Songs like If I Knew You Were Comin' I'd've Baked a Cake by Georgia Gibbs
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Barnet
You've Got Me Voodoo
166 bpm • G min • 02:42 • -2.99db
6% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Slim Gaillard
Momma's In The Kitchen But We've Got "Po...
166 bpm • D Maj • 02:40 • -6.27db
24% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
24% Popularity • 69% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Georgia Gibbs
If I Knew You Were Comin' I'd've Baked a...
166 bpm • G# Maj • 02:50 • -3.53db
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Fisher
Dungaree Doll
166 bpm • G# Maj • 02:03 • -2.52db
8% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Perry Como
Ko Ko Mo (I LoveYou So)
166 bpm • A min • 02:42 • -12.86db
13% Popularity • 66% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 66% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Gamble & The Rhythm Serenaders
Got A Pebble In My Shoe
167 bpm • G Maj • 02:42 • -15.39db
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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California Feetwarmers
Always Got a Home
167 bpm • D min • 02:51 • -7.99db
29% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
29% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Wingy Manone
Besame Mucho
167 bpm • G# min • 02:41 • -9.37db
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Kay Kyser
On a Slow Boat to China
168 bpm • G Maj • 03:20 • -9.35db
11% Popularity • 48% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 48% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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California Feetwarmers
Jazz Me Blues
164 bpm • A# Maj • 03:26 • -9.02db
23% Popularity • 57% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 94% Positiveness
23% Popularity • 57% Danceability • 54% Energy • 9% Liveness
19% Instrumentalness • 94% Positiveness
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The Pied Pipers
Whatcha Know Joe?
168 bpm • D# Maj • 03:23 • -10.77db
18% Popularity • 60% Danceability • 37% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
18% Popularity • 60% Danceability • 37% Energy • 32% Liveness
5% Instrumentalness • 78% Positiveness
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Georgia Gibbs
(If I Knew You Were Comin') I'd've Baked...
164 bpm • G# Maj • 02:50 • -10.12db
2% Popularity • 71% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 71% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Guy Lombardo
Get out Those Old Records
164 bpm • F Maj • 02:19 • -11.89db
22% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 74% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Collins' Hot Club
Lord Oh Lord
169 bpm • G min • 04:53 • -11.49db
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
9% Popularity • 59% Danceability • 32% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Ray Anthony
The Fox
163 bpm • G min • 02:34 • -7db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 83% Positiveness
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Sil Austin
Wildwood
163 bpm • A# Maj • 02:34 • -6.87db
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
31% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
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Buddy Johnson
It's the Gold
163 bpm • G# Maj • 03:00 • -8.07db
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Slim Gaillard
Tutti Frutti
169 bpm • C Maj • 02:39 • -19.83db
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 17% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Casey MacGill's Blue 4 Trio
The Hatchet Man (Chop, Chop)
163 bpm • B min • 03:43 • -6.81db
7% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Brooks Prumo Orchestra
Somebody Loves Me
169 bpm • A# Maj • 03:30 • -7.84db
22% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Asaro and The Fat Babies
You're My Dish
169 bpm • A min • 03:56 • -10.24db
19% Popularity • 72% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 72% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Amos Milburn
Wolf On the River (12-18-47)
169 bpm • C Maj • 02:40 • -10.06db
11% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
11% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
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Lucy Dixon
I'm Living in a Great Big Way
162 bpm • E Maj • 02:29 • -10.9db
28% Popularity • 75% Danceability • 46% Energy • 10% Liveness
12% Instrumentalness • 71% Positiveness
28% Popularity • 75% Danceability • 46% Energy • 10% Liveness
12% Instrumentalness • 71% Positiveness
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Slim Gaillard
Jump Session
163 bpm • F min • 02:36 • -17db
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
32% Popularity • 67% Danceability • 30% Energy • 24% Liveness
27% Instrumentalness • 86% Positiveness
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Georgia Gibbs
Tweedle Dee
170 bpm • F Maj • 02:35 • -8.85db
0% Popularity • 69% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 69% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Brooks Prumo Orchestra
Jo Jo
162 bpm • G min • 03:43 • -7.07db
25% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Eileen Barton
If I Knew You Were Comin' I'd've Baked a...
170 bpm • G# Maj • 02:39 • -8db
31% Popularity • 74% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 74% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
13% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Ron Sunshine & Full Swing
Lounging At The Waldorf
170 bpm • F min • 03:52 • -10.82db
11% Popularity • 51% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 51% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Georgia Gibbs
Tweedle Dee
170 bpm • C Maj • 02:34 • -3.73db
10% Popularity • 66% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 66% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Perry Como
Glendora
170 bpm • C min • 02:43 • -11.25db
8% Popularity • 54% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 54% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Slim Gaillard
Jump Session 2
161 bpm • C min • 02:37 • -18.34db
13% Popularity • 68% Danceability • 24% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
13% Popularity • 68% Danceability • 24% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
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Buster Smith
E-Flat Boogie
161 bpm • G# Maj • 06:54 • -11.09db
27% Popularity • 46% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 46% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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California Feetwarmers
You May Leave
161 bpm • C Maj • 04:32 • -8.7db
12% Popularity • 70% Danceability • 52% Energy • 8% Liveness
17% Instrumentalness • 97% Positiveness
12% Popularity • 70% Danceability • 52% Energy • 8% Liveness
17% Instrumentalness • 97% Positiveness
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Bob Chester
Clap Your Hands on the After Beat
172 bpm • C min • 02:57 • -10.86db
9% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Georgia Gibbs
Silent Lips
172 bpm • F# Maj • 02:02 • -12.99db
2% Popularity • 59% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 59% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Basin Street Brawlers
All My Life
160 bpm • D# Maj • 04:17 • -12.21db
12% Popularity • 66% Danceability • 16% Energy • 11% Liveness
24% Instrumentalness • 70% Positiveness
12% Popularity • 66% Danceability • 16% Energy • 11% Liveness
24% Instrumentalness • 70% Positiveness
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Eartha Kitt
Honolulu Rock and Roll
172 bpm • A# Maj • 01:49 • -7.02db
1% Popularity • 52% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 52% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 76% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
39% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Oo Poppa Do
160 bpm • C# Maj • 03:13 • -8.05db
29% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Georgia Gibbs
Silent Lips
172 bpm • F# Maj • 02:15 • -5.65db
0% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Guy Lombardo
It's Love-Love-Love
173 bpm • A# Maj • 02:28 • -11.96db
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
24% Popularity • 72% Danceability • 43% Energy • 10% Liveness
64% Instrumentalness • 97% Positiveness
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Miss Sophie Lee
Swing Brother Swing
172 bpm • A min • 03:55 • -6.78db
23% Popularity • 57% Danceability • 39% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
23% Popularity • 57% Danceability • 39% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Gordon Webster
Button Up Your Overcoat
173 bpm • C Maj • 03:15 • -11.68db
21% Popularity • 66% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
21% Popularity • 66% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
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Big Joe Turner
You're Driving Me Crazy
159 bpm • G# Maj • 04:13 • -6.57db
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Cats & The Fiddle
Thursday Evening Swing
173 bpm • D min • 02:28 • -11.99db
11% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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THE SCHWINGS BAND
Jack I'm Mellow
173 bpm • C min • 03:24 • -14db
23% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Al Bowlly
Did You Ever See a Dream Walking
159 bpm • G# Maj • 03:05 • -9.54db
22% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
22% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Paula Watson
Chick-chick-chick-a-dee
159 bpm • A# Maj • 02:18 • -8.35db
19% Popularity • 66% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 66% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
17% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
17% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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Julia Lee And Her Boyfriends
Last Call (For Alcohol)
173 bpm • F Maj • 02:36 • -10db
21% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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THE SCHWINGS BAND
Tain't What You Do
174 bpm • G# Maj • 02:54 • -12.47db
15% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Dakota Staton
My Babe
158 bpm • D# Maj • 02:06 • -9.35db
16% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Ray Collins' Hot Club
Bye Bye Paris
158 bpm • G Maj • 03:06 • -4.12db
30% Popularity • 60% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 60% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Georgia Gibbs
Great Balls of Fire
157 bpm • D Maj • 02:06 • -12.03db
0% Popularity • 55% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 55% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Gordon Webster
Eight, Nine and Ten
176 bpm • D# Maj • 04:16 • -8.74db
24% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Lucky Millinder
Adam, Come and Get Your Rib
176 bpm • G# Maj • 02:23 • -4db
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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THE SCHWINGS BAND
Ona
156 bpm • F Maj • 03:52 • -13db
23% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
23% Popularity • 75% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 53% Positiveness
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Billie Holiday
Miss Brown to You
156 bpm • D# Maj • 02:58 • -11.41db
22% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Gordon Webster
Blitzkrieg Baby (You Can't Bomb Me)
156 bpm • A# Maj • 02:57 • -7.26db
25% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Wingy Manone
Rhythm on the River
177 bpm • F Maj • 02:58 • -9.47db
19% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
19% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
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Guy Lombardo
Five Foot Two Eyes of Blue
178 bpm • D min • 02:39 • -10.11db
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
15% Popularity • 56% Danceability • 25% Energy • 36% Liveness
1% Instrumentalness • 81% Positiveness
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Georgia Gibbs
Kiss Me Another
177 bpm • G min • 02:16 • -9.71db
12% Popularity • 51% Danceability • 51% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 51% Danceability • 51% Energy • 73% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
21% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Black Swan Classic Jazz Band
Dude Ranch Blues
178 bpm • A# Maj • 03:53 • -5.57db
17% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Margaret Whiting
Pass That Peace Pipe
179 bpm • C min • 02:59 • -12.47db
31% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Southside Aces
Baby Don't You Tear My Clothes
179 bpm • G min • 02:39 • -8.63db
10% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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Georgia Gibbs
Red Hot Mamma
155 bpm • C Maj • 02:53 • -10.45db
4% Popularity • 64% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 64% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Perry Como
Tina Marie
179 bpm • F Maj • 02:32 • -11.45db
19% Popularity • 67% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 67% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Guy Lombardo
Boo Hoo
180 bpm • C Maj • 02:37 • -12.15db
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Georgia Gibbs
Kiss Me Another
178 bpm • G min • 02:15 • -5.46db
4% Popularity • 48% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 48% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
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Wilbur De Paris
Frankie & Johnny
153 bpm • C# Maj • 03:47 • -13db
15% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Vic Damone
Let's Face The Music And Dance
180 bpm • A# min • 02:24 • -16.23db
18% Popularity • 46% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 46% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Southside Aces
My Blue Heaven
152 bpm • D# Maj • 03:23 • -11.67db
17% Popularity • 62% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Alma Cogan
Mambo Italiano - 2005 Remaster
152 bpm • A# min • 02:25 • -10.54db
18% Popularity • 61% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 61% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Blue Harlem
I Can't Stop Now
152 bpm • G# Maj • 02:35 • -5.03db
30% Popularity • 51% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 51% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Gordon Webster
There's Frost On the Moon
182 bpm • G# Maj • 03:06 • -6.6db
16% Popularity • 48% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
