Songs like Icole by Oliver N'Goma
Based on a tempo of (+/- 10%) and a similar genre
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Jean Michel Jean Louis
Cé trop
109 bpm • A Maj • 05:04 • -5.61db
21% Popularity • 75% Danceability • 88% Energy • 6% Liveness
63% Instrumentalness • 86% Positiveness
21% Popularity • 75% Danceability • 88% Energy • 6% Liveness
63% Instrumentalness • 86% Positiveness
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Mbilia Bel
Nakei Nairobi
109 bpm • G Maj • 08:38 • -3.46db
30% Popularity • 55% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 55% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Luc Leandry
Douse
110 bpm • A# min • 05:07 • -8.78db
27% Popularity • 88% Danceability • 73% Energy • 7% Liveness
6% Instrumentalness • 94% Positiveness
27% Popularity • 88% Danceability • 73% Energy • 7% Liveness
6% Instrumentalness • 94% Positiveness
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Gordon Henderson
En Peke Poinille
108 bpm • C Maj • 04:02 • -11.87db
8% Popularity • 90% Danceability • 52% Energy • 11% Liveness
48% Instrumentalness • 66% Positiveness
8% Popularity • 90% Danceability • 52% Energy • 11% Liveness
48% Instrumentalness • 66% Positiveness
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Eric Virgal
Sublime
110 bpm • G Maj • 04:37 • -9.96db
26% Popularity • 69% Danceability • 86% Energy • 12% Liveness
27% Instrumentalness • 80% Positiveness
26% Popularity • 69% Danceability • 86% Energy • 12% Liveness
27% Instrumentalness • 80% Positiveness
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Edith Lefel
La klé
108 bpm • C Maj • 04:12 • -13.8db
26% Popularity • 78% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
26% Popularity • 78% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Jean Michel Jean Louis
La permission
109 bpm • C# Maj • 04:10 • -5.84db
31% Popularity • 79% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
31% Popularity • 79% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Marizia
Anita
108 bpm • G Maj • 03:59 • -7.43db
12% Popularity • 70% Danceability • 84% Energy • 16% Liveness
52% Instrumentalness • 94% Positiveness
12% Popularity • 70% Danceability • 84% Energy • 16% Liveness
52% Instrumentalness • 94% Positiveness
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Luc Leandry
Dans tes yeux
108 bpm • G min • 04:19 • -5.84db
29% Popularity • 77% Danceability • 95% Energy • 7% Liveness
59% Instrumentalness • 66% Positiveness
29% Popularity • 77% Danceability • 95% Energy • 7% Liveness
59% Instrumentalness • 66% Positiveness
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Toofan
Teré teré
110 bpm • G Maj • 03:27 • -2db
45% Popularity • 92% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 92% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Jocelyne Labylle
Neg la
110 bpm • G# Maj • 04:50 • -5.74db
12% Popularity • 91% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 91% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Guilou
Doudou pardonné
108 bpm • C# Maj • 05:12 • -7.11db
22% Popularity • 88% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 88% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Harry Diboula
Dominique
108 bpm • A# min • 04:14 • -8.3db
25% Popularity • 76% Danceability • 74% Energy • 44% Liveness
4% Instrumentalness • 92% Positiveness
25% Popularity • 76% Danceability • 74% Energy • 44% Liveness
4% Instrumentalness • 92% Positiveness
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Kalú Mendes
Cacharamba
110 bpm • F Maj • 05:11 • -8db
23% Popularity • 71% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 71% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Luc Leandry
An ba koko la
110 bpm • A# min • 03:59 • -5.8db
27% Popularity • 87% Danceability • 86% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
27% Popularity • 87% Danceability • 86% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
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Monique Séka
Okaman
110 bpm • C# min • 05:29 • -8db
37% Popularity • 71% Danceability • 72% Energy • 6% Liveness
62% Instrumentalness • 94% Positiveness
37% Popularity • 71% Danceability • 72% Energy • 6% Liveness
62% Instrumentalness • 94% Positiveness
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Frantzy Gauthier
Gwo Pwel
108 bpm • C min • 04:59 • -4.93db
12% Popularity • 76% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 76% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Patrick Saint-Eloi
Cheche
111 bpm • F min • 05:04 • -10.7db
21% Popularity • 77% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 98% Positiveness
21% Popularity • 77% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 98% Positiveness
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Mbilia Bel
Nakei Nairobi
111 bpm • G Maj • 08:21 • -6.67db
33% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Carimi
Are You Ready
111 bpm • B Maj • 05:22 • -5.13db
35% Popularity • 88% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 88% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Luc Leandry
Sé pou zot
108 bpm • C# Maj • 04:20 • -4.79db
22% Popularity • 74% Danceability • 93% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
22% Popularity • 74% Danceability • 93% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
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Juka
Angelina
111 bpm • C# Maj • 05:18 • -12.96db
24% Popularity • 77% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
24% Popularity • 77% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
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Gadji Celi
Amoudjou
107 bpm • G Maj • 04:13 • -9db
27% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Camilo Domingos
Doce Vita
111 bpm • C Maj • 05:47 • -6.15db
31% Popularity • 76% Danceability • 91% Energy • 5% Liveness
6% Instrumentalness • 95% Positiveness
31% Popularity • 76% Danceability • 91% Energy • 5% Liveness
6% Instrumentalness • 95% Positiveness
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Dissonance
Zook lov
106 bpm • C# Maj • 04:51 • -4.39db
7% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Tabanka Djaz
Esperança
112 bpm • A min • 05:10 • -10.35db
31% Popularity • 77% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 77% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Luc Leandry
I salé i sikré
111 bpm • A min • 03:52 • -6db
26% Popularity • 78% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 78% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Alberic Louison
Lanmou Magik
106 bpm • G# Maj • 04:36 • -9.66db
18% Popularity • 77% Danceability • 86% Energy • 11% Liveness
6% Instrumentalness • 56% Positiveness
18% Popularity • 77% Danceability • 86% Energy • 11% Liveness
6% Instrumentalness • 56% Positiveness
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Patrick Saint-Eloi
Rehabilitation
106 bpm • G Maj • 05:13 • -6.54db
30% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Chiktay
La Pli Si Tol
106 bpm • G min • 03:40 • -11.31db
30% Popularity • 78% Danceability • 72% Energy • 8% Liveness
74% Instrumentalness • 95% Positiveness
30% Popularity • 78% Danceability • 72% Energy • 8% Liveness
74% Instrumentalness • 95% Positiveness
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Oliver N'Goma
Melia
106 bpm • G# Maj • 04:19 • -6.03db
8% Popularity • 71% Danceability • 91% Energy • 7% Liveness
63% Instrumentalness • 91% Positiveness
8% Popularity • 71% Danceability • 91% Energy • 7% Liveness
63% Instrumentalness • 91% Positiveness
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Guilou
Libreville
106 bpm • E min • 05:59 • -9.14db
15% Popularity • 82% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 82% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Luc Leandry
Swaré antiyez
107 bpm • C# Maj • 04:51 • -7.79db
22% Popularity • 79% Danceability • 84% Energy • 4% Liveness
51% Instrumentalness • 82% Positiveness
22% Popularity • 79% Danceability • 84% Energy • 4% Liveness
51% Instrumentalness • 82% Positiveness
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Petit Pays
Mulema
106 bpm • B min • 05:27 • -6.94db
26% Popularity • 77% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
26% Popularity • 77% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Patrick Saint-Eloi
Palé Palé
106 bpm • A# min • 04:19 • -4.37db
32% Popularity • 84% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
32% Popularity • 84% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
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Chiktay
Rosalinda
106 bpm • A Maj • 05:00 • -7.99db
23% Popularity • 75% Danceability • 92% Energy • 34% Liveness
1% Instrumentalness • 89% Positiveness
23% Popularity • 75% Danceability • 92% Energy • 34% Liveness
1% Instrumentalness • 89% Positiveness
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Harry Diboula
Bonnè sérré
106 bpm • C min • 04:35 • -10.31db
30% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 74% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Jean Michel Jean Louis
Dèyè sa mwen yé
106 bpm • B min • 04:57 • -6.09db
17% Popularity • 71% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 71% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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César Durcin
Vi-la
106 bpm • B min • 05:07 • -9.89db
19% Popularity • 80% Danceability • 74% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
19% Popularity • 80% Danceability • 74% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Eric Virgal
Ouve de bra'w ba mwen
106 bpm • D# Maj • 04:16 • -8.82db
10% Popularity • 70% Danceability • 77% Energy • 13% Liveness
25% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 77% Energy • 13% Liveness
25% Instrumentalness • 82% Positiveness
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Mbilia Bel
Eswi yo wapi
112 bpm • A Maj • 09:05 • -12db
31% Popularity • 48% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 48% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Eric Brouta
Téléphone
105 bpm • D Maj • 05:10 • -4.57db
27% Popularity • 76% Danceability • 97% Energy • 9% Liveness
10% Instrumentalness • 84% Positiveness
27% Popularity • 76% Danceability • 97% Energy • 9% Liveness
10% Instrumentalness • 84% Positiveness
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Harry Diboula
Hello
112 bpm • F min • 04:42 • -4.9db
22% Popularity • 78% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 78% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Jean-Philippe Marthely
Cléré ich ou
113 bpm • A min • 05:12 • -7.44db
27% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Jean Michel Jean Louis
Dju
106 bpm • G Maj • 05:02 • -5.88db
25% Popularity • 75% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
25% Popularity • 75% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Oliver N'Goma
Sal'
113 bpm • C min • 04:20 • -5.83db
22% Popularity • 71% Danceability • 96% Energy • 5% Liveness
38% Instrumentalness • 93% Positiveness
22% Popularity • 71% Danceability • 96% Energy • 5% Liveness
38% Instrumentalness • 93% Positiveness
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Tabou Combo
Aux Antilles
105 bpm • A# Maj • 08:11 • -14.8db
21% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 73% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Gadji Celi
Femme de feu
105 bpm • C# min • 05:59 • -5.56db
22% Popularity • 72% Danceability • 73% Energy • 15% Liveness
4% Instrumentalness • 79% Positiveness
22% Popularity • 72% Danceability • 73% Energy • 15% Liveness
4% Instrumentalness • 79% Positiveness
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Monique Séka
Yélélé
105 bpm • G# Maj • 04:26 • -4.93db
15% Popularity • 74% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 74% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Tatiana Miath
On ti dousè
105 bpm • F Maj • 03:39 • -5.78db
40% Popularity • 75% Danceability • 86% Energy • 3% Liveness
19% Instrumentalness • 78% Positiveness
40% Popularity • 75% Danceability • 86% Energy • 3% Liveness
19% Instrumentalness • 78% Positiveness
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Chiktay
La pli si tol
105 bpm • G min • 05:33 • -7.39db
42% Popularity • 75% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 92% Positiveness
42% Popularity • 75% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 92% Positiveness
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Oliver N'Goma
Seva
105 bpm • G Maj • 05:05 • -6.4db
19% Popularity • 69% Danceability • 89% Energy • 6% Liveness
64% Instrumentalness • 91% Positiveness
19% Popularity • 69% Danceability • 89% Energy • 6% Liveness
64% Instrumentalness • 91% Positiveness
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Tabanka Djaz
Mancebo
105 bpm • F min • 04:43 • -7.36db
35% Popularity • 74% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
35% Popularity • 74% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Zook Wave
Wenda flore
105 bpm • F# min • 04:52 • -12.6db
17% Popularity • 77% Danceability • 74% Energy • 18% Liveness
3% Instrumentalness • 74% Positiveness
17% Popularity • 77% Danceability • 74% Energy • 18% Liveness
3% Instrumentalness • 74% Positiveness
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Jorge Neto
Salta Rapacinhu
113 bpm • C Maj • 04:25 • -6.69db
22% Popularity • 70% Danceability • 84% Energy • 30% Liveness
4% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 84% Energy • 30% Liveness
4% Instrumentalness • 78% Positiveness
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Carimi
Kompa mato
114 bpm • F# Maj • 04:30 • -2.89db
31% Popularity • 79% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 79% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Théo Blaise Kounkou
Eden
114 bpm • A Maj • 09:42 • -10.57db
21% Popularity • 58% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 58% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Oliver N'Goma
Shado
105 bpm • G# Maj • 04:05 • -7.74db
24% Popularity • 68% Danceability • 75% Energy • 5% Liveness
27% Instrumentalness • 80% Positiveness
24% Popularity • 68% Danceability • 75% Energy • 5% Liveness
27% Instrumentalness • 80% Positiveness
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Patrick Saint-Eloi
Misik
104 bpm • F Maj • 04:32 • -9.98db
16% Popularity • 70% Danceability • 77% Energy • 33% Liveness
5% Instrumentalness • 90% Positiveness
16% Popularity • 70% Danceability • 77% Energy • 33% Liveness
5% Instrumentalness • 90% Positiveness
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Mbilia Bel
Beyanga
104 bpm • D Maj • 09:29 • -3.74db
34% Popularity • 47% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 47% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Jocelyne Beroard
Siwo
114 bpm • E Maj • 04:29 • -14.75db
39% Popularity • 75% Danceability • 73% Energy • 2% Liveness
1% Instrumentalness • 98% Positiveness
39% Popularity • 75% Danceability • 73% Energy • 2% Liveness
1% Instrumentalness • 98% Positiveness
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Pierrette Adams
Journal intime
114 bpm • G Maj • 06:21 • -6.27db
25% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jean-Philippe Marthely
Sensuel
104 bpm • C Maj • 04:38 • -5.02db
10% Popularity • 70% Danceability • 92% Energy • 68% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 70% Danceability • 92% Energy • 68% Liveness
0% Instrumentalness • 93% Positiveness
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Oliver N'Goma
Barry
105 bpm • F min • 04:12 • -6.43db
4% Popularity • 80% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 80% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Kwak
Kompa rezon
104 bpm • G Maj • 06:24 • -7.78db
29% Popularity • 57% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 57% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Ruddy Gustan
Lé sé sa
104 bpm • D min • 04:03 • -6.66db
26% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Taxi Kréol
Sé kon sa
104 bpm • G# Maj • 04:26 • -12.37db
28% Popularity • 76% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 64% Positiveness
28% Popularity • 76% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 64% Positiveness
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Thierry Cham
Mémoire de femme
104 bpm • G Maj • 04:08 • -7.84db
29% Popularity • 73% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 92% Positiveness
29% Popularity • 73% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 92% Positiveness
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Edith Lefel
Zouk Edith
104 bpm • D Maj • 10:01 • -5.96db
11% Popularity • 77% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 77% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Oliver N'Goma
Adia
114 bpm • B min • 05:26 • -5.3db
41% Popularity • 69% Danceability • 84% Energy • 8% Liveness
58% Instrumentalness • 85% Positiveness
41% Popularity • 69% Danceability • 84% Energy • 8% Liveness
58% Instrumentalness • 85% Positiveness
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Jocelyne Beroard
Jilo mayé
104 bpm • G# Maj • 04:25 • -12.56db
26% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Kwak
Compas-rézon
104 bpm • D Maj • 06:25 • -10db
24% Popularity • 60% Danceability • 80% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 80% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
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Zouk Machine
Sove lanmou
104 bpm • E Maj • 04:44 • -13.39db
40% Popularity • 82% Danceability • 52% Energy • 6% Liveness
2% Instrumentalness • 74% Positiveness
40% Popularity • 82% Danceability • 52% Energy • 6% Liveness
2% Instrumentalness • 74% Positiveness
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Jean-Luc Alger
Ki rwol ou
104 bpm • G min • 04:29 • -13.44db
9% Popularity • 73% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 73% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Zook Wave
Pirana
104 bpm • C min • 04:57 • -12.62db
13% Popularity • 70% Danceability • 70% Energy • 19% Liveness
5% Instrumentalness • 82% Positiveness
13% Popularity • 70% Danceability • 70% Energy • 19% Liveness
5% Instrumentalness • 82% Positiveness
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Ronald Rubinel
L'anmou réciproque - Ou love
104 bpm • F Maj • 07:28 • -8db
19% Popularity • 78% Danceability • 83% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
19% Popularity • 78% Danceability • 83% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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J.B. Mpiana
Ndombolo
115 bpm • G Maj • 03:22 • -6.85db
38% Popularity • 64% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 64% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Awilo Longomba
Gâté le coin
115 bpm • G Maj • 06:36 • -8.75db
41% Popularity • 70% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 70% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
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Harry Diboula
San ou mwen garé
115 bpm • A min • 04:39 • -5db
24% Popularity • 78% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 78% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Willy Ververt
Djily
103 bpm • A min • 04:57 • -10db
19% Popularity • 80% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 80% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Monique Séka
900Kg D'amour
103 bpm • B Maj • 04:48 • -8.9db
18% Popularity • 50% Danceability • 68% Energy • 3% Liveness
4% Instrumentalness • 92% Positiveness
18% Popularity • 50% Danceability • 68% Energy • 3% Liveness
4% Instrumentalness • 92% Positiveness
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Eric Brouta
Lanmou twopikal
103 bpm • C Maj • 04:58 • -6.34db
16% Popularity • 85% Danceability • 80% Energy • 5% Liveness
19% Instrumentalness • 78% Positiveness
16% Popularity • 85% Danceability • 80% Energy • 5% Liveness
19% Instrumentalness • 78% Positiveness
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Zouk All Stars
Akwarel
103 bpm • C Maj • 04:13 • -14db
18% Popularity • 71% Danceability • 54% Energy • 40% Liveness
30% Instrumentalness • 94% Positiveness
18% Popularity • 71% Danceability • 54% Energy • 40% Liveness
30% Instrumentalness • 94% Positiveness
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Guilou
Doudou oh
103 bpm • G Maj • 04:38 • -10.62db
21% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Dominique Gengoul
Mi manmzel
103 bpm • C Maj • 05:48 • -10db
10% Popularity • 76% Danceability • 70% Energy • 7% Liveness
9% Instrumentalness • 98% Positiveness
10% Popularity • 76% Danceability • 70% Energy • 7% Liveness
9% Instrumentalness • 98% Positiveness
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Werrason
Solola Bien
116 bpm • G Maj • 07:03 • -9db
35% Popularity • 69% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 69% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Claudy Siar
Bondié
103 bpm • A# min • 05:03 • -6db
27% Popularity • 77% Danceability • 80% Energy • 6% Liveness
10% Instrumentalness • 96% Positiveness
27% Popularity • 77% Danceability • 80% Energy • 6% Liveness
10% Instrumentalness • 96% Positiveness
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Jean-Michel Rotin
Héros
116 bpm • F# Maj • 04:46 • -8.96db
25% Popularity • 78% Danceability • 77% Energy • 36% Liveness
50% Instrumentalness • 69% Positiveness
25% Popularity • 78% Danceability • 77% Energy • 36% Liveness
50% Instrumentalness • 69% Positiveness
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Zaïko Langa Langa
Système Ya Benda
116 bpm • B min • 07:48 • -3.65db
26% Popularity • 51% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 51% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Jocelyne Labylle
Laisse parler les gens
116 bpm • F min • 03:21 • -5.8db
45% Popularity • 75% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 75% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Jocelyne Beroard
Son La Ri
116 bpm • F# min • 04:37 • -15.6db
18% Popularity • 74% Danceability • 67% Energy • 5% Liveness
4% Instrumentalness • 95% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 5% Liveness
4% Instrumentalness • 95% Positiveness
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Souskay
L'anmou a bel epiw
102 bpm • D min • 05:01 • -7.89db
21% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Tatiana Miath
Soyons heureux
102 bpm • G Maj • 03:41 • -7.16db
33% Popularity • 77% Danceability • 76% Energy • 22% Liveness
4% Instrumentalness • 70% Positiveness
33% Popularity • 77% Danceability • 76% Energy • 22% Liveness
4% Instrumentalness • 70% Positiveness
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Monique Séka
Chilèn’koé
102 bpm • A# Maj • 05:06 • -8.89db
15% Popularity • 72% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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Monique Seka
Massikini
102 bpm • C# min • 04:45 • -6db
13% Popularity • 76% Danceability • 89% Energy • 4% Liveness
20% Instrumentalness • 82% Positiveness
13% Popularity • 76% Danceability • 89% Energy • 4% Liveness
20% Instrumentalness • 82% Positiveness
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Pierre Akendeque
Bane, Awanaw Afrika
102 bpm • G Maj • 04:42 • -6.7db
3% Popularity • 77% Danceability • 75% Energy • 16% Liveness
78% Instrumentalness • 72% Positiveness
3% Popularity • 77% Danceability • 75% Energy • 16% Liveness
78% Instrumentalness • 72% Positiveness
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Kwak
C'wou
102 bpm • D Maj • 05:26 • -11db
22% Popularity • 76% Danceability • 72% Energy • 5% Liveness
2% Instrumentalness • 51% Positiveness
22% Popularity • 76% Danceability • 72% Energy • 5% Liveness
2% Instrumentalness • 51% Positiveness
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Camilo Domingos
Sofri pa bô
102 bpm • C min • 04:19 • -8.19db
26% Popularity • 72% Danceability • 77% Energy • 11% Liveness
49% Instrumentalness • 93% Positiveness
26% Popularity • 72% Danceability • 77% Energy • 11% Liveness
49% Instrumentalness • 93% Positiveness
