Songs like I'd Rather Wake Up By Myself by Alice Ripley
Based on a tempo of (+/- 10%) and a similar genre
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Original Cast of Amélie
Sister's Pickle
99 bpm • F# Maj • 02:07 • -7db
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster - Reprise
99 bpm • G Maj • 00:59 • -11.53db
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Laura Benanti
Where's My Shoe?
98 bpm • A# Maj • 01:53 • -6.68db
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Celia Rose Gooding
Wake Up
100 bpm • G Maj • 04:23 • -3.65db
27% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Steven Booth
Some Kinda Time
98 bpm • F# min • 04:03 • -5db
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Marin Mazzie
Journey On
100 bpm • B Maj • 04:13 • -11db
24% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Derek Klena
You Shine
98 bpm • E Maj • 03:22 • -9.52db
35% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jerome Moross
I've Even Been in Love
97 bpm • A min • 02:39 • -15.21db
0% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Original Cast of Amélie
Blue Arrow Suite
97 bpm • F Maj • 02:44 • -9.8db
17% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alice Ripley
Wish I Were Here
97 bpm • B min • 03:06 • -8.31db
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Billy Porter
In This Corner
97 bpm • F min • 04:56 • -6.83db
28% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Hailey Kilgore
Discovering Daniel / Pray
97 bpm • E min • 06:52 • -11.76db
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Hunter Foster
Hundred Story City
97 bpm • C Maj • 03:39 • -9.86db
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Chryssie Whitehead
Sing!
101 bpm • E Maj • 02:09 • -10.49db
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Lisa O'Hare
I Don't Know What I'd Do
97 bpm • G Maj • 02:02 • -12db
27% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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J. Robert Spencer
A Light in the Dark
101 bpm • G Maj • 02:45 • -13.93db
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Gavin Creel
Agony (Reprise)
101 bpm • E Maj • 02:21 • -10.19db
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Henry Krieger
Side Show: You Should Be Loved - Voice
102 bpm • D min • 05:54 • -11.01db
12% Popularity • 35% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 35% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
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Alice Ripley
Take It Easy
102 bpm • B Maj • 03:15 • -11.83db
1% Popularity • 42% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 42% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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StarKid
Missing You
102 bpm • D min • 02:46 • -15.71db
21% Popularity • 41% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 41% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm
96 bpm • A Maj • 02:43 • -13db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
91% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
91% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mandy Gonzalez
When You're Home
102 bpm • A Maj • 05:20 • -7db
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Alice Ripley
Essence
96 bpm • A min • 04:12 • -8.9db
0% Popularity • 44% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 44% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Q Smith
I Am Here
96 bpm • A Maj • 01:47 • -9.3db
39% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Micaela Diamond
You Don’t Know This Man
102 bpm • C Maj • 02:21 • -9.77db
34% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Julia Murney
Out of the Blue
96 bpm • B Maj • 04:02 • -6.45db
21% Popularity • 46% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 46% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Alice Ripley
Over at the Frankenstein Place
103 bpm • D# Maj • 03:20 • -8.18db
24% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jessie Mueller
Everything Changes
103 bpm • C# Maj • 03:02 • -7.96db
44% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Chad Kimball
Prayer
96 bpm • D Maj • 03:25 • -10db
40% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Wayne Alan Wilcox
Open Your Heart
103 bpm • F Maj • 01:54 • -6.58db
29% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Something Isn't Right Here
95 bpm • F min • 02:44 • -7.06db
35% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Mandy Gonzalez
When You're Home - Radio Edit
95 bpm • A Maj • 03:19 • -5.84db
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Woe Is Me - Reprise
95 bpm • F Maj • 01:00 • -13.28db
28% Popularity • 63% Danceability • 8% Energy • 36% Liveness
1% Instrumentalness • 36% Positiveness
28% Popularity • 63% Danceability • 8% Energy • 36% Liveness
1% Instrumentalness • 36% Positiveness
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Mindi Dickstein
Days of Plenty
95 bpm • G# Maj • 03:26 • -9.12db
26% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Bring It On
104 bpm • F# min • 02:38 • -5.73db
35% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Michael John LaChiusa
Days
104 bpm • C# Maj • 03:30 • -13.12db
0% Popularity • 58% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 58% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Prayer of the Comfort Counselor
104 bpm • A min • 02:20 • -7.14db
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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The Players
Entr'acte
105 bpm • C Maj • 01:54 • -7.05db
28% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Ripley
You Don't Know - Reprise
103 bpm • A min • 01:27 • -7.8db
29% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Denée Benton
The Ball
93 bpm • F Maj • 05:49 • -8.98db
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Premiere Cast
Why Not Me?
93 bpm • A Maj • 03:18 • -7db
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremy Jordan
Raise a Little Hell (Reprise)
93 bpm • D Maj • 02:25 • -8.64db
32% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Samantha Massell
Far from the Home I Love
93 bpm • C Maj • 02:48 • -9.48db
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Foster
You're Never Alone
93 bpm • A min • 02:56 • -7.12db
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Charles Lewis
The Wheel
105 bpm • D# Maj • 04:18 • -12.44db
28% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Alice Ripley
Another Hundred People
93 bpm • E min • 02:50 • -5.12db
1% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
1% Popularity • 52% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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J. Robert Spencer
I've Been
93 bpm • C# Maj • 02:44 • -8.33db
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Benanti
I Don't Know His Name
106 bpm • F# min • 03:58 • -9db
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Ramin Karimloo
The Neva Flows
93 bpm • A# Maj • 02:53 • -11.85db
42% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Priscilla Lopez
Enough
106 bpm • C# Maj • 02:38 • -6.68db
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Kelsey Grammer
All Of London Is Here Tonight - Original...
92 bpm • B min • 02:22 • -4.59db
29% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Emma Hunton
No More Fear
92 bpm • A Maj • 03:04 • -6db
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mia Williamson
Some Say
92 bpm • C# Maj • 03:04 • -8.65db
24% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Alice Ripley
Better Than Before
92 bpm • C Maj • 04:28 • -13.61db
29% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Hailey Kilgore
Forever Yours
92 bpm • D min • 04:45 • -12.43db
30% Popularity • 30% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 30% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Mandy Gonzalez
Everything I Know
107 bpm • G# Maj • 03:56 • -11.33db
36% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Alice Ripley
You Oughta Know
91 bpm • B min • 05:28 • -9.27db
0% Popularity • 46% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 46% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Jennifer Damiano
Hey #1
91 bpm • D# Maj • 01:39 • -13.62db
29% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jerome Moross
Windflowers
108 bpm • G Maj • 03:20 • -15.2db
0% Popularity • 31% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 31% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Kenita R. Miller
Ti Moune
92 bpm • A# Maj • 04:31 • -16.03db
24% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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'[title of show]' Original Cast
Untitled Opening Number
91 bpm • D Maj • 02:15 • -8.98db
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Alice Ripley
Calling All Angels
91 bpm • D Maj • 04:26 • -14.57db
0% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Brooks Ashmanskas
Barry Is Going to Prom
108 bpm • C Maj • 02:33 • -5.7db
16% Popularity • 55% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 55% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Derek Klena
Dreamer in Disguise
108 bpm • G# Maj • 01:39 • -17.96db
33% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Kate Reinders
We See the Light
108 bpm • F Maj • 04:05 • -6.66db
37% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Patina Miller
Last Midnight
91 bpm • C# Maj • 03:15 • -9.21db
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 45% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Ripley
I Still Haven't Found What I'm Looking F...
91 bpm • C Maj • 04:11 • -10.09db
0% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
24% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Alexander Nolan
What Does She Mean by Love?
90 bpm • B min • 02:25 • -8.63db
20% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
31% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness