Songs like If Ye Love Me: If ye love me by Thomas Tallis
Based on a tempo of (+/- 10%) and a similar genre
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John Stainer
Processional To Calvary
91 bpm • C Maj • 09:29 • -19db
14% Popularity • 16% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
14% Popularity • 16% Danceability • 8% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Thomas Tallis
If Ye Love Me: If ye love me
91 bpm • F Maj • 01:47 • -24.68db
19% Popularity • 15% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jerome Kern
Show Boat: Make Believe
90 bpm • C Maj • 03:26 • -24.6db
0% Popularity • 25% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Rakút...
92 bpm • G Maj • 02:22 • -26.67db
25% Popularity • 18% Danceability • 6% Energy • 17% Liveness
20% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 6% Energy • 17% Liveness
20% Instrumentalness • 3% Positiveness
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Thomas Tallis
Archbishop Parker's Psalter: Man Blest N...
91 bpm • F min • 00:59 • -24.11db
4% Popularity • 21% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 21% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 6% Positiveness
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Cantus
Lift Thine Eyes
90 bpm • D Maj • 02:07 • -26db
12% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Tomás Luis de Victoria
O quam gloriosum est regnum
92 bpm • D# Maj • 02:14 • -20.21db
20% Popularity • 15% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
20% Popularity • 15% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Magnificat in D
92 bpm • D Maj • 03:55 • -20db
9% Popularity • 22% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Tallis
Dorian Service: Magnificat
92 bpm • F# Maj • 03:09 • -23.21db
5% Popularity • 16% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
5% Popularity • 16% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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The Cathedral Singers
Ave Verum Corpus, K. 618
93 bpm • D Maj • 03:27 • -21db
39% Popularity • 11% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Sacrae cantiones: Justorum animae
93 bpm • D# Maj • 02:03 • -21.62db
18% Popularity • 24% Danceability • 9% Energy • 11% Liveness
28% Instrumentalness • 10% Positiveness
18% Popularity • 24% Danceability • 9% Energy • 11% Liveness
28% Instrumentalness • 10% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 4. Full fathom ...
89 bpm • G# Maj • 02:22 • -24db
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Jerusalem aurea civitas
93 bpm • C# Maj • 10:27 • -29.22db
16% Popularity • 23% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 23% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Thomas Tallis
O sacrum convivum
93 bpm • A min • 03:09 • -22.4db
1% Popularity • 11% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Thomas Tallis
Verily, Verily I Say Unto You
89 bpm • B min • 01:42 • -22.95db
4% Popularity • 18% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 18% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
88 bpm • G# Maj • 02:19 • -25.25db
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Psalm 100, "Jauchzet dem Herrn, all Welt...
88 bpm • F Maj • 04:26 • -22.22db
12% Popularity • 15% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Edward Hopkins
Psalm 15: Lord, who shall dwell in Thy t...
88 bpm • F Maj • 02:10 • -22.23db
6% Popularity • 20% Danceability • 14% Energy • 9% Liveness
18% Instrumentalness • 13% Positiveness
6% Popularity • 20% Danceability • 14% Energy • 9% Liveness
18% Instrumentalness • 13% Positiveness
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Thomas Tallis
Purge Me, O Lord
88 bpm • D Maj • 01:48 • -24.51db
4% Popularity • 25% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 25% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Lift Thine Eyes to the ...
88 bpm • D Maj • 01:48 • -32.72db
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Lárov...
95 bpm • G Maj • 00:58 • -21.86db
29% Popularity • 30% Danceability • 12% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
29% Popularity • 30% Danceability • 12% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Thomas Tallis
Archbishop Parker's Psalter: Why Fum'th ...
88 bpm • G Maj • 00:50 • -18db
11% Popularity • 28% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
14% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Hubert Parry
Music, When Soft Voices Die
87 bpm • E Maj • 02:14 • -26db
9% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Cornelius
Weihnachtslieder, Op. 8: No. 3, The Thre...
95 bpm • G Maj • 02:42 • -19.34db
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Tallis
Tunes for Archbishop Parker's Psalter: N...
87 bpm • A min • 03:47 • -20.07db
16% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
16% Popularity • 20% Danceability • 12% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Jacob Clemens non Papa
Adesto dolori meo
87 bpm • A# Maj • 06:23 • -25.6db
21% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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William Byrd
Miserere nostri
86 bpm • E min • 03:00 • -25db
8% Popularity • 14% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Thomas Tallis
Dorian Service: Benedictus
95 bpm • B min • 03:42 • -24.12db
4% Popularity • 17% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 17% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Jan Pieterszoon Sweelinck
Psalm 96, "Chantez a Dieu chanson nouvel...
86 bpm • E min • 01:55 • -24.05db
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 28% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Prelude
86 bpm • G# min • 03:00 • -28db
15% Popularity • 11% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 11% Danceability • 5% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Hildegard von Bingen
O ecclesia oculi tui
86 bpm • A# min • 08:41 • -28.21db
14% Popularity • 20% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Lotti
Crucifixus (8vv)
86 bpm • C min • 03:40 • -22db
15% Popularity • 10% Danceability • 20% Energy • 25% Liveness
23% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 20% Energy • 25% Liveness
23% Instrumentalness • 3% Positiveness
► Preview
Thomas Tallis
O Lord Give Thy Holy Spirit
86 bpm • A# min • 02:05 • -24.26db
4% Popularity • 17% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jerome Kern
Very Warm for May: All the Things You Ar...
85 bpm • G# Maj • 04:17 • -23.94db
0% Popularity • 11% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
► Preview
Wacław of Szamotuły
Ego sum pastor bonus
97 bpm • F# min • 02:52 • -21.98db
9% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Philippe de Monte
Miserere mei, Deus
85 bpm • F min • 03:38 • -21db
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
► Preview
Hildegard von Bingen
O viridissima virga
85 bpm • F min • 04:10 • -33.57db
16% Popularity • 25% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Thomas Tallis
in manus tuas
85 bpm • G min • 01:45 • -23.78db
1% Popularity • 15% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
1% Popularity • 15% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
John Tavener
Funeral Ikos
85 bpm • G# Maj • 08:07 • -32.54db
20% Popularity • 10% Danceability • 4% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 4% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Ave Maria, Op. 2, No. 2
85 bpm • A# Maj • 02:45 • -28.14db
28% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Hubert Parry
I was glad when they said unto me
84 bpm • A# Maj • 06:48 • -15.83db
9% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
► Preview
John Goss
Psalm 47: O clap your hands together, al...
84 bpm • A Maj • 02:18 • -24.36db
2% Popularity • 24% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
2% Popularity • 24% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Thomas Tallis
Tallis: Spem in alium
84 bpm • C# Maj • 10:18 • -18.25db
7% Popularity • 8% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Eric Whitacre
Three Songs of Faith: I. hope, faith, li...
84 bpm • A# Maj • 04:06 • -23.28db
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Thomas Weelkes
Lament and Elegy: Death Hath Deprived Me
98 bpm • D# min • 03:13 • -21db
18% Popularity • 13% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Ave verum corpus
84 bpm • A min • 04:07 • -27.68db
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
John Tavener
Song for Athene
84 bpm • F Maj • 05:42 • -30.58db
14% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Rabanus Maurus
Hymn: Veni creator spiritus
98 bpm • A# Maj • 04:31 • -28.97db
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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John Ireland
Communion Service in C Major: Agnus Dei
84 bpm • A min • 02:09 • -33.91db
19% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Tota pulchra es
84 bpm • E Maj • 05:30 • -34db
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Unde quocumque
84 bpm • D min • 01:40 • -29.94db
22% Popularity • 28% Danceability • 2% Energy • 7% Liveness
9% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 2% Energy • 7% Liveness
9% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
84 bpm • G# min • 03:31 • -32.54db
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: IV. Epilogue: Voici Le Soir (...
84 bpm • F# Maj • 02:26 • -38db
10% Popularity • 13% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Marc' Antonio Ingegneri
Tenebrae factae sunt
99 bpm • D Maj • 03:31 • -29db
16% Popularity • 13% Danceability • 1% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
16% Popularity • 13% Danceability • 1% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Ave Maria, Op. posth.
83 bpm • A Maj • 02:06 • -32db
13% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Josquin des Prez
Tu Pauperum Refugium
83 bpm • A min • 03:14 • -29.13db
11% Popularity • 11% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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William Byrd
Ave verum corpus - (Motet)
83 bpm • G min • 04:24 • -26.53db
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
83 bpm • A min • 00:58 • -21.54db
16% Popularity • 26% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 26% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Felix Mendelssohn
Paulus (St. Paul), Op. 36: Siehe! Wir pr...
83 bpm • D# Maj • 04:13 • -27.15db
1% Popularity • 8% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
1% Popularity • 8% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness