Songs like If You Tolerate This Your Children Will Be Next by Manic Street Preachers
Based on a tempo of (+/- 10%) and a similar genre
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The Divine Comedy
Something for the Weekend
128 bpm • C min • 04:19 • -7db
37% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Blur
The Narcissist
128 bpm • C# min • 04:05 • -5.32db
54% Popularity • 56% Danceability • 91% Energy • 57% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 56% Danceability • 91% Energy • 57% Liveness
0% Instrumentalness • 52% Positiveness
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Big Country
Look Away
128 bpm • C# min • 04:24 • -10.32db
44% Popularity • 56% Danceability • 84% Energy • 14% Liveness
60% Instrumentalness • 82% Positiveness
44% Popularity • 56% Danceability • 84% Energy • 14% Liveness
60% Instrumentalness • 82% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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Inspiral Carpets
Saturn 5
128 bpm • C Maj • 03:59 • -10.03db
44% Popularity • 58% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 58% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Manic Street Preachers
If You Tolerate This Your Children Will ...
128 bpm • C Maj • 04:50 • -6.19db
57% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
57% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
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Primal Scream
Rocks
128 bpm • G Maj • 03:36 • -4.16db
55% Popularity • 62% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 62% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Thin Lizzy
Whiskey In The Jar
128 bpm • G Maj • 05:45 • -11.04db
59% Popularity • 56% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 56% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Shed Seven
On Standby
129 bpm • C# Maj • 03:51 • -5db
39% Popularity • 41% Danceability • 89% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
39% Popularity • 41% Danceability • 89% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
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Mike Oldfield
Moonlight Shadow
129 bpm • E Maj • 03:38 • -8.36db
67% Popularity • 61% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
67% Popularity • 61% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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U2
Even Better Than The Real Thing
129 bpm • G Maj • 03:41 • -7db
54% Popularity • 50% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 50% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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The Stone Roses
I Am the Resurrection - Remastered
129 bpm • E Maj • 08:12 • -6.32db
57% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
57% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Texas
Summer Son
127 bpm • F min • 04:04 • -7.42db
60% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
60% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Manic Street Preachers
Your Love Alone Is Not Enough
127 bpm • D Maj • 03:55 • -3.05db
49% Popularity • 34% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 34% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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Lenny Kravitz
Are You Gonna Go My Way
129 bpm • B min • 03:31 • -10.32db
74% Popularity • 62% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
74% Popularity • 62% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
52% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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The Stone Roses
This Is the One - Remastered
127 bpm • A Maj • 04:59 • -7db
55% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
55% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
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T. Rex
Get It On
127 bpm • B min • 04:22 • -6.93db
71% Popularity • 73% Danceability • 88% Energy • 61% Liveness
86% Instrumentalness • 91% Positiveness
71% Popularity • 73% Danceability • 88% Energy • 61% Liveness
86% Instrumentalness • 91% Positiveness
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INXS
Mystify
129 bpm • A min • 03:17 • -5.66db
63% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Manic Street Preachers
Out of Time
127 bpm • A Maj • 03:32 • -3.01db
15% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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Editors
All Sparks
126 bpm • F# min • 03:32 • -5.91db
16% Popularity • 47% Danceability • 73% Energy • 22% Liveness
6% Instrumentalness • 77% Positiveness
16% Popularity • 47% Danceability • 73% Energy • 22% Liveness
6% Instrumentalness • 77% Positiveness
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Edwyn Collins
A Girl Like You
126 bpm • F min • 03:56 • -7.46db
66% Popularity • 62% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 62% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
70% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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James
Sit Down
126 bpm • A Maj • 04:04 • -9.45db
61% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Clash
Rock the Casbah - Remastered
130 bpm • A min • 03:42 • -6.73db
71% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
71% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Doves
Pounding
130 bpm • C# Maj • 04:45 • -4.1db
46% Popularity • 55% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
46% Popularity • 55% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Stereophonics
I Wanna Get Lost With You
126 bpm • G min • 03:49 • -3.55db
26% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Manic Street Preachers
Orwellian
130 bpm • C Maj • 03:49 • -6.32db
24% Popularity • 54% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 54% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Deacon Blue
Your Town
126 bpm • C# min • 05:21 • -10db
34% Popularity • 54% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
34% Popularity • 54% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
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The Thrills
Big Sur
130 bpm • A min • 03:07 • -4.17db
45% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Frankie Goes To Hollywood
Two Tribes
130 bpm • G Maj • 03:28 • -13.17db
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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U2
Where The Streets Have No Name - Remaste...
126 bpm • D Maj • 05:37 • -9.58db
70% Popularity • 49% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 49% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Lightning Seeds
Sugar Coated Iceberg
130 bpm • B Maj • 03:51 • -5db
21% Popularity • 54% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 54% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Manic Street Preachers
Empty Souls
130 bpm • C# min • 04:04 • -2.71db
28% Popularity • 48% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 48% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Deacon Blue
Real Gone Kid
130 bpm • C Maj • 04:03 • -11db
38% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Stereophonics
I Wouldn't Believe Your Radio
126 bpm • D Maj • 03:50 • -5.62db
47% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Cornershop
Brimful of Asha - Norman Cook Remix Sing...
126 bpm • B Maj • 04:03 • -3.91db
63% Popularity • 68% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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T. Rex
Children of the Revolution - Remaster
130 bpm • E min • 02:27 • -8.61db
52% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Texas
Halo
126 bpm • G Maj • 04:10 • -6db
45% Popularity • 46% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 46% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Manic Street Preachers
The Love of Richard Nixon
130 bpm • F# min • 03:38 • -3db
33% Popularity • 58% Danceability • 94% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
33% Popularity • 58% Danceability • 94% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
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Bryan Adams
When You're Gone
125 bpm • C Maj • 03:24 • -6.34db
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
52% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Snow Patrol
Shut Your Eyes
125 bpm • A# min • 03:17 • -6db
55% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Kasabian
Shoot the Runner
131 bpm • G Maj • 03:27 • -4db
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Manic Street Preachers
Show Me the Wonder
130 bpm • D Maj • 03:18 • -4.31db
21% Popularity • 54% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 54% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Ocean Colour Scene
Mechanical Wonder
131 bpm • A Maj • 04:31 • -7db
31% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Faith No More
Easy
125 bpm • A# min • 03:06 • -6.74db
65% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Lightning Seeds
What If...
125 bpm • G Maj • 03:22 • -6.16db
13% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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Kate Bush
Wuthering Heights
125 bpm • C# Maj • 04:29 • -11.38db
66% Popularity • 48% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
66% Popularity • 48% Danceability • 39% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
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Manic Street Preachers
Ocean Spray
131 bpm • G Maj • 04:11 • -7.74db
37% Popularity • 62% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 62% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Stone Roses
Made of Stone - Remastered
132 bpm • G Maj • 04:14 • -5.01db
59% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
59% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
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Therapy?
Diane
124 bpm • A min • 04:59 • -12.02db
47% Popularity • 42% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 42% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Neil Young
Rockin' in the Free World
132 bpm • E min • 04:41 • -4.99db
55% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Manic Street Preachers
Everything Must Go
125 bpm • A Maj • 03:06 • -2.23db
23% Popularity • 19% Danceability • 88% Energy • 41% Liveness
16% Instrumentalness • 46% Positiveness
23% Popularity • 19% Danceability • 88% Energy • 41% Liveness
16% Instrumentalness • 46% Positiveness
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Razorlight
In The Morning
124 bpm • E min • 03:42 • -3.5db
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Echo & the Bunnymen
The Killing Moon
124 bpm • G Maj • 05:48 • -7.07db
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
47% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
47% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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Ocean Colour Scene
The Circle
124 bpm • D Maj • 03:43 • -5.68db
43% Popularity • 51% Danceability • 87% Energy • 38% Liveness
5% Instrumentalness • 61% Positiveness
43% Popularity • 51% Danceability • 87% Energy • 38% Liveness
5% Instrumentalness • 61% Positiveness
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Richard Hawley
Tonight the Streets Are Ours
132 bpm • F Maj • 03:42 • -9.04db
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Manic Street Preachers
From Despair to Where
132 bpm • G Maj • 03:34 • -8.48db
34% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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White Lies
To Lose My Life
132 bpm • A# min • 03:11 • -4.71db
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Patti Smith
Because the Night
124 bpm • B min • 03:24 • -7.75db
69% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
69% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Lightning Seeds
Pure
124 bpm • E Maj • 03:47 • -10.61db
56% Popularity • 62% Danceability • 70% Energy • 9% Liveness
44% Instrumentalness • 86% Positiveness
56% Popularity • 62% Danceability • 70% Energy • 9% Liveness
44% Instrumentalness • 86% Positiveness
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Dodgy
Grassman
133 bpm • C Maj • 06:17 • -9db
35% Popularity • 26% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 26% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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David Bowie
Life on Mars? - 2015 Remaster
123 bpm • A# Maj • 03:55 • -14.64db
69% Popularity • 44% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
69% Popularity • 44% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Manic Street Preachers
Theme from M*A*S*H (Suicide Is Painless)
132 bpm • A min • 03:28 • -4.62db
12% Popularity • 32% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 32% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Idlewild
You Held the World in Your Arms
133 bpm • C# min • 03:22 • -3db
38% Popularity • 38% Danceability • 91% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
38% Popularity • 38% Danceability • 91% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Ian Brown
In The Year 2525
123 bpm • F min • 02:52 • -3.15db
34% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Dodgy
In A Room - Full Version
123 bpm • D min • 04:15 • -6db
36% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Placebo
Every You Every Me
133 bpm • A# Maj • 03:33 • -7.55db
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
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Manic Street Preachers
Theme From M*A*S*H (Suicide Is Painless)...
132 bpm • G Maj • 03:44 • -6.51db
34% Popularity • 32% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 32% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Editors
Smokers Outside The Hospital Doors
123 bpm • G Maj • 04:57 • -3.79db
51% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
51% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
53% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
53% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Frankie Goes To Hollywood
The Power Of Love
123 bpm • F min • 05:32 • -17.14db
64% Popularity • 46% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
64% Popularity • 46% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Stereophonics
Mr. Writer
133 bpm • F min • 05:19 • -3.5db
49% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 45% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Manic Street Preachers
A Song for Departure
123 bpm • A Maj • 04:18 • -4.31db
26% Popularity • 61% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 61% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
53% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Lightning Seeds
Lucky You
134 bpm • E min • 04:19 • -9.85db
35% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Kasabian
Where Did All the Love Go?
134 bpm • C# Maj • 04:18 • -5.13db
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
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Stereophonics
Handbags And Gladrags
135 bpm • D# Maj • 04:37 • -3.94db
57% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Manic Street Preachers
This Is the Day
134 bpm • C Maj • 03:37 • -4.51db
21% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Muse
Starlight
122 bpm • E Maj • 04:00 • -4.05db
74% Popularity • 55% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 55% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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The Lightning Seeds
The Life of Riley
122 bpm • C Maj • 04:05 • -5.77db
50% Popularity • 55% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
