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Ich spiel’ mit Dir
Songs like
Ich spiel’ mit Dir
by
Johannes Heesters
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Heesters
Ich spiel mit dir
143 bpm • G# Maj • 02:22 • -11.84db
10% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Coates
Calling All Workers
142 bpm • C Maj • 03:06 • -13.12db
13% Popularity • 47% Danceability • 34% Energy • 22% Liveness
86% Instrumentalness • 81% Positiveness
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Jackie Gleason
Close Your Eyes
142 bpm • F min • 02:39 • -24.34db
10% Popularity • 16% Danceability • 8% Energy • 9% Liveness
40% Instrumentalness • 12% Positiveness
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Larry Elgart
Light Flight
144 bpm • D min • 02:15 • -11.65db
19% Popularity • 65% Danceability • 43% Energy • 8% Liveness
76% Instrumentalness • 81% Positiveness
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Albert Ketèlbey
Roses for A Lady
142 bpm • D Maj • 02:47 • -12.27db
11% Popularity • 20% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Harry Roy And His Mayfair Hotel Orchestra
Struttin' in the Strand
144 bpm • D min • 02:53 • -16.63db
9% Popularity • 58% Danceability • 20% Energy • 13% Liveness
13% Instrumentalness • 60% Positiveness
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Haydn Wood
The Bandstand, Hyde Park
142 bpm • G Maj • 03:02 • -10.18db
11% Popularity • 42% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 60% Positiveness
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United Artist's Studio Orchestra
Skating InThe Big Store
144 bpm • G Maj • 02:36 • -10.97db
11% Popularity • 48% Danceability • 42% Energy • 15% Liveness
80% Instrumentalness • 91% Positiveness
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Universal Production Music
Silver Sparkle
142 bpm • D Maj • 01:10 • -4.51db
11% Popularity • 29% Danceability • 66% Energy • 32% Liveness
92% Instrumentalness • 86% Positiveness
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Bonet de San Pedro
Rosa de Té
144 bpm • D# Maj • 03:01 • -13.03db
1% Popularity • 55% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Debbie Reynolds
Lady Loves
141 bpm • C Maj • 02:58 • -12db
9% Popularity • 44% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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John Kirby
Arabian Nightmare
145 bpm • C Maj • 01:52 • -15.64db
13% Popularity • 38% Danceability • 28% Energy • 10% Liveness
63% Instrumentalness • 76% Positiveness
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Johannes Heesters
Da geh' ich ins Maxim
145 bpm • D Maj • 03:05 • -11db
12% Popularity • 38% Danceability • 29% Energy • 48% Liveness
3% Instrumentalness • 38% Positiveness
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Fabrice Henri
Pacalit
145 bpm • C# Maj • 00:59 • -20.53db
10% Popularity • 76% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 74% Positiveness
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Franz Grothe
Alarm auf Station III: Mein lieber Freun...
145 bpm • C min • 03:05 • -11.67db
9% Popularity • 64% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Harry James
For Want Of A Star
141 bpm • F# Maj • 03:16 • -12.92db
9% Popularity • 39% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Raymond Scott
Rococo - 1939
140 bpm • D min • 03:13 • -14db
12% Popularity • 56% Danceability • 22% Energy • 6% Liveness
93% Instrumentalness • 55% Positiveness
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Die Alte und der Kommissar
Folge 4 - Exponat 712 - Teil 25
140 bpm • G Maj • 01:46 • -10.22db
11% Popularity • 57% Danceability • 55% Energy • 22% Liveness
86% Instrumentalness • 72% Positiveness
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Sam Fonteyn
Journey Into Melody
140 bpm • G Maj • 03:09 • -8.92db
21% Popularity • 33% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 40% Positiveness
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Austin Egen
El Matador
138 bpm • D# Maj • 02:38 • -10.91db
10% Popularity • 56% Danceability • 39% Energy • 18% Liveness
75% Instrumentalness • 96% Positiveness
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Emmerich Kálmán
Die Zirkusprinzessin - operetta in 3 Act...
147 bpm • D Maj • 01:06 • -12.47db
11% Popularity • 52% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Roman Vlad
Where The Hot Wind Blows: When Love Has ...
138 bpm • G min • 02:26 • -16.13db
9% Popularity • 17% Danceability • 26% Energy • 31% Liveness
85% Instrumentalness • 29% Positiveness
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Raymond Scott
Shadow Dance - 1953
139 bpm • F Maj • 02:46 • -13.22db
15% Popularity • 66% Danceability • 22% Energy • 7% Liveness
70% Instrumentalness • 51% Positiveness
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Valentino
Broadway Bound
138 bpm • A# Maj • 01:07 • -17.03db
11% Popularity • 25% Danceability • 32% Energy • 45% Liveness
94% Instrumentalness • 41% Positiveness
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Doris Day
Love's Little Island - Version 2 - Take...
138 bpm • C Maj • 02:41 • -12.75db
9% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Max Bygraves
C-R-A-Z-Y Music - Remastered
148 bpm • F# min • 02:29 • -9.41db
9% Popularity • 74% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Friedrich Sehl
The Piano Lesson - Remastered
137 bpm • C Maj • 01:38 • -4.7db
11% Popularity • 59% Danceability • 64% Energy • 10% Liveness
73% Instrumentalness • 87% Positiveness
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The Andrews Sisters
Money Is The Root Of All Evil
149 bpm • D# Maj • 02:34 • -17.42db
8% Popularity • 57% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Raymond Scott
Mystery Waltz - 1953
138 bpm • G# min • 02:50 • -8.44db
8% Popularity • 25% Danceability • 40% Energy • 15% Liveness
81% Instrumentalness • 42% Positiveness
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Lew Vincent
Out on the Town
148 bpm • D Maj • 02:41 • -11.13db
10% Popularity • 55% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 56% Positiveness
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Julius LaRosa
My Lady Loves to Dance
137 bpm • D# Maj • 02:17 • -9.16db
9% Popularity • 72% Danceability • 25% Energy • 54% Liveness
0% Instrumentalness • 91% Positiveness
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Ансамбль русских народных инструментов п/у Валерия Петрова
Кадриль
137 bpm • D Maj • 02:37 • -12.29db
8% Popularity • 70% Danceability • 61% Energy • 9% Liveness
39% Instrumentalness • 98% Positiveness
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The Four Lads
The Bus Stop Song (A Paper of Pins) - Re...
137 bpm • F Maj • 02:13 • -6.93db
12% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Lena Horne
Glad To Be Unhappy
136 bpm • C Maj • 02:40 • -16.22db
12% Popularity • 43% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Raymond Scott
War Dance for Wooden Indians - 1939 Orch...
136 bpm • G min • 02:36 • -10.78db
8% Popularity • 56% Danceability • 55% Energy • 8% Liveness
76% Instrumentalness • 56% Positiveness
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Gerhard Mohr
Geisterspuk
150 bpm • F min • 02:47 • -7.93db
0% Popularity • 55% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 60% Positiveness
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Judy Garland
Be a Clown
150 bpm • A min • 02:38 • -9.76db
12% Popularity • 60% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Billy May & His Orchestra
Love Makes the World Go
150 bpm • C Maj • 01:48 • -5.15db
25% Popularity • 63% Danceability • 46% Energy • 8% Liveness
92% Instrumentalness • 68% Positiveness
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Al Hirt
Milano
135 bpm • C Maj • 02:02 • -11.82db
12% Popularity • 64% Danceability • 32% Energy • 5% Liveness
83% Instrumentalness • 72% Positiveness
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Lilian Harvey
Liebling, mein Herz laesst Dich gruessen
135 bpm • D Maj • 02:53 • -14db
11% Popularity • 32% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Raymond Scott
Huckleberry Duck - 1940 Alternate Versio...
136 bpm • F Maj • 02:58 • -10.34db
8% Popularity • 70% Danceability • 51% Energy • 15% Liveness
95% Instrumentalness • 95% Positiveness
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Carl Coccomo
A Nervous Kiss
135 bpm • C min • 02:44 • -9.41db
22% Popularity • 27% Danceability • 28% Energy • 21% Liveness
15% Instrumentalness • 23% Positiveness
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Phil Harris
That's What I Like About the South
135 bpm • C Maj • 02:52 • -13.09db
10% Popularity • 76% Danceability • 34% Energy • 28% Liveness
4% Instrumentalness • 90% Positiveness
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Ruth Wallis
Ubangi
134 bpm • C Maj • 03:06 • -14.65db
9% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Gene Krupa & His Orchestra
Me and My Melinda
153 bpm • G# Maj • 03:07 • -12.71db
10% Popularity • 52% Danceability • 25% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
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Ezea Jenkinson
Lavender Time
134 bpm • C Maj • 02:54 • -12.91db
10% Popularity • 38% Danceability • 23% Energy • 7% Liveness
84% Instrumentalness • 65% Positiveness
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Original "This is the Army" All-Soldier Chorus
This is the Army, Mr. Jones
134 bpm • B min • 02:17 • -11.44db
7% Popularity • 63% Danceability • 28% Energy • 8% Liveness
76% Instrumentalness • 39% Positiveness
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Winifred Atwell
Honky Tonk (Pt.1)
133 bpm • F min • 02:42 • -8.48db
20% Popularity • 69% Danceability • 77% Energy • 22% Liveness
86% Instrumentalness • 88% Positiveness
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Paul Abraham
Die Blume von Hawaii: Blume von Hawaii
134 bpm • D# Maj • 02:06 • -13.95db
8% Popularity • 32% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Hoagy Carmichael
Barnacle Bill the Sailor
133 bpm • G# Maj • 02:46 • -10.24db
9% Popularity • 57% Danceability • 55% Energy • 17% Liveness
63% Instrumentalness • 85% Positiveness
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The Gaslight Orchestra
And the Band Played On
133 bpm • F Maj • 03:03 • -13.36db
9% Popularity • 27% Danceability • 20% Energy • 30% Liveness
61% Instrumentalness • 32% Positiveness
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Andy Russell
I'll Close My Eyes
133 bpm • G# Maj • 02:53 • -4.36db
13% Popularity • 24% Danceability • 48% Energy • 41% Liveness
4% Instrumentalness • 13% Positiveness
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Jack Barnett
A Real Piano Player
132 bpm • C Maj • 04:01 • -14.76db
8% Popularity • 61% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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George Formby
Aunt Maggie's Remedy
132 bpm • A# Maj • 02:59 • -16.43db
9% Popularity • 79% Danceability • 45% Energy • 75% Liveness
8% Instrumentalness • 85% Positiveness
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The Light Symphonia
Spring Gambol
132 bpm • C Maj • 02:23 • -12db
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
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Maurice Yvain
Yes!, Act I: Ouverture
132 bpm • F Maj • 03:49 • -16.3db
13% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
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The Mills Brothers
You Always Hurt The One You Love - Alt
132 bpm • G min • 03:12 • -17.91db
12% Popularity • 50% Danceability • 14% Energy • 48% Liveness
0% Instrumentalness • 32% Positiveness
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Mrs Mills
Medley: September in the Rain / Dinah / ...
132 bpm • G min • 03:21 • -10.51db
8% Popularity • 45% Danceability • 49% Energy • 46% Liveness
97% Instrumentalness • 84% Positiveness
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Josef Meinrad
In der Strasse (My fair lady)
155 bpm • C Maj • 02:38 • -15.07db
8% Popularity • 31% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Robert Stolz
Im weißen Rössl: Das ist der Zauber de...
131 bpm • D# Maj • 00:51 • -16db
9% Popularity • 51% Danceability • 33% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie Laine
What Could Be Sweeter
131 bpm • D# Maj • 02:52 • -19.51db
9% Popularity • 38% Danceability • 9% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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A. Strock
Sleep, My poor Heart
131 bpm • D Maj • 03:09 • -22.83db
9% Popularity • 38% Danceability • 10% Energy • 19% Liveness
89% Instrumentalness • 43% Positiveness
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Willy Fritsch
Ich tanze mit dir in den Himmel hinein
131 bpm • C# Maj • 02:57 • -9.17db
19% Popularity • 34% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 36% Positiveness
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Tony Mottola y Su Orquesta
Something Blue
130 bpm • F Maj • 02:33 • -8.49db
15% Popularity • 41% Danceability • 49% Energy • 16% Liveness
68% Instrumentalness • 56% Positiveness
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Miguel Fleta
Tosca - Amaro Sol Per Te
130 bpm • B Maj • 04:08 • -13.99db
0% Popularity • 38% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Walter Noack
My Sweetheart
129 bpm • G Maj • 03:02 • -11.3db
10% Popularity • 31% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 38% Positiveness
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Layton and Johnstone
Deep Purple
129 bpm • F Maj • 03:16 • -16.49db
10% Popularity • 50% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Marguerite Viby
Tingelingeling For Mig - (Teatertosset)
129 bpm • G Maj • 03:05 • -16.91db
9% Popularity • 73% Danceability • 35% Energy • 11% Liveness
50% Instrumentalness • 89% Positiveness
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Lelio Luttazzi
Ahi ahi ahi
159 bpm • G Maj • 02:19 • -12.81db
9% Popularity • 38% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Robeson
Trees
129 bpm • G# Maj • 02:21 • -10.91db
0% Popularity • 29% Danceability • 30% Energy • 12% Liveness
21% Instrumentalness • 18% Positiveness
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上海老百乐门元老爵士乐队
婆娑起舞
128 bpm • C Maj • 03:33 • -14.65db
8% Popularity • 54% Danceability • 10% Energy • 6% Liveness
40% Instrumentalness • 58% Positiveness
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Rina Ketty
C'est un oiseau qui passe
129 bpm • G# Maj • 02:55 • -11.7db
9% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Harry New
Pina Colada
128 bpm • C# Maj • 02:41 • -12.56db
10% Popularity • 32% Danceability • 31% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Charlie Kunz
Coming in on a Wing and a Prayer
159 bpm • F Maj • 02:52 • -23db
9% Popularity • 57% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 68% Positiveness
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Marimba Cuquita
Goza tus Horas
160 bpm • A# Maj • 02:59 • -6.94db
10% Popularity • 47% Danceability • 39% Energy • 10% Liveness
8% Instrumentalness • 92% Positiveness
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環球合唱團
肯達基老家鄉
128 bpm • A Maj • 04:39 • -37db
12% Popularity • 27% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Ray Martin
Rubberneckin'
128 bpm • F Maj • 03:38 • -8.98db
8% Popularity • 94% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sophia Loren
Ice Cream vs Espresso (It Started in Nap...
127 bpm • F Maj • 01:09 • -15.25db
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
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Elliot H. Smith
Pride of Place
128 bpm • A# Maj • 01:21 • -10.28db
12% Popularity • 50% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 94% Positiveness
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Alvino Rey & His Orchestra
Dardanella
161 bpm • C Maj • 03:21 • -9.33db
10% Popularity • 37% Danceability • 43% Energy • 40% Liveness
88% Instrumentalness • 72% Positiveness
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Alma Cogan
Please Mr Brown - Remastered
127 bpm • G# Maj • 02:03 • -8.57db
8% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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The Mills Brothers
I Wish
127 bpm • C min • 03:02 • -16.01db
14% Popularity • 58% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Ilse Werner
Wir machen Musik
127 bpm • A# Maj • 02:34 • -11.36db
12% Popularity • 85% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Franco Pisano
Rassegna stampa (Carmen Ouverture)
127 bpm • F Maj • 01:51 • -10.82db
8% Popularity • 52% Danceability • 48% Energy • 18% Liveness
10% Instrumentalness • 54% Positiveness
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Siegfried Arno
Was kann der Sigismund dafür - Remaster...
127 bpm • A# Maj • 03:02 • -8db
11% Popularity • 81% Danceability • 67% Energy • 5% Liveness
74% Instrumentalness • 96% Positiveness
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Jacky Noguez et son orchestre
C’est a capri
127 bpm • F Maj • 02:38 • -20.47db
7% Popularity • 77% Danceability • 18% Energy • 6% Liveness
2% Instrumentalness • 97% Positiveness
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Paul Hörbiger
Das muss ein Stück vom Himmel sein
126 bpm • F Maj • 03:24 • -6db
11% Popularity • 42% Danceability • 42% Energy • 5% Liveness
5% Instrumentalness • 42% Positiveness
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Paul Eakins' Mortier Belgian Band Organ
Goodbye Broadway, Hello France
126 bpm • A# Maj • 01:58 • -13.72db
8% Popularity • 54% Danceability • 42% Energy • 25% Liveness
50% Instrumentalness • 86% Positiveness
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Ilse Werner
Wir Machen Musik
126 bpm • A# Maj • 02:36 • -10db
20% Popularity • 84% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Andrews Sisters
Rhumboogie
162 bpm • F Maj • 02:37 • -17.29db
10% Popularity • 53% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Fisher
My Arms, My Heart, My Love - Remastered
126 bpm • D min • 02:06 • -8.95db
8% Popularity • 53% Danceability • 38% Energy • 6% Liveness
10% Instrumentalness • 83% Positiveness
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George Formby
Frank On His Tank
126 bpm • A# Maj • 03:36 • -16.41db
9% Popularity • 82% Danceability • 48% Energy • 51% Liveness
3% Instrumentalness • 68% Positiveness
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Charlie Kunz
Hold Your Hand Out, Naughty Boy
125 bpm • A# Maj • 01:04 • -25.39db
11% Popularity • 74% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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The Mills Blue Rhythm Band
Please Don't Talk About Me When I'm Gone...
163 bpm • D# Maj • 03:05 • -11.72db
8% Popularity • 50% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 76% Positiveness
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Ella Fitzgerald
Deedle De Dum - New Mono to Stereo Mix
164 bpm • F Maj • 02:36 • -5.06db
8% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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銀河大樂隊
銀河之歌
125 bpm • A# Maj • 02:48 • -11.69db
9% Popularity • 25% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Bob Hope
Will You Love Me in December
124 bpm • F Maj • 02:36 • -19.47db
14% Popularity • 60% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 84% Positiveness
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Raymond Scott
Popgun Parade - 1953
124 bpm • F Maj • 02:09 • -7.37db
8% Popularity • 70% Danceability • 49% Energy • 13% Liveness
10% Instrumentalness • 71% Positiveness
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Hildegard Knef
Du hast mir so gefehlt
123 bpm • F Maj • 03:46 • -11.08db
9% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Meredith Willson Orchestra
The Music Man: Iowa Stubborn
123 bpm • D Maj • 02:09 • -15.03db
13% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
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Ich spiel’ mit Dir