Songs like If Jesus... by Kris Dane
Based on a tempo of (+/- 10%) and a similar genre
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Kris Dane
Bless Y'r Soul
91 bpm • C Maj • 02:14 • -18.14db
0% Popularity • 41% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 41% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Fabrizio Cassol
If Jesus...
90 bpm • F Maj • 05:11 • -9.55db
1% Popularity • 56% Danceability • 47% Energy • 9% Liveness
64% Instrumentalness • 45% Positiveness
1% Popularity • 56% Danceability • 47% Energy • 9% Liveness
64% Instrumentalness • 45% Positiveness
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Oren Lavie
Did You Really Say No
91 bpm • F# min • 04:14 • -10.25db
32% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmy Scott
Nothing Compares 2 U
89 bpm • A# Maj • 06:18 • -11.8db
40% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Tony Joe White
Where Do They Go
89 bpm • A min • 04:33 • -15.17db
11% Popularity • 74% Danceability • 34% Energy • 23% Liveness
64% Instrumentalness • 40% Positiveness
11% Popularity • 74% Danceability • 34% Energy • 23% Liveness
64% Instrumentalness • 40% Positiveness
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Calexico
Crystal Frontier - Acoustic Version
88 bpm • G min • 03:34 • -22.99db
16% Popularity • 54% Danceability • 6% Energy • 11% Liveness
9% Instrumentalness • 50% Positiveness
16% Popularity • 54% Danceability • 6% Energy • 11% Liveness
9% Instrumentalness • 50% Positiveness
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SX
Vision - Unplugged
91 bpm • A# Maj • 02:38 • -10.38db
36% Popularity • 70% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 58% Positiveness
36% Popularity • 70% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 58% Positiveness
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Dez Mona
Suspicion
92 bpm • G Maj • 04:18 • -8.42db
15% Popularity • 61% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 61% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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BRTHR
Speak Loud (When You Speak Love)
88 bpm • B Maj • 02:59 • -9.58db
21% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Tom McRae
For the Restless
92 bpm • C min • 04:06 • -12.34db
38% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Neeka
Don’t Hold Me Back
92 bpm • F# Maj • 03:33 • -8.17db
27% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Kiwanuka
Always Waiting
92 bpm • A# min • 04:30 • -10.6db
41% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Villagers
Memoir
87 bpm • C Maj • 03:32 • -14.13db
33% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Dez Mona
Dance With Me - Single Edit
92 bpm • G Maj • 04:43 • -14.48db
22% Popularity • 26% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Sarah Ferri
Where Home Was (Strings Session)
87 bpm • A min • 03:18 • -13db
14% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Dekker
Back and Forth
93 bpm • G# Maj • 03:27 • -10.72db
49% Popularity • 61% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 34% Positiveness
49% Popularity • 61% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 34% Positiveness
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Tindersticks
Medicine
87 bpm • C min • 04:59 • -10db
31% Popularity • 72% Danceability • 38% Energy • 8% Liveness
62% Instrumentalness • 74% Positiveness
31% Popularity • 72% Danceability • 38% Energy • 8% Liveness
62% Instrumentalness • 74% Positiveness
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Naima Joris
Missing You
93 bpm • D Maj • 03:49 • -18.3db
11% Popularity • 19% Danceability • 13% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 13% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
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Joan As Police Woman
Human Condition
87 bpm • C Maj • 05:33 • -10.22db
20% Popularity • 65% Danceability • 46% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
20% Popularity • 65% Danceability • 46% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Awa Ly
Are You Satisfied ?
87 bpm • G Maj • 03:34 • -13.04db
17% Popularity • 64% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 64% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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Piers Faccini
To Be Sky
87 bpm • D min • 03:32 • -12.98db
9% Popularity • 31% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 20% Positiveness
9% Popularity • 31% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 20% Positiveness
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Natalia Mateo
Take a Walk On the Wild Side
93 bpm • B Maj • 04:03 • -18db
32% Popularity • 66% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 66% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kris Dane
All
86 bpm • F min • 06:51 • -11.41db
2% Popularity • 49% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
2% Popularity • 49% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
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BRTHR
22
94 bpm • G# Maj • 02:31 • -13db
18% Popularity • 58% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 62% Positiveness
18% Popularity • 58% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 62% Positiveness
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Frazey Ford
Season After Season
94 bpm • E Maj • 03:58 • -12.88db
37% Popularity • 54% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
37% Popularity • 54% Danceability • 26% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Gabriel Rios
Voodoo Chile
86 bpm • A Maj • 03:14 • -12.56db
19% Popularity • 80% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 80% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sam De Nef
Untitled
94 bpm • F# min • 02:47 • -16.29db
14% Popularity • 56% Danceability • 47% Energy • 16% Liveness
26% Instrumentalness • 82% Positiveness
14% Popularity • 56% Danceability • 47% Energy • 16% Liveness
26% Instrumentalness • 82% Positiveness
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The Slow Show
God Only Knows
86 bpm • E min • 04:15 • -12.85db
30% Popularity • 57% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 11% Positiveness
30% Popularity • 57% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 11% Positiveness
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Douglas Firs
Delighted
86 bpm • G Maj • 03:20 • -8db
11% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Lisa Bassenge
For What It's Worth
86 bpm • E Maj • 03:49 • -11.82db
27% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
27% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
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Sivert Høyem
Blown Away
94 bpm • C min • 03:26 • -18.46db
37% Popularity • 37% Danceability • 6% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
37% Popularity • 37% Danceability • 6% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
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Jono McCleery
Wonderful Life
86 bpm • G Maj • 03:20 • -13.62db
37% Popularity • 44% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Daniel Lanois
I Love You
94 bpm • G# Maj • 04:31 • -14.61db
24% Popularity • 52% Danceability • 44% Energy • 28% Liveness
65% Instrumentalness • 18% Positiveness
24% Popularity • 52% Danceability • 44% Energy • 28% Liveness
65% Instrumentalness • 18% Positiveness
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Melanie De Biasio
Lilies
86 bpm • A Maj • 04:02 • -21db
22% Popularity • 30% Danceability • 12% Energy • 11% Liveness
26% Instrumentalness • 17% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 11% Liveness
26% Instrumentalness • 17% Positiveness
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Tony Joe White
Season Man
86 bpm • E min • 05:00 • -23.56db
22% Popularity • 68% Danceability • 20% Energy • 11% Liveness
74% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 20% Energy • 11% Liveness
74% Instrumentalness • 53% Positiveness
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Charlie Winston
Unlike Me
95 bpm • E min • 03:48 • -9.46db
36% Popularity • 76% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 76% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Katie Melua
Plane Song
85 bpm • G min • 04:07 • -20.03db
36% Popularity • 37% Danceability • 11% Energy • 11% Liveness
39% Instrumentalness • 26% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 11% Liveness
39% Instrumentalness • 26% Positiveness
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Philippe Boesmans
Wintermärchen (Le conte d'hiver) / Act ...
95 bpm • G# min • 02:34 • -23.36db
0% Popularity • 26% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 26% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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The Bony King of Nowhere
The Sunset
85 bpm • A# min • 03:24 • -11.45db
28% Popularity • 45% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 22% Positiveness
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Willy DeVille
Heaven Stood Still
95 bpm • A min • 03:57 • -17db
44% Popularity • 37% Danceability • 10% Energy • 72% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 37% Danceability • 10% Energy • 72% Liveness
0% Instrumentalness • 6% Positiveness
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Geike
Off Shore
85 bpm • F# min • 03:49 • -10db
31% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Mauro Pawlowski
The Silent Sky
85 bpm • G min • 03:49 • -12db
18% Popularity • 57% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
18% Popularity • 57% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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MY BABY
The Doors of your Mind
85 bpm • F Maj • 04:15 • -11.27db
22% Popularity • 77% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
22% Popularity • 77% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Angela McCluskey
It's Been Done
85 bpm • D Maj • 03:56 • -7.5db
41% Popularity • 63% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 63% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Frazey Ford
Lost Together
96 bpm • A Maj • 04:31 • -13.12db
31% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Naima Joris
This Love Affair
96 bpm • B min • 03:22 • -28.32db
32% Popularity • 30% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 12% Positiveness
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VanWyck
Listen to You Breathe
96 bpm • A min • 02:40 • -12.15db
16% Popularity • 35% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 35% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Sammy Decoster
De Glace
84 bpm • G# Maj • 03:41 • -10db
24% Popularity • 44% Danceability • 48% Energy • 16% Liveness
56% Instrumentalness • 13% Positiveness
24% Popularity • 44% Danceability • 48% Energy • 16% Liveness
56% Instrumentalness • 13% Positiveness
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Absynthe Minded
Cherry Picking
96 bpm • F# Maj • 03:15 • -6.5db
29% Popularity • 78% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
29% Popularity • 78% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Kris Dane
Hegemony
96 bpm • G min • 08:16 • -12.4db
6% Popularity • 52% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
6% Popularity • 52% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Mauro Pawlowski
Down From Nowhere
96 bpm • B min • 04:33 • -11.37db
19% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Waterhouse
Thought & Act
84 bpm • A min • 04:10 • -13db
32% Popularity • 70% Danceability • 20% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
32% Popularity • 70% Danceability • 20% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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VanWyck
Maybe, Maybe Not
96 bpm • A Maj • 03:20 • -11db
26% Popularity • 55% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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EMY
Unfinished
96 bpm • A Maj • 03:03 • -22db
20% Popularity • 64% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 64% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Absynthe Minded
Easy
96 bpm • D Maj • 05:20 • -10.82db
30% Popularity • 74% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 81% Positiveness
30% Popularity • 74% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 81% Positiveness
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Guy Garvey
Electricity
96 bpm • C# min • 03:41 • -16db
32% Popularity • 37% Danceability • 17% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
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Michael Kiwanuka
It Always Comes Back Around
96 bpm • A# min • 03:19 • -12.94db
44% Popularity • 70% Danceability • 40% Energy • 10% Liveness
46% Instrumentalness • 46% Positiveness
44% Popularity • 70% Danceability • 40% Energy • 10% Liveness
46% Instrumentalness • 46% Positiveness
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Piers Faccini
Make Me Down A Pallet On Your Floor
96 bpm • C Maj • 04:04 • -12db
29% Popularity • 67% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 67% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Barton Hartshorn
Everything Is Better Than Before
84 bpm • G Maj • 04:28 • -9.66db
26% Popularity • 50% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 38% Positiveness
26% Popularity • 50% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 38% Positiveness
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Janne Schra
Hold On To
84 bpm • G Maj • 02:49 • -9.82db
31% Popularity • 53% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
31% Popularity • 53% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Amir Vahidi
Places
84 bpm • C min • 02:29 • -13.89db
31% Popularity • 30% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
31% Popularity • 30% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
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Naima Joris
Chansonnier
84 bpm • A min • 03:47 • -15.53db
11% Popularity • 20% Danceability • 14% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Douglas Firs
Heart of a Mother
83 bpm • G Maj • 04:32 • -13.97db
31% Popularity • 34% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 34% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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TOKUNBO
Homecoming (Hummingbird)
97 bpm • C min • 04:10 • -12.24db
28% Popularity • 58% Danceability • 41% Energy • 14% Liveness
10% Instrumentalness • 8% Positiveness
28% Popularity • 58% Danceability • 41% Energy • 14% Liveness
10% Instrumentalness • 8% Positiveness
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Ray Bonneville
Listen
97 bpm • G min • 03:48 • -14db
34% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
34% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
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J.J. Cale
Don't Cry Sister
97 bpm • A# Maj • 02:12 • -16.12db
40% Popularity • 82% Danceability • 31% Energy • 16% Liveness
3% Instrumentalness • 88% Positiveness
40% Popularity • 82% Danceability • 31% Energy • 16% Liveness
3% Instrumentalness • 88% Positiveness
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Alela Diane
Yellow Gold
83 bpm • D Maj • 03:20 • -9.75db
22% Popularity • 29% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
22% Popularity • 29% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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Gare Du Nord
We Still Grow
97 bpm • C Maj • 07:17 • -10.66db
35% Popularity • 68% Danceability • 32% Energy • 9% Liveness
36% Instrumentalness • 32% Positiveness
35% Popularity • 68% Danceability • 32% Energy • 9% Liveness
36% Instrumentalness • 32% Positiveness
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Marike Jager
The Silent Song
98 bpm • F# min • 02:16 • -19.44db
19% Popularity • 86% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 86% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Howe Gelb
On the Fence
98 bpm • F# Maj • 02:12 • -14.57db
23% Popularity • 68% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 41% Positiveness
23% Popularity • 68% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 41% Positiveness
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Ray Bonneville
Cross and Flowers
97 bpm • G min • 04:22 • -11db
17% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Kiwanuka
You've Got Nothing to Lose
98 bpm • B Maj • 03:20 • -13.07db
40% Popularity • 47% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 47% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Kris Dane
Palooza
98 bpm • D Maj • 06:18 • -13.37db
2% Popularity • 59% Danceability • 38% Energy • 16% Liveness
18% Instrumentalness • 22% Positiveness
2% Popularity • 59% Danceability • 38% Energy • 16% Liveness
18% Instrumentalness • 22% Positiveness
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BRUUT!
Loulou
98 bpm • C min • 05:11 • -12.42db
35% Popularity • 56% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 44% Positiveness
35% Popularity • 56% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 44% Positiveness
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M. Ward
Let's Dance
82 bpm • B min • 05:00 • -14.41db
20% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
20% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Jeb Loy Nichols
You Got In
82 bpm • C# min • 02:58 • -17.91db
8% Popularity • 60% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 60% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Frazey Ford
Lovers In A Dangerous Time - Bonus Track
82 bpm • B min • 04:37 • -13.81db
41% Popularity • 77% Danceability • 22% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
41% Popularity • 77% Danceability • 22% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
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Tanita Tikaram
Got to Give You Up
82 bpm • G min • 03:53 • -16.77db
23% Popularity • 68% Danceability • 25% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 25% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
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Nick Cave
We Are Not Alone
82 bpm • C Maj • 03:25 • -11.15db
37% Popularity • 37% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
37% Popularity • 37% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Awa Ly
You Will Be Mine
82 bpm • G Maj • 03:29 • -13db
29% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
29% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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Jean-Louis Murat
Tous mourus
99 bpm • G min • 06:18 • -11.56db
19% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tiny Legs Tim
It's All Over Now
99 bpm • G Maj • 02:29 • -23.97db
10% Popularity • 51% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 24% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 24% Positiveness
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Dries Bongaerts
Certain Blue
99 bpm • D Maj • 05:21 • -10.17db
9% Popularity • 48% Danceability • 44% Energy • 18% Liveness
74% Instrumentalness • 22% Positiveness
9% Popularity • 48% Danceability • 44% Energy • 18% Liveness
74% Instrumentalness • 22% Positiveness
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Tindersticks
What Are You Fighting For?
81 bpm • E Maj • 04:09 • -17db
38% Popularity • 70% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
38% Popularity • 70% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
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Tanita Tikaram
Play Me Again (Acoustic)
81 bpm • D min • 04:05 • -12.12db
22% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Awa Ly
Here
81 bpm • F# min • 03:33 • -10.2db
34% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kris Dane
Horizon
81 bpm • A# Maj • 05:48 • -12.51db
1% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Melody Gardot
Don't Misunderstand
81 bpm • D Maj • 04:40 • -16.15db
34% Popularity • 46% Danceability • 29% Energy • 7% Liveness
73% Instrumentalness • 9% Positiveness
34% Popularity • 46% Danceability • 29% Energy • 7% Liveness
73% Instrumentalness • 9% Positiveness
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Habib Koité
We Don't Care
81 bpm • E min • 04:00 • -13.39db
36% Popularity • 72% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
36% Popularity • 72% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Naima Joris
Walking the Cow
100 bpm • C min • 03:55 • -16.49db
10% Popularity • 53% Danceability • 11% Energy • 9% Liveness
34% Instrumentalness • 19% Positiveness
10% Popularity • 53% Danceability • 11% Energy • 9% Liveness
34% Instrumentalness • 19% Positiveness
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Melanie De Biasio
Brother
100 bpm • C min • 03:11 • -15.76db
27% Popularity • 57% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
27% Popularity • 57% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Bai Kamara Jr
Homecoming
101 bpm • G# min • 04:16 • -10.17db
15% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Camille Camille
White Skies Waltz
80 bpm • D# Maj • 03:38 • -12.97db
12% Popularity • 38% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 38% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Melody Gardot
Don't Misunderstand
81 bpm • D Maj • 04:14 • -16.1db
33% Popularity • 52% Danceability • 32% Energy • 17% Liveness
76% Instrumentalness • 11% Positiveness
33% Popularity • 52% Danceability • 32% Energy • 17% Liveness
76% Instrumentalness • 11% Positiveness
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Eagle-Eye Cherry
Desireless
80 bpm • D# min • 06:15 • -8db
29% Popularity • 55% Danceability • 75% Energy • 37% Liveness
48% Instrumentalness • 28% Positiveness
29% Popularity • 55% Danceability • 75% Energy • 37% Liveness
48% Instrumentalness • 28% Positiveness
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Otis Taylor
Jump to Mexico
80 bpm • A min • 04:19 • -16.11db
11% Popularity • 62% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
11% Popularity • 62% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
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Naima Joris
When Doves Cry
80 bpm • A min • 03:42 • -11db
18% Popularity • 73% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 40% Positiveness
18% Popularity • 73% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 40% Positiveness
