26% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Karen Dalton
Little Bit Of Rain
174 bpm • D Maj • 02:36 • -22db
53% Popularity • 43% Danceability • 6% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
53% Popularity • 43% Danceability • 6% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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The Crystals
Then He Kissed Me
136 bpm • E Maj • 02:38 • -7.95db
62% Popularity • 43% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 43% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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The Rivingtons
Deep Water
175 bpm • B Maj • 03:03 • -14.46db
13% Popularity • 36% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 36% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Mable John
Running Out
175 bpm • C Maj • 02:08 • -9.46db
39% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
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Syl Johnson
Is It Because I'm Black
135 bpm • G# min • 07:34 • -8.94db
41% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Wanda Jackson
Funnel Of Love
135 bpm • C Maj • 02:08 • -9.8db
57% Popularity • 60% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 60% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
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Elizabeth Cotten and Brenda Evans
Shake Sugaree
176 bpm • A# Maj • 05:02 • -10.19db
42% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Meters
Cissy Strut
176 bpm • C Maj • 03:06 • -12.73db
60% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
60% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
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Tracy Nelson
I Did My Part
176 bpm • D Maj • 02:19 • -6.84db
3% Popularity • 55% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
3% Popularity • 55% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Johnson
A Good Man
134 bpm • C min • 02:15 • -10.65db
5% Popularity • 54% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 75% Positiveness
5% Popularity • 54% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 75% Positiveness
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Nolan Strong and The Diabl...
Do You Remember What You Did
134 bpm • F Maj • 03:11 • -11db
3% Popularity • 54% Danceability • 50% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
3% Popularity • 54% Danceability • 50% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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The Exciters
Tell Him - Single Version
177 bpm • F Maj • 02:36 • -11db
52% Popularity • 71% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 71% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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The Chiffons
One Fine Day
177 bpm • C# Maj • 02:08 • -2.69db
62% Popularity • 25% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
62% Popularity • 25% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
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Irma Thomas
It's Starting To Get To Me Now
177 bpm • A Maj • 02:22 • -10.43db
31% Popularity • 31% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 31% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Helene Smith
Pain In My Heart
177 bpm • F Maj • 02:52 • -6.1db
23% Popularity • 34% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 67% Positiveness
23% Popularity • 34% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 67% Positiveness
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Mable John
Your Good Thing (Is About to End)
133 bpm • C Maj • 02:56 • -12.47db
20% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lee Hazlewood
My Autumn's Done Come
133 bpm • E min • 04:06 • -13.84db
34% Popularity • 30% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 30% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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The Zombies
Summertime
178 bpm • A min • 02:17 • -12.16db
59% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Temptations
Get Ready
133 bpm • G Maj • 02:44 • -5.87db
64% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Irma Thomas
Teasing But You're Pleasing
133 bpm • A# min • 01:46 • -9.41db
37% Popularity • 57% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Shirley Ann Lee
There's A Light
133 bpm • C min • 01:57 • -7.77db
49% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Barrett Strong
Money (That's What I Want) - Single Vers...
132 bpm • F Maj • 02:38 • -7.32db
62% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Equatics
Merry Go Round
132 bpm • C min • 02:43 • -10.62db
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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The Zombies
She's Not There
132 bpm • E min • 02:26 • -6.98db
66% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
66% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Turtles
You Showed Me
182 bpm • C min • 03:16 • -11.13db
47% Popularity • 32% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 32% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Irma Thomas
Good To Me
133 bpm • G# Maj • 02:34 • -15.94db
36% Popularity • 61% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 61% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Patsy Cline
She's Got You - Single Version
183 bpm • F Maj • 03:01 • -17.55db
57% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
