Songs like If You Could See Me Now by Vanessa Rubin
Based on a tempo of (+/- 10%) and a similar genre
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Ruth Cameron
Again
114 bpm • C Maj • 04:53 • -18db
11% Popularity • 45% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 45% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Laverne Butler
When I Fall in Love
114 bpm • G Maj • 03:42 • -14db
9% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Haden Quartet West
Let's Call It A Day
114 bpm • C Maj • 05:52 • -10.75db
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Yelena Eckemoff
Waking Up in the Spring
114 bpm • B Maj • 06:10 • -13db
21% Popularity • 65% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 31% Positiveness
21% Popularity • 65% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 31% Positiveness
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Vanessa Rubin
If You Could See Me Now
114 bpm • E min • 07:10 • -16.23db
34% Popularity • 46% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Ferruccio Spinetti
December
114 bpm • C min • 04:25 • -18db
25% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Reinhardt Winkler
Why Should I Care?
114 bpm • B min • 03:47 • -20db
37% Popularity • 48% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 48% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Silje Nergaard
So Sorry For Your Love
114 bpm • D# Maj • 04:10 • -10db
32% Popularity • 45% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 45% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah McKenzie
I'm Old Fashioned
114 bpm • A min • 04:44 • -6.21db
42% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
42% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Katharine Timoney
Life Came into Colour
114 bpm • C Maj • 05:16 • -14db
31% Popularity • 40% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
31% Popularity • 40% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Roberta Gambarini
Lover Come Back to Me
113 bpm • F Maj • 05:43 • -10.34db
9% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Harry Allen
The Rose Tattoo
113 bpm • F min • 04:54 • -14.09db
44% Popularity • 47% Danceability • 21% Energy • 36% Liveness
60% Instrumentalness • 14% Positiveness
44% Popularity • 47% Danceability • 21% Energy • 36% Liveness
60% Instrumentalness • 14% Positiveness
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Ellas Kapell
Alfie
113 bpm • G# Maj • 05:34 • -16db
17% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Vanessa Rubin
Autumn
113 bpm • C Maj • 04:47 • -15db
1% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Mary Stallings
Lullaby Of The Leaves
113 bpm • G Maj • 04:39 • -15db
13% Popularity • 65% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 65% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jim Snidero
Search for Peace
113 bpm • G Maj • 04:45 • -18.63db
49% Popularity • 47% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
49% Popularity • 47% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
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Katherine Kostoff
Cloudy (With a Chance of Rain)
113 bpm • C# Maj • 04:43 • -14db
25% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ruth Cameron
Give Me Time
113 bpm • B min • 06:05 • -18db
14% Popularity • 50% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 50% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ellas Kapell
The Nearness of You
113 bpm • G# Maj • 05:23 • -14db
26% Popularity • 49% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 49% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Peter Cincotti
Ain't Misbehavin'
113 bpm • D min • 03:43 • -10.35db
38% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Miriam Netti
Good Morning Heartache
115 bpm • C min • 05:08 • -16.49db
32% Popularity • 53% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 53% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Dinosaur
Slow Loris
115 bpm • F# Maj • 07:25 • -13.37db
20% Popularity • 56% Danceability • 30% Energy • 11% Liveness
74% Instrumentalness • 14% Positiveness
20% Popularity • 56% Danceability • 30% Energy • 11% Liveness
74% Instrumentalness • 14% Positiveness
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Joshua Redman
Body & Soul
113 bpm • A# min • 04:50 • -18.63db
40% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
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Jerry Bergonzi
My Ideal
113 bpm • A# Maj • 03:39 • -14.55db
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sara Gazarek
Let's Try This Again
115 bpm • G# Maj • 03:42 • -13db
38% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Vivian Buczek
Always and Forever
113 bpm • C# Maj • 06:04 • -10.46db
38% Popularity • 47% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 47% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Caris Hermes
Twelve for J.
115 bpm • A# Maj • 02:46 • -21.37db
40% Popularity • 54% Danceability • 12% Energy • 10% Liveness
33% Instrumentalness • 6% Positiveness
40% Popularity • 54% Danceability • 12% Energy • 10% Liveness
33% Instrumentalness • 6% Positiveness
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Tierney Sutton
Something Cool
112 bpm • C# Maj • 04:26 • -19.48db
26% Popularity • 50% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
26% Popularity • 50% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Kevin Mahogany
Don't Let Me Be Lonely Tonight
116 bpm • A min • 04:13 • -17.27db
33% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
33% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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UWS Jazz Trio
Central Park West
116 bpm • B Maj • 03:39 • -15.31db
39% Popularity • 45% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
39% Popularity • 45% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Andrea Pozza Trio
Blue Toy
116 bpm • C Maj • 07:35 • -16.81db
31% Popularity • 40% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 50% Positiveness
31% Popularity • 40% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 50% Positiveness
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Roberta Gambarini
Crazy
116 bpm • A# Maj • 05:00 • -16db
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tierney Sutton
Don't Go to Strangers
112 bpm • D# Maj • 05:54 • -15.67db
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
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Alex Tremblay
Yellow Rose
112 bpm • G# Maj • 05:07 • -19.31db
19% Popularity • 45% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
19% Popularity • 45% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Snorre Kirk
Going Up
112 bpm • F# Maj • 04:35 • -14db
22% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Carla Cook
Summer (Estaté)
112 bpm • A min • 05:15 • -16.66db
26% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
26% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
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Johanna Linnea Jakobsson
Opaque
116 bpm • A# min • 05:41 • -13.05db
36% Popularity • 47% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 47% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Amanda Ginsburg
Spring Can Really Hang You up the Most
112 bpm • C Maj • 05:26 • -16.52db
37% Popularity • 47% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 47% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Norberg
Spring Fling
116 bpm • F Maj • 02:30 • -12.94db
39% Popularity • 79% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 79% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
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Dakota Staton
You Don't Know What Love Is
117 bpm • B min • 02:25 • -19.92db
31% Popularity • 43% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 43% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Susie Arioli
My Funny Valentine
117 bpm • G# Maj • 04:03 • -12.67db
27% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sarah McKenzie
I Wish You Love
111 bpm • C Maj • 04:49 • -11.05db
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Roberta Gambarini
Smoke Gets In Your Eyes/All the Things Y...
117 bpm • D Maj • 05:52 • -15.53db
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua Jaswon Octet
Lost in a Dream
117 bpm • F min • 06:06 • -18.82db
31% Popularity • 47% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 47% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Nicki Parrott
I Walk A Little Faster
117 bpm • F Maj • 03:53 • -14db
39% Popularity • 49% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 49% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
36% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Gréta
Nightjar in the Northern Sky
111 bpm • F# min • 04:47 • -16.35db
42% Popularity • 52% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
42% Popularity • 52% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Freddy Cole
My Mood Is You
117 bpm • G# Maj • 05:45 • -16.05db
36% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Mahogany
May I Come In?
111 bpm • F min • 04:45 • -17db
18% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
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Susie Arioli
Come Rain or Come Shine
117 bpm • F min • 02:36 • -15db
28% Popularity • 51% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 51% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jocelyn Barth
I Didn't Know About You
111 bpm • C# Maj • 04:26 • -19.56db
34% Popularity • 58% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 58% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Vanessa Rubin
Whatever Possessed Me
111 bpm • A# min • 05:07 • -14.04db
1% Popularity • 40% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 40% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Laverne Butler
Isn't It a Pity
111 bpm • C min • 04:20 • -30.94db
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lynne Arriale Trio
Heroes
111 bpm • D# Maj • 04:15 • -14.29db
38% Popularity • 45% Danceability • 40% Energy • 9% Liveness
29% Instrumentalness • 7% Positiveness
38% Popularity • 45% Danceability • 40% Energy • 9% Liveness
29% Instrumentalness • 7% Positiveness
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Shapeshifters
Dark Murmur
118 bpm • C# min • 05:53 • -12.1db
29% Popularity • 59% Danceability • 44% Energy • 14% Liveness
50% Instrumentalness • 39% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 14% Liveness
50% Instrumentalness • 39% Positiveness
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Susie Arioli
Embraceable You
117 bpm • A# Maj • 04:48 • -12.73db
22% Popularity • 48% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 48% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Connie Lansberg
Twinkle Twinkle
111 bpm • C Maj • 04:27 • -13.36db
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ellen Andersson
I Get Along Without You Very Well
111 bpm • C# Maj • 03:32 • -18db
38% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Judy Whitmore
In The Wee Small Hours of the Morning
118 bpm • A# min • 03:53 • -10.91db
31% Popularity • 45% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 45% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Jesse Palter
When the Sun Comes Out
111 bpm • C Maj • 04:07 • -19.91db
34% Popularity • 43% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 43% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Live Foyn Friis
You Go to My Head
118 bpm • G# Maj • 06:16 • -17.02db
37% Popularity • 58% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 58% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Kat Gang
Then I'll Be Tired of You
110 bpm • G Maj • 06:13 • -15.01db
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Connie Lansberg
"Round Midnight
110 bpm • B Maj • 05:47 • -16.38db
21% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Vanessa Rubin
A Certain Love
110 bpm • C Maj • 05:51 • -12db
0% Popularity • 42% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 42% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Ernestine Anderson
Love for Sale
110 bpm • G# Maj • 02:14 • -6.54db
42% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Karen Souza
Everybody Knows
110 bpm • C Maj • 02:48 • -11.41db
48% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Viktoria Tolstoy
Hands Off
110 bpm • G Maj • 04:23 • -16.97db
33% Popularity • 65% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 65% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Allison Neale
Motion
118 bpm • G Maj • 04:56 • -11.02db
23% Popularity • 57% Danceability • 43% Energy • 17% Liveness
37% Instrumentalness • 64% Positiveness
23% Popularity • 57% Danceability • 43% Energy • 17% Liveness
37% Instrumentalness • 64% Positiveness
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Peter Appleyard
Satin Doll
110 bpm • G min • 04:11 • -12.69db
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Dox Band
That Beatnik Jive
118 bpm • C min • 03:19 • -15.54db
32% Popularity • 70% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Johanna Pettersson
Too Late Now
118 bpm • G# Maj • 05:09 • -12.67db
33% Popularity • 46% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Robin Mckelle
I've Got the World on a String
118 bpm • G# Maj • 02:20 • -8.16db
16% Popularity • 55% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 55% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Marie Mørck
Song to Comfort
118 bpm • F Maj • 05:38 • -14.68db
36% Popularity • 40% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 40% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
53% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
53% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Dexter Gordon
Le Coiffeur
119 bpm • C Maj • 07:02 • -12.66db
43% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Gábor Bolla
Theme for Ernie
119 bpm • G# Maj • 05:07 • -10.25db
38% Popularity • 50% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
38% Popularity • 50% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Karen Souza
It's Gonna Happen Tonight
109 bpm • C Maj • 03:16 • -10.65db
43% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Bird
The Sweetest Moments
119 bpm • D Maj • 04:38 • -11.28db
32% Popularity • 44% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Pelt
I Love Music
110 bpm • A# Maj • 04:19 • -13.09db
18% Popularity • 29% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jimmy Heath
Don't Misunderstand
119 bpm • C Maj • 05:32 • -10db
41% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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MarÃna Ósk
The Moon and the Sky
119 bpm • G Maj • 03:22 • -17.16db
39% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 45% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Tierney Sutton
I've Never Been in Love Before
109 bpm • G Maj • 03:44 • -14.52db
11% Popularity • 51% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 51% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rigmor Gustafsson Quintet
Bluesette
119 bpm • G Maj • 05:18 • -12.72db
25% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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Vanessa Rubin
Soul Eyes
119 bpm • D# Maj • 05:51 • -13.46db
0% Popularity • 46% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 46% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Gazarek
I've Got A Great Idea
109 bpm • F min • 03:05 • -12.71db
8% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lennart Ricard
Nature Boy
109 bpm • E min • 04:35 • -18.67db
32% Popularity • 54% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 54% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Nicki Parrott
It Ain't Necessarily So
109 bpm • F min • 04:28 • -5.8db
27% Popularity • 69% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 69% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Viktoria Tolstoy
Midnight Sun
119 bpm • G Maj • 04:35 • -12db
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Matthias Bublath
What Are You Doing for the Rest of Your ...
109 bpm • A min • 06:09 • -20.84db
37% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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Mary Stallings
Sweet And Lovely
109 bpm • F min • 05:19 • -12.22db
11% Popularity • 68% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 68% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Roberta Gambarini
Only Trust Your Heart
120 bpm • F Maj • 04:10 • -14.65db
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Blue Martini Jazz
Save Your Love for Me
109 bpm • D Maj • 04:33 • -8.7db
12% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tierney Sutton
April in Paris / Free Man in Paris
120 bpm • A# Maj • 05:36 • -16.81db
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 50% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
