Songs like Ich schleiche bang und still herum (romanze der Helene) by Franz Schubert
Based on a tempo of (+/- 10%) and a similar genre
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Fantasy on Polish Airs, Op. 13: Largo no...
81 bpm • A Maj • 04:55 • -33.71db
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Anonymous
Wiegenlied (Lullaby), Op. 98, No. 2, D. ...
81 bpm • G Maj • 01:06 • -22.37db
34% Popularity • 18% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 22% Positiveness
34% Popularity • 18% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 22% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
37% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
37% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Schubert
Piano Quintet in A Major, Op. 114, D 667...
81 bpm • E Maj • 11:45 • -20.68db
27% Popularity • 27% Danceability • 13% Energy • 7% Liveness
65% Instrumentalness • 28% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 7% Liveness
65% Instrumentalness • 28% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
82 bpm • D# Maj • 01:34 • -25db
56% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
56% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
82 bpm • G Maj • 04:18 • -33.2db
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
35% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
35% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Franz Schubert
Heidenröslein, D. 257 (Op. 3/3)
80 bpm • G Maj • 01:44 • -26.04db
21% Popularity • 32% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
21% Popularity • 32% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (Arr. Cullen for C...
80 bpm • D Maj • 03:19 • -22.78db
30% Popularity • 13% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
30% Popularity • 13% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Widerstehe doch der Sünde, BWV 54 (Tran...
82 bpm • D# Maj • 04:26 • -28.05db
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
40% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827
80 bpm • E Maj • 03:25 • -25.16db
39% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
79 bpm • C Maj • 01:40 • -18.04db
3% Popularity • 31% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
3% Popularity • 31% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Franz Schubert
Piano Quintet in A Major, D. 667, Op. 11...
82 bpm • A Maj • 06:18 • -20.02db
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 33% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Agnus Dei
83 bpm • D Maj • 04:13 • -29db
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
83 bpm • G Maj • 02:17 • -20.86db
4% Popularity • 35% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 35% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Carl Czerny
30 Études de mécanisme, Op. 849: No. 1...
84 bpm • C Maj • 01:34 • -27db
43% Popularity • 30% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
43% Popularity • 30% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Franz Schubert
Schubert / Transcr. Tharaud: Rosamunde, ...
79 bpm • A# Maj • 05:58 • -24.16db
22% Popularity • 27% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 27% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
78 bpm • A# Maj • 01:18 • -14db
38% Popularity • 34% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
38% Popularity • 34% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 64% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
50% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
50% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
79 bpm • B Maj • 04:13 • -23.15db
1% Popularity • 30% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 30% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117: No. 2
78 bpm • C min • 01:01 • -24db
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Johannes Brahms
Capriccio in B Minor, Op. 76, No. 2
84 bpm • B Maj • 03:33 • -31db
24% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
59% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
59% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Antonín Dvořák
Slavonic Dance for Four Hands in E Minor...
77 bpm • C Maj • 03:18 • -24.51db
37% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
37% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 09:07 • -31db
42% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Goldberg Variations, BWV 988: Aria
76 bpm • G Maj • 05:21 • -30.94db
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Mass No. 1 in F Major, D. 105: Agnus Dei...
76 bpm • C# Maj • 02:08 • -29.71db
35% Popularity • 19% Danceability • 2% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
35% Popularity • 19% Danceability • 2% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
► Preview
Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
76 bpm • F Maj • 03:06 • -19.68db
6% Popularity • 47% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 47% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
51% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
51% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Franz Schubert
Heidenroslein, Op. 3, No. 3, D. 257 (arr...
75 bpm • A Maj • 01:08 • -28.32db
37% Popularity • 38% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 43% Positiveness
37% Popularity • 38% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 43% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Nocturne No. 14 In F Sharp Minor, Op. 48...
75 bpm • C# Maj • 06:36 • -31.6db
41% Popularity • 27% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 27% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Franz Liszt
Ellens Gesang III (Ave Maria), S558 no.1...
88 bpm • A# Maj • 05:31 • -30db
16% Popularity • 21% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in E Major, K. 380: Anda...
88 bpm • B Maj • 04:59 • -28db
29% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
29% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
► Preview
Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Valse sentimentale, Op. 51, No. 6
74 bpm • A min • 02:08 • -31.78db
33% Popularity • 18% Danceability • 2% Energy • 18% Liveness
77% Instrumentalness • 8% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 18% Liveness
77% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Violin Concerto In D, Op. 61: 2. Larghet...
74 bpm • G Maj • 10:01 • -31.47db
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
