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I'd Be Surprised
Songs like
I'd Be Surprised
by
Edie Brickell
Based on a tempo of (+/- 10%) and a similar genre
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Lucy Kaplansky
Five in the Morning
124 bpm • G min • 04:07 • -9db
14% Popularity • 70% Danceability • 57% Energy • 10% Liveness
30% Instrumentalness • 45% Positiveness
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Edie Brickell
I'd Be Surprised
124 bpm • D Maj • 02:43 • -9.65db
10% Popularity • 46% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Over the Rhine
Suitcase
124 bpm • D Maj • 03:26 • -10.65db
23% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Norah Jones
Above Ground
124 bpm • A# Maj • 03:43 • -11.87db
43% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tracy Grammer
Solitary Man
124 bpm • G min • 03:26 • -13db
11% Popularity • 42% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah Slean
Euphoria
124 bpm • F# min • 03:13 • -9.77db
14% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kathleen Edwards
Pink Emerson Radio
124 bpm • E Maj • 04:25 • -10.29db
10% Popularity • 45% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Jewel
Barcelona
123 bpm • A Maj • 03:55 • -10.44db
23% Popularity • 53% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Patti Scialfa
Looking For Elvis
125 bpm • D# Maj • 03:59 • -7.49db
10% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Lucinda Williams
Right In Time
125 bpm • C Maj • 04:36 • -7.35db
35% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Nanci Griffith
Don't Forget About Me
123 bpm • B Maj • 02:58 • -8.84db
13% Popularity • 76% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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The Gaddabouts
How I Love You
125 bpm • G Maj • 03:00 • -10.24db
7% Popularity • 90% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 86% Positiveness
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Heavy MakeUp
DON'T KID YOURSELF KID
125 bpm • F Maj • 03:20 • -11.11db
1% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Be Good Tanyas
In Spite Of All The Damage
125 bpm • D Maj • 03:59 • -15.67db
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
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Sarah Harmer
Around This Corner
123 bpm • F Maj • 03:15 • -6.45db
21% Popularity • 76% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sabrina Nspositi
Your Girlfriend
122 bpm • C# min • 03:24 • -9.07db
20% Popularity • 76% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Mary Chapin Carpenter
Slave To The Beauty
126 bpm • G min • 05:08 • -9.05db
7% Popularity • 66% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 75% Positiveness
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The Gaddabouts
I'm a Van
126 bpm • G Maj • 03:49 • -14.48db
13% Popularity • 86% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 46% Positiveness
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Eastmountainsouth
Winter
122 bpm • G Maj • 03:39 • -9.41db
11% Popularity • 61% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
33% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Cry Cry Cry
Fall On Me
126 bpm • F# min • 02:56 • -7.95db
24% Popularity • 56% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Eliza Gilkyson
Is It Like Today
122 bpm • G Maj • 05:49 • -9.57db
30% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jewel
Amen
126 bpm • F# Maj • 04:32 • -17.63db
27% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Tanita Tikaram
Hot Pork Sandwiches
126 bpm • A Maj • 03:51 • -17.3db
10% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Nanci Griffith
Anything You Need but Me
122 bpm • G Maj • 03:07 • -9db
13% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tift Merritt
Neighborhood
122 bpm • A# Maj • 03:19 • -8.35db
10% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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David Wilcox
Wildberry Pie
126 bpm • D# Maj • 03:09 • -20db
10% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Eliza Gilkyson
The Great Correction
122 bpm • E Maj • 05:04 • -12.29db
10% Popularity • 51% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jewel
Morning Song
126 bpm • G# Maj • 03:35 • -14db
38% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lucinda Williams
Seeing Black
127 bpm • E min • 05:14 • -5.94db
15% Popularity • 37% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Sarah Slean
Get Home
121 bpm • C Maj • 03:42 • -11.26db
14% Popularity • 51% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Lucy Kaplansky
Turn the Lights Back On
121 bpm • A Maj • 03:50 • -9.54db
10% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Abra Moore
Four Leaf Clover - Live
127 bpm • D Maj • 04:30 • -6.78db
10% Popularity • 64% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Steve Martin
Who You Gonna Take?
127 bpm • C Maj • 02:41 • -9.12db
14% Popularity • 67% Danceability • 55% Energy • 16% Liveness
3% Instrumentalness • 88% Positiveness
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Heather Nova
I'm Alive
127 bpm • D min • 03:40 • -12.16db
14% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Peter Malick Group
Things You Don't Have To Do
120 bpm • G# Maj • 03:11 • -5.09db
19% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Girlyman
Viola
128 bpm • G Maj • 03:50 • -11.67db
15% Popularity • 68% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Kathleen Edwards
What Are You Waiting For?
128 bpm • C min • 04:43 • -4.87db
12% Popularity • 38% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Edie Brickell
Tomorrow Comes
120 bpm • C Maj • 03:57 • -10.66db
28% Popularity • 77% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 82% Positiveness
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The Gaddabouts
Corruption
128 bpm • A Maj • 04:36 • -9.93db
6% Popularity • 86% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Lucy Kaplansky
Line In The Sand
120 bpm • A Maj • 04:23 • -10.96db
7% Popularity • 59% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Heather Nova
Not Only Human
128 bpm • A min • 05:04 • -9.13db
14% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Natalie Imbruglia
Only Love Can Break Your Heart
120 bpm • D Maj • 02:48 • -11.63db
15% Popularity • 81% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Kathleen Edwards
Copied Keys
120 bpm • D min • 05:07 • -5.07db
17% Popularity • 48% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Hem
Not California
120 bpm • G Maj • 04:15 • -6.24db
28% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Melissa Ferrick
Til You're Dead
128 bpm • F Maj • 03:32 • -11db
16% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Jennifer Warnes
The Well
119 bpm • G Maj • 04:44 • -13.03db
18% Popularity • 84% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Shelley Campbell
Drivin' You
119 bpm • G Maj • 03:27 • -10.04db
12% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Over the Rhine
Show Me
129 bpm • G Maj • 04:22 • -5.81db
14% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Kathleen Edwards
In State
120 bpm • A Maj • 03:56 • -4db
27% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Jewel
Fat Boy
119 bpm • D Maj • 02:56 • -12.69db
21% Popularity • 45% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Gaddabouts
Never so Far Away
119 bpm • D Maj • 03:25 • -9.15db
7% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Sophie B. Hawkins
32 Lines
129 bpm • G Maj • 05:02 • -8.17db
9% Popularity • 64% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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The Peter Malick Group
Chance And Circumstance
119 bpm • D Maj • 03:46 • -6.25db
10% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Natalie Merchant with Billy Bragg
Party Of God - Remastered Version
129 bpm • C Maj • 04:17 • -7.13db
12% Popularity • 72% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Hem
South Central Rain
119 bpm • G min • 03:10 • -10db
27% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lucinda Williams
I Don't Know How You're Livin'
130 bpm • G# Maj • 04:59 • -10.11db
15% Popularity • 48% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Gaddabouts
Devil's Story
130 bpm • A min • 05:47 • -13.03db
19% Popularity • 85% Danceability • 38% Energy • 11% Liveness
66% Instrumentalness • 82% Positiveness
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Joan Armatrading
Lovers Speak
130 bpm • C Maj • 05:54 • -13.27db
8% Popularity • 66% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Edie Brickell
More Than Friends
130 bpm • D Maj • 04:36 • -13.21db
15% Popularity • 56% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 17% Positiveness
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Tift Merritt
See You On The Moon
130 bpm • C Maj • 04:33 • -13.8db
9% Popularity • 60% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Angela McCluskey
Know It All
118 bpm • B min • 03:55 • -5.77db
10% Popularity • 54% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Patty Larkin
I Told Him That My Dog Wouldn't Run
118 bpm • D# Maj • 02:43 • -15.94db
18% Popularity • 48% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Kris Delmhorst
Strange Conversation
130 bpm • A min • 03:36 • -9.39db
8% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Over the Rhine
The Laugh Of Recognition
118 bpm • F# min • 04:34 • -9.41db
16% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Po' Girl
Corner Talk
118 bpm • C Maj • 03:17 • -14.01db
14% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Gaddabouts
My Heart
131 bpm • B min • 05:07 • -13.41db
5% Popularity • 67% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Lucy Kaplansky
End of the Day
131 bpm • A# Maj • 04:10 • -9.12db
15% Popularity • 69% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Kim Richey
The Circus Song (Can't Let Go)
118 bpm • E min • 03:44 • -6.29db
6% Popularity • 78% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Lucinda Williams
Steal Your Love
131 bpm • F Maj • 03:15 • -11.71db
35% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Beth Orton
Concrete Sky
117 bpm • B Maj • 04:34 • -9db
31% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Edie Brickell
Songs We Used To Sing
117 bpm • D Maj • 04:51 • -9.43db
8% Popularity • 63% Danceability • 48% Energy • 11% Liveness
7% Instrumentalness • 33% Positiveness
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The Gaddabouts
Look out Now!
117 bpm • G Maj • 03:41 • -10.57db
10% Popularity • 88% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Mary Gauthier
Slip Of The Tongue
132 bpm • D# Maj • 03:42 • -16.68db
17% Popularity • 55% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sinéad O'Connor
The State I'm In
132 bpm • G Maj • 04:11 • -4.2db
22% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Kaplansky
Just You Tonight
132 bpm • C Maj • 03:59 • -14.11db
11% Popularity • 60% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Matraca Berg
You And Tequila
132 bpm • B Maj • 04:07 • -11.18db
9% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Edie Brickell
For The Time Being
117 bpm • A# Maj • 03:28 • -8.33db
21% Popularity • 77% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah Harmer
Pendulums
116 bpm • E Maj • 03:25 • -8.73db
22% Popularity • 69% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Gianmarco Gisi
He Forgot to Mention
132 bpm • B min • 04:13 • -13.08db
28% Popularity • 54% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Shelby Lynne
Iced Tea
116 bpm • B min • 02:42 • -16.63db
19% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jill Barber
Legacy
116 bpm • A Maj • 04:06 • -5.95db
9% Popularity • 54% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Over the Rhine
Lifelong Fling
116 bpm • D min • 05:48 • -9.29db
14% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Edie Brickell
When The Lights Go Down
133 bpm • C min • 03:48 • -12.41db
14% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Jarosz
Mile On The Moon
116 bpm • E Maj • 03:49 • -9.35db
32% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Gaddabouts
Gonna Hold On
116 bpm • C min • 03:24 • -11.53db
9% Popularity • 86% Danceability • 38% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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Lucy Kaplansky
Scorpion
133 bpm • A Maj • 03:52 • -11.18db
9% Popularity • 68% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Shelby Lynne
Go With It
133 bpm • F# min • 02:57 • -7.1db
7% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Lyle Lovett
She's Already Made Up Her Mind
133 bpm • A Maj • 04:48 • -22.25db
23% Popularity • 41% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Steve Martin
Yes She Did
134 bpm • C Maj • 01:34 • -8.7db
19% Popularity • 71% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Edie Brickell
Hard Times
115 bpm • A Maj • 03:41 • -13.91db
14% Popularity • 72% Danceability • 45% Energy • 15% Liveness
27% Instrumentalness • 51% Positiveness
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The Gaddabouts
House on Fire
133 bpm • A# min • 04:31 • -12.14db
11% Popularity • 72% Danceability • 42% Energy • 16% Liveness
39% Instrumentalness • 62% Positiveness
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Iron & Wine
Sweet Talk
134 bpm • G# Maj • 03:38 • -8.23db
51% Popularity • 64% Danceability • 68% Energy • 9% Liveness
16% Instrumentalness • 90% Positiveness
► Preview
Lucy Kaplansky
The Beauty Way
115 bpm • E Maj • 04:11 • -13.61db
9% Popularity • 68% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jewel
Daddy
115 bpm • C# Maj • 03:51 • -13.69db
28% Popularity • 44% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Steve Martin
Sarah Jane And The Iron Mountain Baby
115 bpm • D Maj • 03:12 • -5.63db
19% Popularity • 75% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Lisa Loeb & Nine Stories
Lisa Listen
114 bpm • C Maj • 03:28 • -10db
22% Popularity • 68% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Gaddabouts
Remind Me
133 bpm • F Maj • 03:05 • -12.24db
6% Popularity • 90% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Sarah Harmer
The Hideout
134 bpm • D Maj • 04:01 • -7db
26% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nanci Griffith
Time of Inconvenience
114 bpm • E Maj • 03:49 • -8.1db
13% Popularity • 53% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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I'd Be Surprised