Songs like If I Only Had a Heart - From "Le magicien d'Oz" by Jack Haley
Based on a tempo of (+/- 10%) and a similar genre
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Louis Prima
Friar Tuck
116 bpm • C Maj • 01:49 • -15.39db
23% Popularity • 64% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 64% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Sherman Edwards
1776: The Lees of Old Virginia
116 bpm • F Maj • 02:35 • -9.91db
23% Popularity • 58% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Phillip Glasser
A Duo
116 bpm • F Maj • 02:38 • -21db
22% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Lesley Ann Warren
Valentine Candy
116 bpm • C# Maj • 03:43 • -14.15db
11% Popularity • 28% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 28% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Faith Prince
Sue Me
116 bpm • C min • 02:50 • -19db
30% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Lin-Manuel Miranda
Trip a Little Light Fantastic
116 bpm • G Maj • 07:02 • -9.03db
41% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Ann-Margret
A Lot of Livin' to Do
116 bpm • C Maj • 06:00 • -10.17db
21% Popularity • 49% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Bert Lahr
In the Merry Old Land of Oz
116 bpm • D# Maj • 01:53 • -3.53db
12% Popularity • 66% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 66% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Sherman Edwards
1776: Piddle, Twiddle, and Resolve / Til...
116 bpm • C# Maj • 04:54 • -13.74db
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Happiness
117 bpm • G Maj • 03:31 • -16db
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Broadway Cast Recording
Brush Up Your Shakespeare
115 bpm • C Maj • 04:51 • -11.16db
19% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Lucille Ball
Hey Look Me Over
117 bpm • F min • 02:08 • -12db
14% Popularity • 51% Danceability • 44% Energy • 83% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 51% Danceability • 44% Energy • 83% Liveness
0% Instrumentalness • 76% Positiveness
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Ann-Margret
Bye Bye Birdie (Bonus Track)
116 bpm • F Maj • 02:12 • -8.13db
12% Popularity • 56% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 56% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Haley
If I Only Had a Heart
117 bpm • G# Maj • 03:13 • -5.17db
13% Popularity • 57% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 57% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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The Original Broadway Cast Of 'Curtains'
Show People
115 bpm • G Maj • 05:56 • -14.37db
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 66% Danceability • 29% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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Cy Coleman
Sweet Charity: If My Friends Could See M...
117 bpm • F# min • 03:29 • -14.79db
27% Popularity • 64% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 64% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Stanley Holloway
Get Me to the Church on Time
115 bpm • D Maj • 02:44 • -10.17db
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Christopher Walken
(You're) Timeless To Me
117 bpm • E min • 04:47 • -8.26db
41% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Howard Keel
Spring, Spring, Spring
117 bpm • C Maj • 02:58 • -18.36db
26% Popularity • 58% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 58% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Rene Auberjonois
Les Poissons
118 bpm • G Maj • 01:35 • -15db
43% Popularity • 51% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Jonathan Pryce
Be Back Soon
118 bpm • C Maj • 03:19 • -16.82db
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Emily Blunt
Can You Imagine That?
118 bpm • G# Maj • 04:22 • -10.93db
44% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Stanley Holloway
Get Me To The Church On Time - Voice
117 bpm • C Maj • 05:56 • -13.18db
21% Popularity • 60% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 60% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Terry Gilkyson
Brothers All - Demo
118 bpm • G min • 03:41 • -17.67db
24% Popularity • 44% Danceability • 19% Energy • 13% Liveness
14% Instrumentalness • 38% Positiveness
24% Popularity • 44% Danceability • 19% Energy • 13% Liveness
14% Instrumentalness • 38% Positiveness
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Richard Adler
The Pajama Game: Hernando's Hideaway
114 bpm • C min • 03:48 • -12.37db
17% Popularity • 69% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Debbie Reynolds
Belly Up to the Bar, Boys
118 bpm • G Maj • 05:09 • -11.7db
11% Popularity • 55% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 55% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Ann-Margret
Bye Bye Birdie (Reprise)
114 bpm • A Maj • 01:23 • -8.33db
23% Popularity • 53% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 53% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Newsies Ensemble
Seize the Day (Chorale)
114 bpm • B Maj • 01:12 • -14.6db
30% Popularity • 59% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Leslie Bricusse
Lucky Charlie
114 bpm • B Maj • 02:06 • -15.3db
33% Popularity • 33% Danceability • 30% Energy • 34% Liveness
82% Instrumentalness • 17% Positiveness
33% Popularity • 33% Danceability • 30% Energy • 34% Liveness
82% Instrumentalness • 17% Positiveness
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Gwen Verdon
Who's Got the Pain?
114 bpm • D Maj • 02:53 • -11db
16% Popularity • 70% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 70% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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RSC Orchestra
Overture
118 bpm • A Maj • 02:04 • -17.59db
14% Popularity • 26% Danceability • 22% Energy • 50% Liveness
56% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 22% Energy • 50% Liveness
56% Instrumentalness • 16% Positiveness
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John Davidson
Are We Dancing?
114 bpm • C# Maj • 03:26 • -15db
15% Popularity • 24% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 24% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Camarata Chorus and Orchestra
Unbirthday Song
119 bpm • C Maj • 02:12 • -11.11db
27% Popularity • 78% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 78% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Cast of Peter Pan
What Made Red Man Red/Tinknapped - Origi...
119 bpm • A# min • 02:44 • -14.31db
14% Popularity • 60% Danceability • 71% Energy • 44% Liveness
2% Instrumentalness • 44% Positiveness
14% Popularity • 60% Danceability • 71% Energy • 44% Liveness
2% Instrumentalness • 44% Positiveness
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Hayley Mills
Femininity
113 bpm • D# Maj • 02:02 • -16.06db
23% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Cast of Alice in Wonderland
The Garden/All In The Golden Afternoon -...
119 bpm • F Maj • 03:39 • -13.3db
16% Popularity • 49% Danceability • 16% Energy • 30% Liveness
6% Instrumentalness • 40% Positiveness
16% Popularity • 49% Danceability • 16% Energy • 30% Liveness
6% Instrumentalness • 40% Positiveness
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Gillian Bevan
The Jitterbug
113 bpm • G Maj • 05:09 • -13.63db
21% Popularity • 46% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 46% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Debbie Reynolds
He's My Friend
113 bpm • F Maj • 06:13 • -13.63db
10% Popularity • 54% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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The M-G-M Studio Orchestra and Chorus
The Wizard of Oz - Opening Title
119 bpm • A Maj • 02:00 • -9.27db
23% Popularity • 30% Danceability • 38% Energy • 27% Liveness
72% Instrumentalness • 33% Positiveness
23% Popularity • 30% Danceability • 38% Energy • 27% Liveness
72% Instrumentalness • 33% Positiveness
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Leonard Bernstein
West Side Story: Act I: Jet Song
119 bpm • C Maj • 02:06 • -10.94db
37% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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David Ogden Stiers
Mine, Mine, Mine
113 bpm • C Maj • 03:33 • -14.7db
23% Popularity • 50% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 50% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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George Wilkins
The Great Outdoors
119 bpm • D Maj • 02:09 • -11.04db
35% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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The Music Man Motion-Picture Ensemble
Seventy Six Trombones
120 bpm • D# Maj • 02:36 • -9db
26% Popularity • 59% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 59% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie Callas
Boo Bop Bopbop Bop (I Love You, Too)
120 bpm • C Maj • 02:45 • -16db
29% Popularity • 69% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 69% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Charmian Carr
So Long, Farewell
120 bpm • A# Maj • 02:56 • -16db
51% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Liz Callaway
Forget About Love (The Return Of Jafar)
120 bpm • C# min • 02:55 • -14db
32% Popularity • 45% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 45% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Jerry Herman
Before The Parade Passes By
112 bpm • D Maj • 04:54 • -12db
30% Popularity • 42% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 42% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 41% Positiveness
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Buddy Baker
Swisskapolka
120 bpm • C Maj • 01:54 • -13.61db
37% Popularity • 94% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
37% Popularity • 94% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
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Ann Miller
Tom, Dick or Harry
120 bpm • G min • 04:14 • -10.25db
14% Popularity • 60% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 60% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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The Travelling Salesmen
Main Title / Rock Island / Iowa Stubborn
112 bpm • D Maj • 07:15 • -12db
26% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 52% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Ship's Chorus
Fathoms Below
112 bpm • C Maj • 01:41 • -16db
41% Popularity • 36% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
41% Popularity • 36% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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The Cast of The Aristocats
The Aristocats - Original
120 bpm • C Maj • 02:19 • -10.92db
20% Popularity • 69% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 69% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Home Guardsmen
Overture / The Old Home Guard
120 bpm • G Maj • 05:31 • -9.53db
23% Popularity • 39% Danceability • 32% Energy • 26% Liveness
1% Instrumentalness • 24% Positiveness
23% Popularity • 39% Danceability • 32% Energy • 26% Liveness
1% Instrumentalness • 24% Positiveness
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Dwarf Chorus
A Silly Song
120 bpm • D Maj • 03:02 • -13db
14% Popularity • 68% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 68% Danceability • 41% Energy • 65% Liveness
0% Instrumentalness • 84% Positiveness
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Dick Van Dyke
Kids
112 bpm • C Maj • 02:35 • -17.91db
9% Popularity • 65% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 65% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
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Frederick Loewe
Camelot: Guenevere
112 bpm • G Maj • 03:19 • -13db
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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The Cast of Mary Poppins
A Spoonful Of Sugar
111 bpm • F Maj • 04:08 • -14.33db
28% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Debbie Reynolds
All I Do Is Dream of You
121 bpm • A# Maj • 01:27 • -10db
23% Popularity • 71% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 71% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Angela Lansbury
Nobody's Problems (Demo)
111 bpm • E Maj • 01:25 • -16.27db
14% Popularity • 56% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 56% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Sherman Edwards
1776: Overture
121 bpm • B Maj • 01:53 • -15.62db
19% Popularity • 74% Danceability • 52% Energy • 9% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 74% Danceability • 52% Energy • 9% Liveness
86% Instrumentalness • 22% Positiveness
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Allison Williams
I Gotta Crow
111 bpm • F# Maj • 03:08 • -7db
18% Popularity • 67% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 67% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Cliff Edwards
Give a Little Whistle
111 bpm • C Maj • 01:37 • -9.66db
32% Popularity • 69% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 69% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Ann-Margret
Rosie
111 bpm • D# Maj • 02:15 • -12.64db
17% Popularity • 36% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 36% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Sheryl Lee Ralph
Long as I'm Here with You
111 bpm • D Maj • 02:24 • -9db
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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David Tomlinson
With A Flair
121 bpm • A min • 02:34 • -8.89db
26% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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The Pirates Of Penzance
Climbing over Rocky Mountain
121 bpm • A# Maj • 04:07 • -14db
22% Popularity • 54% Danceability • 31% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 54% Danceability • 31% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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The Cast of Mary Poppins
Jolly Holiday
111 bpm • F Maj • 05:24 • -18db
14% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Jesse Pearson
Honestly Sincere
121 bpm • A# Maj • 03:18 • -9.69db
22% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Sammes Singers
The Aristocats
121 bpm • C Maj • 02:43 • -9.61db
10% Popularity • 77% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 77% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Angela Lansbury
A Step In The Right Direction
121 bpm • F Maj • 02:25 • -11db
26% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Walter Catlett
Hi-Diddle-Dee-Dee (An Actor's Life for M...
122 bpm • D# Maj • 01:40 • -14.3db
38% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Peter Ustinov
Not in Nottingham (Prince John Demo)
111 bpm • C# Maj • 01:02 • -15.74db
26% Popularity • 57% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 57% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Dona Massin
The Jitterbug - Choreography Rehearsal
111 bpm • G Maj • 03:24 • -24.16db
15% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Lynde
Kids
111 bpm • C Maj • 02:33 • -10db
19% Popularity • 65% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 65% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
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Helen Reddy
It's Not Easy
111 bpm • C Maj • 03:09 • -16.81db
39% Popularity • 66% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 66% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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David Tomlinson
The Beautiful Briny
111 bpm • D# Maj • 04:01 • -12db
31% Popularity • 61% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Leonard Bernstein
West Side Story : Act I: Jet Song
111 bpm • F Maj • 02:06 • -14.87db
20% Popularity • 62% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 62% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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Louis Prima
King Louie and Robin Hood
110 bpm • A# Maj • 01:23 • -12.17db
27% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 67% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Robert Preston
Ya Got Trouble
122 bpm • G# Maj • 04:00 • -12db
31% Popularity • 65% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 65% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Jesse Pearson
One Last Kiss (Gym Rehearsal Outtake)
111 bpm • F Maj • 02:29 • -11.28db
15% Popularity • 65% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 65% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Jerry Herman
Mame: Bosom Buddies
110 bpm • F# Maj • 04:08 • -13db
20% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Angela Lansbury
Substitutiary Locomotion
111 bpm • C Maj • 01:44 • -10.53db
33% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Richard Gere
Razzle Dazzle
122 bpm • D Maj • 03:45 • -12db
32% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Scarlett Strallen
All I Do (Is Dream of You)
110 bpm • A# Maj • 01:25 • -7.33db
22% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Walter Bobbie
Guys and Dolls
122 bpm • G min • 02:58 • -15.59db
33% Popularity • 80% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 80% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
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Phyllis Brooks
Alone With You
122 bpm • C# min • 02:54 • -11.55db
2% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jerry Herman
It Takes A Woman
110 bpm • F Maj • 03:06 • -13db
26% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Jerry Orbach
Razzle Dazzle
110 bpm • D Maj • 03:09 • -9.38db
21% Popularity • 51% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 51% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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The Buffalo Bills
Lida Rose, Will I Ever Tell You
110 bpm • G Maj • 04:14 • -9.07db
19% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Paige O'Hara
Belle Reprise
123 bpm • C# min • 01:05 • -15.63db
46% Popularity • 55% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 55% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Judy Garland
The Jitterbug
110 bpm • G Maj • 03:26 • -9.4db
12% Popularity • 47% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 47% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 64% Positiveness
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Newsies Ensemble
High Times, Hard Times
110 bpm • F# Maj • 02:54 • -13.39db
29% Popularity • 60% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 60% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Phillip Glasser
Never Say Never
110 bpm • F Maj • 02:25 • -19.49db
25% Popularity • 60% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 60% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Leslie Bricusse
Main Title (Golden Ticket/Pure Imaginati...
110 bpm • A Maj • 02:07 • -11.21db
40% Popularity • 32% Danceability • 32% Energy • 6% Liveness
84% Instrumentalness • 47% Positiveness
40% Popularity • 32% Danceability • 32% Energy • 6% Liveness
84% Instrumentalness • 47% Positiveness
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Nick Ullett
The Sun Has Got His Hat On - Original Ca...
123 bpm • D# Maj • 02:43 • -16db
17% Popularity • 58% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 58% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
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Glenn Close
One Brick at a Time
123 bpm • D Maj • 03:24 • -8.41db
17% Popularity • 75% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 75% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Carol Burnett
Happily Ever After
123 bpm • C Maj • 03:58 • -21.69db
9% Popularity • 47% Danceability • 17% Energy • 52% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 47% Danceability • 17% Energy • 52% Liveness
0% Instrumentalness • 47% Positiveness