Songs like If You Won't Stay Home by Billy "The Kid" Emerson
Based on a tempo of (+/- 10%) and a similar genre
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The Cadets
I Want You - Remastered
77 bpm • G# Maj • 02:49 • -9db
29% Popularity • 75% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 75% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Nappy Brown
Skidy Woe
77 bpm • D min • 02:57 • -7.4db
11% Popularity • 54% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 54% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy McCracklin
The Walk
77 bpm • F Maj • 02:41 • -12db
28% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Wynonie Harris
Git With The Grits
77 bpm • G# Maj • 02:20 • -7.8db
18% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Tommy Blake
Shake Around
77 bpm • F Maj • 02:27 • -8.27db
6% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
6% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Sid King & The Five Strings
Let' Er Roll
77 bpm • E Maj • 02:37 • -8.35db
16% Popularity • 63% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 63% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Carl Mann
Hey, Baby Doll
77 bpm • G Maj • 01:58 • -2.99db
14% Popularity • 56% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 56% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Barbara Pittman
I Need A Man - Remastered 2022
78 bpm • F# min • 02:52 • -9.79db
22% Popularity • 63% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 63% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy McCracklin
The Walk
78 bpm • C Maj • 02:50 • -10.33db
14% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Wynona Carr
Weather Man
78 bpm • A# Maj • 02:35 • -8.82db
16% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Warren Smith
Red Cadillac & A Black Moustache - Alter...
78 bpm • D Maj • 02:16 • -10db
30% Popularity • 63% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 63% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Billy "The Kid" Emerson
I'm Not Going Home
76 bpm • F Maj • 03:10 • -9.95db
1% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 49% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Otis
Can't You Hear Me Callin'
78 bpm • C# Maj • 02:30 • -12.77db
8% Popularity • 63% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 63% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Barbara Pittman
I'm Getting Better All The Time
78 bpm • C Maj • 02:52 • -9.04db
9% Popularity • 62% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 62% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Tiny Topsy
Aw! Shucks Baby
76 bpm • A# Maj • 02:22 • -6.62db
17% Popularity • 62% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 62% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Johnny O'Neal
Ugly Woman
79 bpm • C Maj • 02:37 • -5.18db
28% Popularity • 64% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 64% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Ruth Brown
Jack O'Diamonds
79 bpm • D Maj • 02:33 • -10.11db
10% Popularity • 63% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 63% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Billy "The Kid" Emerson
Do The Chicken
78 bpm • G Maj • 02:46 • -9.94db
2% Popularity • 64% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
2% Popularity • 64% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Wynonie Harris
Sittin' On It All The Time
75 bpm • G# Maj • 02:39 • -9db
16% Popularity • 50% Danceability • 46% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
16% Popularity • 50% Danceability • 46% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
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The Clovers
Fool Fool Fool
79 bpm • G# Maj • 02:33 • -14.65db
16% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Robins
Whadaya Want
75 bpm • C# Maj • 02:28 • -7db
10% Popularity • 71% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 71% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Ernie K-Doe
Wanted $10,000.00 Reward
79 bpm • G# Maj • 02:09 • -9.83db
11% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
Touch And Go
79 bpm • F min • 02:12 • -10.44db
20% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Billy "The Kid" Emerson
When My Baby Quit Me - Alternate
75 bpm • C Maj • 02:47 • -11.59db
0% Popularity • 45% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 45% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Billy Lee Riley
Rock with Me Baby
80 bpm • F min • 02:11 • -9.62db
25% Popularity • 54% Danceability • 81% Energy • 39% Liveness
2% Instrumentalness • 94% Positiveness
25% Popularity • 54% Danceability • 81% Energy • 39% Liveness
2% Instrumentalness • 94% Positiveness
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T-Bone Walker
Teenage Baby
80 bpm • G Maj • 02:04 • -11.3db
19% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Du Droppers
Can't Do Sixty No More
80 bpm • G# Maj • 02:53 • -9.83db
8% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The Robins
Double Crossing Blues
74 bpm • A# Maj • 02:48 • -15db
13% Popularity • 53% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Dale Hawkins
Four Letter Word (Rock)
81 bpm • B min • 01:35 • -4.37db
16% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Billy "The Kid" Emerson
I Never Get Enough
75 bpm • G Maj • 02:32 • -9.95db
3% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
3% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Little Junior Parker
Drivin' Wheel - Single Version
81 bpm • A min • 02:37 • -8db
30% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Sonny Terry and Brownie McGhee
Robbie-Doby Boogie
81 bpm • C min • 02:22 • -10db
11% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Don & Dewey
Leavin' It All Up To You
73 bpm • C Maj • 02:12 • -12db
13% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Smokey Joe Baugh
Listen to Me Baby
81 bpm • C Maj • 02:26 • -6.04db
13% Popularity • 58% Danceability • 93% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 58% Danceability • 93% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Lloyd
Where The Rio De Rosa Flows
81 bpm • G Maj • 02:31 • -3db
15% Popularity • 73% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 73% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Billy "The Kid" Emerson
If Lovin' Is Believing
79 bpm • C Maj • 02:13 • -11.45db
3% Popularity • 76% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 76% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Prisonaires
Just Walkin In The Rain - Remastered 202...
82 bpm • G# Maj • 02:42 • -14.36db
4% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Baby Washington
Move On
82 bpm • A# Maj • 01:59 • -7.3db
15% Popularity • 67% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
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Joe Houston
Shuckin' 'N' a Jivin'
82 bpm • B min • 05:13 • -8.66db
10% Popularity • 74% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 74% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Warren Smith
Ubangi Stomp
82 bpm • A Maj • 01:59 • -6.61db
33% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Buster Brown
Sugar Babe
82 bpm • E Maj • 02:27 • -7.74db
11% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Billy "The Kid" Emerson
The Woodchuck
74 bpm • A Maj • 03:06 • -7.59db
1% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Big Mama Thornton
Yes, Baby
83 bpm • G min • 02:52 • -6.89db
8% Popularity • 44% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 44% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Varetta Dillard
Mama Don't Want What Papa Don't Want
72 bpm • G min • 02:10 • -8db
21% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Mickey Baker
Hit Git and Split
83 bpm • G Maj • 02:29 • -3.85db
18% Popularity • 61% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 61% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Warren Smith
Sweet, Sweet Girl
83 bpm • E Maj • 02:19 • -7.83db
16% Popularity • 63% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 63% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 95% Positiveness
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Wynonie Harris
Good Rockin' Tonight
71 bpm • G# Maj • 02:49 • -3.38db
14% Popularity • 42% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 42% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Billy "The Kid" Emerson
Every Woman I Know
74 bpm • A# Maj • 02:38 • -13.18db
1% Popularity • 42% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 42% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
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Dale Hawkins
Wild Wild World
83 bpm • E min • 01:48 • -5db
21% Popularity • 52% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 52% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Liggins and His Drops Of Joy
Cadillac Boogie
84 bpm • F# Maj • 02:36 • -12.8db
28% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Bill Justis
College Man
84 bpm • F Maj • 02:30 • -7.72db
11% Popularity • 50% Danceability • 71% Energy • 18% Liveness
68% Instrumentalness • 62% Positiveness
11% Popularity • 50% Danceability • 71% Energy • 18% Liveness
68% Instrumentalness • 62% Positiveness
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Warren Smith
I Like Your Kind Of Love
84 bpm • D Maj • 01:58 • -7.25db
22% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Floyd Dixon
450 Pound Woman
70 bpm • C Maj • 02:19 • -5db
29% Popularity • 64% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
29% Popularity • 64% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
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Billy "The Kid" Emerson
No Teasing Around
74 bpm • D# Maj • 03:00 • -8.94db
2% Popularity • 44% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 44% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dale Hawkins
See You Soon Baboon
84 bpm • D Maj • 01:59 • -4.91db
14% Popularity • 57% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 57% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Roy Milton
Baby I'm Gone
70 bpm • F min • 02:32 • -7db
19% Popularity • 53% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 53% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Janis Martin
Will You Willyum
85 bpm • D Maj • 01:58 • -6.4db
22% Popularity • 53% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 53% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Ray Smith
Shake Around
86 bpm • G Maj • 02:49 • -9.23db
10% Popularity • 61% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 61% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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The "5" Royales
Baby, Don't Do It
86 bpm • A min • 02:45 • -8db
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Billy "The Kid" Emerson
Tomorrow Never Comes
80 bpm • D# Maj • 02:41 • -14.21db
0% Popularity • 35% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 35% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Rufus Thomas
Bear Cat - Remastered 2022
86 bpm • D# min • 02:50 • -8.73db
24% Popularity • 57% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 57% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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Ruth Brown
As Long as I'm Moving
86 bpm • F# Maj • 02:45 • -12.68db
31% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Esther Phillips
Turn The Lamps Down Low (08-05-52)
68 bpm • D# Maj • 02:22 • -8.59db
12% Popularity • 67% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Liggins
Whiskey, Women & Loaded Dice
88 bpm • C Maj • 02:43 • -11db
24% Popularity • 81% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 81% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy McCracklin
That's The Way (It Goes)
68 bpm • D min • 02:16 • -13.47db
8% Popularity • 80% Danceability • 53% Energy • 6% Liveness
3% Instrumentalness • 65% Positiveness
8% Popularity • 80% Danceability • 53% Energy • 6% Liveness
3% Instrumentalness • 65% Positiveness
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Billy "The Kid" Emerson
The Woodchuck
73 bpm • E Maj • 03:07 • -12.12db
1% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Art Neville
Zing Zing
67 bpm • G Maj • 02:01 • -9.27db
28% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Amos Milburn
Soft Pilllow - Remastered
89 bpm • A min • 02:19 • -7.76db
13% Popularity • 63% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 63% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Wynonie Harris
Down Boy Down
90 bpm • C Maj • 02:29 • -7.19db
9% Popularity • 57% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 57% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Chuck Willis
There's Got to Be a Way
66 bpm • F Maj • 02:14 • -7.77db
10% Popularity • 57% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 57% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy McCracklin
She Felt Too Good
66 bpm • D# Maj • 02:48 • -8db
13% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Billy "The Kid" Emerson
When My Baby Quit Me
84 bpm • G Maj • 02:55 • -10.06db
0% Popularity • 46% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 46% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Powers
Rock Rock
90 bpm • E Maj • 01:56 • -11db
19% Popularity • 68% Danceability • 52% Energy • 11% Liveness
40% Instrumentalness • 85% Positiveness
19% Popularity • 68% Danceability • 52% Energy • 11% Liveness
40% Instrumentalness • 85% Positiveness
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Titus Turner
Hold Your Lovin'
90 bpm • C# Maj • 02:32 • -10.52db
11% Popularity • 66% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 66% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Larry Williams
She Said Yeah
91 bpm • F Maj • 01:51 • -11db
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence "Frogman" Henry
It Wont Be Long
91 bpm • D Maj • 02:12 • 1.32db
12% Popularity • 72% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 72% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy McCracklin
Let's Do It (The Chicken Scratch)
90 bpm • F Maj • 02:42 • -7db
11% Popularity • 68% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 68% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Billy "The Kid" Emerson
Something For Nothing
66 bpm • D# Maj • 02:45 • -14.63db
0% Popularity • 66% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
0% Popularity • 66% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Tommy Blake
Flat Foot Sam
91 bpm • A Maj • 02:02 • -5.33db
8% Popularity • 67% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Smiley Lewis
Blue Monday
91 bpm • G# Maj • 02:41 • -7db
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Bobby Mitchell
I'm Gonna Be A Wheel Someday - Remastere...
92 bpm • F Maj • 02:27 • -9.22db
8% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 78% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Lee Riley
Baby Please Don't Go
92 bpm • G# Maj • 02:05 • -11.52db
27% Popularity • 65% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 65% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Barbara Pittman
Everlasting Love
92 bpm • D# Maj • 01:56 • -8.41db
14% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Billy "The Kid" Emerson
When It Rains It Pours - Remastered 2022
70 bpm • A# Maj • 03:08 • -10.6db
5% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Five Keys
My Pigeon's Gone
93 bpm • D# Maj • 02:22 • -9.73db
11% Popularity • 72% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 72% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 96% Positiveness
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The Treniers
Go! Go! Go! - 78rpm Version
92 bpm • G# Maj • 02:22 • -11.4db
15% Popularity • 65% Danceability • 32% Energy • 55% Liveness
1% Instrumentalness • 91% Positiveness
15% Popularity • 65% Danceability • 32% Energy • 55% Liveness
1% Instrumentalness • 91% Positiveness
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Amos Milburn
Down The Road Apiece
93 bpm • C Maj • 03:00 • -13.89db
20% Popularity • 54% Danceability • 60% Energy • 12% Liveness
28% Instrumentalness • 91% Positiveness
20% Popularity • 54% Danceability • 60% Energy • 12% Liveness
28% Instrumentalness • 91% Positiveness
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Sonny Burgess
My Bucket's Got a Hole in It
93 bpm • F Maj • 02:16 • -7.42db
24% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Pat Cupp
Do Me No Wrong (Demo)
93 bpm • F min • 02:24 • -5db
21% Popularity • 56% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 56% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Billy "The Kid" Emerson
No Greater Love
70 bpm • D# Maj • 02:53 • -8.25db
0% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Roy Milton
One Zippy Zam
93 bpm • G# Maj • 02:43 • -8db
13% Popularity • 56% Danceability • 66% Energy • 14% Liveness
7% Instrumentalness • 80% Positiveness
13% Popularity • 56% Danceability • 66% Energy • 14% Liveness
7% Instrumentalness • 80% Positiveness
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Tommy Blake
Sweetie Pie
93 bpm • D# Maj • 02:04 • -11.02db
10% Popularity • 75% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 75% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Janis Martin
Let's Elope Baby
94 bpm • E Maj • 02:06 • -4.84db
26% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Tommy Ridgley
Jam Up
94 bpm • C Maj • 02:46 • -11db
15% Popularity • 69% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
15% Popularity • 69% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
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Sonny Burgess
Feelin' Good
95 bpm • E Maj • 02:18 • -11.17db
7% Popularity • 60% Danceability • 93% Energy • 61% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 60% Danceability • 93% Energy • 61% Liveness
0% Instrumentalness • 48% Positiveness
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Billy "The Kid" Emerson
I Get That Feeling
86 bpm • F Maj • 02:41 • -6.29db
0% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Mac Curtis
That Ain't Nothin' But Right
95 bpm • A Maj • 02:14 • -5.69db
14% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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The El Dorados
Bim Bam Boom
94 bpm • G# Maj • 02:53 • -11.61db
23% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
