Songs like I Wonder What Would Happen to This World by Harry Chapin
Based on a tempo of (+/- 10%) and a similar genre
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Three Dog Night
An Old Fashioned Love Song
101 bpm • F Maj • 03:26 • -15.92db
42% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Harry Chapin
I Wonder What Would Happen to This World
101 bpm • G# Maj • 03:34 • -11.37db
14% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Northcott
Girl of the North Country
101 bpm • C Maj • 03:16 • -8db
7% Popularity • 44% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 44% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Leon & Mary Russell
Love's Supposed to Be That Way
100 bpm • A Maj • 03:19 • -6.42db
9% Popularity • 62% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 62% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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Orleans
Fresh Wind
100 bpm • E Maj • 03:21 • -11db
22% Popularity • 63% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 63% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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B.W. Stevenson
Save a Little Time for Love
100 bpm • G Maj • 02:16 • -13.49db
13% Popularity • 58% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 58% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Three Dog Night
An Old Fashioned Love Song
101 bpm • A# Maj • 03:50 • -13db
46% Popularity • 46% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
46% Popularity • 46% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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The Grass Roots
Back To Dreamin' Again
102 bpm • F Maj • 02:37 • -6.24db
28% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Partridge Family
I'm Here You're Here
100 bpm • A min • 02:53 • -9.67db
15% Popularity • 45% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 45% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Lighthouse
Take It Slow (Out In The Country)
100 bpm • D Maj • 03:11 • -9.67db
14% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Seals and Crofts
When I Meet Them
102 bpm • C Maj • 03:38 • -11.3db
22% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Ozark Mountain Daredevils
Lowlands
100 bpm • D Maj • 03:44 • -19.01db
18% Popularity • 48% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Three Dog Night
Out In The Country
100 bpm • G Maj • 03:09 • -15db
48% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Aztec Two-Step
Killing Me
103 bpm • D Maj • 03:59 • -16.66db
15% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Warren Zevon
Tenderness on the Block
99 bpm • E Maj • 03:58 • -8.82db
32% Popularity • 63% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 63% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Shawn Phillips
Bright White
103 bpm • D Maj • 02:54 • -10.75db
12% Popularity • 59% Danceability • 75% Energy • 42% Liveness
2% Instrumentalness • 81% Positiveness
12% Popularity • 59% Danceability • 75% Energy • 42% Liveness
2% Instrumentalness • 81% Positiveness
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Pousette-Dart Band
Listen to the Spirit
99 bpm • D Maj • 03:31 • -11.82db
25% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Firefall
Someday Soon
103 bpm • D Maj • 04:03 • -15db
25% Popularity • 60% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 60% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Jackson Browne
Rock Me on the Water - Remastered
99 bpm • G Maj • 04:14 • -10.14db
39% Popularity • 44% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 44% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Buffett
Death Of An Unpopular Poet
99 bpm • G Maj • 03:41 • -12.16db
30% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Orleans
Time Passes On
99 bpm • E Maj • 03:35 • -13db
36% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 72% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Gerry Rafferty
Home and Dry
103 bpm • C# Maj • 04:57 • -11.7db
37% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Firefall
Sad Ol' Love Song
99 bpm • D Maj • 04:42 • -14db
21% Popularity • 63% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
21% Popularity • 63% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Jonathan Edwards
Athens County
104 bpm • G# Maj • 02:45 • -14db
20% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jackson Browne
Rosie - Remastered
104 bpm • E Maj • 03:41 • -14db
42% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Shawn Phillips
We
98 bpm • A Maj • 03:41 • -9.42db
15% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Orleans
Dance with Me
98 bpm • D Maj • 03:00 • -10.08db
62% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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The Guess Who
Lightfoot
98 bpm • D Maj • 03:08 • -14.51db
17% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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The Young Rascals
Mustang Sally - Single Version
98 bpm • C Maj • 04:01 • -16db
19% Popularity • 66% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 66% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Bread
Dismal Day
104 bpm • G Maj • 02:21 • -13.74db
29% Popularity • 69% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 69% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Livingston Taylor
Good Friends
98 bpm • F Maj • 03:00 • -18.61db
13% Popularity • 67% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 67% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Harry Chapin
Odd Job Man
105 bpm • D Maj • 05:15 • -10.2db
13% Popularity • 64% Danceability • 65% Energy • 86% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 64% Danceability • 65% Energy • 86% Liveness
0% Instrumentalness • 68% Positiveness
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Jesse Winchester
You Remember Me
105 bpm • A# Maj • 04:45 • -10.54db
9% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Stephen Stills
Love the One You're With
97 bpm • C Maj • 03:04 • -11.22db
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sanford Townsend Band
Lou
97 bpm • G Maj • 03:29 • -9.68db
11% Popularity • 61% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 61% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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The Grass Roots
Walking Through The Country
97 bpm • A# Maj • 03:53 • -6.71db
18% Popularity • 56% Danceability • 61% Energy • 17% Liveness
57% Instrumentalness • 79% Positiveness
18% Popularity • 56% Danceability • 61% Energy • 17% Liveness
57% Instrumentalness • 79% Positiveness
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Aztec Two-Step
So Easy
97 bpm • E Maj • 01:48 • -14.96db
14% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Forbert
That Sweet Love You Give (Sure Goes A Lo...
105 bpm • C# min • 03:38 • -5.54db
25% Popularity • 61% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 61% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Harry Chapin
Corey's Coming
105 bpm • G Maj • 05:41 • -11.82db
25% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Jimmy Buffett
Truckstop Salvation
96 bpm • G Maj • 05:47 • -15.44db
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Box Tops
Sweet Cream Ladies, Forward March
97 bpm • C# Maj • 02:14 • -15db
26% Popularity • 70% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 70% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Miller Band
Dance, Dance, Dance
96 bpm • G Maj • 02:17 • -11.16db
53% Popularity • 46% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 46% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Doobie Brothers
Listen to the Music
106 bpm • C# min • 03:47 • -13.18db
78% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
78% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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The Association
The Time It Is Today
106 bpm • E min • 02:16 • -15.71db
25% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 50% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Tommy James & The Shondells
Sweet Cherry Wine
106 bpm • C Maj • 04:30 • -10db
18% Popularity • 52% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 52% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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Three Dog Night
Celebrate
96 bpm • D Maj • 03:01 • -9.97db
30% Popularity • 27% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 27% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Goodman
Lincoln Park Pirates
96 bpm • A min • 03:35 • -7.87db
16% Popularity • 59% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 59% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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The Moody Blues
Never Comes The Day
107 bpm • G Maj • 04:43 • -11db
40% Popularity • 28% Danceability • 42% Energy • 46% Liveness
1% Instrumentalness • 18% Positiveness
40% Popularity • 28% Danceability • 42% Energy • 46% Liveness
1% Instrumentalness • 18% Positiveness
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Pure Prairie League
Boulder Skies
107 bpm • C Maj • 04:01 • -19.51db
25% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Association
No Fair at All
96 bpm • D Maj • 02:37 • -11db
25% Popularity • 49% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 49% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Joel
Light As the Breeze
96 bpm • C Maj • 06:12 • -8.45db
24% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Chapin
Sniper
107 bpm • F Maj • 09:58 • -12.91db
17% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Janis Ian
Society's Child (Baby I've Been Thinking...
107 bpm • A# Maj • 03:12 • -9db
29% Popularity • 45% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 45% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Forbert
January 23-30, 1978
95 bpm • A# Maj • 04:25 • -8.01db
23% Popularity • 59% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 59% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Bread
Make It by Yourself
95 bpm • G# Maj • 03:50 • -12.9db
32% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Livingston Taylor
Carolina Day
95 bpm • F Maj • 03:08 • -16db
29% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Ozark Mountain Daredevils
It Probably Always Will
95 bpm • C Maj • 03:13 • -11.69db
31% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Partridge Family
You Are Always On My Mind
95 bpm • C# Maj • 02:54 • -8.33db
25% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Association
Never My Love - Mono 45 Mix
95 bpm • C# Maj • 02:55 • -12db
29% Popularity • 50% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 50% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Forbert
Romeo's Tune
95 bpm • A Maj • 03:32 • -5.65db
62% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
62% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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David Soul
1927 Kansas City
95 bpm • D Maj • 03:11 • -17.12db
11% Popularity • 63% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
11% Popularity • 63% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Ides Of March
L.A. Goodbye - Remastered Version
95 bpm • C# Maj • 02:51 • -13.94db
19% Popularity • 53% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 53% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Ray Stevens
Mr. Businessman
95 bpm • E Maj • 03:23 • -7.76db
18% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Cashman & West
American City Suite (Single Version)
94 bpm • F Maj • 07:44 • -11.15db
9% Popularity • 39% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 39% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Guess Who
I Found Her In A Star
108 bpm • A# Maj • 02:37 • -11.48db
32% Popularity • 50% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 50% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Seals and Crofts
Intone My Servant
94 bpm • F Maj • 03:04 • -11.47db
25% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Badfinger
Come And Get It - Remastered 2010
94 bpm • G# Maj • 02:23 • -7db
48% Popularity • 62% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 62% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Gary Puckett & The Union Gap
Don't Give In to Him
109 bpm • A Maj • 02:28 • -12db
25% Popularity • 40% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 40% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Chapin
The Mayor of Candor Lied
109 bpm • C Maj • 08:28 • -11.96db
19% Popularity • 46% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 46% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Chicago
Harry Truman - 2002 Remaster
94 bpm • D Maj • 03:03 • -8db
20% Popularity • 48% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 48% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Traveling Wilburys
You Took My Breath Away
94 bpm • C Maj • 03:18 • -6db
46% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Seals and Crofts
Advance Guards
109 bpm • A Maj • 04:15 • -13.65db
21% Popularity • 65% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 65% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Three Dog Night
Black And White
109 bpm • B Maj • 03:26 • -12db
44% Popularity • 69% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 96% Positiveness
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The Association
Everything That Touches You
110 bpm • G Maj • 03:18 • -12db
32% Popularity • 55% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 55% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Harry Chapin
Story of a Life
94 bpm • E Maj • 05:21 • -13.21db
22% Popularity • 50% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 50% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Pousette-Dart Band
There's Been a Mistake
109 bpm • G Maj • 02:55 • -10.02db
27% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Lovin' Spoonful
Darlin' Companion - 2003 Remaster
93 bpm • D Maj • 02:19 • -9db
30% Popularity • 63% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 63% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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The Poppy Family
I Thought Of You Again
110 bpm • E Maj • 02:26 • -8.22db
18% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Seals and Crofts
Hummingbird
93 bpm • D min • 04:33 • -10db
41% Popularity • 40% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 40% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Bread
Welcome to the Music
110 bpm • F Maj • 02:57 • -11.38db
25% Popularity • 57% Danceability • 76% Energy • 11% Liveness
33% Instrumentalness • 97% Positiveness
25% Popularity • 57% Danceability • 76% Energy • 11% Liveness
33% Instrumentalness • 97% Positiveness
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Glen Campbell
(Sittin' On) The Dock Of The Bay - Remas...
110 bpm • D Maj • 02:32 • -11db
47% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Harry Chapin
Everybody's Lonely
111 bpm • E Maj • 04:06 • -15.41db
13% Popularity • 66% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 66% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Aztec Two-Step
Almost Apocalypse
111 bpm • A Maj • 03:50 • -15db
8% Popularity • 55% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 55% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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The Grass Roots
Bella Linda
111 bpm • C# Maj • 03:06 • -8.63db
27% Popularity • 49% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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The Ozark Mountain Daredevils
What's Happened Along In My Life
111 bpm • G# Maj • 03:31 • -12.18db
21% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Jonathan Edwards
Train of Glory
112 bpm • G Maj • 02:28 • -13.75db
20% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jackson Browne
For Everyman
91 bpm • D Maj • 06:12 • -11.56db
34% Popularity • 52% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Chapin
She Is Always Seventeen - Live; 1975
111 bpm • B min • 04:20 • -12.94db
21% Popularity • 51% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 51% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jefferson Starship
Count on Me
112 bpm • A Maj • 03:14 • -14.91db
51% Popularity • 55% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 55% Danceability • 32% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Edward Bear
Masquerade - Remastered 1991
91 bpm • F Maj • 02:38 • -8.95db
19% Popularity • 52% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 52% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Three Dog Night
Sunlight
112 bpm • B Maj • 03:52 • -16.86db
24% Popularity • 68% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 68% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Lovin' Spoonful
Rain On The Roof - 2003 Remaster
112 bpm • D Maj • 02:11 • -13.52db
38% Popularity • 60% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 60% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Blood, Sweat & Tears
Hi-De-Ho
113 bpm • C Maj • 04:23 • -14.48db
32% Popularity • 37% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 37% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Harry Chapin
Mr. Tanner
92 bpm • G Maj • 05:13 • -13.31db
19% Popularity • 42% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 42% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Elton John
Dixie Lily - Remastered 1995
90 bpm • A Maj • 02:55 • -8.93db
25% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jonathan Edwards
Everybody Knows Her
113 bpm • A Maj • 01:53 • -15db
30% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Gerry Rafferty
Sign On the Dotted Line
113 bpm • C Maj • 02:35 • -10.9db
9% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
