Songs like If You Love Me by B.B. King
Based on a tempo of (+/- 10%) and a similar genre
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George Benson
I Hear You Knocking
95 bpm • C Maj • 03:45 • -7.75db
10% Popularity • 72% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 72% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Elmore James
Shake Your Money Maker
95 bpm • D Maj • 02:30 • -7db
28% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Earl King
Mother's Love
95 bpm • A Maj • 02:43 • -9db
27% Popularity • 57% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
27% Popularity • 57% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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T-Bone Walker
That Evening Train - Remastered 2022
95 bpm • F min • 03:06 • -10.15db
31% Popularity • 59% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
31% Popularity • 59% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
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Christone "Kingfish" Ingram
Listen
95 bpm • E Maj • 05:29 • -7.76db
37% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Lowell Fulson
Reconsider Baby
95 bpm • C Maj • 03:09 • -10.98db
42% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Andy Fairweather Low
When You're Smiling
95 bpm • F Maj • 02:13 • -12.15db
29% Popularity • 81% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 81% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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B.B. King
If You Love Me
95 bpm • D# Maj • 05:47 • -8.61db
46% Popularity • 47% Danceability • 37% Energy • 30% Liveness
30% Instrumentalness • 25% Positiveness
46% Popularity • 47% Danceability • 37% Energy • 30% Liveness
30% Instrumentalness • 25% Positiveness
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Albert Collins
Ice Pick
95 bpm • C Maj • 03:08 • -6db
40% Popularity • 61% Danceability • 75% Energy • 16% Liveness
71% Instrumentalness • 61% Positiveness
40% Popularity • 61% Danceability • 75% Energy • 16% Liveness
71% Instrumentalness • 61% Positiveness
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T-Bone Walker
Blues Rock
95 bpm • G Maj • 02:49 • -9.77db
27% Popularity • 67% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
27% Popularity • 67% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
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Koko Taylor
Mother Nature
94 bpm • A# Maj • 04:41 • -10.39db
21% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Eric Clapton
Come Rain or Come Shine
96 bpm • C Maj • 04:11 • -9.21db
44% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmy Reed
Baby What You Want Me To Do
94 bpm • A Maj • 02:24 • -11.62db
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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The Peter Malick Group
Heart Of Mine
96 bpm • D# Maj • 05:08 • -8.69db
35% Popularity • 77% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 29% Positiveness
35% Popularity • 77% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 29% Positiveness
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Joe Louis Walker
Going To Canada
96 bpm • B min • 03:54 • -14db
27% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 54% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Dion
I Got Nothin’
94 bpm • E min • 05:05 • -6db
20% Popularity • 74% Danceability • 61% Energy • 85% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 74% Danceability • 61% Energy • 85% Liveness
0% Instrumentalness • 74% Positiveness
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Susan Tedeschi
You Got The Silver
94 bpm • E Maj • 02:51 • -7.41db
43% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Jools Holland
Back O' Town Blues
94 bpm • G# Maj • 03:27 • -4.39db
16% Popularity • 31% Danceability • 81% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
16% Popularity • 31% Danceability • 81% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
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B.B. King
Blues Man
96 bpm • C# Maj • 05:18 • -8db
38% Popularity • 67% Danceability • 43% Energy • 13% Liveness
31% Instrumentalness • 36% Positiveness
38% Popularity • 67% Danceability • 43% Energy • 13% Liveness
31% Instrumentalness • 36% Positiveness
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Van Morrison
Philosopher's Stone - Remastered
93 bpm • C Maj • 06:06 • -6db
36% Popularity • 52% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
36% Popularity • 52% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
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Big Walter Horton
Tell Me Baby
97 bpm • B min • 03:15 • -15.23db
40% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Eilen Jewell
Another Night to Cry
93 bpm • G Maj • 02:53 • -6.76db
40% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sonny Boy Williamson II
She's My Baby - Stereo Version
97 bpm • C Maj • 02:10 • -6.85db
26% Popularity • 38% Danceability • 64% Energy • 26% Liveness
9% Instrumentalness • 77% Positiveness
26% Popularity • 38% Danceability • 64% Energy • 26% Liveness
9% Instrumentalness • 77% Positiveness
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Eric Clapton
I Wanna Be
93 bpm • G Maj • 04:45 • -6.48db
34% Popularity • 62% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 62% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Tommy Castro
You To Hold On To
93 bpm • A Maj • 03:53 • -6.19db
37% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Freddy King
I Love the Woman
97 bpm • C Maj • 02:50 • -10.21db
27% Popularity • 74% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 74% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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The Doobie Brothers
Dark Eyed Cajun Woman
97 bpm • A min • 04:13 • -8.86db
42% Popularity • 57% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Them
Turn on Your Love Light
97 bpm • D Maj • 02:19 • -7.14db
21% Popularity • 50% Danceability • 90% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 50% Danceability • 90% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Grand
Holding You Up For Love
97 bpm • G Maj • 06:09 • -8db
21% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Clapton
Let Me Love You
97 bpm • C min • 05:07 • -6.43db
21% Popularity • 61% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 61% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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B.B. King
Ain't Nobody Home
93 bpm • C# Maj • 04:59 • -8.7db
35% Popularity • 73% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 73% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Andy Fairweather Low
Hymn 4 My Soul
92 bpm • C Maj • 03:19 • -7db
30% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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J.B. Lenoir
Alabama Blues
97 bpm • F# Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Roy Buchanan
When A Guitar Plays The Blues
98 bpm • A Maj • 06:38 • -10.7db
29% Popularity • 44% Danceability • 57% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
29% Popularity • 44% Danceability • 57% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
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Susan Tedeschi
Back To The River
92 bpm • B min • 03:55 • -6.88db
34% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Eric Clapton
Ten Long Years
98 bpm • C# Maj • 04:40 • -7.33db
50% Popularity • 67% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 67% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Sonny Boy Williamson II
Nine Below Zero - 1961 Single Version
98 bpm • C Maj • 03:28 • -5db
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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B.B. King
I'll Survive
98 bpm • G Maj • 04:51 • -8.49db
25% Popularity • 64% Danceability • 48% Energy • 18% Liveness
8% Instrumentalness • 28% Positiveness
25% Popularity • 64% Danceability • 48% Energy • 18% Liveness
8% Instrumentalness • 28% Positiveness
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Jimmy Reed
Bright Lights, Big City
92 bpm • D Maj • 02:49 • -9db
37% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Little Walter
Sad Hours
92 bpm • C min • 03:12 • -9db
39% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Rory Gallagher
Should've Learnt My Lesson - Deuce Album...
92 bpm • E Maj • 03:04 • -10db
43% Popularity • 72% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 58% Positiveness
43% Popularity • 72% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 58% Positiveness
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Dire Straits
Fade To Black
98 bpm • D min • 03:47 • -14.85db
54% Popularity • 53% Danceability • 28% Energy • 9% Liveness
13% Instrumentalness • 13% Positiveness
54% Popularity • 53% Danceability • 28% Energy • 9% Liveness
13% Instrumentalness • 13% Positiveness
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Fenton Robinson
Going To Chicago - Remastered
98 bpm • F min • 03:47 • -6.17db
42% Popularity • 59% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
42% Popularity • 59% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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B.B. King
Darling You Know I Love You
98 bpm • G# Maj • 05:13 • -8.39db
25% Popularity • 41% Danceability • 53% Energy • 97% Liveness
48% Instrumentalness • 31% Positiveness
25% Popularity • 41% Danceability • 53% Energy • 97% Liveness
48% Instrumentalness • 31% Positiveness
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The Crusaders
Night Life - Live At Royal Festival Hall...
91 bpm • C Maj • 06:45 • -9.23db
22% Popularity • 43% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 43% Danceability • 55% Energy • 76% Liveness
0% Instrumentalness • 44% Positiveness
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The Notting Hillbillies
Run Me Down
99 bpm • A Maj • 02:24 • -15db
38% Popularity • 69% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
38% Popularity • 69% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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Them
If You and I Could Be as Two - Mono Ver...
91 bpm • C Maj • 02:55 • -7.92db
21% Popularity • 51% Danceability • 74% Energy • 21% Liveness
8% Instrumentalness • 54% Positiveness
21% Popularity • 51% Danceability • 74% Energy • 21% Liveness
8% Instrumentalness • 54% Positiveness
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The Manhattan Transfer
The Thrill Is Gone
91 bpm • C min • 06:07 • -7.97db
18% Popularity • 78% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 78% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Trade Martin
Midnight Train
99 bpm • E min • 07:34 • -9.82db
32% Popularity • 34% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 34% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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B.B. King
Funny How Time Slips Away
99 bpm • D Maj • 04:08 • -11.82db
29% Popularity • 64% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
29% Popularity • 64% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Mighty Sam McClain
Here I Go Falling in Love Again
99 bpm • G Maj • 04:56 • -17.16db
8% Popularity • 72% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 72% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Crusaders
The Thrill Is Gone - Live (1981/Royal Fe...
99 bpm • F min • 05:26 • -12db
37% Popularity • 66% Danceability • 77% Energy • 96% Liveness
9% Instrumentalness • 62% Positiveness
37% Popularity • 66% Danceability • 77% Energy • 96% Liveness
9% Instrumentalness • 62% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:47 • -9.42db
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Elmore James
Standing at the Crossroads
100 bpm • G Maj • 02:58 • -4.62db
20% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Snowy White
The Time Has Come - Remastered
91 bpm • C min • 04:48 • -7.97db
31% Popularity • 75% Danceability • 58% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
31% Popularity • 75% Danceability • 58% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
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B.B. King
The Thrill Is Gone
91 bpm • B min • 05:24 • -8.76db
64% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
64% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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Freddy King
You've Got to Love Her with a Feeling
100 bpm • A# Maj • 03:15 • -10.01db
20% Popularity • 76% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 76% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Copeland
Rolling With The Punches
100 bpm • G# Maj • 06:34 • -8.25db
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:45 • -8.34db
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Long John Baldry
Midnight In New Orleans
100 bpm • F# min • 03:32 • -15.12db
13% Popularity • 58% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 58% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Curtis Salgado
Walk A Mile In My Blues
100 bpm • C Maj • 04:31 • -5db
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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B.B. King
I Need Your Love
100 bpm • C# Maj • 02:22 • -9db
39% Popularity • 55% Danceability • 34% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 55% Danceability • 34% Energy • 3% Liveness
0% Instrumentalness • 59% Positiveness
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Patty Smyth
Ode to Billy Joe
101 bpm • G Maj • 06:07 • -13.44db
35% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 74% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Etta James
There's Something On Your Mind
101 bpm • A Maj • 05:59 • -7db
25% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 60% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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The Fabulous Thunderbirds
Strong Like That
89 bpm • D min • 03:55 • -7db
31% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
31% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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Elmore James
Dust My Broom
101 bpm • G Maj • 02:55 • -4.91db
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
38% Popularity • 51% Danceability • 66% Energy • 32% Liveness
26% Instrumentalness • 66% Positiveness
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The Vaughan Brothers
Tick Tock
89 bpm • A Maj • 04:56 • -13.54db
36% Popularity • 85% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 85% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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B.B. King
Call It Stormy Monday
100 bpm • C Maj • 07:17 • -10db
30% Popularity • 46% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 46% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Amazing Rhythm Aces
Who Will the Next Fool Be - Remastered
102 bpm • E Maj • 02:48 • -11db
30% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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George Benson
Blue Monday
102 bpm • F Maj • 03:03 • -8.04db
18% Popularity • 73% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 73% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Charles
Sinner's Prayer
102 bpm • A Maj • 04:25 • -7.87db
43% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Elmore James
It Hurts Me Too
89 bpm • B min • 03:12 • -8.4db
40% Popularity • 62% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 62% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Freddy King
Me and My Guitar
103 bpm • B min • 04:05 • -11.7db
23% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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B.B. King
You're Still My Woman
89 bpm • B min • 06:04 • -15.48db
36% Popularity • 54% Danceability • 45% Energy • 14% Liveness
62% Instrumentalness • 51% Positiveness
36% Popularity • 54% Danceability • 45% Energy • 14% Liveness
62% Instrumentalness • 51% Positiveness
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Earl Hooker
Wah Wah Blues
103 bpm • D Maj • 04:36 • -14db
28% Popularity • 53% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 43% Positiveness
28% Popularity • 53% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 43% Positiveness
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James Taylor
Steamroller Blues
103 bpm • G Maj • 05:24 • -10db
29% Popularity • 55% Danceability • 52% Energy • 98% Liveness
1% Instrumentalness • 35% Positiveness
29% Popularity • 55% Danceability • 52% Energy • 98% Liveness
1% Instrumentalness • 35% Positiveness
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Andy Fairweather Low
Gin House Blues
88 bpm • E Maj • 05:13 • -9.32db
27% Popularity • 52% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
27% Popularity • 52% Danceability • 31% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Koko Taylor
Come To Mama
103 bpm • G# Maj • 04:48 • -7.98db
29% Popularity • 70% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 70% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
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Them
Friday's Child - True Stereo
103 bpm • D Maj • 03:45 • -10db
29% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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B.B. King
Need Your Love So Bad
101 bpm • A# Maj • 03:56 • -9db
37% Popularity • 71% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 71% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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T-Bone Walker
Strollin' With Bones
88 bpm • F min • 02:30 • -10.63db
37% Popularity • 59% Danceability • 43% Energy • 30% Liveness
90% Instrumentalness • 92% Positiveness
37% Popularity • 59% Danceability • 43% Energy • 30% Liveness
90% Instrumentalness • 92% Positiveness
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Henrik Freischlader
My Woman
87 bpm • E Maj • 10:00 • -13.05db
27% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Johnny Copeland
Cut Off My Right Arm
103 bpm • G min • 04:06 • -12.85db
17% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Jackson Browne
Rosie - Remastered
104 bpm • E Maj • 03:41 • -14db
42% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 57% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Diane Schuur
I Can't Stop Loving You
104 bpm • A# Maj • 04:28 • -10db
30% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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B.B. King
Guess Who
101 bpm • G# Maj • 04:09 • -18.85db
32% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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T-Bone Walker
Mean Old World
87 bpm • C Maj • 04:07 • -15db
50% Popularity • 73% Danceability • 24% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
50% Popularity • 73% Danceability • 24% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
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Jimmy Reed
Honest I Do
104 bpm • C# Maj • 02:51 • -9db
25% Popularity • 80% Danceability • 36% Energy • 7% Liveness
4% Instrumentalness • 55% Positiveness
25% Popularity • 80% Danceability • 36% Energy • 7% Liveness
4% Instrumentalness • 55% Positiveness
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Elmore James
Dust My Broom
87 bpm • D Maj • 02:59 • -13.16db
42% Popularity • 63% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 63% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Earl Hooker
Blue Guitar
104 bpm • A min • 02:39 • -7db
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
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William Clarke
Must Be Jelly
104 bpm • C Maj • 07:03 • -15db
20% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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B.B. King
Better Not Look Down
102 bpm • C# Maj • 03:22 • -11.18db
46% Popularity • 73% Danceability • 74% Energy • 4% Liveness
4% Instrumentalness • 78% Positiveness
46% Popularity • 73% Danceability • 74% Energy • 4% Liveness
4% Instrumentalness • 78% Positiveness
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T-Bone Walker
Call It Stormy Monday But Tuesday Is Jus...
104 bpm • C Maj • 03:03 • -16db
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
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The Notting Hillbillies
One Way Gal
105 bpm • D Maj • 03:09 • -14db
37% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Rogers
You're Sweet
105 bpm • A Maj • 03:46 • -14.57db
9% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Snowy White
Red Wine Blues
86 bpm • C min • 04:44 • -16.7db
43% Popularity • 55% Danceability • 38% Energy • 35% Liveness
46% Instrumentalness • 37% Positiveness
43% Popularity • 55% Danceability • 38% Energy • 35% Liveness
46% Instrumentalness • 37% Positiveness
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Bobby "Blue" Bland
Farther Up The Road
105 bpm • A# Maj • 02:57 • -10db
38% Popularity • 51% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 51% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 77% Positiveness
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B.B. King
Something You Got
103 bpm • A# Maj • 04:02 • -8.85db
25% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
