Songs like If We Were A Movie (Remix) by Hannah Montana
Based on a tempo of (+/- 10%) and a similar genre
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Hannah Montana
If We Were A Movie
94 bpm • E Maj • 03:03 • -4.68db
55% Popularity • 61% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 61% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Cher Lloyd
M.F.P.O.T.Y.
94 bpm • F Maj • 03:16 • -4.93db
26% Popularity • 70% Danceability • 95% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 70% Danceability • 95% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
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Big Time Rush
Like Nobody's Around
95 bpm • D# Maj • 02:56 • -4.57db
49% Popularity • 59% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 59% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Meaghan Martin
Tear it Down
93 bpm • G Maj • 03:29 • -3.7db
46% Popularity • 48% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 48% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy Hale
That's What I Call Crazy
95 bpm • G Maj • 03:25 • -4.7db
24% Popularity • 57% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 57% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Bridgit Mendler
Hurricane
95 bpm • G min • 04:03 • -4.06db
71% Popularity • 76% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
71% Popularity • 76% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Hannah Montana
If We Were A Movie (Remix)
94 bpm • C# min • 03:07 • -5.23db
15% Popularity • 75% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 75% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Cher Lloyd
Bind Your Love
94 bpm • D Maj • 03:36 • -4.4db
38% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Drew Seeley
Into The Fire
95 bpm • C Maj • 03:28 • -4db
9% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jeannie Ortega
Live it Up - Soundtrack
95 bpm • C# Maj • 03:26 • -6.04db
14% Popularity • 78% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 78% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Lucy Hale
You Sound Good to Me
92 bpm • C# Maj • 03:12 • -4db
33% Popularity • 64% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 64% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Cosmic Blush
Out of This World
92 bpm • B Maj • 03:40 • -6.21db
21% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Bridgit Mendler
Ready or Not
93 bpm • D Maj • 03:20 • -3.84db
71% Popularity • 72% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
71% Popularity • 72% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Debby Ryan
We Ended Right
96 bpm • B Maj • 04:05 • -4db
27% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Sharpay Evans
HUMUHUMUNUKUNUKUAPUA'A
92 bpm • A# min • 03:10 • -4.39db
23% Popularity • 81% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 81% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Naked Brothers Band
Three Is Enough
92 bpm • G Maj • 02:54 • -9db
19% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Hope 7
End of the Line
92 bpm • D Maj • 01:38 • -7.35db
22% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Haylie Duff
One In This World
96 bpm • C# Maj • 04:11 • -4.46db
23% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ross Lynch
Meant to Be (Reprise 3)
96 bpm • A Maj • 01:55 • -11.74db
36% Popularity • 60% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 60% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Ally Dawson
Redial
97 bpm • C Maj • 02:27 • -6.07db
33% Popularity • 75% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 75% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Lucy Hale
Kiss Me
91 bpm • D# Maj • 03:12 • -4.07db
24% Popularity • 54% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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The Naked Brothers Band
Everybody's Cried At Least Once
96 bpm • C Maj • 03:19 • -8.58db
17% Popularity • 64% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 64% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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RBD
My Philosophy
91 bpm • G Maj • 04:07 • -4.33db
26% Popularity • 64% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 64% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Leon Thomas
I Like That Girl
91 bpm • C Maj • 03:02 • -4db
12% Popularity • 69% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 69% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Ross Lynch
Can't Stop Singing
97 bpm • C Maj • 02:25 • -4.99db
59% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Central Park
Touch The Ground
91 bpm • D Maj • 01:58 • -4.09db
9% Popularity • 74% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 74% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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The Barden Bellas
Party In The U.S.A.
97 bpm • A# min • 01:03 • -8.58db
55% Popularity • 52% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 52% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Cher Lloyd
Want U Back
98 bpm • A Maj • 03:34 • -2.96db
63% Popularity • 70% Danceability • 89% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 70% Danceability • 89% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
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Megan & Liz
Are You Happy Now?
98 bpm • E Maj • 03:11 • -2db
22% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ally Dawson
The Me That You Don’t See
98 bpm • F Maj • 02:55 • -4db
31% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 56% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Hannah Montana
True Friend
98 bpm • E Maj • 03:09 • -5db
50% Popularity • 66% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 66% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Big Time Rush
24/Seven
90 bpm • F min • 03:09 • -5db
52% Popularity • 66% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 66% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Drew Seeley
I'm Ready - Soundtrack
90 bpm • E min • 02:49 • -6db
23% Popularity • 74% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Cher Lloyd
Killin' It
98 bpm • F# min • 02:54 • -4.46db
27% Popularity • 67% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 67% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jordan McCoy
I Decide
89 bpm • B Maj • 03:09 • -3.31db
14% Popularity • 48% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 48% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Adrienne Bailon
Stand Up - Soundtrack
99 bpm • G Maj • 03:10 • -2.59db
26% Popularity • 69% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 69% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Hannah Montana
One In a Million
89 bpm • B Maj • 03:55 • -4.24db
51% Popularity • 42% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 42% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Emily Osment
Marisol
100 bpm • G Maj • 04:14 • -5.76db
20% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Jonas
Just In Love
100 bpm • F min • 03:27 • -6db
38% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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R5
Starting Over
100 bpm • E Maj • 02:55 • -5.23db
36% Popularity • 66% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 66% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
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Jupiter Rising
Go! - Jump In! Mix
100 bpm • E min • 03:24 • -6.01db
26% Popularity • 81% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 81% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Christopher Wilde
Hero (Unplugged)
88 bpm • D# Maj • 02:33 • -8db
56% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Hannah Montana
Don't Wanna Be Torn
88 bpm • D# Maj • 03:28 • -2.94db
42% Popularity • 47% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 47% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lucy Hale
Love Tonight
88 bpm • E Maj • 03:14 • -4.69db
21% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Troy
You Are the Music in Me
102 bpm • F Maj • 03:27 • -4.52db
61% Popularity • 38% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 38% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Cast - Liv and Maddie
One Second Chance
88 bpm • B Maj • 02:00 • -7db
33% Popularity • 28% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 28% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
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Mary Hylan
The Tiki Tiki Tiki Room (Macarena Dance ...
103 bpm • G# Maj • 03:30 • -9db
12% Popularity • 84% Danceability • 91% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 84% Danceability • 91% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Drew Seeley
Dance With Me
103 bpm • A min • 03:56 • -6.65db
11% Popularity • 62% Danceability • 92% Energy • 78% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 62% Danceability • 92% Energy • 78% Liveness
0% Instrumentalness • 41% Positiveness
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Ross Lynch
Surf’s Up
103 bpm • D Maj • 03:01 • -4db
40% Popularity • 60% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 60% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy Hale
My Little Black Wedding Dress
103 bpm • G# Maj • 03:23 • -5.63db
17% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Big Time Rush
If I Ruled the World
104 bpm • G# Maj • 03:00 • -4.99db
54% Popularity • 66% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 66% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Cast - Liv and Maddie
On Top of the World
104 bpm • F Maj • 03:03 • -2.65db
39% Popularity • 53% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 53% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 74% Positiveness
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Troy
Start of Something New
104 bpm • G Maj • 03:16 • -6db
63% Popularity • 66% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 66% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Drew Seeley
Dance With Me
103 bpm • C# Maj • 03:12 • -4.94db
46% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Austin Moon
Heard It On The Radio
104 bpm • F# Maj • 02:38 • -5db
46% Popularity • 74% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 74% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Adam Hicks
Livin' On a High Wire
85 bpm • G Maj • 02:38 • -3db
47% Popularity • 53% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 53% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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McClain Sisters
Electronic Apology
104 bpm • A# min • 03:22 • -5db
21% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Cast - Liv and Maddie
On Top of the World
104 bpm • F Maj • 03:03 • -2.37db
26% Popularity • 56% Danceability • 97% Energy • 78% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 56% Danceability • 97% Energy • 78% Liveness
0% Instrumentalness • 75% Positiveness
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High School Musical Karaoke
Start of Something New - Instrumental
104 bpm • G Maj • 03:31 • -10.15db
35% Popularity • 57% Danceability • 82% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 57% Danceability • 82% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Megan & Liz
A Girl's Life
105 bpm • B Maj • 02:44 • -4.98db
9% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Anna Margaret
New Boyfriend
105 bpm • C# Maj • 03:05 • -4.96db
31% Popularity • 86% Danceability • 89% Energy • 8% Liveness
10% Instrumentalness • 95% Positiveness
31% Popularity • 86% Danceability • 89% Energy • 8% Liveness
10% Instrumentalness • 95% Positiveness
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CHAD
I Don't Dance
104 bpm • A min • 03:37 • -5.06db
60% Popularity • 80% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 80% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Cher Lloyd
Just Be Mine
105 bpm • D Maj • 03:15 • -3db
35% Popularity • 68% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 68% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bridgit Mendler
City Lights
84 bpm • B min • 04:00 • -6db
37% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Hannah Montana
I Wanna Know You
84 bpm • F Maj • 02:46 • -3.89db
56% Popularity • 68% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 68% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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iCarly Cast
Coming Home
84 bpm • G Maj • 02:51 • -6db
30% Popularity • 49% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 49% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Simone Sello
The Dock of the Bay
105 bpm • D Maj • 04:44 • -9.35db
0% Popularity • 68% Danceability • 58% Energy • 70% Liveness
2% Instrumentalness • 53% Positiveness
0% Popularity • 68% Danceability • 58% Energy • 70% Liveness
2% Instrumentalness • 53% Positiveness
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Luis E Bacalov
Mi Mancherai
105 bpm • D Maj • 05:27 • -10.99db
4% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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The Naked Brothers Band
Eventually
84 bpm • D# Maj • 03:29 • -5db
23% Popularity • 66% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 66% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Cosmic Blush
Out of This World - Lunar Remix
106 bpm • C# Maj • 03:11 • -5db
9% Popularity • 74% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 74% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Hannah Montana
Ice Cream Freeze (Let's Chill)
106 bpm • C Maj • 03:07 • -3.56db
41% Popularity • 72% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 72% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Gianluca Zanna
Encounter
83 bpm • A min • 02:24 • -9.16db
0% Popularity • 19% Danceability • 83% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 83% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Ally Dawson
Parachute
83 bpm • F# Maj • 03:14 • -5.06db
39% Popularity • 48% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 48% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Christopher Wilde
What You Mean to Me
83 bpm • G# Maj • 04:17 • -7.72db
50% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ross Lynch
Gotta Be Me
107 bpm • E min • 03:53 • -5.47db
54% Popularity • 74% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 74% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Jasmine Sagginario
Knock Knock
107 bpm • E Maj • 03:43 • -1.6db
10% Popularity • 77% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 77% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Bridgit Mendler
5:15
82 bpm • F min • 03:56 • -5db
39% Popularity • 66% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 66% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Zetta Bytes
Notice Me
82 bpm • D Maj • 03:34 • -4.29db
23% Popularity • 53% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 53% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 62% Positiveness
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Mitchel Musso
Let It Go
82 bpm • C# min • 02:36 • -5db
25% Popularity • 68% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 68% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Troy
Breaking Free
108 bpm • C min • 03:27 • -6.44db
66% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
66% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ross Lynch
That's How We Do
82 bpm • F# min • 03:36 • -4db
51% Popularity • 65% Danceability • 96% Energy • 39% Liveness
1% Instrumentalness • 77% Positiveness
51% Popularity • 65% Danceability • 96% Energy • 39% Liveness
1% Instrumentalness • 77% Positiveness
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Joe Jonas
Fastlife
108 bpm • F min • 04:00 • -5.33db
20% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Bridgit Mendler
Love Will Tell Us Where to Go
82 bpm • G# min • 03:22 • -4.58db
36% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Hannah Montana
It's All Right Here
108 bpm • C Maj • 03:49 • -4.23db
35% Popularity • 61% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 61% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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B5
Shining Star
108 bpm • B min • 02:43 • -5.54db
26% Popularity • 77% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 77% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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High School Musical Karaoke
Breaking Free - Instrumental
108 bpm • C min • 03:42 • -9.21db
33% Popularity • 57% Danceability • 73% Energy • 33% Liveness
87% Instrumentalness • 22% Positiveness
33% Popularity • 57% Danceability • 73% Energy • 33% Liveness
87% Instrumentalness • 22% Positiveness
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Debby Ryan
Made Of Matches (TV Version)
81 bpm • A Maj • 01:53 • -5.49db
12% Popularity • 40% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 40% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Mitchel Musso
Speed Dial
81 bpm • G# Maj • 03:21 • -5db
16% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Cast - Liv and Maddie
Better in Stereo - Theme Song Version
110 bpm • C Maj • 02:32 • -3.47db
59% Popularity • 70% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 70% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Marco Marinangeli
Chart of the Heart
110 bpm • C Maj • 03:31 • -6.01db
1% Popularity • 84% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 84% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Drew Seeley
How A Heart Breaks
110 bpm • A Maj • 04:15 • -5db
12% Popularity • 64% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 64% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Meaghan Martin
Walkin' in My Shoes
110 bpm • G# min • 02:50 • -5.22db
39% Popularity • 60% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 60% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Troy
What I've Been Looking For (Reprise)
110 bpm • A Maj • 01:19 • -12.35db
57% Popularity • 58% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 58% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Mitchel Musso
Odd Man Out
110 bpm • C min • 03:30 • -4.66db
11% Popularity • 59% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 59% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Hicks
One Life
80 bpm • A Maj • 03:34 • -5db
18% Popularity • 57% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 57% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Jonas
Sorry
80 bpm • E min • 05:02 • -4db
22% Popularity • 57% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 57% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Drew Seeley
X-Plain It To My Heart
111 bpm • F# min • 01:15 • -5.97db
25% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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T-Squad
The Second Star to the Right - Original ...
112 bpm • A Maj • 02:49 • -4.88db
10% Popularity • 79% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 79% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
