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Ich muss dir so viel sagen
Songs like
Ich muss dir so viel sagen
by
Theo Mackeben
Based on a tempo of (+/- 10%) and a similar genre
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Hamburger Radio-Tanz- und Unterhaltungs-Orchester
La Vie En Rose (Schau mich bitte nicht s...
93 bpm • A# Maj • 02:49 • -14.99db
12% Popularity • 26% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Carl Millöcker
Die Dubarry: "Wie schön ist alles" (Ren...
93 bpm • D# Maj • 04:03 • -11.64db
0% Popularity • 21% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Hunter Greens
Sacramento Mint
92 bpm • D# Maj • 01:10 • -19.71db
12% Popularity • 82% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
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Wilhelm Strienz
Gute Nacht, Mutter
92 bpm • A# Maj • 03:07 • -12.73db
13% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Hans Carste
Guter Mond
94 bpm • F Maj • 03:19 • -12.54db
5% Popularity • 50% Danceability • 23% Energy • 20% Liveness
21% Instrumentalness • 73% Positiveness
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Kay Kyser & His Orchestra
Jingle, Jangle, Jingle
94 bpm • G min • 03:20 • -16.54db
9% Popularity • 69% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Peter Kreuder
Das gibt's nur einmal
94 bpm • D# Maj • 02:28 • -13.57db
15% Popularity • 69% Danceability • 27% Energy • 6% Liveness
82% Instrumentalness • 65% Positiveness
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Carl Millöcker
Die Dubarry: Dialog 8 (René, Jeanne)
93 bpm • A# Maj • 02:06 • -15.39db
0% Popularity • 64% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Matty Malneck
Goody Goody
94 bpm • C min • 02:34 • -13.96db
7% Popularity • 67% Danceability • 43% Energy • 22% Liveness
79% Instrumentalness • 92% Positiveness
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Willy Berking
Der kleine Klaus
94 bpm • G min • 02:22 • -4.37db
9% Popularity • 63% Danceability • 68% Energy • 9% Liveness
93% Instrumentalness • 80% Positiveness
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Aubrey Winter
Mounted Police
92 bpm • C Maj • 01:23 • -9.52db
11% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
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Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
10% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Theo Mackeben
Du hast Glück bei den Frau’n, Bel Ami...
95 bpm • C Maj • 02:55 • -16.64db
0% Popularity • 35% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
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Edgar Wallace - Filmedition
Teil 8 - Folge 11: Der grüne Bogenschü...
91 bpm • C# min • 03:02 • -15.58db
7% Popularity • 51% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
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Peter Igelhoff
Qui Madame
94 bpm • F Maj • 02:53 • -9.22db
10% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Serge Baudo
Tableau 4
91 bpm • E min • 01:08 • -12db
12% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
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Die Goldene Sieben
Capriolen
95 bpm • F Maj • 02:56 • -13.14db
16% Popularity • 79% Danceability • 43% Energy • 20% Liveness
40% Instrumentalness • 77% Positiveness
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Theo Mackeben
Frauen sind keine Engel
95 bpm • D# Maj • 01:59 • -22.9db
0% Popularity • 24% Danceability • 13% Energy • 9% Liveness
77% Instrumentalness • 22% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Zarah Leander
Wunderbar
96 bpm • A# Maj • 02:38 • -14db
7% Popularity • 62% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Carl Millöcker
Die Dubarry: Dialog 20 (René, Jeanne)
96 bpm • D Maj • 06:44 • -17.97db
0% Popularity • 65% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Die Goldene Sieben
Darf ich bitten
96 bpm • F Maj • 02:48 • -4db
9% Popularity • 65% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 82% Positiveness
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Elliot H. Smith
Dipsy Daisie
96 bpm • G Maj • 02:49 • -9.57db
9% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
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Theo Mackeben
Nur nicht aus Liebe weinen
91 bpm • D min • 03:35 • -10.6db
0% Popularity • 31% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Ray Noble
By the Fireside
96 bpm • F Maj • 03:20 • -14.7db
8% Popularity • 32% Danceability • 16% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
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Wurlitzer Pipe Organ
Oh' What A Beautiful Morning
96 bpm • E Maj • 01:29 • -17db
10% Popularity • 40% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 19% Positiveness
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環球合唱團
散塔露其亞
96 bpm • D# Maj • 03:40 • -16.76db
10% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jack Cottrell
She's Never Been Seen Since Then
90 bpm • A Maj • 02:37 • -14.89db
15% Popularity • 86% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Walzer Orchestra
Annern-Polkaern Polka
90 bpm • C Maj • 03:18 • -14.41db
9% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Theo Mackeben
Bel Ami
95 bpm • D# Maj • 03:10 • -12.03db
0% Popularity • 33% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
96 bpm • A# Maj • 02:54 • -14db
11% Popularity • 40% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Plate
1! 2! 3!
90 bpm • F Maj • 04:33 • -6.64db
18% Popularity • 44% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Jean Paques
Who
90 bpm • D# Maj • 01:34 • -29.73db
18% Popularity • 68% Danceability • 15% Energy • 4% Liveness
66% Instrumentalness • 69% Positiveness
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環球合唱團
獵人合唱
96 bpm • G# Maj • 01:29 • -16.98db
13% Popularity • 79% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Willi Forst
Ja, wenn das Wörtchen "wenn" nicht wär
90 bpm • E Maj • 03:04 • -14.79db
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Theo Mackeben
Bei Dir War Es Immer so Schön
96 bpm • G min • 03:36 • -10.07db
0% Popularity • 26% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Marlene Dietrich
Ich Von Kopf Buss fuss Auf Liebe Eingest...
97 bpm • C# Maj • 03:04 • -14.84db
14% Popularity • 46% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Victor Silvester
You'll Never Know
97 bpm • D Maj • 02:43 • -10.93db
11% Popularity • 46% Danceability • 29% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
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Herman Finck
Dream Girl
97 bpm • D# Maj • 01:20 • -12.19db
15% Popularity • 39% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Joe Rixner
Lively Lulu
89 bpm • G# Maj • 02:46 • -10.07db
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
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Carl Millöcker
Die Dubarry: "Ich habe Liebe schon genos...
97 bpm • D Maj • 03:19 • -13.31db
0% Popularity • 31% Danceability • 32% Energy • 56% Liveness
0% Instrumentalness • 26% Positiveness
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Theo Mackeben
Bei dir war es immer so schön [Arr. F....
97 bpm • F min • 04:29 • -17.22db
0% Popularity • 22% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Raymond Scott
Nice Day in the Country - 1940
97 bpm • C Maj • 02:49 • -14.34db
11% Popularity • 77% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
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Victor Silvester
People Will Say We're In Love
97 bpm • G# Maj • 02:03 • -12.64db
13% Popularity • 41% Danceability • 32% Energy • 23% Liveness
91% Instrumentalness • 53% Positiveness
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Kurt Weill
Die Dreigroschenoper (The Threepenny Ope...
97 bpm • D Maj • 01:16 • -16db
0% Popularity • 75% Danceability • 25% Energy • 18% Liveness
8% Instrumentalness • 68% Positiveness
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Erich Ponto
Lied von der Unzulänglichkeit menschlic...
97 bpm • C Maj • 01:28 • -19db
0% Popularity • 70% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Victor Silvester and His Ballroom Orchestra
Mister Sandman
97 bpm • A# min • 02:45 • -16.42db
13% Popularity • 65% Danceability • 21% Energy • 12% Liveness
69% Instrumentalness • 80% Positiveness
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Pedro Concepcion
Nagmamahal Ako
89 bpm • G Maj • 03:09 • -16.92db
9% Popularity • 32% Danceability • 9% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
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Theo Mackeben
Anita und der Teufel: Bei Dir war es imm...
89 bpm • E min • 04:10 • -18.1db
0% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Victor Silvester
The Way You Look Tonight
97 bpm • G# Maj • 02:53 • -10.02db
13% Popularity • 56% Danceability • 39% Energy • 24% Liveness
91% Instrumentalness • 85% Positiveness
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Zarah Leander
Cheri, du bist heut’ so anders
89 bpm • E Maj • 03:00 • -13.85db
8% Popularity • 28% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lilian Harvey
Guten Tag, liebes Glück
97 bpm • D# Maj • 03:07 • -14db
15% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Marek Weber
Das Gibt Nur Einmal
98 bpm • G min • 03:29 • -7.56db
9% Popularity • 60% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 70% Positiveness
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Bonet de San Pedro
¡oh Susana!
98 bpm • C Maj • 02:41 • -14.5db
2% Popularity • 82% Danceability • 33% Energy • 11% Liveness
27% Instrumentalness • 96% Positiveness
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Theo Mackeben
Madchen in Weiss: Ich bin auf der Welt, ...
98 bpm • A# Maj • 02:50 • -15.31db
0% Popularity • 31% Danceability • 23% Energy • 22% Liveness
45% Instrumentalness • 15% Positiveness
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Michiru Oshima
天使との戯れ
98 bpm • G Maj • 01:36 • -10.46db
14% Popularity • 63% Danceability • 12% Energy • 8% Liveness
61% Instrumentalness • 29% Positiveness
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Victor Silvester
Shall We Dance
98 bpm • D# Maj • 02:09 • -12.36db
10% Popularity • 48% Danceability • 29% Energy • 23% Liveness
88% Instrumentalness • 78% Positiveness
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The Savoy Orchestra
Wait Till the Sun Shines, Nellie
98 bpm • F Maj • 01:54 • -6.22db
7% Popularity • 57% Danceability • 42% Energy • 25% Liveness
39% Instrumentalness • 77% Positiveness
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Walter Kollo
Das war in Schöneberg im Monat Mai (Aus...
98 bpm • D Maj • 04:55 • -17.07db
0% Popularity • 34% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Carl Millöcker
Die Dubarry: Jeanne dala (Sung in Hungar...
88 bpm • D Maj • 03:56 • -11db
0% Popularity • 26% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Erhard Bauschke
Sag mir bloss, was ist los mit der Lilly...
98 bpm • C# Maj • 02:58 • -9.1db
11% Popularity • 88% Danceability • 48% Energy • 8% Liveness
13% Instrumentalness • 86% Positiveness
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Evelyn Künneke
Oh ja - oh nein
98 bpm • G min • 02:31 • -12db
22% Popularity • 78% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Victor Silvester
This Can't Be Love
98 bpm • C# Maj • 01:59 • -13.25db
13% Popularity • 65% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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Mischa Spoliansky
Meine Beste Freundin
98 bpm • C# Maj • 02:37 • -19.93db
7% Popularity • 65% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Marlene Dietrich
He lied and I listened - Manpower, 1941
98 bpm • E min • 01:23 • -12.63db
15% Popularity • 67% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Carl Millöcker
Die Dubarry: Dialog 1 (Jeanne)
88 bpm • B min • 02:24 • -20.07db
0% Popularity • 53% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Inge Brandenburg
Das Riesenrad
88 bpm • G min • 02:07 • -8.45db
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Evelyn Künneke
Sing Nachtigall Sing
99 bpm • C Maj • 03:04 • -14db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Kurt Weill
Die Dreigroschenoper (The Threepenny Ope...
99 bpm • A Maj • 01:18 • -18.58db
0% Popularity • 70% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Bavarian Radio Symphony Orchestra
Glückliche Reise: 'Drüben in der Heima...
88 bpm • G# Maj • 03:27 • -9.49db
0% Popularity • 30% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Manfred Zalden
Meine Lieblingsmelodie
99 bpm • C Maj • 02:50 • -14db
7% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Carl Millöcker
Die Dubarry: "Spieluhr" - Dialog 15 (Jea...
88 bpm • D Maj • 08:42 • -16.95db
0% Popularity • 61% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Al Goodhart
Auf Wiedersehen My Dear
99 bpm • C min • 02:57 • -18.88db
8% Popularity • 46% Danceability • 17% Energy • 55% Liveness
15% Instrumentalness • 40% Positiveness
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徐慶復
港口春宵
99 bpm • D# Maj • 02:57 • -19.16db
8% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Ilse Werner
Die Kleine Stadt Will Schlafen Geh\'n
99 bpm • D# Maj • 03:13 • -11.99db
8% Popularity • 57% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Theo Mackeben
Pechmarie
87 bpm • F Maj • 03:20 • -12.48db
0% Popularity • 24% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Theater Des Westens
La Cage Aux Folles: Song Am Strand
99 bpm • E Maj • 03:06 • -18.26db
10% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Carl Millöcker
Die Dubarry: Dialog 23 (Manon, Brissac)
87 bpm • C Maj • 03:36 • -15.74db
0% Popularity • 64% Danceability • 35% Energy • 54% Liveness
0% Instrumentalness • 37% Positiveness
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Mia Brentano
No Time to Stop
99 bpm • F min • 02:58 • -11.72db
15% Popularity • 46% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Oldřich Nový
Políbit Ruku Vám A Říci Děkuji
99 bpm • D# Maj • 02:37 • -14.29db
13% Popularity • 69% Danceability • 26% Energy • 36% Liveness
1% Instrumentalness • 79% Positiveness
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Clemens von Lengsfeld
Kapitel 30.2 - Adolf Hitler
87 bpm • G# min • 03:06 • -14.2db
7% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Koichi Sugii
Shasou (沙窓)
100 bpm • G# Maj • 03:10 • -15.3db
9% Popularity • 68% Danceability • 37% Energy • 3% Liveness
85% Instrumentalness • 92% Positiveness
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Paul Abraham
Viktoria und ihr Husar: Pardon, Madame
100 bpm • F# Maj • 01:28 • -15db
9% Popularity • 27% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Carl Millöcker
Die Dubarry: "Ich schenk mein Herz"
100 bpm • D Maj • 01:58 • -12.28db
0% Popularity • 32% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Victor Silvester
The Lady Is A Tramp
100 bpm • D# Maj • 02:02 • -12db
21% Popularity • 59% Danceability • 29% Energy • 38% Liveness
89% Instrumentalness • 70% Positiveness
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Andre Kostelanetz & His Orchestra
My Romance
87 bpm • B min • 03:43 • -22.48db
8% Popularity • 24% Danceability • 12% Energy • 12% Liveness
53% Instrumentalness • 18% Positiveness
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徐慶復
秋天的落葉
86 bpm • D min • 03:09 • -14.59db
8% Popularity • 25% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Kurt Weill
Die Dreigroschenoper (The Threepenny Ope...
86 bpm • A min • 02:56 • -8.76db
0% Popularity • 34% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
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Marlene Dietrich
Ich Bin Von Kopf Bis Fuss Auf Liebe Eing...
100 bpm • C# Maj • 03:04 • -12db
29% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Greta Keller
These Foolish Things
86 bpm • D# Maj • 03:42 • -16db
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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New Light Symphony Orchestra
Toytown (Parade of the Tin Soldiers)
100 bpm • A Maj • 01:05 • -17db
13% Popularity • 67% Danceability • 23% Energy • 24% Liveness
80% Instrumentalness • 63% Positiveness
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Koichi Sugii
Kouga-no-Sazanami (黄河の漣)
100 bpm • D Maj • 03:04 • -15.32db
10% Popularity • 51% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
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Walter Jurmann
In dich hab' ich mich verliebt
100 bpm • A min • 03:05 • -17.22db
0% Popularity • 49% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 53% Positiveness
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Gilbert & Sullivan
OVERTURE (Remastered 2022)
86 bpm • G Maj • 01:12 • -9.01db
12% Popularity • 60% Danceability • 30% Energy • 37% Liveness
90% Instrumentalness • 96% Positiveness
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徐慶復
我的爸爸
101 bpm • F Maj • 03:06 • -15.25db
10% Popularity • 35% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Piero Piccioni
Sospetto Swing
86 bpm • F Maj • 01:27 • -8.74db
13% Popularity • 34% Danceability • 50% Energy • 28% Liveness
94% Instrumentalness • 46% Positiveness
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Daliah Lavi
Warum soll eine Frau kein Verhältnis ha...
101 bpm • E Maj • 03:01 • -10.14db
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Ich muss dir so viel sagen