Songs like I Won't Give Up - Instrumental by James Nasers
Based on a tempo of (+/- 10%) and a similar genre
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Nathan Reed
Just the Way You Are
137 bpm • D Maj • 03:54 • -20db
27% Popularity • 66% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 38% Positiveness
27% Popularity • 66% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 38% Positiveness
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Richard Mayner
El Mar
137 bpm • G Maj • 03:13 • -20.33db
25% Popularity • 56% Danceability • 21% Energy • 16% Liveness
60% Instrumentalness • 51% Positiveness
25% Popularity • 56% Danceability • 21% Energy • 16% Liveness
60% Instrumentalness • 51% Positiveness
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James Nasers
I Won't Give Up - Instrumental
137 bpm • E Maj • 03:58 • -7.83db
35% Popularity • 53% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 53% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Atlantic Five Sax Department
One More Night
137 bpm • D# Maj • 04:12 • -10db
45% Popularity • 51% Danceability • 36% Energy • 27% Liveness
86% Instrumentalness • 34% Positiveness
45% Popularity • 51% Danceability • 36% Energy • 27% Liveness
86% Instrumentalness • 34% Positiveness
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Sergio Ortiz
Por una Cabeza
138 bpm • D min • 01:47 • -13.07db
50% Popularity • 25% Danceability • 30% Energy • 31% Liveness
93% Instrumentalness • 36% Positiveness
50% Popularity • 25% Danceability • 30% Energy • 31% Liveness
93% Instrumentalness • 36% Positiveness
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Kanticos
Mientes También
136 bpm • G Maj • 03:54 • -11.53db
43% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Denis Turbide
Here Comes The Sun
138 bpm • A Maj • 02:54 • -9.14db
45% Popularity • 48% Danceability • 52% Energy • 28% Liveness
20% Instrumentalness • 55% Positiveness
45% Popularity • 48% Danceability • 52% Energy • 28% Liveness
20% Instrumentalness • 55% Positiveness
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David Llaguno Saxofonista
Entra en Mi Vida - Sax Instrumental Vers...
138 bpm • C Maj • 04:10 • -12.94db
27% Popularity • 57% Danceability • 33% Energy • 13% Liveness
8% Instrumentalness • 21% Positiveness
27% Popularity • 57% Danceability • 33% Energy • 13% Liveness
8% Instrumentalness • 21% Positiveness
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Giacomo Bondi
Total Eclipse of the Heart
136 bpm • G Maj • 05:14 • -8.63db
11% Popularity • 66% Danceability • 30% Energy • 23% Liveness
33% Instrumentalness • 29% Positiveness
11% Popularity • 66% Danceability • 30% Energy • 23% Liveness
33% Instrumentalness • 29% Positiveness
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Stars Magical Orchestra
Vuelve
138 bpm • F# Maj • 04:48 • -17.25db
22% Popularity • 62% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
22% Popularity • 62% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Andreas Herber
Fix You
136 bpm • G Maj • 04:19 • -19.66db
17% Popularity • 63% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
17% Popularity • 63% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Raul Di Blasio
Vivir Sin Aire
136 bpm • G Maj • 05:07 • -10.25db
31% Popularity • 56% Danceability • 53% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
31% Popularity • 56% Danceability • 53% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
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El Cajon de La Musica
Vivo por Ella (Vivo Per Lei) - Saxo y Fl...
136 bpm • D Maj • 04:25 • -11.05db
29% Popularity • 38% Danceability • 26% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
29% Popularity • 38% Danceability • 26% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Carmen da Silva
We Are the World
136 bpm • F Maj • 03:33 • -16.01db
37% Popularity • 60% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
37% Popularity • 60% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Daywind
Everything I Do, I Do It For You
138 bpm • C Maj • 03:11 • -10db
25% Popularity • 48% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
25% Popularity • 48% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Giovanni Vivanco
Si Tu Te Vas
135 bpm • B Maj • 04:30 • -11.47db
38% Popularity • 66% Danceability • 41% Energy • 28% Liveness
39% Instrumentalness • 13% Positiveness
38% Popularity • 66% Danceability • 41% Energy • 28% Liveness
39% Instrumentalness • 13% Positiveness
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Sax Gold
Always on My Mind
139 bpm • D Maj • 03:45 • -9.07db
23% Popularity • 32% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 22% Positiveness
23% Popularity • 32% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 22% Positiveness
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Ken Smith
Time in a Bottle
139 bpm • D Maj • 02:26 • -10db
23% Popularity • 61% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
23% Popularity • 61% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Sax 4 Lovers
Arthur's Theme
135 bpm • A Maj • 04:19 • -9.38db
32% Popularity • 67% Danceability • 50% Energy • 6% Liveness
88% Instrumentalness • 28% Positiveness
32% Popularity • 67% Danceability • 50% Energy • 6% Liveness
88% Instrumentalness • 28% Positiveness
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El Cajon de La Musica
A Thousand Years - Saxophone & Flute
139 bpm • A# Maj • 04:40 • -12.32db
28% Popularity • 40% Danceability • 26% Energy • 11% Liveness
27% Instrumentalness • 23% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 11% Liveness
27% Instrumentalness • 23% Positiveness
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Glendon Smith
A Moment Like This
140 bpm • F Maj • 04:45 • -9.94db
14% Popularity • 46% Danceability • 35% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
14% Popularity • 46% Danceability • 35% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
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Giovanni Vivanco
La Vida Sin Ti
135 bpm • D min • 04:23 • -11.57db
39% Popularity • 60% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 15% Positiveness
39% Popularity • 60% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 15% Positiveness
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Los Hijos del sol
Let It Be
140 bpm • D Maj • 03:26 • -8.43db
36% Popularity • 53% Danceability • 45% Energy • 12% Liveness
43% Instrumentalness • 32% Positiveness
36% Popularity • 53% Danceability • 45% Energy • 12% Liveness
43% Instrumentalness • 32% Positiveness
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Jimmy De León
Somos Novios
134 bpm • D min • 03:27 • -13db
45% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
45% Popularity • 82% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
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The Royal Sax Band
Because of You
140 bpm • F min • 03:40 • -7.23db
25% Popularity • 52% Danceability • 51% Energy • 18% Liveness
91% Instrumentalness • 27% Positiveness
25% Popularity • 52% Danceability • 51% Energy • 18% Liveness
91% Instrumentalness • 27% Positiveness
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Alessandro Minci
Viva la Vida
140 bpm • E min • 04:38 • -19db
30% Popularity • 51% Danceability • 10% Energy • 17% Liveness
2% Instrumentalness • 15% Positiveness
30% Popularity • 51% Danceability • 10% Energy • 17% Liveness
2% Instrumentalness • 15% Positiveness
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James Nasers
Let It Go - Instrumental
140 bpm • G Maj • 03:48 • -5.06db
18% Popularity • 49% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 25% Positiveness
18% Popularity • 49% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 25% Positiveness
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Giovanni Vivanco
Contigo en la Distancia
140 bpm • G Maj • 03:40 • -18.2db
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
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Andreas Herber
When I Was Your Man
140 bpm • F# Maj • 03:39 • -19db
27% Popularity • 65% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
27% Popularity • 65% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Lucas Heffer
Olvidé Respirar
140 bpm • C# Maj • 04:10 • -18.53db
31% Popularity • 56% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
31% Popularity • 56% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Georg Erixon
You're Still the One
134 bpm • D# Maj • 03:28 • -14db
48% Popularity • 66% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
48% Popularity • 66% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
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Sax Gold
Bad Day
140 bpm • D# Maj • 03:54 • -7.38db
24% Popularity • 55% Danceability • 64% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
24% Popularity • 55% Danceability • 64% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
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Domi de Angeles
Por Debajo de La Mesa (Guitar)
140 bpm • C Maj • 03:07 • -7db
30% Popularity • 57% Danceability • 47% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
30% Popularity • 57% Danceability • 47% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
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Giovanni Vivanco
I Will Always Love You
134 bpm • A Maj • 04:11 • -17db
44% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
44% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Discovey Light Orchestra
A Mi Manera
140 bpm • F Maj • 02:56 • -13db
50% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
50% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
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Zantalino and his Orchestra
Your Song
134 bpm • E Maj • 03:50 • -13db
24% Popularity • 51% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
24% Popularity • 51% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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SaxAndViolin
I Will Always Love You
134 bpm • E Maj • 04:19 • -9db
30% Popularity • 24% Danceability • 32% Energy • 7% Liveness
55% Instrumentalness • 19% Positiveness
30% Popularity • 24% Danceability • 32% Energy • 7% Liveness
55% Instrumentalness • 19% Positiveness
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James Newson
I Will Always Love You
134 bpm • A Maj • 03:38 • -10.18db
42% Popularity • 36% Danceability • 27% Energy • 37% Liveness
13% Instrumentalness • 32% Positiveness
42% Popularity • 36% Danceability • 27% Energy • 37% Liveness
13% Instrumentalness • 32% Positiveness
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Los Últimos Románticos
Eclipse Total de Corazón
134 bpm • A Maj • 05:58 • -9.84db
32% Popularity • 65% Danceability • 60% Energy • 9% Liveness
81% Instrumentalness • 28% Positiveness
32% Popularity • 65% Danceability • 60% Energy • 9% Liveness
81% Instrumentalness • 28% Positiveness
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Kanticos
Si Tu No Estás AquÃ
133 bpm • E Maj • 04:07 • -11db
44% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Pop Strings Orchestra
Balada para Adelina
132 bpm • C Maj • 03:34 • -5.97db
26% Popularity • 55% Danceability • 60% Energy • 22% Liveness
81% Instrumentalness • 31% Positiveness
26% Popularity • 55% Danceability • 60% Energy • 22% Liveness
81% Instrumentalness • 31% Positiveness
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Samuel Solis"Saxofonista"
Burn Ellie (Sax Instrumental Version)
132 bpm • D Maj • 03:57 • -5.95db
18% Popularity • 24% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
18% Popularity • 24% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
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Jose Asunción
Unchained Melody
132 bpm • C Maj • 03:08 • -11.13db
29% Popularity • 35% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
29% Popularity • 35% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Sergio Ortiz
Sueño Imposible
132 bpm • C Maj • 02:30 • -19db
51% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
51% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Pierluigi Colangelo
Bella's Lullaby - Two Guitars
142 bpm • A Maj • 02:51 • -18.13db
46% Popularity • 48% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
46% Popularity • 48% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Polo SolÃs
She - Instrumental
132 bpm • C# Maj • 03:06 • -7.91db
13% Popularity • 35% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 35% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Alessandro Minci
What a Wonderful World
131 bpm • C Maj • 02:27 • -18.27db
39% Popularity • 48% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
39% Popularity • 48% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Stars Magical Orchestra
DejarÃa Todo
143 bpm • G# Maj • 04:30 • -14db
35% Popularity • 53% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
35% Popularity • 53% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
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Rick Cyge
Here Comes the Sun
143 bpm • G Maj • 02:00 • -12.23db
42% Popularity • 49% Danceability • 45% Energy • 12% Liveness
84% Instrumentalness • 62% Positiveness
42% Popularity • 49% Danceability • 45% Energy • 12% Liveness
84% Instrumentalness • 62% Positiveness
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Roman Jameson
Perfect Day
144 bpm • A# Maj • 03:37 • -25.29db
29% Popularity • 46% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
29% Popularity • 46% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Miguel Nacel
El Sueno Imposible
144 bpm • C Maj • 03:26 • -8db
37% Popularity • 46% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Samuel Solis"Saxofonista"
Rude (Sax Instrumental Version)
144 bpm • D# Maj • 03:42 • -6.95db
26% Popularity • 74% Danceability • 40% Energy • 17% Liveness
88% Instrumentalness • 83% Positiveness
26% Popularity • 74% Danceability • 40% Energy • 17% Liveness
88% Instrumentalness • 83% Positiveness
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EDDY GUIRAO
Un Hombre Normal
144 bpm • F Maj • 04:23 • -8.54db
39% Popularity • 54% Danceability • 58% Energy • 42% Liveness
70% Instrumentalness • 55% Positiveness
39% Popularity • 54% Danceability • 58% Energy • 42% Liveness
70% Instrumentalness • 55% Positiveness
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Stars Magical Orchestra
Te PerdÃ
144 bpm • C Maj • 04:17 • -15.5db
18% Popularity • 64% Danceability • 36% Energy • 16% Liveness
89% Instrumentalness • 10% Positiveness
18% Popularity • 64% Danceability • 36% Energy • 16% Liveness
89% Instrumentalness • 10% Positiveness
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Raul Di Blasio
Melissa
144 bpm • D Maj • 04:28 • -10db
46% Popularity • 44% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 16% Positiveness
46% Popularity • 44% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 16% Positiveness
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The Marco Phillipe Orchestra
Father and Son
144 bpm • D# Maj • 02:50 • -15.3db
45% Popularity • 52% Danceability • 28% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
45% Popularity • 52% Danceability • 28% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
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Adrian Perticone
Para Decir Adiós
144 bpm • G Maj • 04:37 • -14.38db
41% Popularity • 55% Danceability • 35% Energy • 11% Liveness
14% Instrumentalness • 18% Positiveness
41% Popularity • 55% Danceability • 35% Energy • 11% Liveness
14% Instrumentalness • 18% Positiveness
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James Nasers
Sky Full Of Stars - Instrumental
130 bpm • D# min • 04:14 • -8.33db
17% Popularity • 54% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
17% Popularity • 54% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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John Warrington
Because You Loved Me
130 bpm • D Maj • 04:15 • -13.2db
39% Popularity • 59% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 24% Positiveness
39% Popularity • 59% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 24% Positiveness
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The Intimate Orchestra
The Greatest Love Of All
130 bpm • F# min • 04:54 • -12db
32% Popularity • 61% Danceability • 50% Energy • 9% Liveness
9% Instrumentalness • 20% Positiveness
32% Popularity • 61% Danceability • 50% Energy • 9% Liveness
9% Instrumentalness • 20% Positiveness
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Andreas Herber
You & I
130 bpm • F# Maj • 02:37 • -19.39db
29% Popularity • 69% Danceability • 17% Energy • 9% Liveness
83% Instrumentalness • 71% Positiveness
29% Popularity • 69% Danceability • 17% Energy • 9% Liveness
83% Instrumentalness • 71% Positiveness
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Cole Albrighton
Lemon Tree
130 bpm • E min • 02:44 • -15db
34% Popularity • 81% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
34% Popularity • 81% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Felicity Saxophonist
Always Remember Us This Way
130 bpm • C Maj • 03:24 • -7.81db
25% Popularity • 56% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 17% Positiveness
25% Popularity • 56% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 17% Positiveness
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Glendon Smith
I Know I'll Never Love This Way Again
130 bpm • C Maj • 03:50 • -12db
37% Popularity • 51% Danceability • 38% Energy • 27% Liveness
87% Instrumentalness • 31% Positiveness
37% Popularity • 51% Danceability • 38% Energy • 27% Liveness
87% Instrumentalness • 31% Positiveness
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SAX David Pérez
Mi Mayor Anhelo
130 bpm • A# Maj • 03:20 • -8.15db
23% Popularity • 60% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Romero Iglesias
El Guardaespaldas - I Will Always Love Y...
130 bpm • E Maj • 04:23 • -14db
30% Popularity • 55% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 26% Positiveness
30% Popularity • 55% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 26% Positiveness
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Alexandra Ilieva
Killing me Softly (lo-fi)
130 bpm • G Maj • 02:12 • -14.04db
32% Popularity • 75% Danceability • 41% Energy • 5% Liveness
83% Instrumentalness • 56% Positiveness
32% Popularity • 75% Danceability • 41% Energy • 5% Liveness
83% Instrumentalness • 56% Positiveness
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O.J. Saxo
7 Years
130 bpm • G# Maj • 02:25 • -12.2db
33% Popularity • 70% Danceability • 30% Energy • 11% Liveness
75% Instrumentalness • 36% Positiveness
33% Popularity • 70% Danceability • 30% Energy • 11% Liveness
75% Instrumentalness • 36% Positiveness
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The String Theorist
I'll Stand by You (Acoustic Guitar Instr...
130 bpm • G Maj • 03:57 • -11.26db
41% Popularity • 79% Danceability • 21% Energy • 11% Liveness
17% Instrumentalness • 25% Positiveness
41% Popularity • 79% Danceability • 21% Energy • 11% Liveness
17% Instrumentalness • 25% Positiveness
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Glendon Smith
Hard to Say I'm Sorry
130 bpm • A# Maj • 04:30 • -10.55db
30% Popularity • 60% Danceability • 44% Energy • 32% Liveness
68% Instrumentalness • 18% Positiveness
30% Popularity • 60% Danceability • 44% Energy • 32% Liveness
68% Instrumentalness • 18% Positiveness
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Glen Lucas
Say You, Say Me
130 bpm • G# Maj • 03:57 • -13db
38% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
38% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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James Nasers
Lucky - Instrumental
130 bpm • A min • 03:06 • -8.8db
21% Popularity • 48% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 58% Positiveness
21% Popularity • 48% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 58% Positiveness
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Zariz
Carrozas de Fuego
130 bpm • D Maj • 03:14 • -15.73db
21% Popularity • 79% Danceability • 27% Energy • 11% Liveness
17% Instrumentalness • 47% Positiveness
21% Popularity • 79% Danceability • 27% Energy • 11% Liveness
17% Instrumentalness • 47% Positiveness
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António Santos
All By My Self
130 bpm • G min • 04:36 • -10.24db
9% Popularity • 35% Danceability • 38% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
9% Popularity • 35% Danceability • 38% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
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Magic Piano Covers
Balada para Adelina
145 bpm • C Maj • 02:32 • -17.86db
44% Popularity • 38% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
44% Popularity • 38% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Kanticos
No Se Me Hace Fácil
145 bpm • E Maj • 03:52 • -9.83db
43% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Graziatto
Tutu (Saxophone)
145 bpm • A Maj • 03:05 • -16.5db
28% Popularity • 86% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 66% Positiveness
28% Popularity • 86% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 66% Positiveness
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Pepito Ros e A.M.P.
Sorry seems to be the hardest word
130 bpm • G min • 03:39 • -8.77db
28% Popularity • 41% Danceability • 29% Energy • 27% Liveness
73% Instrumentalness • 18% Positiveness
28% Popularity • 41% Danceability • 29% Energy • 27% Liveness
73% Instrumentalness • 18% Positiveness
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Sandor Enyedi
See You Again
146 bpm • G Maj • 04:22 • -10.73db
40% Popularity • 46% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
40% Popularity • 46% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Snake Hips Johnson
Without You
129 bpm • E Maj • 03:18 • -4.76db
31% Popularity • 50% Danceability • 35% Energy • 10% Liveness
52% Instrumentalness • 18% Positiveness
31% Popularity • 50% Danceability • 35% Energy • 10% Liveness
52% Instrumentalness • 18% Positiveness
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Corey Higgins
Then
146 bpm • C Maj • 03:52 • -21.55db
20% Popularity • 53% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
20% Popularity • 53% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Fausto Papetti
Feelings
146 bpm • E min • 03:36 • -11db
33% Popularity • 34% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 36% Positiveness
33% Popularity • 34% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 36% Positiveness
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Sébastien Hogge
I Don't Want to Miss a Thing
129 bpm • D Maj • 03:02 • -18.24db
45% Popularity • 43% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
45% Popularity • 43% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Piano Joe
From This Moment On - solo piano
128 bpm • G# Maj • 01:17 • -20db
41% Popularity • 46% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
41% Popularity • 46% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Jimmy De León
Nada Personal
146 bpm • G Maj • 03:04 • -11.57db
46% Popularity • 72% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
46% Popularity • 72% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Glendon Smith
Home
128 bpm • G# Maj • 03:53 • -10.4db
24% Popularity • 53% Danceability • 31% Energy • 11% Liveness
68% Instrumentalness • 31% Positiveness
24% Popularity • 53% Danceability • 31% Energy • 11% Liveness
68% Instrumentalness • 31% Positiveness
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Glenn Roth
Kiss from a Rose
128 bpm • D Maj • 04:15 • -15db
39% Popularity • 38% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 55% Positiveness
39% Popularity • 38% Danceability • 32% Energy • 14% Liveness
87% Instrumentalness • 55% Positiveness
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John Warrington
I Will Always Love You
128 bpm • G# Maj • 03:05 • -12.71db
44% Popularity • 40% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
44% Popularity • 40% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Los Hijos del sol
Pretty Woman
128 bpm • A Maj • 02:55 • -11db
39% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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AgustÃn Amigó
A Groovy Kind of Love - Guitar Solo
147 bpm • C# Maj • 02:38 • -15.54db
46% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
46% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Taita Inka
Imagine
148 bpm • C Maj • 03:34 • -3.73db
29% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Glendon Smith
You're Still the One
128 bpm • A# Maj • 03:56 • -12db
36% Popularity • 56% Danceability • 35% Energy • 6% Liveness
61% Instrumentalness • 38% Positiveness
36% Popularity • 56% Danceability • 35% Energy • 6% Liveness
61% Instrumentalness • 38% Positiveness
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Sax Gold
Illegal
148 bpm • D Maj • 03:56 • -9.27db
17% Popularity • 57% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
17% Popularity • 57% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
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O.J. Saxo
Let It Be
148 bpm • A# Maj • 03:54 • -9.12db
32% Popularity • 62% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 43% Positiveness
32% Popularity • 62% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 43% Positiveness
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Giovanni Vivanco
Lágrimas en el Cielo
148 bpm • F# min • 04:49 • -11.95db
38% Popularity • 78% Danceability • 31% Energy • 11% Liveness
43% Instrumentalness • 25% Positiveness
38% Popularity • 78% Danceability • 31% Energy • 11% Liveness
43% Instrumentalness • 25% Positiveness
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William Ness
Sailing
148 bpm • A Maj • 03:19 • -17.69db
26% Popularity • 57% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 29% Positiveness
26% Popularity • 57% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 29% Positiveness
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Pepito Ross
Hotel California
148 bpm • D Maj • 06:32 • -13.03db
23% Popularity • 66% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 61% Positiveness
23% Popularity • 66% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 61% Positiveness
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Jorge Espinoza Y Su Violin
Por Ti Volare
148 bpm • G Maj • 04:29 • -10.26db
32% Popularity • 15% Danceability • 45% Energy • 32% Liveness
4% Instrumentalness • 9% Positiveness
32% Popularity • 15% Danceability • 45% Energy • 32% Liveness
4% Instrumentalness • 9% Positiveness