Songs like If You Wanted It Too by Jake Scott
Based on a tempo of (+/- 10%) and a similar genre
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Madison Olds
Moments in the Mountains
114 bpm • A Maj • 03:28 • -7.3db
38% Popularity • 63% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 63% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Jake Scott
If You Wanted It Too
114 bpm • A# Maj • 02:37 • -15db
33% Popularity • 79% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 79% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Fischer
Hopeless Romantic
114 bpm • G# Maj • 03:01 • -6.91db
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Anders Sohn
Fly Away With Me
114 bpm • C Maj • 02:49 • -9.14db
40% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 70% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Kerr
If You Wanted It Too
114 bpm • A# Maj • 02:38 • -13.47db
29% Popularity • 75% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 75% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Quinn XCII
Good Thing Go
114 bpm • E Maj • 03:32 • -9.34db
47% Popularity • 88% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 88% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jake Scott
Favorite T-Shirt - Acoustic
115 bpm • A Maj • 03:08 • -14.47db
50% Popularity • 82% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 82% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Rector
Forever Like That
115 bpm • G# Maj • 04:14 • -9.83db
49% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Andy Grammer
Wish You Pain
115 bpm • D Maj • 03:47 • -7.31db
18% Popularity • 63% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 63% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Caleb Hearn
Where Do We Go from Here?
115 bpm • B Maj • 03:33 • -11.31db
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Mat Kearney
Anywhere With You
113 bpm • A Maj • 03:22 • -6.84db
46% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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sad alex
room for you
115 bpm • C# min • 02:12 • -10.15db
48% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Jake Scott
Favorite T-Shirt
115 bpm • A Maj • 03:04 • -8.14db
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Patrick Droney
When The Lights Go Out
115 bpm • C Maj • 03:18 • -7.21db
45% Popularity • 68% Danceability • 69% Energy • 24% Liveness
10% Instrumentalness • 43% Positiveness
45% Popularity • 68% Danceability • 69% Energy • 24% Liveness
10% Instrumentalness • 43% Positiveness
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Anders Sohn
Never Get Old
113 bpm • G Maj • 02:28 • -9.66db
36% Popularity • 61% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 61% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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The Band CAMINO
My Thoughts on You
115 bpm • D Maj • 03:31 • -7.75db
51% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Luneburg
Highway
113 bpm • C# Maj • 04:24 • -8.11db
31% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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New Rules
Cheers
112 bpm • C Maj • 02:29 • -5.96db
44% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Scott
Sink In
116 bpm • C Maj • 03:21 • -8.22db
32% Popularity • 76% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 76% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Eighty Ninety
10K Summer Nights
112 bpm • G Maj • 03:08 • -6.68db
31% Popularity • 61% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 61% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Dylan Brady
Nobody's You
112 bpm • A# Maj • 02:36 • -8.74db
51% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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BLÜ EYES
actually happy
117 bpm • E Maj • 02:59 • -5.94db
38% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ocean Park Standoff
Lost Boys
117 bpm • A Maj • 03:49 • -6db
45% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Scott
Man Who Stays
112 bpm • A# Maj • 03:43 • -10.64db
34% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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BYRNE
Nomads
111 bpm • E Maj • 02:35 • -4.94db
51% Popularity • 91% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 91% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Jonah Kagen
Wish You Did
118 bpm • C# min • 02:50 • -6db
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Scott
Otherwise
117 bpm • A# Maj • 03:07 • -11.43db
34% Popularity • 76% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 76% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jordy Searcy
End Of Us
118 bpm • B Maj • 02:53 • -7.81db
40% Popularity • 77% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 77% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Zachary Knowles
stranger to me
118 bpm • C# Maj • 02:15 • -7.99db
42% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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gavn!
South Dakota
118 bpm • B Maj • 02:58 • -8.78db
59% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Noah Kahan
Save Me
110 bpm • G Maj • 02:58 • -8.81db
57% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jake Scott
CWJBHN
110 bpm • A# Maj • 03:13 • -10.64db
50% Popularity • 74% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 74% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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ehren
Jennifer Street
110 bpm • B Maj • 04:13 • -11.96db
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Noah Kahan
Tidal
110 bpm • B Maj • 03:34 • -6db
59% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
36% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Scott
Don't Let Me
110 bpm • G# min • 03:42 • -7.85db
32% Popularity • 75% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 75% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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The Band CAMINO
Song About You
119 bpm • G# Maj • 02:38 • -5.77db
52% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
67% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
67% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Ocean Park Standoff
If You Were Mine - Thompson Acoustic Rem...
119 bpm • D# Maj • 03:01 • -6db
39% Popularity • 70% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 70% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Scott
Journey
110 bpm • A Maj • 02:25 • -10.68db
26% Popularity • 74% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 74% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Jordy Searcy
Friendship?
109 bpm • E Maj • 03:40 • -11.7db
40% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
57% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The Mowgli's
I Feel Good About This
120 bpm • G Maj • 03:21 • -6.05db
53% Popularity • 52% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 52% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Scott
I Don't Miss You
110 bpm • G Maj • 03:55 • -9.91db
40% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Corey Harper
Best of Me
120 bpm • C Maj • 03:05 • -8.23db
31% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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The Band CAMINO
I Think I Like You
120 bpm • B min • 03:02 • -5.66db
59% Popularity • 81% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 81% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Valley
SOCIETY
108 bpm • F# Maj • 03:41 • -6db
41% Popularity • 69% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 69% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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asiris
fifth avenue
108 bpm • C# Maj • 02:53 • -8.25db
45% Popularity • 54% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 54% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Scott
Working for You
110 bpm • A# Maj • 04:02 • -8.49db
42% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sam Fischer
For Now
108 bpm • C# Maj • 03:31 • -11.11db
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
60% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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New Rules
Late in the Evening
121 bpm • C Maj • 03:33 • -5.4db
32% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Andress
We're Not Friends
121 bpm • D Maj • 03:12 • -6.3db
41% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jamie Miller
Last Call
107 bpm • D Maj • 02:31 • -3.86db
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Scott
It’s Gonna Be You
120 bpm • A Maj • 03:16 • -9db
29% Popularity • 66% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 66% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Rhys Lewis
Under The Sun
107 bpm • E Maj • 02:49 • -8db
34% Popularity • 92% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 92% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Dylan Dunlap
Talk to You
122 bpm • G# min • 02:56 • -6db
40% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Scott
2014
120 bpm • A Maj • 02:58 • -10.67db
25% Popularity • 90% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 90% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Harper
Blind
122 bpm • D Maj • 03:42 • -6.92db
33% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Suriel Hess
Don't Wanna Know
106 bpm • G Maj • 02:58 • -8db
45% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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elijah woods
ilu
106 bpm • G Maj • 02:49 • -5.86db
60% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Pittman
Pam and Jim
106 bpm • D Maj • 03:10 • -14.64db
31% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 72% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
58% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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BLÜ EYES
halcyon
123 bpm • C# Maj • 03:19 • -8db
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Kahan
Pride
105 bpm • C Maj • 02:49 • -6.39db
60% Popularity • 84% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 84% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Lennon Stella
Golf On TV
105 bpm • F Maj • 03:11 • -8.74db
45% Popularity • 68% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 68% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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MKTO
How Can I Forget
105 bpm • G# Maj • 02:57 • -5.97db
56% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Munn
only human
105 bpm • G# Maj • 02:30 • -6.41db
36% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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WILD
Keeps Me Coming Back
105 bpm • E Maj • 02:49 • -6.94db
47% Popularity • 69% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 69% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Jake Scott
Goldenboy
105 bpm • G Maj • 03:28 • -7.9db
26% Popularity • 69% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 69% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Anders Sohn
All My Life
105 bpm • A# Maj • 02:35 • -10.29db
33% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Wingtip
Heartworks
105 bpm • F Maj • 02:39 • -7db
58% Popularity • 78% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
58% Popularity • 78% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Quinn XCII
Stacy
105 bpm • G# Maj • 02:48 • -6.97db
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Valley
Swim - Reprise
105 bpm • D Maj • 03:53 • -6.97db
41% Popularity • 49% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 49% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Matthew Mole
Running After You
105 bpm • E Maj • 03:57 • -12.08db
40% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Scott
Like No One Does
105 bpm • A# Maj • 02:38 • -12.82db
53% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
