Songs like If Leaving Me Is Easy - 2015 Remastered by Phil Collins
Based on a tempo of (+/- 10%) and a similar genre
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Spandau Ballet
With The Pride
116 bpm • E min • 03:25 • -13db
36% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Hates Jazz
Shattered Dreams - Acoustic Version
116 bpm • D min • 03:27 • -6db
34% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Eric Carmen
All By Myself - Single Edit
116 bpm • G min • 04:31 • -10.78db
50% Popularity • 44% Danceability • 40% Energy • 49% Liveness
76% Instrumentalness • 18% Positiveness
50% Popularity • 44% Danceability • 40% Energy • 49% Liveness
76% Instrumentalness • 18% Positiveness
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Whitney Houston
Hold Me
116 bpm • D Maj • 06:00 • -17.92db
50% Popularity • 54% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 54% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Tina Turner
Private Dancer - Single Edit
116 bpm • E min • 04:02 • -8.07db
44% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dionne Warwick
Love Power
116 bpm • C min • 04:36 • -16.19db
36% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Phil Collins
Against All Odds (Take a Look at Me Now)...
116 bpm • C# Maj • 03:26 • -6.9db
76% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
76% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Santana
Stormy
116 bpm • D Maj • 04:45 • -18.45db
32% Popularity • 70% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 70% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Eric Carmen
All By Myself
116 bpm • G min • 07:10 • -9.18db
64% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
64% Popularity • 38% Danceability • 37% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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a-ha
Hunting High and Low
117 bpm • A min • 03:48 • -6.15db
64% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Tina Turner
Private Dancer - 2015 Remaster
115 bpm • D Maj • 07:14 • -10db
57% Popularity • 59% Danceability • 57% Energy • 9% Liveness
9% Instrumentalness • 47% Positiveness
57% Popularity • 59% Danceability • 57% Energy • 9% Liveness
9% Instrumentalness • 47% Positiveness
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Don Henley
The End Of The Innocence
117 bpm • G# Maj • 05:15 • -13db
61% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Phil Collins
If Leaving Me Is Easy - 2015 Remastered
116 bpm • D# Maj • 04:55 • -17db
47% Popularity • 55% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 55% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Eagles
No More Cloudy Days
115 bpm • G Maj • 04:03 • -10.07db
48% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jon & Vangelis
I Hear You Now
115 bpm • E Maj • 04:48 • -13.35db
45% Popularity • 74% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
45% Popularity • 74% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Andy Gibb
After Dark
117 bpm • E min • 04:21 • -7.13db
35% Popularity • 76% Danceability • 74% Energy • 73% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 76% Danceability • 74% Energy • 73% Liveness
0% Instrumentalness • 96% Positiveness
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The Alan Parsons Project
Don't Answer Me
115 bpm • C Maj • 04:11 • -8.72db
61% Popularity • 62% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
61% Popularity • 62% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Peabo Bryson
Tonight I Celebrate My Love
117 bpm • D# Maj • 03:31 • -14.52db
67% Popularity • 48% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
67% Popularity • 48% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Kenny Loggins
Meet Me Half Way
117 bpm • E Maj • 03:39 • -13.01db
60% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Culture Club
Time (Clock Of The Heart) - Remastered 2...
117 bpm • C min • 03:44 • -6.33db
59% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Phil Collins
Long Long Way to Go - 2016 Remaster
117 bpm • D min • 04:22 • -12db
47% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Police
Every Breath You Take
117 bpm • C# Maj • 04:13 • -9.8db
88% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
88% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Air Supply
Lost In Love
114 bpm • G Maj • 03:54 • -15db
48% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Agnetha Fältskog
I Wasn't the One (Who Said Goodbye)
118 bpm • C min • 04:12 • -14.66db
37% Popularity • 61% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 61% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Level 42
Lessons in Love - Unplugged
114 bpm • A Maj • 04:28 • -6.72db
25% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Robert Palmer
Know by Now
118 bpm • B min • 04:10 • -7.35db
41% Popularity • 74% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 74% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Phil Collins
Why Can't It Wait 'Til Morning - 2016 Re...
114 bpm • G# Maj • 03:11 • -11.5db
31% Popularity • 23% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
31% Popularity • 23% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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The Doobie Brothers
Real Love
118 bpm • F Maj • 04:19 • -9.3db
43% Popularity • 75% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 75% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Peter Cetera
The Next Time I Fall
118 bpm • G# Maj • 03:46 • -10.18db
61% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Carmen
Baby I Need Your Lovin'
113 bpm • D min • 03:16 • -10.68db
41% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Level 42
Lessons In Love - Acoustic
114 bpm • D Maj • 04:30 • -4.41db
18% Popularity • 77% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 77% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Lauren Wood
Fallen
113 bpm • D# Maj • 03:41 • -21.64db
59% Popularity • 69% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 69% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Supertramp
My Kind Of Lady
119 bpm • A Maj • 05:15 • -7.67db
52% Popularity • 46% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 46% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Prince
Purple Rain
113 bpm • A# Maj • 08:40 • -10.42db
74% Popularity • 37% Danceability • 45% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
74% Popularity • 37% Danceability • 45% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
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England Dan & John Ford Coley
I'd Really Love to See You Tonight
119 bpm • F Maj • 02:39 • -12.04db
69% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 62% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Egan
Back On The Road
113 bpm • F Maj • 04:21 • -10.9db
34% Popularity • 61% Danceability • 52% Energy • 8% Liveness
75% Instrumentalness • 63% Positiveness
34% Popularity • 61% Danceability • 52% Energy • 8% Liveness
75% Instrumentalness • 63% Positiveness
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Level 42
Children Say
113 bpm • A Maj • 04:54 • -10.46db
41% Popularity • 66% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 66% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Lauren Wood
Fallen - Bonus Track
113 bpm • D# Maj • 04:00 • -12db
49% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 72% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Donald Fagen
I.G.Y.
119 bpm • G# min • 06:03 • -9.37db
56% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Eric Carmen
Boats Against the Current
113 bpm • G Maj • 04:23 • -11.07db
31% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Cetera
Even a Fool Can See
120 bpm • C min • 04:30 • -10db
40% Popularity • 77% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 77% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Roxy Music
My Only Love
120 bpm • D# min • 05:19 • -8db
42% Popularity • 61% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
42% Popularity • 61% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
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Jermaine Jackson
Do What You Do
113 bpm • C# min • 04:48 • -10db
40% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 71% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Phil Collins
There's a Place for Us - 2015 Remaster
120 bpm • C min • 06:52 • -11.02db
24% Popularity • 42% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 42% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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Howard Jones
I.G.Y. (What A Beautiful World)
120 bpm • G min • 05:05 • -13db
27% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Loggins
Sweet Reunion
112 bpm • G# Maj • 05:46 • -12.27db
24% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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England Dan & John Ford Coley
We'll Never Have to Say Goodbye Again - ...
112 bpm • E Maj • 02:52 • -14.35db
58% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Spandau Ballet
A Matter of Time
120 bpm • E min • 05:15 • -16db
24% Popularity • 66% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 66% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Wings
My Love - 2018 Remaster
120 bpm • F Maj • 04:07 • -14.06db
59% Popularity • 41% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Phil Collins
Find a Way to My Heart - 2016 Remaster
120 bpm • C Maj • 06:14 • -7db
46% Popularity • 37% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 37% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Alan Parsons Project
Old and Wise
112 bpm • C min • 04:55 • -11.74db
55% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Bruce Hornsby
The Way It Is
111 bpm • G Maj • 04:57 • -12.2db
69% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
69% Popularity • 58% Danceability • 69% Energy • 14% Liveness
6% Instrumentalness • 53% Positiveness
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Roberta Flack
The First Time Ever I Saw Your Face
121 bpm • C Maj • 04:20 • -21.64db
63% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Joe Jackson
Be My Number Two
111 bpm • G Maj • 04:19 • -10.1db
44% Popularity • 40% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Wings
With A Little Luck - Remastered 1993
112 bpm • F# min • 05:44 • -15db
52% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Phil Collins
Always - Live 1990
121 bpm • F Maj • 04:30 • -11.64db
27% Popularity • 31% Danceability • 27% Energy • 94% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 31% Danceability • 27% Energy • 94% Liveness
0% Instrumentalness • 7% Positiveness
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Queen
One Year Of Love - Remastered 2011
111 bpm • B min • 04:27 • -8.54db
48% Popularity • 56% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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The Alan Parsons Project
Old and Wise
112 bpm • C min • 04:10 • -18.83db
29% Popularity • 42% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 42% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Roberta Flack
The Closer I Get to You
121 bpm • A Maj • 04:40 • -13.28db
57% Popularity • 49% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 49% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
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The Pointer Sisters
Slow Hand
111 bpm • F# Maj • 03:51 • -7.77db
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Genesis
Many Too Many - 2007 Remaster
122 bpm • F# min • 03:31 • -7.85db
44% Popularity • 30% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 30% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Phil Collins
I Cannot Believe It's True - 2016 Remast...
121 bpm • F min • 05:16 • -6db
49% Popularity • 71% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 71% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jon & Vangelis
Deborah
110 bpm • C# min • 04:54 • -19db
39% Popularity • 25% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
39% Popularity • 25% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
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Ephraim Lewis
Drowning in Your Eyes
110 bpm • F min • 05:06 • -12.63db
34% Popularity • 69% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
34% Popularity • 69% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
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Joan Armatrading
The Shouting Stage
122 bpm • G min • 05:31 • -19.8db
25% Popularity • 70% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 70% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Spandau Ballet
I'll Fly for You - 2010 Remaster
122 bpm • A# min • 05:35 • -7db
41% Popularity • 67% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 67% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Prince
Money Don't Matter 2 Night
110 bpm • C# Maj • 04:47 • -8.72db
46% Popularity • 82% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 82% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Phil Collins
It's in Your Eyes - 2016 Remaster
122 bpm • F Maj • 03:02 • -5db
33% Popularity • 69% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 69% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Roberta Flack
Killing Me Softly With His Song
122 bpm • F min • 04:46 • -10.24db
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Cetera
She Doesn't Need Me Anymore
110 bpm • G Maj • 04:29 • -11.05db
39% Popularity • 71% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 71% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Supertramp
From Now On
122 bpm • F Maj • 06:18 • -6.65db
53% Popularity • 53% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 53% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Madonna
Live to Tell
110 bpm • D min • 05:51 • -7db
48% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dire Straits
Your Latest Trick - Remastered 1996
122 bpm • E Maj • 06:29 • -13.53db
66% Popularity • 51% Danceability • 40% Energy • 23% Liveness
11% Instrumentalness • 27% Positiveness
66% Popularity • 51% Danceability • 40% Energy • 23% Liveness
11% Instrumentalness • 27% Positiveness
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Tears For Fears
Advice For The Young At Heart
122 bpm • F Maj • 04:50 • -8.77db
58% Popularity • 66% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 66% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Barry Manilow
Could It Be Magic
123 bpm • C min • 06:49 • -7db
45% Popularity • 32% Danceability • 51% Energy • 13% Liveness
4% Instrumentalness • 29% Positiveness
45% Popularity • 32% Danceability • 51% Energy • 13% Liveness
4% Instrumentalness • 29% Positiveness
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Rupert Holmes
Him
109 bpm • E Maj • 04:06 • -14db
53% Popularity • 72% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 72% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Phil Collins
It Don't Matter to Me - 2016 Remaster
123 bpm • C Maj • 04:17 • -4.7db
42% Popularity • 71% Danceability • 94% Energy • 3% Liveness
6% Instrumentalness • 81% Positiveness
42% Popularity • 71% Danceability • 94% Energy • 3% Liveness
6% Instrumentalness • 81% Positiveness
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Johnny Hates Jazz
Now She's Gone
110 bpm • F min • 03:54 • -12.78db
14% Popularity • 67% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 67% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Genesis
Taking It All Too Hard - 2007 Remaster
109 bpm • E Maj • 03:58 • -9.94db
48% Popularity • 73% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
48% Popularity • 73% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
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Joe Jackson
Breaking Us In Two
109 bpm • A Maj • 04:50 • -8.33db
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Smokey Robinson
Just To See Her
109 bpm • E min • 04:04 • -15.49db
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Chicago
Happy Man
109 bpm • E min • 03:15 • -12.01db
48% Popularity • 69% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 69% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Elkie Brooks
Fool If You Think It's Over
109 bpm • G# min • 04:57 • -16.46db
39% Popularity • 69% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 69% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Air Supply
All Out Of Love
108 bpm • C Maj • 04:03 • -12.74db
54% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Cetera
One Good Woman
124 bpm • G Maj • 04:37 • -9db
45% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Gary Wright
Really Want to Know You - Remastered Ver...
125 bpm • C# Maj • 04:22 • -14db
41% Popularity • 57% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 57% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Hates Jazz
Don't Say It's Love - Acoustic Version
108 bpm • D# min • 03:32 • -7.42db
18% Popularity • 74% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 74% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
![Why Can't It Wait Till Morning [Remix] (feat. Phil Collins) cover art](https://i.scdn.co/image/ab67616d00001e02a8a4780e569a73d3085a289c)
Fourplay
Why Can't It Wait Till Morning [Remix]
125 bpm • G# Maj • 04:00 • -12.17db
27% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Phil Collins
If Leaving Me Is Easy - Live
108 bpm • C min • 07:23 • -16.36db
27% Popularity • 47% Danceability • 17% Energy • 88% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 47% Danceability • 17% Energy • 88% Liveness
0% Instrumentalness • 15% Positiveness
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Eric Clapton
River of Tears
108 bpm • C Maj • 07:22 • -9db
44% Popularity • 68% Danceability • 32% Energy • 27% Liveness
17% Instrumentalness • 15% Positiveness
44% Popularity • 68% Danceability • 32% Energy • 27% Liveness
17% Instrumentalness • 15% Positiveness
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Andy Gibb
An Everlasting Love
125 bpm • A Maj • 04:10 • -6.54db
56% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Marillion
No One Can - 1998 Remaster
107 bpm • E Maj • 04:41 • -9db
46% Popularity • 72% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 72% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Culture Club
Victims - Remastered 2002
126 bpm • G# Maj • 04:56 • -10.01db
44% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Fourplay
Why Can't It Wait Till Morning
125 bpm • G# Maj • 05:19 • -12.54db
34% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jon Anderson
Is It Me
106 bpm • G min • 04:22 • -10.01db
19% Popularity • 53% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 53% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Phil Collins
I Wish It Would Rain Down - 2016 Remaste...
126 bpm • G# Maj • 05:27 • -5db
65% Popularity • 51% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
65% Popularity • 51% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
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Level 42
It's Over
127 bpm • A# min • 06:00 • -12db
51% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Johnny Hates Jazz
What Other Reason - 2008 Digital Remaste...
127 bpm • A min • 03:21 • -11db
32% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
