Songs like If You Don't Love Jah - Remastered 2001 by Althea And Donna
Based on a tempo of (+/- 10%) and a similar genre
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Prince Far I
Message From The King - 2000 Digital Rem...
133 bpm • A# Maj • 03:32 • -10.53db
34% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Augustus Pablo
Dub Organizer
133 bpm • A min • 02:58 • -4.87db
33% Popularity • 82% Danceability • 65% Energy • 15% Liveness
93% Instrumentalness • 97% Positiveness
33% Popularity • 82% Danceability • 65% Energy • 15% Liveness
93% Instrumentalness • 97% Positiveness
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Junior Byles
Rasta No Pickpocket
133 bpm • B Maj • 03:46 • -8db
29% Popularity • 89% Danceability • 51% Energy • 5% Liveness
1% Instrumentalness • 86% Positiveness
29% Popularity • 89% Danceability • 51% Energy • 5% Liveness
1% Instrumentalness • 86% Positiveness
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Aswad
I A Rebel Soul
133 bpm • C min • 05:01 • -13.47db
39% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Third World
Rhythm Of Life
133 bpm • G Maj • 04:15 • -15.91db
39% Popularity • 87% Danceability • 60% Energy • 6% Liveness
56% Instrumentalness • 94% Positiveness
39% Popularity • 87% Danceability • 60% Energy • 6% Liveness
56% Instrumentalness • 94% Positiveness
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Freddie McKay
I'm A Free Man
133 bpm • B min • 03:22 • -8.76db
30% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Wailers
Burnin' And Lootin'
133 bpm • E min • 04:13 • -10.09db
58% Popularity • 89% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 89% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Augustus Pablo
Point Blank
133 bpm • A# min • 02:33 • -5.27db
36% Popularity • 88% Danceability • 60% Energy • 8% Liveness
88% Instrumentalness • 75% Positiveness
36% Popularity • 88% Danceability • 60% Energy • 8% Liveness
88% Instrumentalness • 75% Positiveness
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The Heptones
Cool Rasta
133 bpm • F min • 03:03 • -20.14db
48% Popularity • 89% Danceability • 14% Energy • 5% Liveness
11% Instrumentalness • 59% Positiveness
48% Popularity • 89% Danceability • 14% Energy • 5% Liveness
11% Instrumentalness • 59% Positiveness
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10 Ft. Ganja Plant
Sing And Dance
133 bpm • A Maj • 04:21 • -8.6db
61% Popularity • 81% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 81% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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MIlton Henry
This World
133 bpm • A min • 03:09 • -9.63db
26% Popularity • 95% Danceability • 42% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
26% Popularity • 95% Danceability • 42% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
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Althea And Donna
If You Don't Love Jah - Remastered 2001
133 bpm • A min • 02:57 • -10db
52% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Sylford Walker
Eternal Day
133 bpm • C# Maj • 07:13 • -9.13db
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Augustus Pablo
Cassava Piece ('79 Style)
133 bpm • G# min • 02:34 • -8.27db
46% Popularity • 79% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
46% Popularity • 79% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
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Steel Pulse
Soldiers
133 bpm • B min • 04:36 • -16db
36% Popularity • 81% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 81% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Twinkle Brothers
Underground
133 bpm • G Maj • 03:37 • -12.87db
26% Popularity • 78% Danceability • 57% Energy • 24% Liveness
12% Instrumentalness • 63% Positiveness
26% Popularity • 78% Danceability • 57% Energy • 24% Liveness
12% Instrumentalness • 63% Positiveness
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MIlton Henry
Let the Sunshine In
132 bpm • G Maj • 03:54 • -9.39db
29% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Althea And Donna
Oh Dread - Remastered 2001
133 bpm • E min • 02:39 • -9db
56% Popularity • 91% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 91% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Bob Andy
Hell a Go Broke Loose
134 bpm • F Maj • 02:56 • -16.72db
49% Popularity • 83% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 83% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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10 Ft. Ganja Plant
Mercy
134 bpm • A Maj • 03:31 • -7db
60% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Lloyd Parks
Mafia
134 bpm • G min • 02:56 • -9.62db
25% Popularity • 85% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 85% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Martin Campbell
Jah Love
134 bpm • C# Maj • 04:08 • -17.84db
42% Popularity • 94% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
42% Popularity • 94% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Sylford Walker
I Can't Understand
134 bpm • D# min • 02:48 • -10.59db
29% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Pablo Moses
Dubbing Is a Must, Pt. 1 - 2010 Remaster...
132 bpm • C# Maj • 04:50 • -7.98db
48% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
48% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Bob Andy
Rock It Down
134 bpm • B Maj • 03:03 • -16.89db
48% Popularity • 87% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 87% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Althea And Donna
Jah Rastafari - Remastered 2001
134 bpm • A min • 03:46 • -7.86db
45% Popularity • 92% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
45% Popularity • 92% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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The Viceroys
Why
134 bpm • F# min • 02:26 • -6.22db
66% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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MIlton Henry
Crisis
132 bpm • C Maj • 03:33 • -7.67db
39% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Willows
Send Another Moses
134 bpm • A Maj • 06:03 • -7.16db
22% Popularity • 87% Danceability • 81% Energy • 19% Liveness
2% Instrumentalness • 96% Positiveness
22% Popularity • 87% Danceability • 81% Energy • 19% Liveness
2% Instrumentalness • 96% Positiveness
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Mo'Kalamity
Reggae vibration
132 bpm • B min • 05:50 • -8db
50% Popularity • 89% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 89% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Third World
1865 (96º In The Shade)
132 bpm • G Maj • 04:27 • -16db
56% Popularity • 92% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 92% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Althea And Donna
Jah Music - Remastered 2001
132 bpm • A min • 03:56 • -10db
38% Popularity • 86% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 83% Positiveness
38% Popularity • 86% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 83% Positiveness
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Ken Boothe
Artibella
132 bpm • F# min • 02:20 • -15.4db
42% Popularity • 93% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 93% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Viceroys
Why Dub
134 bpm • F# min • 03:03 • -9.25db
41% Popularity • 82% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
41% Popularity • 82% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
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Augustus Pablo
Thunder Clap
134 bpm • E min • 02:33 • -8.67db
38% Popularity • 79% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
38% Popularity • 79% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
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Ijahman Levi
Close to You
134 bpm • A# Maj • 04:21 • -9db
27% Popularity • 79% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 79% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Big Youth
Keep Your Dread (Remastered)
132 bpm • F# min • 02:14 • -9.53db
36% Popularity • 74% Danceability • 53% Energy • 11% Liveness
52% Instrumentalness • 93% Positiveness
36% Popularity • 74% Danceability • 53% Energy • 11% Liveness
52% Instrumentalness • 93% Positiveness
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Lion Youth
Rat a Cut Bottle
132 bpm • G Maj • 07:14 • -12.32db
26% Popularity • 85% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 85% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Niney The Observer
False Rasta
132 bpm • G Maj • 03:07 • -10db
34% Popularity • 92% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 92% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Aswad
Concrete Slaveship
131 bpm • A min • 08:29 • -13.88db
19% Popularity • 83% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 83% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
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Augustus Pablo
Sunshine Dub
134 bpm • A min • 02:35 • -11.38db
37% Popularity • 78% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 73% Positiveness
37% Popularity • 78% Danceability • 45% Energy • 16% Liveness
85% Instrumentalness • 73% Positiveness
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Sugar Minott
The People Got To Know
135 bpm • G min • 03:20 • -6.31db
24% Popularity • 65% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 65% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Misty In Roots
How Long Jah
131 bpm • A min • 04:44 • -6.75db
25% Popularity • 87% Danceability • 58% Energy • 17% Liveness
4% Instrumentalness • 62% Positiveness
25% Popularity • 87% Danceability • 58% Energy • 17% Liveness
4% Instrumentalness • 62% Positiveness
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Martin Campbell
Hard on the Rootsman
131 bpm • C# min • 03:29 • -16.17db
37% Popularity • 94% Danceability • 21% Energy • 19% Liveness
12% Instrumentalness • 62% Positiveness
37% Popularity • 94% Danceability • 21% Energy • 19% Liveness
12% Instrumentalness • 62% Positiveness
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Dawn Penn
Night and Day
131 bpm • F min • 04:55 • -9db
32% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Aswad
Natural Progression
131 bpm • G Maj • 06:06 • -15.69db
21% Popularity • 78% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 78% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Bunny Wailer
Bide Up
131 bpm • G Maj • 02:34 • -17.54db
38% Popularity • 80% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
38% Popularity • 80% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Joe Higgs
Got to Make A Way
135 bpm • B min • 02:36 • -10.01db
34% Popularity • 82% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
34% Popularity • 82% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
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Pablo Moses
We Should Be in Angola
135 bpm • A min • 03:39 • -5.66db
25% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Martin Campbell
Give Me the Money
135 bpm • F# min • 03:52 • -18.79db
32% Popularity • 93% Danceability • 8% Energy • 8% Liveness
5% Instrumentalness • 48% Positiveness
32% Popularity • 93% Danceability • 8% Energy • 8% Liveness
5% Instrumentalness • 48% Positiveness
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Junior Byles
Whip Them, Whip Them
135 bpm • D Maj • 02:34 • -7.13db
37% Popularity • 85% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 85% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Brooks
A Man Is King - 2018 Remaster
135 bpm • F# Maj • 03:18 • -7.5db
26% Popularity • 87% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
26% Popularity • 87% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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MIlton Henry
No Dreams
131 bpm • D# min • 04:40 • -9.23db
20% Popularity • 86% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 86% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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The Maytones
Ital Queen
135 bpm • G Maj • 02:29 • -11.05db
43% Popularity • 81% Danceability • 36% Energy • 14% Liveness
18% Instrumentalness • 93% Positiveness
43% Popularity • 81% Danceability • 36% Energy • 14% Liveness
18% Instrumentalness • 93% Positiveness
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Bim Sherman
Golden Locks
135 bpm • A min • 03:20 • -10.86db
22% Popularity • 82% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 82% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Capital Letters
Fire
131 bpm • G Maj • 03:42 • -7db
33% Popularity • 79% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 87% Positiveness
33% Popularity • 79% Danceability • 84% Energy • 9% Liveness
44% Instrumentalness • 87% Positiveness
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Bob Andy
You Don't Know
131 bpm • C min • 03:08 • -13.21db
51% Popularity • 90% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
51% Popularity • 90% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
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Junior Byles
Beat Down Babylon
135 bpm • D Maj • 02:35 • -10.44db
49% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
49% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
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Lacksley Castell
Be My Princess
136 bpm • B min • 03:38 • -7db
23% Popularity • 78% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 78% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Althia & Donna
Love One Another
131 bpm • F min • 03:47 • -12.36db
17% Popularity • 80% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 80% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Clarke
Crazy Baldhead
136 bpm • B min • 03:40 • -14.27db
30% Popularity • 92% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 92% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Steel Pulse
Ku Klux Klan
130 bpm • A min • 03:34 • -12db
49% Popularity • 74% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 74% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Bob Andy
You Know It Dub
131 bpm • C min • 03:14 • -11.37db
32% Popularity • 82% Danceability • 44% Energy • 32% Liveness
13% Instrumentalness • 75% Positiveness
32% Popularity • 82% Danceability • 44% Energy • 32% Liveness
13% Instrumentalness • 75% Positiveness
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Bunny Wailer
Dancing Shoes
136 bpm • F# Maj • 03:47 • -14.43db
34% Popularity • 80% Danceability • 49% Energy • 8% Liveness
50% Instrumentalness • 92% Positiveness
34% Popularity • 80% Danceability • 49% Energy • 8% Liveness
50% Instrumentalness • 92% Positiveness
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Martin Campbell
Love Has Left the Land
136 bpm • G Maj • 04:01 • -5.3db
28% Popularity • 95% Danceability • 44% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 95% Danceability • 44% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
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Prince Alla
Bucket Bottom
136 bpm • F# Maj • 02:26 • -9db
39% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Niney The Observer
Bring the Couchie Come
130 bpm • C Maj • 02:48 • -6.51db
35% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Ras Michael and The Sons Of Negus
Zion Land
136 bpm • D Maj • 04:11 • -19db
24% Popularity • 70% Danceability • 26% Energy • 8% Liveness
8% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 26% Energy • 8% Liveness
8% Instrumentalness • 58% Positiveness
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Senya
Roots Man
136 bpm • A min • 03:15 • -8.78db
14% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Barry Brown
Lead Us Jah
130 bpm • A# min • 04:23 • -7db
21% Popularity • 89% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
21% Popularity • 89% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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The Viceroys
I'm Trying On
130 bpm • A# min • 02:54 • -11.16db
29% Popularity • 91% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
29% Popularity • 91% Danceability • 26% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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Lone Ark
Defend
130 bpm • C min • 03:33 • -7.39db
28% Popularity • 79% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 79% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Midnight Riders
Yardie Skanking
136 bpm • D# min • 03:09 • -8.88db
37% Popularity • 91% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 91% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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The Twinkle Brothers
Give Rasta Praise
136 bpm • E min • 03:40 • -13.44db
36% Popularity • 90% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 90% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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MIlton Henry
Gimmi Gimmi Teke Teke
136 bpm • G Maj • 03:38 • -6.27db
32% Popularity • 89% Danceability • 71% Energy • 9% Liveness
28% Instrumentalness • 96% Positiveness
32% Popularity • 89% Danceability • 71% Energy • 9% Liveness
28% Instrumentalness • 96% Positiveness
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Mo'Kalamity
Sitting on this rock
130 bpm • A# min • 03:26 • -7.27db
44% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Steel Pulse
Prediction
130 bpm • C# min • 05:27 • -15.82db
24% Popularity • 86% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 86% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Althea And Donna
The West - Remastered 2001
130 bpm • A min • 03:50 • -11db
42% Popularity • 88% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 88% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Midnite
Mountains
130 bpm • B min • 02:22 • -8db
42% Popularity • 86% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 86% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Bunny Wailer
Rastaman
136 bpm • G Maj • 03:51 • -12.92db
35% Popularity • 81% Danceability • 47% Energy • 37% Liveness
1% Instrumentalness • 85% Positiveness
35% Popularity • 81% Danceability • 47% Energy • 37% Liveness
1% Instrumentalness • 85% Positiveness
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10 Ft. Ganja Plant
10 Ft. Ganja Plant and Weed
136 bpm • C# Maj • 03:36 • -10db
46% Popularity • 75% Danceability • 50% Energy • 5% Liveness
3% Instrumentalness • 77% Positiveness
46% Popularity • 75% Danceability • 50% Energy • 5% Liveness
3% Instrumentalness • 77% Positiveness
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Prince Alla
Lot's Wife
136 bpm • G# Maj • 03:26 • -7.62db
23% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Third World
Human Market Place
130 bpm • A min • 04:31 • -16.66db
35% Popularity • 83% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 66% Positiveness
35% Popularity • 83% Danceability • 27% Energy • 7% Liveness
5% Instrumentalness • 66% Positiveness
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Misty In Roots
Dance Hall Babylon
136 bpm • F# min • 05:42 • -9db
27% Popularity • 84% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
27% Popularity • 84% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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The Itals
Jah Calling
130 bpm • A min • 03:35 • -17db
38% Popularity • 86% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 86% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Niney The Observer
Everyone Is a Rasta
130 bpm • C Maj • 02:33 • -9.03db
30% Popularity • 89% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 89% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Junior Byles
It Was a Long Way
136 bpm • E min • 02:59 • -6.7db
46% Popularity • 90% Danceability • 38% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
46% Popularity • 90% Danceability • 38% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Errol Dunkley
Movie Star
130 bpm • A# min • 03:17 • -10.56db
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 81% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Twinkle Brothers
Beat them Jah-Jah
130 bpm • C# min • 03:19 • -15db
26% Popularity • 91% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 91% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Martin Campbell
Crazy Circus
136 bpm • A# Maj • 03:25 • -10.48db
35% Popularity • 94% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 94% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Meditations
No Peace
130 bpm • C# min • 03:16 • -7.02db
28% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Sylford Walker
Cleanliness Is Godliness
137 bpm • F# min • 02:50 • -6db
33% Popularity • 87% Danceability • 54% Energy • 5% Liveness
52% Instrumentalness • 81% Positiveness
33% Popularity • 87% Danceability • 54% Energy • 5% Liveness
52% Instrumentalness • 81% Positiveness
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10 Ft. Ganja Plant
Chalwa
137 bpm • D min • 04:37 • -2.86db
45% Popularity • 79% Danceability • 75% Energy • 4% Liveness
87% Instrumentalness • 92% Positiveness
45% Popularity • 79% Danceability • 75% Energy • 4% Liveness
87% Instrumentalness • 92% Positiveness
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Steel Pulse
Drug Squad
137 bpm • C min • 04:05 • -8.66db
30% Popularity • 78% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 78% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 92% Positiveness
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Aswad
Can't Stand The Pressure
129 bpm • B min • 04:20 • -15.25db
28% Popularity • 81% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 81% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Martin Campbell
Give the Poor Man a Try
130 bpm • E min • 03:33 • -4.38db
44% Popularity • 98% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
44% Popularity • 98% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Johnny Clarke
Legalize It - 2001 Digital Remaster
137 bpm • D Maj • 03:51 • -9.06db
26% Popularity • 89% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 89% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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The Ethiopians
The Ring
137 bpm • D Maj • 01:54 • -11.64db
31% Popularity • 85% Danceability • 42% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
31% Popularity • 85% Danceability • 42% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
