Songs like If She Were Coming Home (feat. Colin Hanlon) by Original Cast Recording
Based on a tempo of (+/- 10%) and a similar genre
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Kyra Da Costa
Baby, Dream Your Dream
77 bpm • B Maj • 03:41 • -13.65db
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Lea Michele
I'm the Greatest Star
77 bpm • A min • 03:32 • -9.67db
35% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Women of the Palace
My Strongest Suit
77 bpm • C# Maj • 05:16 • -6.44db
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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The Cast of Mary Poppins
A Man Has Dreams (The Life I Lead) _ A S...
77 bpm • D# Maj • 04:28 • -23db
4% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Original Cast Recording
Malaya Na Ako
76 bpm • D Maj • 02:07 • -13.92db
4% Popularity • 32% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 32% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Miss Saigon Original Cast
Why God Why? - Live
76 bpm • A min • 04:14 • -12db
37% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
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Company of Head Over Heels - A New Musical
We Got the Beat
76 bpm • D Maj • 03:01 • -4db
14% Popularity • 71% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 71% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Aileen Quinn
Tomorrow (White House Version)
78 bpm • C# Maj • 02:24 • -16.08db
33% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jimmy Roberts
Prologue / Cantata For A First Date
76 bpm • C min • 04:44 • -10db
16% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Laura Michelle Kelly as Mary Poppins
A Spoonful of Sugar (reprise) / A Shooti...
76 bpm • A# Maj • 03:46 • -15.76db
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jerry Herman
The Best of Times
76 bpm • A min • 06:53 • -10.11db
20% Popularity • 33% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 33% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Original Cast Recording
Akong Nagkamali
76 bpm • A# Maj • 02:49 • -9.05db
3% Popularity • 62% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 62% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Original Cast of Billy Elliot
He Could Be A Star
76 bpm • C min • 04:50 • -12db
27% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Aileen Quinn
Maybe
78 bpm • C min • 02:00 • -22.06db
41% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Max Casella
Hakuna Matata
76 bpm • C Maj • 03:13 • -10.46db
41% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Lancashire
Nobody
79 bpm • F# Maj • 03:14 • -9db
17% Popularity • 44% Danceability • 43% Energy • 84% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 44% Danceability • 43% Energy • 84% Liveness
0% Instrumentalness • 65% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Original Cast of Billy Elliot
The Letter - Reprise
75 bpm • A min • 02:52 • -14db
26% Popularity • 44% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 44% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Megan Hilty
Diamonds Are a Girl's Best Friend
80 bpm • C Maj • 03:16 • -7.74db
14% Popularity • 52% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 52% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Jessie Mueller
Beautiful
81 bpm • G# Maj • 02:42 • -6db
31% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Original Cast Recording
Dinobol Kros Tayo
81 bpm • A# min • 02:56 • -11.04db
3% Popularity • 59% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 59% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Original Cast of Billy Elliot
Electricity
80 bpm • D min • 05:53 • -10.9db
41% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Douglas Hodge
Pure Imagination
73 bpm • C# Maj • 03:37 • -13.58db
33% Popularity • 31% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 31% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Aileen Quinn
Tomorrow
81 bpm • E Maj • 01:35 • -15db
45% Popularity • 44% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 44% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 68% Positiveness
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Killian Donnelly
Soul of a Man
81 bpm • C Maj • 03:26 • -11db
25% Popularity • 51% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 51% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
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Original Cast Recording
Fanale (Medley)
81 bpm • E Maj • 04:35 • -11.5db
16% Popularity • 47% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 47% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Frechette
Do It For Our Country
81 bpm • A Maj • 02:41 • -8.92db
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Barney Martin
Mr. Cellophane
81 bpm • A Maj • 03:38 • -12.2db
22% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Cindy Bullens
Mooning
73 bpm • A# Maj • 02:15 • -13.04db
43% Popularity • 34% Danceability • 30% Energy • 20% Liveness
3% Instrumentalness • 56% Positiveness
43% Popularity • 34% Danceability • 30% Energy • 20% Liveness
3% Instrumentalness • 56% Positiveness
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Kelsey Grammer
Something About This Night - Original Br...
82 bpm • G Maj • 02:13 • -6.57db
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Original Cast Recording
Greased Lightnin'
81 bpm • E Maj • 04:11 • -11.38db
22% Popularity • 57% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 57% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Aileen Quinn
Maybe (Reprise)
82 bpm • C Maj • 01:37 • -21.89db
32% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Steve Devereux
Bless Yore Beautiful Hide
82 bpm • A Maj • 02:08 • -13db
13% Popularity • 59% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 59% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Felicia Finley
A Note from Linda
72 bpm • A Maj • 01:59 • -8.45db
11% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Original Cast Recording
Huling Oktubre
81 bpm • D# min • 01:53 • -13.41db
3% Popularity • 33% Danceability • 12% Energy • 17% Liveness
2% Instrumentalness • 14% Positiveness
3% Popularity • 33% Danceability • 12% Energy • 17% Liveness
2% Instrumentalness • 14% Positiveness
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Original Cast of Billy Elliot
Deep Into The Ground
83 bpm • D# Maj • 03:35 • -16.4db
26% Popularity • 61% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 61% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Jerry Herman
I Am What I Am
83 bpm • F# Maj • 03:24 • -11.36db
32% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
28% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
23% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
25% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Original Cast Recording
How 'Bout You
84 bpm • D min • 02:40 • -11.85db
4% Popularity • 67% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 67% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Aileen Quinn
Finale from "Annie"
85 bpm • G Maj • 04:36 • -15.11db
31% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Adrienne Warren
River Deep - Mountain High
86 bpm • D# Maj • 03:29 • -4.57db
28% Popularity • 36% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 36% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
38% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Reichard, The Four Seasons
Cry for Me
86 bpm • D# Maj • 02:23 • -9.11db
33% Popularity • 55% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 55% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Cast Of 'Peter Pan The British Musical'
Don't Say Goodbye
86 bpm • G# Maj • 04:08 • -14db
11% Popularity • 42% Danceability • 23% Energy • 43% Liveness
5% Instrumentalness • 6% Positiveness
11% Popularity • 42% Danceability • 23% Energy • 43% Liveness
5% Instrumentalness • 6% Positiveness
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Original Cast Recording
Ang Mga Tertulya
73 bpm • A Maj • 02:15 • -15db
4% Popularity • 48% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 48% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Leonard Bernstein
West Side Story: Act II: A Boy Like That...
87 bpm • D Maj • 04:30 • -14db
33% Popularity • 26% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 26% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Broadway Cast Recording
Always True To You (In My Fashion)
87 bpm • D Maj • 05:14 • -9.61db
22% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Allie Trimm
What It Means to Be a Friend
88 bpm • A Maj • 03:17 • -6.59db
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Adrienne Warren
Proud Mary
88 bpm • D Maj • 04:25 • -7db
27% Popularity • 37% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 37% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Original Cast Recording
The Way to Get a Girl
73 bpm • A Maj • 03:27 • -8.35db
5% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Laura Rogers
Every Night
67 bpm • A# Maj • 04:20 • -11db
9% Popularity • 28% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Original Cast of Billy Elliot
The Stars Look Down
89 bpm • A# Maj • 07:30 • -13db
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Strickland
You'll Be In My Heart (Reprise) - Broadw...
89 bpm • G# Maj • 02:16 • -14.55db
19% Popularity • 47% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 47% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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アンドリュー・ハリデー
サークル・オブ・ライフ(『ラ...
90 bpm • D Maj • 03:27 • -10.17db
10% Popularity • 36% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 36% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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"Calendar Girls" Original London Cast
Yorkshire
91 bpm • F# Maj • 07:23 • -6.78db
21% Popularity • 42% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 42% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Original Cast Recording
Sinong Namatay
82 bpm • D Maj • 01:44 • -9.71db
4% Popularity • 70% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 70% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Roy Reams
Young and Healthy
91 bpm • C Maj • 02:15 • -20.47db
20% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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David Delve
That's Your Funeral
91 bpm • E min • 02:39 • -16.89db
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kelli O'Hara
Honey Bun
91 bpm • D# Maj • 02:35 • -13.28db
17% Popularity • 67% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 67% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Alyson Reed
Let Me Dance For You
93 bpm • G Maj • 04:07 • -13.37db
20% Popularity • 46% Danceability • 46% Energy • 15% Liveness
4% Instrumentalness • 48% Positiveness
20% Popularity • 46% Danceability • 46% Energy • 15% Liveness
4% Instrumentalness • 48% Positiveness
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Original Cast Recording
Kay Sarap Ng Buhay
71 bpm • C min • 03:03 • -10.69db
5% Popularity • 37% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 37% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Judy Garland
It Really Was No Miracle
93 bpm • C Maj • 00:59 • -15db
33% Popularity • 65% Danceability • 57% Energy • 60% Liveness
12% Instrumentalness • 96% Positiveness
33% Popularity • 65% Danceability • 57% Energy • 60% Liveness
12% Instrumentalness • 96% Positiveness
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Merle Dandridge
You'll Be In My Heart - Broadway Cast Re...
93 bpm • F min • 03:09 • -9.97db
23% Popularity • 28% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 28% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jonathan Pryce
You've Got To Pick A Pocket Or Two
94 bpm • G min • 03:05 • -16db
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jodie Prenger
As Long As He Needs Me (Reprise) - Live
94 bpm • G min • 01:52 • -12.84db
14% Popularity • 26% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 26% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Original Cast Recording
Home Calls
84 bpm • D# Maj • 03:51 • -8.06db
4% Popularity • 42% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 42% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Amanda Seyfried
In My Life / A Heart Full Of Love
94 bpm • D Maj • 03:12 • -18.24db
32% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lottie
Tap Your Troubles Away
95 bpm • C min • 04:32 • -11.06db
14% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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James Getzoff
Love Is A Many Splendored Thing
95 bpm • C# min • 01:23 • -13.67db
42% Popularity • 24% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
42% Popularity • 24% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Helen Reddy
Bill of Sale
95 bpm • A# Maj • 02:40 • -12.9db
27% Popularity • 70% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Original Cast Recording
Singkwenta Sentimos
84 bpm • A Maj • 02:19 • -10.36db
3% Popularity • 57% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 57% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Aileen Quinn
Dumb Dog
95 bpm • A Maj • 00:54 • -21db
37% Popularity • 40% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Epstein
Take Good Care of My Baby
96 bpm • G Maj • 01:38 • -5.74db
29% Popularity • 78% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 78% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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The Cast Of Grease 2
Rock-A-Hula-Luau (Summer Is Coming)
96 bpm • G Maj • 03:22 • -7.66db
29% Popularity • 71% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 71% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Christina Applegate
There's Gotta Be Something Better Than T...
97 bpm • G Maj • 06:31 • -9.7db
12% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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The Richard Wolfe Children's Chorus
Lovely, Lonely Man
97 bpm • F Maj • 02:40 • -15.28db
14% Popularity • 29% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 29% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Original Cast Recording
All That I Want Is You
84 bpm • A Maj • 02:14 • -14.02db
4% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Original Cast of Billy Elliot
Angry Dance
98 bpm • C Maj • 03:49 • -7.96db
25% Popularity • 58% Danceability • 92% Energy • 30% Liveness
61% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 92% Energy • 30% Liveness
61% Instrumentalness • 71% Positiveness
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Rosemary Ashe
Dirty Laundry
97 bpm • C# Maj • 04:51 • -13db
16% Popularity • 60% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 60% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Jenn Gambatese
Love Me Tender
99 bpm • C Maj • 01:22 • -14.04db
22% Popularity • 52% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 52% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Susan Egan
A Change In Me
99 bpm • G# Maj • 03:49 • -18db
26% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: The Bombie Samb...
100 bpm • D Maj • 03:49 • -14.45db
16% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness