Songs like I'd Rather Be with You by Bootsy Collins
Based on a tempo of (+/- 10%) and a similar genre
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Bootsy Collins
I'd Rather Be with You
166 bpm • D Maj • 04:58 • -9.17db
52% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 48% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Fatboy Slim
Weapon of Choice (KiNK Slow Mix)
165 bpm • A# min • 04:16 • -6.94db
3% Popularity • 68% Danceability • 77% Energy • 7% Liveness
88% Instrumentalness • 66% Positiveness
3% Popularity • 68% Danceability • 77% Energy • 7% Liveness
88% Instrumentalness • 66% Positiveness
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Aaron Neville
Hercules
167 bpm • G# min • 04:09 • -11.68db
51% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
51% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Dionne Warwick
You're Gonna Need Me
167 bpm • F# min • 04:30 • -12db
43% Popularity • 44% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 44% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Brenton Wood
Me And You
168 bpm • F Maj • 03:02 • -8.98db
58% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Isley Brothers
Groove with You, Pts. 1 & 2
164 bpm • A Maj • 04:51 • -10.11db
46% Popularity • 61% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
46% Popularity • 61% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Bootsy Collins
Jam Fan (Hot)
168 bpm • D Maj • 09:08 • -11.12db
4% Popularity • 60% Danceability • 80% Energy • 79% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 60% Danceability • 80% Energy • 79% Liveness
0% Instrumentalness • 70% Positiveness
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Marvin Gaye
Let's Get It On
169 bpm • D# Maj • 04:51 • -9.72db
70% Popularity • 54% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 54% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Keith Sweat
Make It Last Forever
168 bpm • E min • 04:56 • -12.05db
57% Popularity • 49% Danceability • 51% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 49% Danceability • 51% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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Roy Ayers
Searching
169 bpm • E min • 04:00 • -7.3db
49% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Smokey Robinson
Cruisin'
169 bpm • F# min • 05:52 • -5.81db
61% Popularity • 50% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
61% Popularity • 50% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Minnie Riperton
Memory Lane
170 bpm • A Maj • 04:25 • -8.51db
43% Popularity • 52% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 52% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Bootsy Collins
Jam Fan (Hot)
168 bpm • D Maj • 03:52 • -10.23db
12% Popularity • 62% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 62% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 86% Positiveness
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Bloodstone
Natural High
170 bpm • E Maj • 04:00 • -10.23db
56% Popularity • 35% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 35% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Aretha Franklin
One Step Ahead
170 bpm • C min • 02:33 • -11.96db
53% Popularity • 38% Danceability • 21% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 38% Danceability • 21% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
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Shuggie Otis
Strawberry Letter 23
171 bpm • A min • 03:59 • -12.8db
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Smokey Robinson
Quiet Storm
171 bpm • A Maj • 07:48 • -8.64db
42% Popularity • 22% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 22% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Roy Ayers Ubiquity
Everybody Loves The Sunshine
161 bpm • B min • 03:59 • -10.33db
67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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The Delfonics
La-La Means I Love You
171 bpm • D Maj • 03:20 • -7.73db
61% Popularity • 36% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 36% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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RAMP
Daylight
172 bpm • C Maj • 04:12 • -12db
42% Popularity • 51% Danceability • 53% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
42% Popularity • 51% Danceability • 53% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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Ann Peebles
I Can't Stand the Rain
160 bpm • C# Maj • 02:30 • -12.33db
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
62% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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The System
Don't Disturb This Groove
160 bpm • A Maj • 05:17 • -8.6db
51% Popularity • 52% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 52% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Quincy Jones
Body Heat
173 bpm • C# min • 03:58 • -17.96db
34% Popularity • 34% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 34% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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The Isley Brothers
Work to Do
173 bpm • B min • 03:12 • -6db
46% Popularity • 60% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 60% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Bootsy Collins
Vanish in Our Sleep
174 bpm • F# min • 05:49 • -10.78db
22% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Sam Cooke
A Change Is Gonna Come
174 bpm • A# Maj • 03:11 • -10.07db
69% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby "Blue" Bland
Ain't No Love In The Heart Of The City -...
158 bpm • A min • 03:53 • -18.25db
65% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
65% Popularity • 52% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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DeBarge
I Like It
175 bpm • A Maj • 04:39 • -4.5db
64% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Kool & The Gang
Summer Madness
176 bpm • F# min • 04:17 • -16.52db
60% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
60% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
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The Meters
Cissy Strut
176 bpm • C Maj • 03:06 • -12.73db
59% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
59% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness
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Maze
While I'm Alone - Remastered/1999 Franki...
156 bpm • D# min • 04:35 • -12.67db
24% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Nina Simone
Baltimore
155 bpm • A Maj • 04:38 • -16.52db
61% Popularity • 64% Danceability • 28% Energy • 6% Liveness
44% Instrumentalness • 73% Positiveness
61% Popularity • 64% Danceability • 28% Energy • 6% Liveness
44% Instrumentalness • 73% Positiveness
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The O'Jays
Forever Mine
178 bpm • G min • 06:06 • -11.85db
52% Popularity • 48% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 48% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Withers
Use Me
155 bpm • B min • 03:48 • -13.46db
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Evelyn "Champagne" King
The Show Is Over
179 bpm • A min • 05:42 • -8.29db
40% Popularity • 49% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
40% Popularity • 49% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
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Smokey Robinson & The Miracles
Ooo Baby Baby
179 bpm • G Maj • 02:44 • -9.38db
65% Popularity • 18% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 18% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Sylvia Striplin
You Can't Turn Me Away
179 bpm • G Maj • 05:28 • -12.27db
40% Popularity • 61% Danceability • 49% Energy • 8% Liveness
7% Instrumentalness • 87% Positiveness
40% Popularity • 61% Danceability • 49% Energy • 8% Liveness
7% Instrumentalness • 87% Positiveness
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Bootsy Collins
As in "I Love You"
154 bpm • D# min • 05:09 • -21.4db
5% Popularity • 35% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 35% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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The Dramatics
Whatcha See Is Whatcha Get
153 bpm • F# Maj • 04:00 • -9.53db
41% Popularity • 65% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 65% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Sun
I Had A Choice
179 bpm • C# min • 04:39 • -12.41db
41% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The O'Jays
Cry Together
181 bpm • F# Maj • 05:33 • -11.31db
44% Popularity • 34% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 34% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Isley Brothers
Summer Breeze, Pts. 1 & 2
152 bpm • A min • 06:11 • -10.06db
51% Popularity • 31% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 31% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Heatwave
Always and Forever - Single Version
152 bpm • D Maj • 04:50 • -15.91db
50% Popularity • 34% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 34% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Kokane
Forty Below
150 bpm • C# Maj • 04:10 • -8.26db
4% Popularity • 64% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 64% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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The Dramatics
Whatcha See Is Whatcha Get
153 bpm • F# Maj • 03:34 • -8.43db
59% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 64% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Brenton Wood
I Like The Way You Love Me
152 bpm • C Maj • 02:43 • -8.63db
60% Popularity • 48% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 48% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Eddie Kendricks
Intimate Friends
150 bpm • A Maj • 05:53 • -10db
50% Popularity • 52% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 52% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Gil Scott-Heron
Lady Day and John Coltrane
149 bpm • F min • 03:36 • -10db
51% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Daryl Hall & John Oates
Sara Smile
150 bpm • D min • 03:05 • -11db
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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G.Q.
I Do Love You
185 bpm • G Maj • 04:48 • -13.65db
52% Popularity • 46% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 46% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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The Isley Brothers
It's Your Thing
186 bpm • A# Maj • 02:49 • -9.27db
58% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Durand Jones & The Indications
Cruisin to the Park
148 bpm • D Maj • 03:32 • -7.59db
56% Popularity • 71% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
56% Popularity • 71% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
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Funkadelic
Hit It and Quit It
148 bpm • B Maj • 03:49 • -6.92db
48% Popularity • 53% Danceability • 84% Energy • 72% Liveness
4% Instrumentalness • 62% Positiveness
48% Popularity • 53% Danceability • 84% Energy • 72% Liveness
4% Instrumentalness • 62% Positiveness
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The Main Ingredient
Let Me Prove My Love to You
147 bpm • G Maj • 03:39 • -10.25db
52% Popularity • 53% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 53% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Debra Laws
Very Special
147 bpm • G# min • 04:28 • -9.36db
48% Popularity • 54% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 54% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Aretha Franklin
Day Dreaming
146 bpm • C min • 03:59 • -15.36db
59% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Soul For Real
Candy Rain
188 bpm • B min • 04:36 • -7.53db
68% Popularity • 59% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
68% Popularity • 59% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Eddie Kendricks
My People...Hold On
145 bpm • G# Maj • 05:40 • -13.62db
31% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Dramatics
In The Rain
146 bpm • G# min • 03:29 • -9.52db
50% Popularity • 42% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 42% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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The Jones Girls
Who Can I Run To
144 bpm • C# min • 03:24 • -11.45db
49% Popularity • 62% Danceability • 42% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 62% Danceability • 42% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
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New Edition
Can You Stand The Rain
143 bpm • G# Maj • 04:57 • -15.18db
65% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
65% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Mtume
Juicy Fruit
193 bpm • E Maj • 05:52 • -6.47db
48% Popularity • 75% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
48% Popularity • 75% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Ohio Players
I Want To Be Free
142 bpm • F Maj • 06:54 • -12.83db
38% Popularity • 50% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Marvin Gaye
Distant Lover
142 bpm • E Maj • 04:16 • -9.16db
57% Popularity • 50% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 50% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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William Bell
I Forgot To Be Your Lover
142 bpm • E min • 02:22 • -12.6db
57% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Bootsy Collins
Very Yes
141 bpm • F# min • 08:27 • -8.56db
7% Popularity • 73% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 73% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Simon
Before the Night Is Over
142 bpm • C min • 03:38 • -14db
37% Popularity • 39% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 39% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Con Funk Shun
Straight From The Heart
141 bpm • D Maj • 04:37 • -11db
45% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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The J.B.'s
Pass The Peas
196 bpm • D Maj • 03:11 • -14.81db
49% Popularity • 56% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 56% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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The Spinners
It's A Shame
199 bpm • B Maj • 03:10 • -11.96db
67% Popularity • 37% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 37% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Paul
Me and Mrs. Jones
201 bpm • G# Maj • 04:44 • -10db
67% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
